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  1. NUEVAS APROXIMACIONES A VIEJAS POLEMICAS
    Erschienen: 2019
    Verlag:  FONDO EDITORIAL DE LA PON, [Place of publication not identified]

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Ebook
    Format: Online
    ISBN: 6123175041; 9786123175047
    Schlagworte: Art and literature; Film adaptations; Visualization in literature; Film adaptations; Visualization in literature; Art and literature
    Umfang: 1 Online-Ressource (1 online resource)
  2. ASense of Shock
    The Impact of Impressionism on Modern British and Irish Writing
    Autor*in: Parkes, Adam
    Erschienen: 2011; ©2011
    Verlag:  Oxford University Press USA - OSO, Cary

    A Sense of Shock examines the various, complex relations between impressionist texts and contexts in modern British and Irish works by Bowen, Conrad, Ford, James, Wilde, Woolf, and others, to argue that literary impressionism was an emphatically... mehr

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    A Sense of Shock examines the various, complex relations between impressionist texts and contexts in modern British and Irish works by Bowen, Conrad, Ford, James, Wilde, Woolf, and others, to argue that literary impressionism was an emphatically historical phenomenon. Cover -- Table of Contents -- Preface -- Acknowledgments -- Introduction -- 1. "A Sense of Justice": Ruskin, Whistler, and James -- 2. "A Chain of Secret Influences": Pater's Disciples -- 3. "Fugitive Imaginings": Art, Nationhood, and George Moore's Racial Instincts -- 4. "Shocks and Surprises": Conrad, Terrorism, and Languages of Sensation -- 5. "Violent Moments of Being": Woolf, Pater, and Fry -- 6. "The Typical Man of This Period": Ford's Depression -- Epilogue: Bowen's Demolished Moment -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

     

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  3. Glancing visions
    surface and depth in nineteenth-century American literature
    Autor*in: Tavlin, Zachary
    Erschienen: [2023]
    Verlag:  The University of Alabama Press, Tuscaloosa

    "The sweeping vantages that typify American landscape painting from the nineteenth century by Thomas Cole and other members of the Hudson School are often interpreted for their geopolitical connotations, as visual attempts to tame the wild,... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    334459 - A
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    "The sweeping vantages that typify American landscape painting from the nineteenth century by Thomas Cole and other members of the Hudson School are often interpreted for their geopolitical connotations, as visual attempts to tame the wild, alleviating fears of a savage frontier through views that subdue the landscape to the eye. Zachary Tavlin's "Glancing Visions" challenges the long-standing assumption that visuality in nineteenth-century art and literature was inherently imperialistic or possessive. While there is much to be said for both material, economic, and theological impulses to clear the wilderness, superimpose a national identity, and usher in a Puritanical idyll, many literary figures of the era display a purposeful disdain for the "possessive gaze," signaling instead a preference for subtle glances, often informed by early photography, Impressionism, new techniques in portraiture, and, soon after, the dawn of cinema. The visual subjectivities and contingencies introduced by these media made room for a visual counter-narrative, one informed by a mode of seeing that moves fast and lightly across the surface of things. Tavlin probes Nathaniel Hawthorne's idea of the imagination, one that derives from both the camera obscura (in "The Custom House") and the daguerreotype (in The House of the Seven Gables), each in its way an instance of the "glance" and entirely dependent on temporal moments. The poetry of Frances Ellen Watkins Harper toggles between gazes and glances, unsettling two competing forms of racialized seeing as they pertain to nineteenth-century Black life and racial hierarchies--the sentimental gaze and the slave trader's glance--highlighting the life-and-death stakes of both looking anyone squarely in the eye and looking away. Emily Dickinson's "certain slant of light," syntactical oddities, and her stitching of scraps and fragments into the fascicles that constitute her corpus all derive from a commitment to contingency, "the ungrounded life's only defense against the abyss of non-being." Tavlin investigates, as well, Henry James's vexed but entirely dependent relationship to literary and painterly impressionism, and William Carlos Williams's imagist poetics as a response to early cinema's use of the cut as the basis for a new visual grammar. Each of these literary artists, Tavlin argues--via their own distinctive sensibilities and the artistic or technological counterparts that informed them-refuse the authoritative, all-possessive gaze in favor of the glance, a mode of seeing, thinking, and being that made way for what we now think of as commonplace, namely modernity"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780817360894; 9780817321567
    Schlagworte: American literature; Visual perception in literature; Visualization in literature; American literature; Visual perception in literature; Visualization in literature; Criticism, interpretation, etc
    Umfang: XIII, 242 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  4. Virgil's cinematic art
    vision as narrative in the Aeneid
    Erschienen: 2022; ©2023
    Verlag:  Oxford University Press, New York, NY

    Through a series of close readings centered primarily on Virgil's 'Aeneid', Kirk Freudenburg shows that the experiential effects that Virgil puts into play do serious narrative work of their own by structuring lines of sight, both visual and emotive,... mehr

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Through a series of close readings centered primarily on Virgil's 'Aeneid', Kirk Freudenburg shows that the experiential effects that Virgil puts into play do serious narrative work of their own by structuring lines of sight, both visual and emotive, and shifting them about in ways that move readers (interpellated as viewers) into and out of the visual and emotional worlds of the story's characters.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780197643273; 9780197643266
    Weitere Identifier:
    Schriftenreihe: Oxford scholarship online
    Schlagworte: Imagery (Psychology) in literature; Visualization in literature; Literature; Literature: history & criticism
    Weitere Schlagworte: Virgil: Aeneis
    Umfang: 1 online resource, illustrations (black and white, and colour).
    Bemerkung(en):

    Also issued in print: 2023. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 19, 2022)

  5. Visionary Journeys
    Travel Writings from Early Medieval and Nineteenth-Century China
    Autor*in: Tian, Xioafei
    Erschienen: 2012
    Verlag:  BRILL, Leiden

    Seeing with the mind's eye -- Journeys to other worlds -- Xie Lingyun, Poet of purgatory -- The rhetorical schemata of seeing -- Poetry and experience in the nineteenth century. mehr

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    Seeing with the mind's eye -- Journeys to other worlds -- Xie Lingyun, Poet of purgatory -- The rhetorical schemata of seeing -- Poetry and experience in the nineteenth century.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781684170623; 9780674062528
    Weitere Identifier:
    Schriftenreihe: Harvard University Studies in East Asian Law ; 78
    Harvard University Asia Center E-Book Collection, ISBN: 9789004407077
    Schlagworte: Chinese; Displacement (Psychology) in literature; Foreign countries in literature; Literature and history; Literature and history; Travel in literature; Travelers' writings, Chinese; Visualization in literature
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

  6. Narrating the visual in Shakespeare
    Autor*in: Meek, Richard
    Erschienen: 2009
    Verlag:  Ashgate, Farnham, Surrey [u.a.]

    Universitätsbibliothek Bielefeld
    WE795 M494
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    Universitäts- und Landesbibliothek Bonn
    2009/9565
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    Universitätsbibliothek Duisburg-Essen
    DXW1910
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    Gemeinsame Fachbibliothek Medienkultur und Theater, Theaterwissenschaftliche Sammlung
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780754657750; 0754657752
    RVK Klassifikation: HI 3381
    Schlagworte: Narration (Rhetoric); Mimesis in literature; Visualization in literature; Visual perception in literature; Imagery (Psychology) in literature; Erzählen <Motiv>; Bildersprache; Drama
    Weitere Schlagworte: Shakespeare 1564-1616; Shakespeare, William (1564-1616)
    Umfang: VIII, 222 S., Ill.
    Bemerkung(en):

    hier auch später erschienene, unveränd. Nachdrucke

  7. Takhyīl
    the imaginary in classical Arabic poetics
    Erschienen: 2008
    Verlag:  Gibb Memorial Trust, [Warminster]

    Thomas-Institut, Bibliothek
    432/C1/2/2008Ta
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780906094693
    RVK Klassifikation: EN 2680 ; EN 2660
    Schlagworte: Arabic poetry; Fantasy in literature; Imagery (Psychology) in literature; Visualization in literature; Arabisch; Bildersprache; Lyrik
    Umfang: XV, 286 S.
    Bemerkung(en):

    Part 1: Texts, Part 2: Studies

  8. Narrating the visual in Shakespeare
    Autor*in: Meek, Richard
    Erschienen: 2016
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    Universitätsbibliothek Siegen
    11DXW2055
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    Quelle: Verbundkataloge
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    ISBN: 9780754657750
    Schlagworte: Narration (Rhetoric); Mimesis in literature; Visualization in literature; Visual perception in literature; Imagery (Psychology) in literature; Bildersprache; Drama; Erzählen <Motiv>
    Weitere Schlagworte: Shakespeare 1564-1616; Shakespeare, William (1564-1616)
    Umfang: viii, 222 Seiten, Illustrationen
  9. A sense of shock
    the impact of Impressionism on modern British and Irish writing
    Autor*in: Parkes, Adam
    Erschienen: 2011
    Verlag:  Oxford University Press, New York ;

    Examines the various, complex relations between impressionist texts and contexts in modern British and Irish works by Bowen Conrad, Ford, James, Wilde, Woolf, and others, to argue that literary impressionism was an emphatically historical phenomenon. mehr

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    Examines the various, complex relations between impressionist texts and contexts in modern British and Irish works by Bowen Conrad, Ford, James, Wilde, Woolf, and others, to argue that literary impressionism was an emphatically historical phenomenon.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780199896950
    Weitere Identifier:
    Schlagworte: English literature; English literature; Art and literature; Art and literature; Impressionism in literature; Visualization in literature; Imagery (Psychology) in literature; Impressionism; Modernism (Literature); Literature
    Umfang: 1 online resource (xviii, 284 p.)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

  10. Visualisierungen
    Textualität - Deixis - Lektüre
    Erschienen: 2007
    Verlag:  WVT, Wiss. Verlag Trier, Trier

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3884769669; 9783884769669
    RVK Klassifikation: EC 2440
    Schriftenreihe: Literatur, Imagination, Realität ; 41
    Schlagworte: Visualization in literature; Visual perception in literature
    Umfang: 254 S., Ill., 210 mm x 148 mm
  11. Glancing visions
    surface and depth in nineteenth-century American literature
    Autor*in: Tavlin, Zachary
    Erschienen: [2023]
    Verlag:  The University of Alabama Press, Tuscaloosa

    "The sweeping vantages that typify American landscape painting from the nineteenth century by Thomas Cole and other members of the Hudson School are often interpreted for their geopolitical connotations, as visual attempts to tame the wild,... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The sweeping vantages that typify American landscape painting from the nineteenth century by Thomas Cole and other members of the Hudson School are often interpreted for their geopolitical connotations, as visual attempts to tame the wild, alleviating fears of a savage frontier through views that subdue the landscape to the eye. Zachary Tavlin's "Glancing Visions" challenges the long-standing assumption that visuality in nineteenth-century art and literature was inherently imperialistic or possessive. While there is much to be said for both material, economic, and theological impulses to clear the wilderness, superimpose a national identity, and usher in a Puritanical idyll, many literary figures of the era display a purposeful disdain for the "possessive gaze," signaling instead a preference for subtle glances, often informed by early photography, Impressionism, new techniques in portraiture, and, soon after, the dawn of cinema. The visual subjectivities and contingencies introduced by these media made room for a visual counter-narrative, one informed by a mode of seeing that moves fast and lightly across the surface of things. Tavlin probes Nathaniel Hawthorne's idea of the imagination, one that derives from both the camera obscura (in "The Custom House") and the daguerreotype (in The House of the Seven Gables), each in its way an instance of the "glance" and entirely dependent on temporal moments. The poetry of Frances Ellen Watkins Harper toggles between gazes and glances, unsettling two competing forms of racialized seeing as they pertain to nineteenth-century Black life and racial hierarchies--the sentimental gaze and the slave trader's glance--highlighting the life-and-death stakes of both looking anyone squarely in the eye and looking away. Emily Dickinson's "certain slant of light," syntactical oddities, and her stitching of scraps and fragments into the fascicles that constitute her corpus all derive from a commitment to contingency, "the ungrounded life's only defense against the abyss of non-being." Tavlin investigates, as well, Henry James's vexed but entirely dependent relationship to literary and painterly impressionism, and William Carlos Williams's imagist poetics as a response to early cinema's use of the cut as the basis for a new visual grammar. Each of these literary artists, Tavlin argues--via their own distinctive sensibilities and the artistic or technological counterparts that informed them-refuse the authoritative, all-possessive gaze in favor of the glance, a mode of seeing, thinking, and being that made way for what we now think of as commonplace, namely modernity"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780817360894; 9780817321567
    Schlagworte: American literature; Visual perception in literature; Visualization in literature; American literature; Visual perception in literature; Visualization in literature; Criticism, interpretation, etc
    Umfang: XIII, 242 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  12. Confronting visuality in multi-ethnic women's writing
    Autor*in: Laflen, Angela
    Erschienen: 2014
    Verlag:  Palgrave Macmillan, New York, NY

    Introduction: What's (still) wrong with images of women? -- Coming-of-age with mass media -- (re)visualizing history in Toni Morrison's The bluest eye -- Transforming culture and consciousness in Bobbie Ann Mason's In country -- Witnessing visual... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Introduction: What's (still) wrong with images of women? -- Coming-of-age with mass media -- (re)visualizing history in Toni Morrison's The bluest eye -- Transforming culture and consciousness in Bobbie Ann Mason's In country -- Witnessing visual manipulation -- There were signs and I missed them: reading beneath the image in Margaret Atwood's speculative fiction -- The politics of vanishing: bearing witness to the wounded family in Louise Erdrich's Shadow tag -- Spectatorship in an expanded field of vision -- Against visual objectivity in Gish Jen's Birthmates and Chitra Banerjee Divakaruni's The ultrasound -- Queering spectatorship in Alison Bechdel's Fun home -- Conclusion: Confronting visuality in the digital age

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137413031
    Auflage/Ausgabe: First edition
    Schlagworte: American literature; American literature; Visual perception in literature; Visualization in literature; Feminism in literature
    Umfang: 199 pages, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 169-190) and index

    Introduction: What's (still) wrong with images of women?Coming-of-age with mass media -- (re)visualizing history in Toni Morrison's The bluest eye -- Transforming culture and consciousness in Bobbie Ann Mason's In country -- Witnessing visual manipulation -- There were signs and I missed them: reading beneath the image in Margaret Atwood's speculative fiction -- The politics of vanishing: bearing witness to the wounded family in Louise Erdrich's Shadow tag -- Spectatorship in an expanded field of vision -- Against visual objectivity in Gish Jen's Birthmates and Chitra Banerjee Divakaruni's The ultrasound -- Queering spectatorship in Alison Bechdel's Fun home -- Conclusion: Confronting visuality in the digital age.

  13. Visionary journeys
    travel writings from early medieval and nineteenth-century China
    Autor*in: Tian, Xiaofei
    Erschienen: 2011
    Verlag:  Harvard University Asia Center, Cambridge, Mass. [u.a.]

    Seeing with the mind's eye -- Journeys to other worlds -- Xie Lingyun, Poet of purgatory -- The rhetorical schemata of seeing -- Poetry and experience in the nineteenth century mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Seeing with the mind's eye -- Journeys to other worlds -- Xie Lingyun, Poet of purgatory -- The rhetorical schemata of seeing -- Poetry and experience in the nineteenth century

     

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    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780674062528; 0674062523
    Weitere Identifier:
    9780674062528
    Schriftenreihe: Harvard-Yenching Institute monograph series ; 78
    Schlagworte: Travel in literature; Foreign countries in literature; Displacement (Psychology) in literature; Visualization in literature; Chinese; Literature and history; Literature and history; Travelers' writings, Chinese
    Weitere Schlagworte: Array; Travel in literature; Foreign countries in literature; Displacement (Psychology) in literature; Visualization in literature; Array; Array; Array
    Umfang: XII, 381 S., 24 cm
    Bemerkung(en):

    Formerly CIP Uk

    Seeing with the mind's eye: the discourse of visualization and imagination -- Journeys to other worlds -- Poet of purgatory -- The rhetorical schemata of seeing -- Poetry and experience in the 19th century.

  14. The visual and the verbal in film, drama, literature and biography
    Beteiligt: Buchholtz, Mirosława (Hrsg.); Koneczniak, Grzegorz (Hrsg.)
    Erschienen: c 2012
    Verlag:  Lang, Frankfurt am Main [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Buchholtz, Mirosława (Hrsg.); Koneczniak, Grzegorz (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 363163191X; 9783631631911
    Weitere Identifier:
    9783631631911
    RVK Klassifikation: EC 3870 ; AP 47600
    Schriftenreihe: Dis-continuities ; 1
    Schlagworte: Visualization in literature; Art and literature; Film adaptations
    Umfang: 259 S., Ill., 210 mm x 148 mm
    Bemerkung(en):

    Literaturangaben

  15. I luoghi dell'immaginario
    [ciclo di conferenze tenutesi presso l'Università della Svizzera Italiana marzo - giugno 2007, Lugano]
    Erschienen: 2008
    Verlag:  G. Casagrande, Lugano (CH)

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788877951946
    RVK Klassifikation: EC 5410
    Schriftenreihe: Oltre le frontiere ; 6
    Schlagworte: Imagination in literature; Visualization in literature
    Umfang: 229 p., ill, 20 cm
    Bemerkung(en):

    Contains bibliographical references, notes, name and place index

    Proceedings, Lugano (CH), 2007

  16. Al di là dei limiti della rappresentazione
    letteratura e cultura visuale
    Erschienen: 2014
    Verlag:  Quodlibet, Macerata

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788874625987
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Teoria delle arti e cultura visuale
    Schlagworte: Visualization in literature; Art and literature; Literature
    Umfang: 259 S., Ill., 22 cm
    Bemerkung(en):

    Papers presented at the conference held in Palermo, Italy, September 24-26, 2012, and other essays

    Includes bibliographical references

  17. Speaking pictures
    the visual/verbal nexus of dramatic performance
    Erschienen: c 2010
    Verlag:  Fairleigh Dickinson University Press, Madison [N.J.]

    Staging Arthur, the future king: signs of Edward, the black prince / SunHee Kim Gertz -- The place of the human: Shakespeare's stage and the bear garden / Andreas Höfele -- "Most truly limned and living in your face": looking at pictures in... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Staging Arthur, the future king: signs of Edward, the black prince / SunHee Kim Gertz -- The place of the human: Shakespeare's stage and the bear garden / Andreas Höfele -- "Most truly limned and living in your face": looking at pictures in Shakespeare / Keir Elam -- "Why do you bend your eye on vacancy?": visual meaning and its absence in Hamlet / Ann Thompson -- Mist and fog on the Elizabethan and Jacobean stage / Alan C. Dessen -- Enter three Turks and a Moor: signifying the "other" in early modern English drama / Virginia Mason Vaughan -- Visualizing and performing Jewishness: Jews and "shylocks" on stage from the restoration to late romanticism / Fernando Cioni -- Dramatic illusion and sympathetic curiosity in romantic drama / Lilla Maria Crisafulli -- The early modern physical theater / Jacquelyn Bessell -- The animal within: the study and application of animal characteristics as part of an actor's preparation for a role / Anna Northam

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780838641828; 0838641822
    Schlagworte: Theater; Theater; Theater; English drama; English drama; Visual perception in literature; Visualization in literature; Speech in literature
    Umfang: 236 S, Ill, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 216-230) and index

    SunHee Kim Gertz: Staging Arthur, the future king: signs of Edward, the black prince

    Andreas Höfele: The place of the human: Shakespeare's stage and the bear garden

    Keir Elam: "Most truly limned and living in your face": looking at pictures in Shakespeare

    Ann Thompson: "Why do you bend your eye on vacancy?": visual meaning and its absence in Hamlet

    Alan C. Dessen: Mist and fog on the Elizabethan and Jacobean stage

    Virginia Mason Vaughan: Enter three Turks and a Moor: signifying the "other" in early modern English drama

    Fernando Cioni: Visualizing and performing Jewishness: Jews and "shylocks" on stage from the restoration to late romanticism

    Lilla Maria Crisafulli: Dramatic illusion and sympathetic curiosity in romantic drama

    Jacquelyn Bessell: The early modern physical theater

    Anna Northam.: The animal within: the study and application of animal characteristics as part of an actor's preparation for a role

  18. Confronting visuality in multi-ethnic women's writing
    Autor*in: Laflen, Angela
    Erschienen: 2014
    Verlag:  Palgrave Macmillan, Basingstoke

    Considering new perspectives on writers such as Toni Morrison, Margaret Atwood, and Louise Erdrich, Confronting Visuality in Multi-ethnic Women's Writing traces a cross-cultural tradition in which contemporary female writers situate images of women... mehr

    Universitätsbibliothek Freiburg
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    Considering new perspectives on writers such as Toni Morrison, Margaret Atwood, and Louise Erdrich, Confronting Visuality in Multi-ethnic Women's Writing traces a cross-cultural tradition in which contemporary female writers situate images of women within larger contexts of visuality. "Through a thoughtful and sophisticated yet accessible argument, Angela Laflen uses feminism, cultural studies, and critical race theories to examine a wide range of visual representations and their effects in literature by well-known authors, such as Toni Morrison and Margaret Atwood, as well as some up and coming ethnic writers." - Eleanor Ty, Professor of English, Wilfrid Laurier University, Canada, and author of Unfastened:Globality and Asian North American Narratives and The Politics of the Visible.

     

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  19. Vizualʹnaja kommunikacija
    kulʹturologičeskie issledovanija
  20. I luoghi dell'immaginario
    Erschienen: 2008
    Verlag:  Casagrande, Lugano (CH)

    Universitätsbibliothek Regensburg
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    Quelle: Verbundkataloge
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    ISBN: 9788877951946
    RVK Klassifikation: EC 5410
    Schriftenreihe: Oltre le frontiere ; 6
    Schlagworte: Imagination in literature; Visualization in literature; Fantasiereise; Erinnerung <Motiv>; Literatur
    Umfang: 229 p., 20 cm
    Bemerkung(en):

    Contains bibliographical references, notes, name and place index. - Proceedings, Lugano (CH), 2007

  21. Takhyīl
    the imaginary in classical Arabic poetics
    Erschienen: 2008
    Verlag:  Gibb Memorial Trust, [Cambridge]

    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780906094747; 9780906094693
    RVK Klassifikation: EN 2660 ; EN 2680
    Schlagworte: Arabic poetry / History and criticism; Imagery (Psychology) in literature; Visualization in literature; Fantasy in literature; Arabic poetry; Fantasy in literature; Imagery (Psychology) in literature; Visualization in literature; Bildersprache; Lyrik; Arabisch
    Umfang: XV, 286 S., graph. Darst.
    Bemerkung(en):

    Enth.: Part 1: Texts, part 2: Studies

  22. Visionary journeys
    travel writings from early medieval and nineteenth-century China
    Autor*in: Tian, Xiaofei
    Erschienen: 2011
    Verlag:  Harvard Univ. Asia Center, Cambridge, Mass.

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780674062528
    Schriftenreihe: Harvard-Yenching Institute monograph series ; 78
    Schlagworte: Geschichte; Travelers' writings, Chinese; Travel in literature; Foreign countries in literature; Displacement (Psychology) in literature; Visualization in literature; Chinese; Literature and history; Literature and history; Literatur; Chinesisch; Reiseliteratur; Ausland <Motiv>
    Umfang: XII, 381 S.
  23. Narrating the visual in Shakespeare
    Autor*in: Meek, Richard
    Erschienen: 2009
    Verlag:  Ashgate, Farnham [u.a.]

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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  24. The visual and the verbal in film, drama, literature and biography
    Erschienen: c2012
    Verlag:  Peter Lang, Frankfurt am Main

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 363163191X; 9783631631911; 9783653018523
    Schlagworte: Visualization in literature; Art and literature; Film adaptations; Literatur; Intermedialität
    Umfang: 259 p.
    Bemerkung(en):

    Includes bibliographical references

  25. A sense of shock
    the impact of Impressionism on modern British and Irish writing
    Autor*in: Parkes, Adam
    Erschienen: 2011
    Verlag:  Oxford Univ. Press, Oxord [u.a.]

    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780195383812
    RVK Klassifikation: HG 433 ; HM 1131
    Schlagworte: Geschichte; English literature; English literature; Art and literature; Art and literature; Impressionism in literature; Visualization in literature; Imagery (Psychology) in literature; Impressionism; Modernism (Literature); Impressionismus; Malerei; Literatur; Rezeption; Englisch
    Umfang: XVIII, 284 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index