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  1. THORNTON WILDER'S THE SKIN OF OUR TEETH
    Autor*in: GILLETTE, KYLE.
    Erschienen: 2017
    Verlag:  ROUTLEDGE, [Place of publication not identified]

    Introduction -- Metatheatre -- Metahistory -- Metaphysics. mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Standort:
    Palucca-Hochschule für Tanz Dresden, Bibliothek
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    Introduction -- Metatheatre -- Metahistory -- Metaphysics.

     
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  2. THORNTON WILDER'S THE SKIN OF OUR TEETH
    Autor*in: GILLETTE, KYLE.
    Erschienen: 2017
    Verlag:  ROUTLEDGE, [Place of publication not identified]

    Introduction -- Metatheatre -- Metahistory -- Metaphysics. mehr

    Zugang:
    Verlag (lizenzpflichtig)
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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Introduction -- Metatheatre -- Metahistory -- Metaphysics.

     
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  3. Bertolt Brecht's dramatic theory
    Autor*in: White, John J.
    Erschienen: 2004
    Verlag:  Camden House, Rochester

    As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and the resultant experience of terror and pity worked against his goal of bettering society. He did not want his audiences to feel, but to think, and his main theoretical thrusts - 'Verfremdungseffekte' (de-familiarization devices) and epic theater, among others - were conceived in pursuit of this goal. This is the first detailed study in English of Brecht's writings on the theater to take account of works first made available in the recent German edition of his collected works. It offers in-depth analyses of Brecht's canonical essays on the theater from 1930 to the late 1940s and early GDR years. Close readings of the individual essays are supplemented by surveys of the changing connotations within Brecht's dramaturgical oeuvre of key theoretical terms, including epic and anti-Aristotelian theater, de-familiarization, historicization, and dialectical theater. Brecht's distinct contribution to the theorizing of acting and audience response is examined in detail, and each theoretical essay and concept is placed in the context of the aesthetic debates of the time, subjected to a critical assessment, and considered in light of subsequent scholarly thinking. In many cases, the playwright's theoretical discourse is shown to employ methods of 'epic' presentation and techniques of de-familiarization that are corollaries of the dramatic techniques for which his plays are justly famous. John J. White is Emeritus Professor of German and Comparative Literature at King's College London Epic opera and epic theater -- Conceptualizing the exile work -- The dramaturgical poems and their contexts -- Preparations for East Berlin -- Viel Theorie in Dialogform

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch; Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136350
    Schriftenreihe: Studies in German Literature, Linguistics, and Culture
    Schlagworte: Theater; Brecht, Bertolt ; 1898-1956 ; Aesthetics; Brecht, Bertolt ; 1898-1956 ; Knowledge ; Performing arts; Theater ; History ; 20th century
    Weitere Schlagworte: Brecht, Bertolt (1898-1956); Brecht, Bertolt (1898-1956)
    Umfang: 1 Online-Ressource (viii, 348 Seiten)
  4. Holocaust drama
    the theater of atrocity
    Autor*in: Plunka, Gene A.
    Erschienen: 2009
    Verlag:  Cambridge University Press, Cambridge

    The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts Introduction -- Staging the banality of evil -- Culture and the Holocaust -- The Holocaust as literature of the body -- Transcending the Holocaust -- Marxism and the Holocaust -- Aryan responsibility during the Holocaust, I -- Aryan responsibility during the Holocaust, II -- Heroism and moral responsibility in the ghettoes -- Dignity in the concentration camps -- Holocaust survivors in the United States and Israel -- The survivor syndrome and the effects of the Holocaust on survivor families -- Holocaust survivor memory -- The Holocaust and collective memory

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511576591
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in modern theatre
    Schlagworte: Holocaust, Jewish (1939-1945), in literature; Atrocities in literature; Jews in literature; Memory in literature; Holocaust, Jewish (1939-1945); Theater; Drama; Drama ; 20th century ; History and criticism; Theater ; History ; 20th century; Holocaust, Jewish (1939-1945), in literature; Atrocities in literature; Jews in literature; Memory in literature; Holocaust, Jewish (1939-1945) ; Psychological aspects
    Umfang: 1 Online-Ressource (vi, 447 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  5. Bertolt Brecht
    Autor*in: Glahn, Philip
    Erschienen: 2014
    Verlag:  Reaktion Books, London

    A playwright, poet, and activist, Bertolt Brecht (1898-1956) was known for his theory of the epic theater and his attempts to break down the division between high art and popular culture. He was also a committed Marxist who lived through two world... mehr

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    A playwright, poet, and activist, Bertolt Brecht (1898-1956) was known for his theory of the epic theater and his attempts to break down the division between high art and popular culture. He was also a committed Marxist who lived through two world wars and a global depression. Looking at Brecht's life and works through his plays, stories, poems, and political essays, Philip Glahn illustrates how they trace a lifelong attempt to relate to the specific social, economic, and political circumstances of the early twentieth century. Glahn reveals how Brecht upended the language and gestures of philo

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781780232621
    Schriftenreihe: RB-Critical Lives
    Critical Lives Ser
    Schlagworte: Brecht, Bertolt ; 1898-1956 ; Criticism and interpretation; Theater ; History ; 19th century; Theater ; History ; 20th century; Electronic books
    Umfang: Online-Ressource (241 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Bertolt Brecht; Imprint Page; Contents; Introduction; 1. Poet of Crisis, 1898-1923; 2. 'Mehr guten Sport': Brecht in Berlin, 1924-8; 3. Work, Class and the Struggle with Marxism, 1929-33; 4. Early Exile: 'Singing about Dark Times', 1933-41; 5. U.S. Exile: The Dialectics of Alienation and 'Culinary' Art, 1941-7; 6. Realpolitik: Theatre of Socialism, 1947-56; References; Select Bibliography; Acknowledgements; Photo Acknowledgements
  6. Bertolt Brecht's dramatic theory
    Autor*in: White, John J.
    Erschienen: 2004
    Verlag:  Camden House, Rochester

    As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and... mehr

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    As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and the resultant experience of terror and pity worked against his goal of bettering society. He did not want his audiences to feel, but to think, and his main theoretical thrusts - 'Verfremdungseffekte' (de-familiarization devices) and epic theater, among others - were conceived in pursuit of this goal. This is the first detailed study in English of Brecht's writings on the theater to take account of works first made available in the recent German edition of his collected works. It offers in-depth analyses of Brecht's canonical essays on the theater from 1930 to the late 1940s and early GDR years. Close readings of the individual essays are supplemented by surveys of the changing connotations within Brecht's dramaturgical oeuvre of key theoretical terms, including epic and anti-Aristotelian theater, de-familiarization, historicization, and dialectical theater. Brecht's distinct contribution to the theorizing of acting and audience response is examined in detail, and each theoretical essay and concept is placed in the context of the aesthetic debates of the time, subjected to a critical assessment, and considered in light of subsequent scholarly thinking. In many cases, the playwright's theoretical discourse is shown to employ methods of 'epic' presentation and techniques of de-familiarization that are corollaries of the dramatic techniques for which his plays are justly famous. John J. White is Emeritus Professor of German and Comparative Literature at King's College London Epic opera and epic theater -- Conceptualizing the exile work -- The dramaturgical poems and their contexts -- Preparations for East Berlin -- Viel Theorie in Dialogform

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch; Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136350
    Schriftenreihe: Studies in German Literature, Linguistics, and Culture
    Schlagworte: Theater; Brecht, Bertolt ; 1898-1956 ; Aesthetics; Brecht, Bertolt ; 1898-1956 ; Knowledge ; Performing arts; Theater ; History ; 20th century
    Weitere Schlagworte: Brecht, Bertolt (1898-1956); Brecht, Bertolt (1898-1956)
    Umfang: 1 Online-Ressource (viii, 348 Seiten)
  7. Holocaust drama
    the theater of atrocity
    Autor*in: Plunka, Gene A.
    Erschienen: 2009
    Verlag:  Cambridge University Press, Cambridge

    The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an... mehr

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    The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts Introduction -- Staging the banality of evil -- Culture and the Holocaust -- The Holocaust as literature of the body -- Transcending the Holocaust -- Marxism and the Holocaust -- Aryan responsibility during the Holocaust, I -- Aryan responsibility during the Holocaust, II -- Heroism and moral responsibility in the ghettoes -- Dignity in the concentration camps -- Holocaust survivors in the United States and Israel -- The survivor syndrome and the effects of the Holocaust on survivor families -- Holocaust survivor memory -- The Holocaust and collective memory

     
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511576591
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in modern theatre
    Schlagworte: Holocaust, Jewish (1939-1945), in literature; Atrocities in literature; Jews in literature; Memory in literature; Holocaust, Jewish (1939-1945); Theater; Drama; Drama ; 20th century ; History and criticism; Theater ; History ; 20th century; Holocaust, Jewish (1939-1945), in literature; Atrocities in literature; Jews in literature; Memory in literature; Holocaust, Jewish (1939-1945) ; Psychological aspects
    Umfang: 1 Online-Ressource (vi, 447 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)