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1. Dramatic minds

   performance, cognition, and the representation of interiority, essays in honour of Margarete Rubik
   Beteiligt: Huber, Werner (Hrsg.); Mettinger-Schartmann, Elke (Hrsg.); Müller-Zettelmann, Eva (Hrsg.); Rubik, Margarete

   Erschienen: [2015]

   Verlag:  Peter Lang, Frankfurt am Main

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   Quelle:	Verbundkataloge
   Beteiligt:	Huber, Werner (Hrsg.); Mettinger-Schartmann, Elke (Hrsg.); Müller-Zettelmann, Eva (Hrsg.); Rubik, Margarete
   Sprache:	Englisch
   Medientyp:	Ebook
   Format:	Online
   ISBN:	9783653061802; 3653061806
   Schriftenreihe:	Austrian studies in English ; Volume 105
   Schlagworte:	Drama / Psychological aspects; Theater / Psychological aspects; Cognition in literature; Psychology and literature; Philosophy of mind in literature; Cognition in literature / (OCoLC)fst00866515; Drama / Psychological aspects / (OCoLC)fst00897494; Philosophy of mind in literature / (OCoLC)fst01060844; Psychology and literature / (OCoLC)fst01081551; Theater / Psychological aspects / (OCoLC)fst01149284; BIOGRAPHY & AUTOBIOGRAPHY / Literary
   Umfang:	1 online resource (306 pages), illustrations
   Bemerkung(en):	Print version record Includes bibliographical references Cover; Table of Contents; Acknowledgements; Introduction (Eva Zettelmann and Elke Mettinger); Theoretical Approaches; Consciousness in Drama: A Cognitive Approach (Monika Fludernik); Drama and the Representation of Fictional Minds (Eva Zettelmann); From Medieval Iconography to Restoration Drama; Strategic Communication of Pathos and Suffering in Verbal and Visual Medieval Culture (Gabriella Mazzon); "Now is this golden crown like a deep well" -- Richard II from a Cognitive Point of View (Elke Mettinger) ""Othello"": Personality and Personality Building in Shakespeare's Tragedy and Verdi's Opera (Sabine Coelsch-Foisner)The ""Macbeth"" Trap: Productions of Shakespeare's Play in England, Germany, Austria and Switzerland (Michael Raab); ""Une Tempête"", Aimé Césaire's Subversion of the Imperial Scripts of Shakespeare's Tempest (Christa Knellwolf King); The Script of the Body and the Soul in ""The Country-Wife"" and ""Tristram Shandy"": the 'Cognitive Turn' from Restoration Drama to Sentimental Fiction (Dieter Fuchs); Modern Drama The (Im)Possible Worlds of Joe Orton: A Cognitive Approach to ""What the Butler Saw"" (Caterina Grasl)"I understand you not, my lord." -- Problems of Cognition and Perception in Tom Stoppard's Plays (Bernhard Reitz); John Arden and Margaretta D'Arcy -- A Cognitive Approach (Wolfgang J. Lippke); Pinter's One-Act Plays ""One for the Road, Mountain Language"", and ""Party Time"" in the Light of Conceptual Blending Theory (Ewald Mengel); Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama (Merle Tönnies) "Dennis is a Liar" -- Mendacity in the Plays of Dennis Kelly (Eckart Voigts)Breaking the Boundaries of Narrative: Post-Dramatic Story-Telling (Christopher Innes); Parapsychic Phenomena in Early Twentieth-Century American Drama (Peter Zenzinger); Tabula gratulatoria