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  1. Terrible sociability
    the text of manners in Laclos, Goethe, and James
  2. Expulsion and the nineteenth-century novel
    the scapegoat in English realist fiction
    Autor*in: Heyns, Michiel
    Erschienen: 1994
    Verlag:  Clarendon Press, Oxford

    Novels, like communities, need scapegoats to rid them of their unexpressed anxieties. This has placed the realist novel under suspicion of collaborating with established authority, by reproducing through its means of representation the structures it... mehr

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Novels, like communities, need scapegoats to rid them of their unexpressed anxieties. This has placed the realist novel under suspicion of collaborating with established authority, by reproducing through its means of representation the structures it seeks to criticize. Expulsion and the Nineteenth-Century Novel investigates this charge through close and illuminating readings of five realist novels of the nineteenth century: Austen's Mansfield Park, Dickens's Our Mutual Friend, Eliot's Daniel Deronda, Conrad's Lord Jim, and James's The Golden Bowl. Looking at these works in relation to one another, to their literary and social contexts, and to modern critical thinking, Michiel Heyns depicts the nineteenth-century literary scapegoat - the ostensible victim of the expulsive pressure of plot - as begetter of an alternative narrative, questioning the values apparently upheld by the novel as a whole Sceptical of unexamined abstractions, but appreciative of the acumen of much modern criticism, this lively and original book places the realist novel at the centre of current debates, while yet respecting the power of literature to anticipate the insights of its critics

     

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  3. Terrible sociability
    the text of manners in Laclos, Goethe, and James
  4. Expulsion and the nineteenth-century novel
    the scapegoat in English realist fiction
    Autor*in: Heyns, Michiel
    Erschienen: 1994
    Verlag:  Clarendon Press, Oxford

    Novels, like communities, need scapegoats to rid them of their unexpressed anxieties. This has placed the realist novel under suspicion of collaborating with established authority, by reproducing through its means of representation the structures it... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Novels, like communities, need scapegoats to rid them of their unexpressed anxieties. This has placed the realist novel under suspicion of collaborating with established authority, by reproducing through its means of representation the structures it seeks to criticize. Expulsion and the Nineteenth-Century Novel investigates this charge through close and illuminating readings of five realist novels of the nineteenth century: Austen's Mansfield Park, Dickens's Our Mutual Friend, Eliot's Daniel Deronda, Conrad's Lord Jim, and James's The Golden Bowl. Looking at these works in relation to one another, to their literary and social contexts, and to modern critical thinking, Michiel Heyns depicts the nineteenth-century literary scapegoat - the ostensible victim of the expulsive pressure of plot - as begetter of an alternative narrative, questioning the values apparently upheld by the novel as a whole Sceptical of unexamined abstractions, but appreciative of the acumen of much modern criticism, this lively and original book places the realist novel at the centre of current debates, while yet respecting the power of literature to anticipate the insights of its critics

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt