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  1. Staging faith
    religion and African American theater from the Harlem renaissance to World War II
    Autor*in: Prentiss, Craig R.
    Erschienen: 2013
    Verlag:  NYU Press, New York

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0814707955; 0814708080; 0814708404; 9780814707951; 9780814708088; 9780814708408
    Schlagworte: PERFORMING ARTS / Theater / General; African American theater; American drama / African American authors; Religion in literature; Theater / Religious aspects; RELIGION / General; Geschichte; Religion; African American theater; American drama; Theater; Religion in literature; Theater; Schwarze; Religion <Motiv>
    Umfang: 1 online resource
    Bemerkung(en):

    Print version record

    Setting the stage -- New territory -- Lynching and the far away God -- Caught within the shadow -- Blackness in the image of God
  2. The performative ground of religion and theatre
    Autor*in: Mason, David V.
    Erschienen: 2019; © 2019
    Verlag:  Routledge, Abingdon, Oxon

    "Religious practitioners and theatre-goers have much in common. So much, in fact, that we could say that religion is often a theatrical phenomenon, while theatre can be religious experience. By examining the phenomenology of religion, we can in turn... mehr

     

    "Religious practitioners and theatre-goers have much in common. So much, in fact, that we could say that religion is often a theatrical phenomenon, while theatre can be religious experience. By examining the phenomenology of religion, we can in turn develop a better understanding of the phenomenology of theatre. That is to say, religion can show us the ways in which theatre is not fake. This study explores the overlap of religion and theatre, especially in the crucial area of experience and personal identity. Reconsidering ideas from ancient Greece, pre-modern India, modern Europe, and the recent century, it argues that religious adherents and theatre audiences are largely, themselves, the mechanisms of their experiences. By examining the development of the philosophy of theatre alongside theories of religious action, this book shows how we need to adjust our views on both types of experience. Featuring discussion of influential notions from Plato and Aristotle, the Natyashastra, through to Schleiermacher, Sartre, and contemporary performance and ritual, this is vital reading for any scholar in religious studies, theatre and performance studies, theology, and philosophy."--Provided by publisher

     
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    Volltext (URL des Erstveroeffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315202709; 1315202700; 9781351785822; 1351785826; 9781351785839; 1351785834; 9781351785815; 1351785818
    Weitere Identifier:
    Schlagworte: Religion and drama; Theater / Religious aspects
    Umfang: 1 online resource (ix, 183 pages)
  3. Religion and drama in early modern England
    the performance of religion on the Renaissance stage
    Erschienen: ©2011
    Verlag:  Ashgate, Farnham, Surrey, England

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781409409038; 1409409031; 1409409023; 9781409409021
    Schriftenreihe: Studies in performance and early modern drama
    Schlagworte: PERFORMING ARTS / Theater / History & Criticism; English drama; English drama / Early modern and Elizabethan; Religion in literature; Religious drama, English; Theater; Theater / Religious aspects; Geschichte; Religion; Theater; Theater; English drama; English drama; Theater; Religious drama, English; Religion in literature; Religion <Motiv>; Englisch; Drama
    Umfang: xi, 281 pages
    Bemerkung(en):

    Includes bibliographical references and index

    pt. 1. Theatrical materiality and religious effects -- pt. 2. Intersections of popular theater and religious culture -- pt. 3. Beyond allusion and ideology

    Reassessing the relationship between religion and drama in early modern England, this collection explores the commercial theater's reframing of religious culture. Essays foreground the material conditions of performance, the resonances between theatrical and religious rituals, and the multiple valences of religious allusions on the stage. Discussions of both Shakespearean and non-Shakespearean drama reveal the theater's broad interpretation of Christian practice, as well as its engagement with Islam, Judaism and paganism
  4. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873
    Schlagworte: Religion; German drama / 21st century / History and criticism; Theater / Religious aspects; Religion in literature; Deutsch; Drama; Religion <Motiv>
    Umfang: 1 online resource (168 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)
  5. Reformers on stage
    popular drama and religious propaganda in the low countries of Charles V, 1515-1556
    Autor*in: Waite, Gary K.
    Erschienen: c2000
    Verlag:  University of Toronto Press, Toronto, Ont.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802044573; 1442679131; 9780802044570; 9781442679139
    Schlagworte: Chambres de rhétorique / Benelux / Histoire; Théâtre néerlandais / 17e siècle / Histoire et critique; Théâtre et société / Benelux / Histoire / 16e siècle; Théâtre / Aspect religieux; Réforme (Christianisme) / Benelux; Toneelstukken; Reformatie; Drama; Politik (Motiv); Reformation; Religion (Motiv); Volkstheater; LITERARY CRITICISM / European / German; HISTORY / Europe / Western; Chambers of rhetoric; Dutch drama / Early modern; Reformation; Theater and society; Theater / Religious aspects; Drama; Geschichte; Reformation; Religion; Chambers of rhetoric; Dutch drama; Theater and society; Theater; Reformation; Drama; Volkstheater; Politik <Motiv>; Reformation; Religion <Motiv>
    Umfang: 1 Online-Ressource (xxii, 364 p., [8] p. of plates)
    Bemerkung(en):

    Includes bibliographical references and index

    Drama and society in the Low Countries -- Vernacular drama and the early urban Reformation -- Reform themes in rhetorician drama, 1519-56 -- Appendix: List of plays composed during the reign of Charles V and their reform perspective
  6. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873
    Schlagworte: Religion; German drama / 21st century / History and criticism; Theater / Religious aspects; Religion in literature; Religion <Motiv>; Deutsch; Drama
    Umfang: 1 online resource (168 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)