Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 4 von 4.

  1. Shakespearean sensations
    experiencing literature in early modern England
    Erschienen: 2013
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107028005; 9781107306752
    RVK Klassifikation: HI 3331
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Geschichte; Psychologie; English literature / Early modern, 1500-1700 / History and criticism / Theory, etc; English literature / Psychological aspects; Reading / Physiological aspects; Senses and sensation in literature; Reader-response criticism; Theater audiences / England / History / 16th century; Theater audiences / England / History / 17th century; Mind and body; Rezeption; Gefühl
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (X, 244 S.)
    Bemerkung(en):

    Includes bibliographical references and index

    "This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"--

    Machine generated contents note: Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith
  2. Theatrical convention and audience response in early modern drama
    Autor*in: Lopez, Jeremy
    Erschienen: 2003
    Verlag:  Cambridge University Press, Cambridge

    This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483714
    Weitere Identifier:
    RVK Klassifikation: HI 1250
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Theater audiences / England / History / 16th century; Theater audiences / England / History / 17th century; English drama / 17th century / History and criticism; Theater / England / History / 16th century; Theater / England / History / 17th century; Drama; Englisch; Aufführung
    Umfang: 1 online resource (viii, 239 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. "As it was acted to great applause": Elizabethan and Jacobean audiences and the physicality of response -- 2. Meat, magic, and metamorphosis: on puns and wordplay -- 3. Managing the aside -- 4. Exposition, redundancy, action -- 5. Disorder and convention -- 6. Drama of disappointment: character and narrative in Elizabethan and Jacobean tragedy -- 7. Laughter and narrative in Elizabethan and Jacobean comedy -- 8. Epilogue: Jonson and Shakespeare
  3. Shakespearean sensations
    experiencing literature in early modern England
    Beteiligt: Craik, Katharine (Hrsg.); Pollard, Tanya (Hrsg.)
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Craik, Katharine (Hrsg.); Pollard, Tanya (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139235587
    Weitere Identifier:
    RVK Klassifikation: HI 3331
    Schlagworte: Geschichte; Psychologie; English literature / Early modern, 1500-1700 / History and criticism / Theory, etc; English literature / Psychological aspects; Reading / Physiological aspects; Senses and sensation in literature; Reader-response criticism; Theater audiences / England / History / 16th century; Theater audiences / England / History / 17th century; Mind and body; Rezeption; Gefühl
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William (1564-1616)
    Umfang: 1 online resource (x, 244 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 24 Feb 2016)

    Part One: Plays -- 1. Feeling fear in Macbeth / Allison P. Hobgood -- 2. Hearing Iago's withheld confession / Allison K. Deutermann -- 3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor -- Part Two: Playhouses -- 4. Conceiving tradgedy / Tanya Pollard -- 5. Playing with appetitie in early modern comedy / Hillary M. Nunn -- 6. Notes towards an analysis of earyly modern applause / Matthew Steggle -- 7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist -- 8. Epigrammatic commotions / William Kerwin -- 9. Poetic "making" and moving the soul / Margaret Healy -- 10. Shakespearean pain / Michael Schoenfeldt -- Afterword: Senses of an ending / Bruce R. Smith

    Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith
  4. Entertaining uncertainty in the early modern theater
    stage spectacle and audience response
    Autor*in: Robertson, Lauren
    Erschienen: 2023
    Verlag:  Cambridge University Press, Cambridge, United Kingdom ; New York

    Lauren Robertson's original study shows that the theater of Shakespeare and his contemporaries responded to the crises of knowledge that roiled through early modern England by rendering them spectacular. Revealing the radical, exciting instability of... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Lauren Robertson's original study shows that the theater of Shakespeare and his contemporaries responded to the crises of knowledge that roiled through early modern England by rendering them spectacular. Revealing the radical, exciting instability of the early modern theater's representational practices, Robertson uncovers the uncertainty that went to the heart of playgoing experience in this period. Doubt was not merely the purview of Hamlet and other onstage characters, but was in fact constitutive of spectators' imaginative participation in performance. Within a culture in the midst of extreme epistemological upheaval, the commercial theater licensed spectators' suspension among opposed possibilities, transforming dubiety itself into exuberantly enjoyable, spectacular show. Robertson shows that the playhouse was a site for the entertainment of uncertainty in a double sense: its pleasures made the very trial of unknowing possible

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781009225137
    Weitere Identifier:
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Theater audiences / England / History / 16th century; English drama / 17th century / History and criticism; Spectacular, The, in literature; Theater audiences / England / History / 17th century; Theater / England / History
    Umfang: 1 Online-Ressource (x, 258 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Feb 2023)