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  1. Searching for Sycorax
    Black Women's Hauntings of Contemporary Horror
    Erschienen: [2017]; © 2017
    Verlag:  Rutgers University Press, New Brunswick, NJ

    Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre’s historic themes... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre’s historic themes and interrogating forms of literature that have often been ignored by Black feminist theory. Brooks examines the works of women across the African diaspora, from Haiti, Trinidad, and Jamaica, to England and the United States, looking at new and canonized horror texts by Nalo Hopkinson, NK Jemisin, Gloria Naylor, and Chesya Burke. These Black women fiction writers take advantage of horror’s ability to highlight U.S. white dominant cultural anxieties by using Africana folklore to revise horror’s semiotics within their own imaginary. Ultimately, Brooks compares the legacy of Shakespeare’s Sycorax (of The Tempest) to Black women writers themselves, who, deprived of mainstream access to self-articulation, nevertheless influence the trajectory of horror criticism by forcing the genre to de-centralize whiteness and maleness

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813584645
    Weitere Identifier:
    Schlagworte: England; african literature; african; diaspora; haiti; horror fiction; horror; jamaica; literature; shakespeare; tempest; trinidad; women; LITERARY CRITICISM / General; African American women authors; Feminist theory; Horror in literature; Women authors, Black; Schwarze Frau <Motiv>; Horrorliteratur; Schwarze Frau
    Umfang: 1 online resource, 10
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)

  2. Culture-bearing women
    the Black women renaissance and cultural nationalism
    Erschienen: [2019]
    Verlag:  De Gruyter Poland Ltd, Warsaw

    Frontmatter --Contents --Preface --1.Introduction: The Black Women Renaissance, Matrilineal Romances and the "Volkish Tradition" --2.Mapping the Black Women's Renaissance: The Formative 1970s and the Shift from a Black Nationalist to a Black Womanist... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Technische Universität Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Hildesheim
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Frontmatter --Contents --Preface --1.Introduction: The Black Women Renaissance, Matrilineal Romances and the "Volkish Tradition" --2.Mapping the Black Women's Renaissance: The Formative 1970s and the Shift from a Black Nationalist to a Black Womanist Aesthetic --3.Matrifocal Nationalism, Afrocentric Womanism and the Fear of Disinheritance --4.Kulturnation: The Black Women's Renaissance, Folk Heritage and the Essential Black Female Matrix --5.Volknation: The Black Holocaust and the Poetics of the Slave Sublime --6.Culturalism, Classism, and the Politics of Redistribution --Bibliography --Index This study examines the Black Women's Renaissance (BWR) - the flowering of literary talent among African American women at the end of the 20th century. It focuses on the historical and heritage novels of the 1980s and the vexed relationship between black cultural nationalism and black feminism. It argues that when the nation seemingly fell out of fashion, black women writers sought to re-create what Renan called "a soul, a spiritual principle" for their ethnic group. BWR narratives, especially those associated with womanism, appreciated "culture bearing" mothers as cultural reproducers of the nation and transmitters of its values. In this way, the writers of the BWR gave rise to "matrifocal" cultural nationalism that superseded masculine cultural nationalism of the previous decade and made black women, instead of black men, principal agents/carriers of national identity. This monograph argues that even though matrifocal nationalism empowered women, ultimately it was a flawed project. It promoted gender and cultural essentialism, i.e. it glorified black motherhood and mother-daughter bonding and condemned other, more radical models of black female subjectivity. Moreover, the BWR, vivified by middle-class and educated black women, turned readers' attention from more contentious social issues, such as class mobility or wealth redistribution. The monograph compares the cultural nationalist novels of the 1980s with social protest novels written by the same authors in the 1970s and explains the rationale behind the change in their aesthetic and political agenda. It also contrasts novels written by womanist writers (Toni Morrison, Alice Walker, Gloria Naylor to name just a few) and by African Caribbean immigrant or second-generation writers (Audre Lorde, Paule Marshall, Jamaica Kincaid and Michelle Cliff) to show that, on the score of cultural nationalism, the BWR was not a monolithic phenomenon. African American and African Caribbean women writers collectively contributed to the flourishing of the BWR, but they did not share the same ideas on black identities, histories, or the question of ethnonational belonging

     

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  3. Horizon, sea, sound
    Caribbean and African women's cultural critiques of nation
    Autor*in: Davis, Andrea
    Erschienen: 2022
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction. A Cultural Poetics -- Limits of the Horizon -- Re-turn to the Sea -- Sounding Place -- Postscript. Living in the Past, Future Present. "This book imagines new reciprocal relationships beyond the competitive forms of belonging suggested... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Brechtbau-Bibliothek
    NX 023.060
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    Introduction. A Cultural Poetics -- Limits of the Horizon -- Re-turn to the Sea -- Sounding Place -- Postscript. Living in the Past, Future Present. "This book imagines new reciprocal relationships beyond the competitive forms of belonging suggested by the nation-state. The book employs the tropes of the horizon, sea, and sound as a critique of nation-state discourses and formations"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810144583; 9780810144590
    Schriftenreihe: Critical insurgencies
    Schlagworte: Canadian literature; Canadian literature; Canadian literature; Canadian literature; Women authors, Black; Nationalism in literature; Belonging (Social psychology) in literature
    Umfang: xix, 277 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

  4. Grenzenlos und unverschämt
    Autor*in: Ayim, May
    Erschienen: Oktober 2022
    Verlag:  Unrast, Münster

    Deutsches Institut für Menschenrechte, Bibliothek
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    Cor/Ayi 556
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    Ostfalia Hochschule für angewandte Wissenschaften, Bibliothek
    SO Wd 026
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    Quelle: Verbundkataloge
    Beteiligt: Apraku, Josephine (VerfasserIn eines Vorworts); Mertins, Silke (VerfasserIn von ergänzendem Text)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783897712867; 3897712865
    Weitere Identifier:
    9783897712867
    RVK Klassifikation: MS 3530 ; GN 9999
    Auflage/Ausgabe: 2. Auflage
    Schlagworte: Women authors, Black; Women authors, Black; Poets, German; Women, Black; Racism; Black people; Écrivains noirs - Allemagne; Femmes noires - Allemagne; Racisme - Allemagne; Noirs - Allemagne; Authors, Black; Black people; Race relations; Racism; Women, Black
    Weitere Schlagworte: Ayim, May (1960-1996); Ayim, May - 1960-1996
    Umfang: 191 Seiten
    Bemerkung(en):

    Quellenhinweise Seite 176-177, Bibliografie Seite 178-191

  5. Radical elegies
    white violence, patriarchy, and necropoetics
    Autor*in: Perry, Eleanor
    Erschienen: 2022
    Verlag:  Bloomsbury Academic, London [England] ; Bloomsbury Publishing, [London, England]

    "Why is the poetic mode of elegy so often understood as the domain of white, wealthy male poets? What possibilities and limitations exist for rethinking the ways in which we construct an elegiac tradition? Through close examination of the rigid... mehr

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    "Why is the poetic mode of elegy so often understood as the domain of white, wealthy male poets? What possibilities and limitations exist for rethinking the ways in which we construct an elegiac tradition? Through close examination of the rigid hierarchies and binaries that pervade the elegiac canon as it is traditionally understood, this book explores these possibilities in order to examine whose work tends to be excluded from the discourse and why. Through in-depth close readings of elegies by Black women, trans* women, and non-binary writers, this book foregrounds forms of poetic knowledge and poetic practices that trouble - or work against - the ideals, values, standards and forms of knowledge embodied by the 'English' elegy so often privileged within canonical tradition. In doing so, it offers a challenge to the ways in which we currently read elegy, unearthing possibilities for revising our understanding of the elegiac tradition."--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350236097; 9781350236080; 9781350236103
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Bloomsbury Studies in Critical Poetics
    Schlagworte: Elegiac poetry, English; Women authors, Black; Transgender women; Gender-nonconforming people; Electronic books
    Umfang: 1 Online-Ressource (224 pages)
    Bemerkung(en):

    Includes bibliographical references

    Introduction--Elegy: Binaries and Hierarchies -- Chapter 1: Intellectual Feats and Ornate Absences: Receptions and Response to Elegies by Black American Women Poets -- Chapter 2: 'White Ways are the Way of Death': Elegies for Racial Injustice -- Chapter 3: Abstracted Grief, Precarious Grief: Rethinking Elegy via Trans* and Two-Spirit Necropoetics Coda: Where do we Go From Here -- Bibliography.

  6. Palavras além dos livros
    literatura negro-brasileira escrita por mulheres
    Beteiligt: Santos, Mirian Cristina dos (HerausgeberIn)
    Erschienen: [2021]
    Verlag:  Paco Editorial, Jundiaí-SP

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Linga A/916652
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    Quelle: Verbundkataloge
    Beteiligt: Santos, Mirian Cristina dos (HerausgeberIn)
    Sprache: Portugiesisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9786558403784; 6558403781
    Auflage/Ausgabe: 1a Edição
    Schriftenreihe: Coleção Literatura e interfaces ; v. 10
    Schlagworte: Women authors, Black; Women, Black; Brazilian literature; Brazilian literature/Black authors; Women, Black
    Umfang: 198 Seiten, 21 cm
    Bemerkung(en):

    Includes bibliographical references

  7. Black women writers at work
    Beteiligt: Tate, Claudia (HerausgeberIn); Olsen, Tillie (VerfasserIn eines Vorworts)
    Erschienen: [2023]; © 2023
    Verlag:  Haymarket Books, Chicago

    Universitätsbibliothek Freiburg
    GE 2023/937
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    Quelle: Verbundkataloge
    Beteiligt: Tate, Claudia (HerausgeberIn); Olsen, Tillie (VerfasserIn eines Vorworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781642598742; 9781642598407
    Weitere Identifier:
    9781642598407
    RVK Klassifikation: HU 1728
    Schlagworte: Women authors, Black
    Umfang: xiii, 298 Seiten, 22 cm
  8. Approaches to teaching the works of Edwidge Danticat
    Beteiligt: Joseph, Celucien L. (HerausgeberIn); Banerjee, Suchismita (HerausgeberIn); Hobson, Marvin E. (HerausgeberIn); Hoey, Danny M. (HerausgeberIn)
    Erschienen: 2021
    Verlag:  Routledge, New York

    Technische Universität Chemnitz, Universitätsbibliothek
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    Beteiligt: Joseph, Celucien L. (HerausgeberIn); Banerjee, Suchismita (HerausgeberIn); Hobson, Marvin E. (HerausgeberIn); Hoey, Danny M. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032240305; 9780367263744
    Auflage/Ausgabe: First issued in paperback
    Schriftenreihe: Routledge studies in contemporary literature ; 35
    Schlagworte: Women authors, Black
    Weitere Schlagworte: Danticat, Edwidge (1969-)
    Umfang: xiv, 365 Seiten, 23 cm
  9. Multimodality in Canadian black feminist writing
    orality and the body in the work of Harris, Philip, Allen, and Brand
    Erschienen: 2009
    Verlag:  Rodopi, Amsterdam

    Preliminary Material -- Writing Creole in the Caribbean Diaspora -- Four Canadian Writers and Their Works -- Orality, Literacy, and the Derridean Sign -- Spelling Choices and Linguistic Mistakes -- A Sign Theory -- Code-Switching, Projection, and... mehr

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    Preliminary Material -- Writing Creole in the Caribbean Diaspora -- Four Canadian Writers and Their Works -- Orality, Literacy, and the Derridean Sign -- Spelling Choices and Linguistic Mistakes -- A Sign Theory -- Code-Switching, Projection, and Mode -- Mode and Non-Standard Spellings -- Embodied Signs of Identity -- Concluding Thoughts -- Works Cited. This book develops a theory of multimodality – the participation of a text in more than one mode – centred on the poetry/poetics of Lillian Allen, Claire Harris, Dionne Brand, and Marlene Nourbese Philip. How do these poets represent oral Caribbean English Creoles (CECs) in writing and negotiate the relationship between the high literary in Canadian letters and the social and historical meanings of CECs? How do the latter relate to the idea of “female and black”? Through fluid use of code- and mode-switching, the movement of Brand and Philip between creole and standard English, and written orality and standard writing forms part of their meanings. Allen’s eye-spellings precisely indicate stereotypical creole sounds, yet use the phonological system of standard English. On stage, Allen projects a black female body in the world and as a speaking subject. She thereby shows that the implication of the written in the literary excludes her body’s language (as performance); and she embodies her poetry to realize a ‘language’ alternative to the colonizing literary. Harris’s creole writing helps her project a fragmented personality, a range of dialects enabling quite different personae to emerge within one body. Thus Harris, Brand, Philip, and Allen both project the identity “female and black” and explore this social position in relation to others. Considering textual multimodality opens up a wide range of material connections. Although written, this poetry is also oral; if oral, then also embodied; if embodied, then also participating in discourses of race, gender, sexuality, and a host of other systems of social organization and individual identity. Finally, the semiotic body as a mode (i.e. as a resource for making meaning) allows written meanings to be made that cannot otherwise be expressed in writing. In every case, Allen, Philip, Harris, and Brand escape the constraints of dominant media, refiguring language via dialect and mode to represent a black feminist sensibility

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789042026872
    Weitere Identifier:
    Schriftenreihe: Array ; 112
    Schlagworte: Women authors, Black; Canadian literature; Canadian literature ; Black authors; Women authors, Black; Criticism, interpretation, etc
    Weitere Schlagworte: Harris, Claire (1937-); Philip, Marlene Nourbese (1947-); Allen, Lillian (1951-); Brand, Dionne (1953-); Allen, Lillian; Brand, Dionne; Harris, Claire; Philip, Marlene Nourbese
    Umfang: 1 Online-Ressource (xxxiv, 213 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references

  10. Black women's writing
    quest for identity in the plays of Lorraine Hansberry and Ntozake Shange
    Autor*in: Sharadha, Y. S.
    Erschienen: 1998
    Verlag:  Sangam Books, London

    Universitätsbibliothek Wuppertal
    EHOQ2158
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0861323939
    RVK Klassifikation: HU 9800
    Schlagworte: Women authors, Black; Identität <Motiv>; Drama
    Weitere Schlagworte: Hansberry 1930-1965; Shange; Hansberry, Lorraine (1930-1965); Shange, Ntozake (1948-2018)
    Umfang: 144 S.
  11. Approaches to Teaching the Works of Edwidge Danticat
    Erschienen: 2019
    Verlag:  Routledge, New York ; Taylor & Francis Group, London

    Providing an intellectual interpretation to the work of Edwidge Danticat, this new edited collection provides a pedagogical approach to teach and interpret her body of work in undergraduate and graduate classrooms. Approaches to Teaching the Works of... mehr

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    Providing an intellectual interpretation to the work of Edwidge Danticat, this new edited collection provides a pedagogical approach to teach and interpret her body of work in undergraduate and graduate classrooms. Approaches to Teaching the Works of Edwidge Danticat starts out by exploring diasporic categories and postcolonial themes such as gender constructs, cultural nationalism, cultural and communal identity, and moves to investigate Danticat's human rights activism, the immigrant experience, the relationship between the particular and the universal, and the violence of hegemony and imperialism in relationship with society, family, and community. The Editors of the collection have carefully compiled works that show how Danticat's writings may help in building more compassionate and relational human communities that are grounded on the imperative of human dignity, respect, inclusion, and peace

     

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    Quelle: Verbundkataloge
    Beteiligt: Joseph, Celucien L; Banerjee, Suchismita; Hobson, Marvin E; Hoey, Danny M
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000005707; 1000005704; 9780429293023; 042929302X; 9781000012521; 1000012522; 9781000019049; 1000019047
    Schriftenreihe: Routledge Studies in Contemporary Literature Ser
    Schlagworte: Women authors, Black; LITERARY CRITICISM / Caribbean & Latin American
    Weitere Schlagworte: Danticat, Edwidge (1969-)
    Umfang: 1 Online-Ressource (381 p.)
    Bemerkung(en):

    Description based upon print version of record

  12. Searching for Sycorax
    black women's hauntings of contemporary horror
    Erschienen: [2018]; © 2018
    Verlag:  Rutgers University Press, New Brunswick, Camden

    "Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre's historic themes... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre's historic themes and interrogating forms of literature that have often been ignored by Black feminist theory"-- Introduction: Searching for Sycorax: black women and horror -- The importance of neglected intersections: characterizations of black women in mainstream horror texts -- Black feminism and the struggle for literary respectability -- Black women writing fluid fiction: an open challenge to genre normativity -- Folkloric horror: a new way of reading black women's creative horror -- Conclusion Sycorax's power of revision: reconstructing black women's counter-narratives -- Appendix: creative work summary

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780813584614; 9780813584621
    RVK Klassifikation: HU 1728 ; HU 1814
    Schlagworte: Horror in literature; African American women authors; Women authors, Black; Feminist theory
    Umfang: xvi, 199 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes index

  13. The Sisterhood
    how a network of Black Women writers changed American culture
    Erschienen: [2023]
    Verlag:  Columbia University Press, New York

    "On February 6, 1977, Toni Morrison, Alice Walker, Ntozake Shange, and several other Black women writers met at June Jordan's Brooklyn apartment. Naming itself "The Sisterhood," the group would meet over the next two years to discuss the future of... mehr

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    "On February 6, 1977, Toni Morrison, Alice Walker, Ntozake Shange, and several other Black women writers met at June Jordan's Brooklyn apartment. Naming itself "The Sisterhood," the group would meet over the next two years to discuss the future of Black literary feminism, how to promote and publicize their work, and the everyday pressures and challenges of being a Black woman writer. This network of individuals, which would also come to include Audre Lorde, Paule Marshall, Toni Cade Bambara and Margo Jefferson, as well as other Black women, shaped the direction of Black women's writing and Black literary culture in the post-Civil Rights and post-Black Arts Movement era and its reception in popular culture, the literary marketplace, and the academy. Drawing on meeting notes, interviews with participants their writings, and correspondence, Courtney Thorsson's history of "The Sisterhood" recounts the personal, political, and professional bonds and motivations that shaped the group's history and its dissolution. Turning to the group's legacy, she considers the critical and popular success of Alice Walker and Toni Morrison in the 1980s, the uneasy absorption of Black feminism into the academy, and the racist and misogynistic backlash these writers faced and the limits of mainstream success. Though "The Sisterhood" only formally existed for two years, its impact on American literature and culture, as Thorsson demonstrates, has been profound even as it reveals the limitations of its success"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231555678
    Schlagworte: American literature; American literature; American literature; Women authors, Black; Feminism in literature; Community life; American literature; American literature; American literature; Women authors, Black; Feminism in literature; Community life; Littérature américaine - 20e siècle - Histoire et critique; Écrits de femmes américains - Histoire et critique; Littérature américaine - Auteurs noirs - Histoire et critique; Écrivaines noires - États-Unis; Féminisme dans la littérature; Communauté - États-Unis - Histoire - 20e siècle; American literature; American literature - Women authors; Community life; Feminism in literature; Women authors, Black; Criticism, interpretation, etc; History; Literary criticism; Literary criticism; Critiques littéraires; Literary criticism
    Umfang: 1 Online-Ressource (viii, 280 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    "Revolution is not a one-time event" -- "An association of Black Women who are writers/poets/artists" -- "To move the needle in Black women's lives" -- "A community of writers even if they only slap five once a month" -- "a regular profusion of certain / unidentified roses" -- "The function of freedom is to free somebody else" -- "Making use of being used" -- Appendix A: Members of The Sisterhood -- Appendix B: Meetings of The Sisterhood

  14. Horizon, sea, sound
    Caribbean and African women's cultural critiques of nation
    Autor*in: Davis, Andrea
    Erschienen: 2022
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction. A Cultural Poetics -- Limits of the Horizon -- Re-turn to the Sea -- Sounding Place -- Postscript. Living in the Past, Future Present. "This book imagines new reciprocal relationships beyond the competitive forms of belonging suggested... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Introduction. A Cultural Poetics -- Limits of the Horizon -- Re-turn to the Sea -- Sounding Place -- Postscript. Living in the Past, Future Present. "This book imagines new reciprocal relationships beyond the competitive forms of belonging suggested by the nation-state. The book employs the tropes of the horizon, sea, and sound as a critique of nation-state discourses and formations"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810144583; 9780810144590
    Schriftenreihe: Critical insurgencies
    Schlagworte: Canadian literature; Canadian literature; Canadian literature; Canadian literature; Women authors, Black; Nationalism in literature; Belonging (Social psychology) in literature
    Umfang: xix, 277 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

  15. Common threads
    themes in Afro-Hispanic women's literature
    Erschienen: 1998
    Verlag:  Ed. Universal, Miami, Fla.

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0897298276
    Auflage/Ausgabe: 1. ed
    Schriftenreihe: Colección ébano y canela
    Schlagworte: Spanish American literature; Spanish American literature; Spanish American literature; Spanish American literature; Spanish American literature; Spanish American literature; Women and literature; Women authors, Black; Authors, Spanish American
    Umfang: 325 S
  16. Radical elegies
    white violence, patriarchy, and necropoetics
    Autor*in: Perry, Eleanor
    Erschienen: 2022
    Verlag:  Bloomsbury Academic, London [England] ; Bloomsbury Publishing, [London, England]

    "Why is the poetic mode of elegy so often understood as the domain of white, wealthy male poets? What possibilities and limitations exist for rethinking the ways in which we construct an elegiac tradition? Through close examination of the rigid... mehr

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    "Why is the poetic mode of elegy so often understood as the domain of white, wealthy male poets? What possibilities and limitations exist for rethinking the ways in which we construct an elegiac tradition? Through close examination of the rigid hierarchies and binaries that pervade the elegiac canon as it is traditionally understood, this book explores these possibilities in order to examine whose work tends to be excluded from the discourse and why. Through in-depth close readings of elegies by Black women, trans* women, and non-binary writers, this book foregrounds forms of poetic knowledge and poetic practices that trouble - or work against - the ideals, values, standards and forms of knowledge embodied by the 'English' elegy so often privileged within canonical tradition. In doing so, it offers a challenge to the ways in which we currently read elegy, unearthing possibilities for revising our understanding of the elegiac tradition."--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350236097; 9781350236080; 9781350236103
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Bloomsbury Studies in Critical Poetics
    Schlagworte: Elegiac poetry, English; Women authors, Black; Transgender women; Gender-nonconforming people; Electronic books
    Umfang: 1 Online-Ressource (224 pages)
    Bemerkung(en):

    Includes bibliographical references

    Introduction--Elegy: Binaries and Hierarchies -- Chapter 1: Intellectual Feats and Ornate Absences: Receptions and Response to Elegies by Black American Women Poets -- Chapter 2: 'White Ways are the Way of Death': Elegies for Racial Injustice -- Chapter 3: Abstracted Grief, Precarious Grief: Rethinking Elegy via Trans* and Two-Spirit Necropoetics Coda: Where do we Go From Here -- Bibliography.

  17. I write the yawning void
    selected essays of Sindiwe Magona
    Beteiligt: Schatteman, Renée (ZusammenstellendeR)
    Erschienen: 2023
    Verlag:  Wits University Press, Johannesburg

    Sindiwe Magona is a celebrated South African writer, storyteller and motivational speaker known mainly for her autobiographies, biographies, novels, short stories, poetry and children's books. I Write the Yawning Void is a collection of essays that... mehr

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    Sindiwe Magona is a celebrated South African writer, storyteller and motivational speaker known mainly for her autobiographies, biographies, novels, short stories, poetry and children's books. I Write the Yawning Void is a collection of essays that highlight her engagement with her writing that spans the transition from apartheid to the post-apartheid period, and that addresses themes such as HIV/Aids, language and culture, home and belonging.Magona worked as a teacher and domestic worker, and spent two decades working for the United Nations in the United States of America. She has received many awards for her fearless writing 'truth to power'. Her written work is often informed by her lived experience of being a black woman resisting subjugation and poverty.These essays bring to life many facets of Magona's personal history as well as her deepest convictions, her love for her country and despair at the problems that continue to plague it, and her belief in her ability to activate change. They demonstrate Magona's mastery of the essay form and serve as meaningful supplements to her fictional works, offering insightful responses to the conditions that inspired them.

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Schatteman, Renée (ZusammenstellendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781776148202; 9781776148189
    Schlagworte: Women, Black; Women authors, Black; South African literature; Apartheid in literature; Politics in literature
    Weitere Schlagworte: Magona, Sindiwe
    Umfang: 1 online resource (xxiv, 215 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 08 Mar 2024)

  18. Searching for Sycorax
    Black Women's Hauntings of Contemporary Horror
    Erschienen: [2017]
    Verlag:  Rutgers University Press, New Brunswick, NJ

    Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction. Searching for Sycorax: Black Women and Horror -- 1. The Importance of Neglected Intersections: Characterizations of Black Women in Mainstream Horror Texts -- 2. Black Feminism and... mehr

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    Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction. Searching for Sycorax: Black Women and Horror -- 1. The Importance of Neglected Intersections: Characterizations of Black Women in Mainstream Horror Texts -- 2. Black Feminism and the Struggle for Literary Respectability -- 3. Black Women Writing Fluid Fiction: An Open Challenge to Genre Normativity -- 4. Folkloric Horror: A New Way of Reading Black Women’s Creative Horror -- Conclusion. Sycorax’s Power of Revision: Reconstructing Black Women’s Counternarratives -- Appendix: Creative Work Summary -- Notes -- Index -- About the Author Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre’s historic themes and interrogating forms of literature that have often been ignored by Black feminist theory. Brooks examines the works of women across the African diaspora, from Haiti, Trinidad, and Jamaica, to England and the United States, looking at new and canonized horror texts by Nalo Hopkinson, NK Jemisin, Gloria Naylor, and Chesya Burke. These Black women fiction writers take advantage of horror’s ability to highlight U.S. white dominant cultural anxieties by using Africana folklore to revise horror’s semiotics within their own imaginary. Ultimately, Brooks compares the legacy of Shakespeare’s Sycorax (of The Tempest) to Black women writers themselves, who, deprived of mainstream access to self-articulation, nevertheless influence the trajectory of horror criticism by forcing the genre to de-centralize whiteness and maleness

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813584645
    Weitere Identifier:
    Schlagworte: Women authors, Black; African American women authors; Feminist theory; Horror in literature; American literature; American literature; Horror tales, American; Horror tales, American; African American women in literature; Women, Black; Women, Black; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource, 10
    Bemerkung(en):

    restricted access online access with authorization star

  19. Searching for Sycorax
    Black Women's Hauntings of Contemporary Horror
    Erschienen: [2017]; © 2017
    Verlag:  Rutgers University Press, New Brunswick, NJ

    Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre’s historic themes... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre’s historic themes and interrogating forms of literature that have often been ignored by Black feminist theory. Brooks examines the works of women across the African diaspora, from Haiti, Trinidad, and Jamaica, to England and the United States, looking at new and canonized horror texts by Nalo Hopkinson, NK Jemisin, Gloria Naylor, and Chesya Burke. These Black women fiction writers take advantage of horror’s ability to highlight U.S. white dominant cultural anxieties by using Africana folklore to revise horror’s semiotics within their own imaginary. Ultimately, Brooks compares the legacy of Shakespeare’s Sycorax (of The Tempest) to Black women writers themselves, who, deprived of mainstream access to self-articulation, nevertheless influence the trajectory of horror criticism by forcing the genre to de-centralize whiteness and maleness

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813584645
    Weitere Identifier:
    Schlagworte: England; african literature; african; diaspora; haiti; horror fiction; horror; jamaica; literature; shakespeare; tempest; trinidad; women; LITERARY CRITICISM / General; African American women authors; Feminist theory; Horror in literature; Women authors, Black; Schwarze Frau <Motiv>; Horrorliteratur; Schwarze Frau
    Umfang: 1 online resource, 10
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)

  20. Afroeurope@ns
    cultures and identities
    Erschienen: 2008
    Verlag:  Cambridge Scholars, Newcastle

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1282192558; 1443808946; 9781282192553; 9781443808941
    RVK Klassifikation: EC 5208
    Schlagworte: BIOGRAPHY & AUTOBIOGRAPHY / Literary; European literature; Group identity in literature; African diaspora in literature; Women authors, Black; Authors, Black; Literatur; Schwarze
    Umfang: 1 Online-Ressource ([ix], 207 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [199]-203)

    The essays in this groundbreaking collection constitute a pioneering attempt at establishing a comparative agenda for the study of black literatures and identities in the context of the European Union. Drawing from a wide variety of critical perspectives

  21. Multimodality in Canadian black feminist writing
    orality and the body in the work of Harris, Philip, Allen, and Brand
    Erschienen: 2009
    Verlag:  Rodopi, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9042026871; 9789042026872
    Schriftenreihe: Cross/cultures ; 112
    Schlagworte: LITERARY CRITICISM / American / General; Canadian literature / Black authors; Women authors, Black; Women authors, Black; Canadian literature; Schwarze Frau; Schwarze; Englisch; Lyrik; Kreolisch-Englisch; Kreolische Sprachen; Feministin; Autorin
    Weitere Schlagworte: Allen, Lillian / 1951-; Brand, Dionne / 1953-; Harris, Claire / 1937-; Philip, Marlene Nourbese / 1947-; Harris, Claire / 1937-; Philip, Marlene Nourbese / 1947-; Allen, Lillian / 1951-; Brand, Dionne / 1953-; Harris, Claire (1937-); Philip, Marlene Nourbese (1947-); Allen, Lillian (1951-); Brand, Dionne (1953-)
    Umfang: 1 Online-Ressource (xxxiv, 213 p.)
    Bemerkung(en):

    Includes bibliographical references

    Writing Creole in the Caribbean diaspora -- Four Canadian writers and their works -- Orality, literacy, and the Derridean sign -- Spelling choices and linguistic mistakes -- A sign theory -- code-switching, projection, and mode -- Mode and non-standard spellings -- Embodied signs of identity -- Concluding thoughts

  22. Black women's writing
    quest for identity in the plays of Lorraine Hansberry and Ntozake Shange
    Autor*in: Sharadha, Y. S.
    Erschienen: 1998
    Verlag:  Sangam Books, London

    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Würzburg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0861323939
    RVK Klassifikation: HU 3759 ; HU 8241
    Schlagworte: Women authors, Black; Identität <Motiv>; Drama
    Weitere Schlagworte: Hansberry, Lorraine <1930-1965>; Shange, Ntozake; Shange, Ntozake (1948-2018); Hansberry, Lorraine (1930-1965)
    Umfang: 144 S.
  23. Sturdy black bridges
    Visions of black women in literature. Ed. by ... Bettye J. Parker and Beverly Guy-Sheftall
    Erschienen: 1979
    Verlag:  Anchor Press, New York

    Universitätsbibliothek Bayreuth
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0385133472
    RVK Klassifikation: EP 20140
    Schriftenreihe: Anchor Books.
    Schlagworte: Women, Black, in literature; Women authors, Black; Women, Black; Blacks; Blacks in literature; Literatur; Frau <Motiv>; Schwarze Frau <Motiv>; Geschichte
    Umfang: XXXI, 422 S.: Ill.
  24. Sturdy black bridges
    Visions of black women in literature
    Erschienen: 1979
    Verlag:  Anchor Pr., Garden City, NY

    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0385133472
    RVK Klassifikation: HU 1728
    Schriftenreihe: Anchor books.
    Schlagworte: Noires - Anthologies; Noires dans la littérature; Écrivaines noires; Blacks in literature; Blacks; Women authors, Black; Women, Black; Women, Black, in literature; Geschichte; Literatur; Schwarze Frau <Motiv>; Frau <Motiv>
    Umfang: XXXI, 422 S.: Ill.
  25. Black women's writing
    Erschienen: 1993
    Verlag:  Macmillan, Basingstoke [u.a.]

    Universitätsbibliothek Bamberg
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    Sprache: Englisch
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    ISBN: 0333522532; 0333522524
    RVK Klassifikation: HP 1160 ; HU 1728 ; HU 1732
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Insights
    Schlagworte: Women authors, Black; Literatur; Literature; Literature, Modern; Literature, Modern; Englisch; Schwarze; Frauenliteratur; Literatur; Schwarze Frau; Schriftstellerin
    Umfang: X, 189 S.