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  1. Dispositiv-Erkundungen ' Exploring Dispositifs
    Beteiligt: Kleine-Benne, Birte (Hrsg.)
    Erschienen: 2021
    Verlag:  Logos Verlag Berlin

    Will man die Linien eines Dispositivs entwirren, so muss man in jedem Fall eine Karte anfertigen, man muss kartographieren, unbekannte Länder ausmessen - eben das, was er [Foucault] als 'Arbeit im Gelände' bezeichnet hat", formulierte Gilles Deleuze... mehr

     

    Will man die Linien eines Dispositivs entwirren, so muss man in jedem Fall eine Karte anfertigen, man muss kartographieren, unbekannte Länder ausmessen - eben das, was er [Foucault] als 'Arbeit im Gelände' bezeichnet hat", formulierte Gilles Deleuze 1988. Mit der vorliegenden Publikation soll ein kartographierendes Aus- und Vermessen eines komplexen, verzweigten, unübersichtlichen, zum Teil auch uneinsichtigen und übercodierten Geländes geleistet werden. Als Effekt könn(t)en fortgesetzte Klärungen von Begriffen, Konzepten und Operationsweisen dessen stattfinden, was als Kunst bezeichnet wird. 18 Autor*innen nehmen ihre Dispositiv-Erkundungen vor, so dass eine Anthologie von ausgewählten Stimmen entsteht. Die Autor*innen und ihre Texte erkunden multiperspektivisch, disparat, forensisch und komplexierend, in verschiedenen Sprachen, in ihren Entstehungskontexten und Entstehungszeiten, mit ihren stilistischen Mitteln und in einigen Fällen eng mit ihren früheren Publikationszusammenhängen verbunden. Sie sind damit im besten Fall in der Lage, je eigene Denkräume aufzufalten, die ermöglichen, Einzelbestandteile der beschriebenen oder analysierten Dispositive -- und dabei kann es sich offenbar um Einzeloperationen, Prozesse, Prozeduren, Blicke, Lücken, Aufspaltungen, Implikationen, Vorbedingungen etc. handeln -- zu unterscheiden und in einem nächsten Schritt strategische Formationen dieser heterogenen Ensembles zu diagnostizieren. Darüber hinaus ermöglichen die zusammengestellten Texte, unterschiedliche Varianten, Ausgangs-, Ansatz- und Schwerpunkte wie auch Stile von Dispositiv-Erkundungen nachvollziehen zu können. As Gilles Deleuze has argued in 1988, “[u]ntangling these lines within a social apparatus [dispositif] is, in each case, like drawing up a map, doing cartography, surveying unknown landscapes, and this is what he [Foucault] calls ‘working on the ground.’” This publication intends to provide a cartographic mapping of a complex, multi-branched, often obscure, sometimes inaccessible and overly encoded terrain. Such a mapping could and can lead to a further clarification of terms, concepts and modes of operation of that which is called art. This volume comprises 18 authors whose explorations of the dispositif have generated an anthology of select, distinct voices. Their texts are marked by multiple perspectives, they are disparate, forensic and complex, they are written in different languages, stem from different contexts and points in time, are endowed with different styles and, in some cases, also stand in close relationship with other, earlier publication contexts. This means that they are ideally positioned to unfold diverse spaces of thought, allowing them to differentiate between individual components of the dispositifs they discuss or dissect -- this may include individual operations, processes, procedures, glances, lacunae, splits, implications, preconditions, et cetera -- and allowing them, in a next step, to diagnose the strategic formations such heterogeneous ensembles might take. Beyond that, the texts assembled here allow us to discern the different variations, starting points, approaches and emphases as well as different styles of dispositif exploration. Beiträge von / Contributions by: Elke Bippus, Luis Camnitzer, Ibou Coulibaly Diop, Thomas Oberender, Andrea Fraser, erwin GeheimRat, Siri Hustvedt, Silvia Jonas, Birte Kleine-Benne, Michael Lingner, Lucy Lippard, Adelheid Mers, Brian O’Doherty, Julia Pelta Feldman, Adrian Piper, Stefan Römer, Thorsten Schneider, Ruth Sonderegger

     
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    Quelle: OAPEN
    Beteiligt: Kleine-Benne, Birte (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: The arts: general issues; Society & culture: general
    Weitere Schlagworte: Art; Social Science
  2. Die Vermessung der Kunstwelt : Quantifizierende Beobachtungen und plurale Ordnungen der Kunst
    Autor*in: Buckermann, Paul
    Erschienen: 2020
    Verlag:  Velbrück, Weilerswist

    Wie sind quantifizierende Ordnungen zeitgenössischer Kunst möglich, wenn Grundsemantiken autonomer Kunst in einem Widerspruch zu quantifizierenden Messungen und Vergleichen stehen? Obwohl sich Kunst, abgesehen von Marktanalysen, der vermeintlich... mehr

     

    Wie sind quantifizierende Ordnungen zeitgenössischer Kunst möglich, wenn Grundsemantiken autonomer Kunst in einem Widerspruch zu quantifizierenden Messungen und Vergleichen stehen? Obwohl sich Kunst, abgesehen von Marktanalysen, der vermeintlich umfassenden Quantifizierung der Gesellschaft zu entziehen scheint, sind zahlenbasierte Verfahren entstanden, die gerade kunstspezifische Kriterien ernst nehmen wollen. Die vorliegende Studie fragt nach der inneren Logik von solchen Rankings und institutionellen Evaluationen und ihrer Rolle für Stabilität und Wandel der Kunst. Damit werden Fälle behandelt, die aus der Kunstwelt heraus als symbolischer Grenzübertritt kritisiert werden. Hinter diese Auseinandersetzungen um adäquate oder absurde Beobachtungsweisen tritt der Autor aber zurück, um für eine systematische Annäherung an plurale Vorstellungen über Kunst in der Kunst zu argumentieren. Einerseits rekonstruiert er so empirisch an einer Künstler/innenrangliste und an Erfolgsmessungen in Kunstmuseen das paradigmatische Wissen und die konkreten Beobachtungsarchitekturen als konsistente Ordnungsweisen. Andererseits entwickelt er kunstsoziologische Theorien (Becker, Bourdieu, Luhmann) weiter durch die bewertungs- und vergleichssoziologische Einsicht, nach der jede kommunizierte Ordnung eine Welt nicht einfach darstellt, sondern eine eigene Realität selektiv herstellt und potenziell in Gesellschaft zurückwirkt. Auch wenn somit jeder Ordnungsversuch unabhängig von Zahlengebrauch analytisch gleich absurd ist, kommt den Innensichten der Kunst eine zentrale Rolle in der sozialen Selbstorganisation der Künste zu. Ausgehend von umstrittenen Ordnungsversuchen zeigt die Studie, wie Kunst sich heute vermehrt selbst als soziales Phänomen beobachtet, um Navigation durch das vermeintliche Chaos zeitgenössischer Kunst zu ermöglichen.

     
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  3. Sometimes Hard, Usually Soft : The Future of Knowledge Systems
    Beteiligt: Golding, Johnny (Hrsg.); Paganelli, Mattia (Hrsg.); Reinhart, Martin (Hrsg.)
    Erschienen: 2020
    Verlag:  De Gruyter, Berlin/Boston

    As an urgent response to the continually growing flood of information to which libraries, search engines, and cultural institutions are exposed, Data Loam combines radical approaches and strategies from the international practice of contemporary art... mehr

     

    As an urgent response to the continually growing flood of information to which libraries, search engines, and cultural institutions are exposed, Data Loam combines radical approaches and strategies from the international practice of contemporary art in essays on artificial intelligence, cybernetics, and cryptoeconomics that put forward sensual logic, causal permeability, and new forms of man–machine interaction.

     
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  4. Generative Bildarbeit : Zum transformativen Potential fotografischer Praxis
    Autor*in: Brandner, Vera
    Erschienen: 2020
    Verlag:  transcript Verlag, Bielefeld

    Wir alle sind Fotografie! Wir fotografieren, betrachten Fotos, sind darauf abgebildet und verwenden sie. Die Fotografie berührt und verstört, sie verbindet und trennt, sie beweist und ist vieldeutig. Vera Brandner nutzt in der generativen Bildarbeit... mehr

     

    Wir alle sind Fotografie! Wir fotografieren, betrachten Fotos, sind darauf abgebildet und verwenden sie. Die Fotografie berührt und verstört, sie verbindet und trennt, sie beweist und ist vieldeutig. Vera Brandner nutzt in der generativen Bildarbeit das Beziehungshafte, das Ambivalente und das Undisziplinierte der Fotografie für Bildungs- und Forschungsprozesse. Die Fotografie wird dabei zum transdisziplinären Praxisfeld, bei dem auf prozesshafte und partizipative Weise die Beteiligten und ihre generativen Themen in den Fokus rücken. Anhand der Bilder, dem Betrachten und Diskutieren werden die Selbst- und Fremdwahrnehmungen erkundet sowie Kategorien sozialer Grenzziehung hinterfragt. Forschen und Lernen gehen dabei Hand in Hand und werden als Erkenntnis- und Transformationsprozesse wirksam.

     
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  5. Vom Publicum : Das Öffentliche in der Kunst
    Autor*in: Kammerer, Dietmar
    Erschienen: 2014
    Verlag:  transcript Verlag, Bielefeld

    In the audience, art and society overlap. It is the place where aesthetic practice becomes public in a society and where political issues in artistic staging become visible and negotiable. This volume poses the question of the aesthetics of the... mehr

     

    In the audience, art and society overlap. It is the place where aesthetic practice becomes public in a society and where political issues in artistic staging become visible and negotiable. This volume poses the question of the aesthetics of the public and the public of the arts. He collects contributions from art history, political philosophy as well as film, theater and media studies and seeks formations of the common in historical and contemporary artistic productions, processes and modes of reception. Im Publikum überlagern sich Kunst und Gesellschaft. Es ist der Ort, an dem ästhetische Praxis in einer Gesellschaft öffentlich wird und an dem politische Fragen in künstlerischer Inszenierung sichtbar und verhandelbar werden. Dieser Band stellt die Frage nach einer Ästhetik des Öffentlichen und den Öffentlichkeiten der Künste. Er versammelt Beiträge aus der Kunstgeschichte, der politischen Philosophie sowie der Film-, Theater- und Medienwissenschaft und sucht Formationen des Gemeinsamen in historischen und gegenwärtigen künstlerischen Produktionen, Prozessen sowie Rezeptionsweisen.

     
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    Quelle: OAPEN; transcript Open Access
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839416730; 9783837616736
    Weitere Identifier:
    Schlagworte: The arts: general issues
    Weitere Schlagworte: kunstgeschichte; ästhetik; media; medien; politik; culture; politics; fine arts; politische kunst; kunst; öffentlichkeit; rezeption; political art; ästhetische praxis; kultur; art history; arts; aesthetics; kunstwissenschaft; Ästhetik
    Umfang: 1 electronic resource (246 p.)
  6. Markeninszenierung in Japan : Zur narrativen Konstruktion der Lifestyle-Marken »Muji« und »Uniqlo«
    Autor*in: Rühle, Christiane
    Erschienen: 2020
    Verlag:  transcript Verlag, Bielefeld

    Die Einzelhandelsketten »Muji« und »Uniqlo« gelten als Musterbeispiele für international erfolgreiche Lifestyle-Marken aus Japan. Aus einer interdisziplinären Perspektive heraus identifiziert Christiane Rühle die Strukturen und Akteure dieser... mehr

     

    Die Einzelhandelsketten »Muji« und »Uniqlo« gelten als Musterbeispiele für international erfolgreiche Lifestyle-Marken aus Japan. Aus einer interdisziplinären Perspektive heraus identifiziert Christiane Rühle die Strukturen und Akteure dieser spezifischen Markeninszenierungen und arbeitet die dazugehörigen Positionen, Mittel und zentralen Motive heraus. Sie fragt im Kontext von unternehmensbezogener und nationalstaatlicher Imagebildung nach den Bezügen zwischen Konsum, Kultur und Identität und fokussiert dabei auf die Rolle, die privatwirtschaftliche Unternehmen innerhalb dieses Prozesses einnehmen.

     
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    Quelle: OAPEN; transcript Open Access
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839449080
    Weitere Identifier:
    Schlagworte: The arts: general issues
    Weitere Schlagworte: Japan; Konsum; Marke; Muji; Uniqlo; Image; Marketing; Identität; Kultur; Privatwirtschaft; Markeninszenierung; Werbung; Medien; Wirtschaft; Gesellschaft; Medienästhetik; Cultural Studies; Asien; Medienwissenschaft; Consumption; Brand; Identity; Culture; Private Sector; Brand Staging; Advertising; Media; Economy; Society; Media Aesthetics; Asia; Media Studies
    Umfang: 1 electronic resource (314 p.)
  7. Red Glow : Yugoslav Partisan Photography and Social Movement, 1941–1945
    Autor*in: Konjikušić, Davor
    Erschienen: 2021
    Verlag:  De Gruyter, Berlin/Boston

    Davor Konjikušić provides an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. In doing so, the author is not only interested in presenting the photographs from an aesthetic... mehr

     

    Davor Konjikušić provides an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. In doing so, the author is not only interested in presenting the photographs from an aesthetic perspective, but in the history of their use and function within one of the biggest anti-fascist movements in Europe during the Second World War.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783422986480; 9783422986404
    Weitere Identifier:
    Schlagworte: The arts: general issues; History of art & design styles: from c 1900 -; Photography & photographs; European history; Second World War; Political science & theory
    Weitere Schlagworte: Documentary photography; Resistance movement
    Umfang: 1 electronic resource (423 p.)
  8. Globale Herausforderungen gemeinsam meistern – gestern, heute, morgen : Präsidenten von ICOM Deutschland im Zeitzeugen-Interview
    Autor*in: Bechtel, Tanja
    Erschienen: 2021
    Verlag:  De Gruyter, Berlin/Boston

    Der Welt-Museumsverband International Council of Museums wurde 1946 als Antwort auf die Gräuel des Zweiten Weltkriegs gegründet. ICOM versteht sich als Brückenbauer, Think Tank und Netzwerk der Museumsfachleute und Museen. 75 Jahre nach Gründung ist... mehr

     

    Der Welt-Museumsverband International Council of Museums wurde 1946 als Antwort auf die Gräuel des Zweiten Weltkriegs gegründet. ICOM versteht sich als Brückenbauer, Think Tank und Netzwerk der Museumsfachleute und Museen. 75 Jahre nach Gründung ist es Zeit für eine Rückschau: Zeitzeugen-Interviews mit den noch lebenden Präsidenten von ICOM Deutschland und dem letzten ICOM-Präsidenten der DDR geben Auskunft darüber, welchen kulturpolitischen Herausforderungen der Verband sich gegenübersah, wie und ob diese bewältigt werden konnten. Tanja Bechtel hat es übernommen, leitfadengestützt im Sinne der Oral History und der Methodik von Experten-Interviews diese Zeitzeugen-Gespräche durchzuführen und in einem Bericht für ICOM Deutschland zu dokumentieren. Das Ergebnis ist ein Resümee langjähriger Verbandsarbeit im Kultursektor und eine Konfrontation mit zurückliegenden, aber auch mit aktuellen, zum Teil globalen Herausforderungen.

     
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    Quelle: OAPEN
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110779837; 9783110779530
    Weitere Identifier:
    Schlagworte: The arts: general issues; Conservation, restoration & care of artworks; History: specific events & topics; Oral history
    Weitere Schlagworte: International Council of Museums; ICOM; Oral History; contemporary witness interview; stakeholder
    Umfang: 1 electronic resource (120 p.)
  9. Chapter 4 How Memory Comes to Matter : From Social Media to the Internet of Things
    Autor*in: Giaccardi, Elisa; Plate, Liedeke
    Erschienen: 2017
    Verlag:  Taylor & Francis

    Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or... mehr

     

    Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or hate) function not only as aide-mémoire but are integral to memory. Drawing on previous scholarship on the interrelation of memory and materiality, this book applies recent theories of new materialism to explore the material dimension of memory in art and popular culture. The book’s underlying premise is twofold: on the one hand, memory is performed, mediated, and stored through the material world that surrounds us; on the other hand, inanimate objects and things also have agency on their own, which affects practices of memory, as well as forgetting. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter1.pdf Chapter 4 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter4.pdf Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter5.pdf

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Übergeordneter Titel: Materializing Memory in Art and Popular Culture
    Schlagworte: Media studies; Social & cultural anthropology, ethnography; The arts: general issues
    Weitere Schlagworte: anthropology; archaeology; cultural studies; heritage; material culture; media studies; memory studies; trauma; visual culture
    Umfang: 1 electronic resource (24 p.)
  10. Rhapsodic Objects : Art, Agency, and Materiality (1700–2000)
    Beteiligt: Etienne, Noemie (Hrsg.); Biro, Yaelle (Hrsg.)
    Erschienen: 2021
    Verlag:  De Gruyter, Berlin/Boston

    Circulation and imitation of cultural products are key factors in shaping the material world.The contributions explore how technical knowledge, immaterial desires, and political agendas impacted the production and consumption of visual and material... mehr

     

    Circulation and imitation of cultural products are key factors in shaping the material world.The contributions explore how technical knowledge, immaterial desires, and political agendas impacted the production and consumption of visual and material culture in different times and places. They map a new a multidirectional market for cultural goods in which the source countries can be positioned at the center.

     
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    Quelle: OAPEN
    Beteiligt: Etienne, Noemie (Hrsg.); Biro, Yaelle (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110757668; 9783110656640
    Weitere Identifier:
    Schlagworte: The arts: general issues; Theory of art; Decorative arts
    Weitere Schlagworte: Objects; cultural transfer; arts and crafts; textile.
    Umfang: 1 electronic resource (236 p.)
  11. Kältebilder : Ästhetik und Erkenntnis am Gefrierpunkt
    Beteiligt: Bruhn, Matthias (Hrsg.)
    Erschienen: 2021
    Verlag:  De Gruyter, Berlin/Boston

    Cold has always been of fundamental importance to human culture, but it was not until the industrial age that possibilities of artificial cooling were invented which are taken for granted today. However, colling was also accompanied by new... mehr

     

    Cold has always been of fundamental importance to human culture, but it was not until the industrial age that possibilities of artificial cooling were invented which are taken for granted today. However, colling was also accompanied by new possibilities for gaining knowledge. The frozen movement became a metaphor for technical still life, and without cryogenics, there would be no modern computing and imaging processes. Such possibilities of ice-cold observation are contrasted by losses of visibility, due to frost or precipitation, just as the artificial lowering of temperatures fuels climate change precisely through its energy consumption. Cooling technology is reaching new lows and highs in every respect – with extensive consequences for knowledge and perception.

     
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    Quelle: OAPEN
    Beteiligt: Bruhn, Matthias (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110747614; 9783110746952
    Weitere Identifier:
    Schlagworte: The arts: general issues; Theory of art; General studies
    Weitere Schlagworte: Digitization of financial services; FinTech; Blockchain; quantum computing; decentralised finance; DeFi
    Umfang: 1 electronic resource (120 p.)
  12. Doing the Right Thing : A Value Based Economy
    Autor*in: Klamer, Arjo
    Erschienen: 2017
    Verlag:  Ubiquity Press

    "This book is for all those who are seeking a human perspective on economic and organizational processes. It lays the foundations for a value based approach to the economy. The key questions are: “What is important to you or your organization?” “What... mehr

     

    "This book is for all those who are seeking a human perspective on economic and organizational processes. It lays the foundations for a value based approach to the economy. The key questions are: “What is important to you or your organization?” “What is this action or that organization good for?”

    The book is directed at the prevalence of instrumentalist thinking in the current economy and responds to the calls for another economy.

    Another economy demands another economics. The value based approach is another economics; it focuses on values and on the most important goods such as families, homes, communities, knowledge, and art. It places economic processes in their cultural context.

    What does it take to do the right thing, as a person, as an organization, as a society? What is the good to strive for? This book gives directions for the answers.

    The value based approach restores the ancient idea that quality of life and of society is what the economy is all about. It advocates shifting the focus from quantities (“how much?”) to qualities (“what is important?”).

     
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  13. The Chatter of the Visible : Montage and Narrative in Weimar Germany
    Autor*in: McBride, Patrizia C.
    Erschienen: 2016
    Verlag:  University of Michigan Press

    Patrizia McBride's study, The Chatter of the Visible, examines the paradoxical narrative features of the photo montage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies have commonly been... mehr

     

    Patrizia McBride's study, The Chatter of the Visible, examines the paradoxical narrative features of the photo montage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies have commonly been associated with the purposeful interruption of and challenge to narrative consistency and continuity, McBride offers an historicized re-appraisal of 1920s and 1930s German photo montage work to show that its peculiar mimicry was less a rejection of narrative and more an extension or permutation of it; a means for thinking in narrative textures exceeding constraints imposed by "flat" print media (especially the novel and other literary genres). According to McBride, a close engagement with montage procedures going back to Cubism reveals explicit inquiry into the status of objects as complex signifying entities whose material qualities are inextricably bound up with linguistic dynamics. She focuses on allegory as the appropriate tool for reading Weimar-era photo montage, focusing on the ways allegorical work in montage compositions foregrounds the moment of incorporation by purposefully exposing the pasted-in nature of the inserted materials. This moment of construction, argues McBride, produces a chattering of forms that propels the distinctive experimentation of Weimar-era montage [and its experimental focus] on the ways in which perception interacts with physical forms in shaping the contours of the material world. McBride's contribution to the conversation around Weimar-era montage is in her situation of the form of the work as a discursive practice in its own right, which affords humans a new way to negotiate temporality; as a particular mode of thinking that productively relates the particular to the universal; or as a culturally specific form of cognition.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Schlagworte: The arts: general issues
    Weitere Schlagworte: Art
  14. Chapter 5 Memory and Materiality in Hussein Chalayan’s Techno-Fashion
    Autor*in: Toussaint, Lianne; Smelik, Anneke
    Erschienen: 2017
    Verlag:  Taylor & Francis

    Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or... mehr

     

    Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or hate) function not only as aide-mémoire but are integral to memory. Drawing on previous scholarship on the interrelation of memory and materiality, this book applies recent theories of new materialism to explore the material dimension of memory in art and popular culture. The book’s underlying premise is twofold: on the one hand, memory is performed, mediated, and stored through the material world that surrounds us; on the other hand, inanimate objects and things also have agency on their own, which affects practices of memory, as well as forgetting. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter1.pdf Chapter 4 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter4.pdf Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter5.pdf

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Übergeordneter Titel: Materializing Memory in Art and Popular Culture
    Schlagworte: Media studies; Social & cultural anthropology, ethnography; The arts: general issues
    Weitere Schlagworte: anthropology; archaeology; cultural studies; heritage; material culture; media studies; memory studies; trauma; visual culture
    Umfang: 1 electronic resource (17 p.)
  15. Materializing Memory in Art and Popular Culture
    Beteiligt: Muntean, Laszlo (Hrsg.); Plate, Liedeke (Hrsg.); Smelik, Anneke (Hrsg.)
    Erschienen: 2017
    Verlag:  Taylor & Francis

    Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or... mehr

     

    Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or hate) function not only as aide-mémoire but are integral to memory. Drawing on previous scholarship on the interrelation of memory and materiality, this book applies recent theories of new materialism to explore the material dimension of memory in art and popular culture. The book’s underlying premise is twofold: on the one hand, memory is performed, mediated, and stored through the material world that surrounds us; on the other hand, inanimate objects and things also have agency on their own, which affects practices of memory, as well as forgetting. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter1.pdf Chapter 4 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter4.pdf Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter5.pdf

     
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    Quelle: OAPEN
    Beteiligt: Muntean, Laszlo (Hrsg.); Plate, Liedeke (Hrsg.); Smelik, Anneke (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315472171
    Weitere Identifier:
    Schlagworte: Media studies; Social & cultural anthropology, ethnography; The arts: general issues
    Weitere Schlagworte: anthropology; archaeology; cultural studies; heritage; material culture; media studies; memory studies; trauma; visual culture
    Umfang: 1 electronic resource (236 p.)
  16. Chapter 1 Things to remember : Introduction to Materializing Memory in Art and Popular Culture
    Autor*in: Munteán, László; Plate, Liedeke; Smelik, Anneke
    Erschienen: 2017
    Verlag:  Taylor & Francis

    Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or... mehr

     

    Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or hate) function not only as aide-mémoire but are integral to memory. Drawing on previous scholarship on the interrelation of memory and materiality, this book applies recent theories of new materialism to explore the material dimension of memory in art and popular culture. The book’s underlying premise is twofold: on the one hand, memory is performed, mediated, and stored through the material world that surrounds us; on the other hand, inanimate objects and things also have agency on their own, which affects practices of memory, as well as forgetting. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter1.pdf Chapter 4 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter4.pdf Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter5.pdf

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Übergeordneter Titel: Materializing Memory in Art and Popular Culture
    Schlagworte: Media studies; Social & cultural anthropology, ethnography; The arts: general issues
    Weitere Schlagworte: anthropology; archaeology; cultural studies; heritage; material culture; media studies; memory studies; trauma; visual culture
    Umfang: 1 electronic resource (25 p.)
  17. The Politics of Contemporary Art Biennials : Spectacles of Critique, Theory and Art
    Autor*in: Kompatsiaris, Panos
    Erschienen: 2017
    Verlag:  Taylor & Francis

    Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a... mehr

     

    Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from Nova Convention to documenta X, the new biennial blends the modalities of protest with a neoliberal politics of creativity. This book examines a strained period for these high art institutions, a period when their politics are brought into question and often boycotted in the context of austerity, crisis and the rise of Occupy cultures. Using the 3rd Athens Biennale and the 7th Berlin Biennale as its main case studies, it looks at how the in-built tensions between the domains of art and politics take shape when spectacular displays attempt to operate as immediate activist sites. Drawing on ethnographic research and contemporary cultural theory, this book argues that biennials both denunciate the aesthetic as bourgeois category and simultaneously replicate and diffuse an exclusive sociability across social landscapes.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315645049; 9781317290834; 9781138184589; 9780367376680
    Weitere Identifier:
    Schlagworte: History of art / art & design styles; The arts: general issues; Museology & heritage studies
    Weitere Schlagworte: activism; art history; contemporary art; curating; economics; exhibition; museum studies; Occupy; politics; visual culture
    Umfang: 1 electronic resource (206 p.)
  18. Atem / Breath
    Beteiligt: Burchert, Linn (Hrsg.); Rešetar, Iva (Hrsg.)
    Erschienen: 2021
    Verlag:  De Gruyter, Berlin/Boston

    The anthology explores breath from the perspective of the arts and humanities, as well as experimental scientific and design practices. Focus is on the period from 1900 to the present day – an era during in which air has become a precarious medium,... mehr

     

    The anthology explores breath from the perspective of the arts and humanities, as well as experimental scientific and design practices. Focus is on the period from 1900 to the present day – an era during in which air has become a precarious medium, co-created and manipulated by humans. Against this backdrop, breath appears as an elusive yet vital substance that reveals connections between the physical, symbolic, technological and social realms.

     
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    Quelle: OAPEN
    Beteiligt: Burchert, Linn (Hrsg.); Rešetar, Iva (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110701876; 9783110701838; 9783110701999
    Weitere Identifier:
    Schlagworte: The arts: general issues; Theory of art; History of art & design styles: from c 1900 -; Art & design styles: from c 1960
    Weitere Schlagworte: Art; Culture; History; Philosophy; Architecture
    Umfang: 1 electronic resource (401 p.)
  19. Intermedialitaet und Revolution der Medien- Intermédialité et révolution des médias : Positionen – Revisionen- Positions et révisions
    Beteiligt: Mlynek-Theil, Kristin (Hrsg.); Bazgan, Nicoleta (Hrsg.); Küchler, Kerstin (Hrsg.); Felten, Uta (Hrsg.)
    Erschienen: 20150626
    Verlag:  Peter Lang International Academic Publishers, Bern

    Der vorliegende Sammelband untersucht das Konzept der Intermedialität vor dem Hintergrund der zunehmenden Beschleunigung und Überkreuzung medialer Praktiken in der zeitgenössischen Gesellschaft, angesichts derer sich die Frage nach einer Revision des... mehr

     

    Der vorliegende Sammelband untersucht das Konzept der Intermedialität vor dem Hintergrund der zunehmenden Beschleunigung und Überkreuzung medialer Praktiken in der zeitgenössischen Gesellschaft, angesichts derer sich die Frage nach einer Revision des Theorems der Intermedialität stellt. Die Beiträge konzentrieren sich auf Schlüsselmomente historischer Medienumbrüche im 19., 20. und 21. Jahrhundert und analysieren den Zusammenhang zwischen der (R)Evolution medialer Dispositive und Wahrnehmungsformen sowie der kulturellen Praxis.
    Le présent ouvrage collectif vise à analyser le concept de l’intermédialité dans le cadre de l’accélération croissante et du croisement des pratiques médiatiques dans la société contemporaine, au regard desquels se pose la question d’une révision du théorème de l’intermédialité. Les contributions se concentrent sur des moments-clés des mutations historiques au 19<UP>e</UP>, 20<UP>e</UP> et 21<UP>e</UP> siècle et font l’analyse du rapport entre l’évolution/la révolution des dispositifs médiatiques et les formes de perception ainsi que les codes culturels.

     
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  20. Das erweiterte Museum : Medien, Technologien und Internet
    Beteiligt: Franken-Wendelstorf, Regina (Hrsg.); Greisinger, Sybille (Hrsg.); Gries, Christian (Hrsg.)
    Erschienen: 2019
    Verlag:  De Gruyter, Berlin/Boston

    Today, museums use various media to convey and communicate content. The spectrum ranges from print media to multimedia productions, hands-on and media stations to interactive, software and web-based offers. These change the "learning location museum"... mehr

     

    Today, museums use various media to convey and communicate content. The spectrum ranges from print media to multimedia productions, hands-on and media stations to interactive, software and web-based offers. These change the "learning location museum" and expand it into digital space. This volume documents current concepts and technologies. It illuminates important instruments such as websites, online collections, social media, media stations, multimedia guides and essential topics such as e-learning, e-publishing, storytelling or digital strategies. In addition, concrete tips and recommendations for action regarding the conception, production and operation of media in the museum are given. An e-book and a digital toolkit with constantly updated material as well as media and application examples complete the publication. Zur Vermittlung und Kommunikation von Inhalten bedienen sich Museen heute verschiedener Medien. Das Spektrum reicht von Printmedien über Multimediaproduktionen, »Hands-on«- und Medienstationen bis zu interaktiven, software- beziehungsweise webbasierten Angeboten. Diese verändern den »Lernort Museum« und erweitern ihn in den digitalen Raum. Der vorliegende Band dokumentiert aktuelle Konzepte und Technologien. Er beleuchtet wichtige Instrumente wie Websites, Online-Sammlungen, Social Media, Medienstationen, Multimediaguides und wesentliche Themen wie E-Learning, E-Publishing, Storytelling oder digitale Strategien. Dazu werden konkrete Tipps und Handlungsempfehlungen zu Konzeption, Produktion und Betrieb von Medien im Museum gegeben. Ein E-Book und ein digitales Toolkit mit stets aktualisiertem Material sowie Medien- und Anwendungsbeispielen ergänzen die Publikation.

     
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    Quelle: OAPEN
    Beteiligt: Franken-Wendelstorf, Regina (Hrsg.); Greisinger, Sybille (Hrsg.); Gries, Christian (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783422981010; 9783422074361
    Weitere Identifier:
    Schlagworte: The arts: general issues; Architecture
    Weitere Schlagworte: Art; Architecture; Museum
    Umfang: 1 electronic resource (160 p.)
  21. Women in the Silent Cinema : Histories of Fame and Fate
    Autor*in: Förster, Annette
    Erschienen: 2017
    Verlag:  Amsterdam University Press, Amsterdam

    This magisterial book offers comprehensive accounts of the professional itineraries of three women in the silent film in the Netherlands, France and North America. Annette Förster presents a careful assessment of the long career of Dutch stage and... mehr

     

    This magisterial book offers comprehensive accounts of the professional itineraries of three women in the silent film in the Netherlands, France and North America. Annette Förster presents a careful assessment of the long career of Dutch stage and film actress Adriënne Solser; an exploration of the stage and screen careers of French actress and filmmaker Musidora and Canadian-born actress and filmmaker Nell Shipman; an analysis of the interaction between the popular stage and the silent cinema from the perspective of women at work in both realms; fresh insights into Dutch stage and screen comedy, the French revue and the American Northwest drama of the 1910s; and much more, all grounded in a wealth of archival research.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789089647191; 9789462989955
    Weitere Identifier:
    Schlagworte: The arts: general issues; Electronic, holographic & video art; Film theory & criticism
    Weitere Schlagworte: Arts; video art; film theory
    Umfang: 1 electronic resource (573 p.)
  22. Historische Gärten und Klimawandel
    Beteiligt: Hüttl, Reinhard F. (Hrsg.); David, Karen (Hrsg.); Uwe Schneider, Bernd (Hrsg.)
    Erschienen: 2020
    Verlag:  De Gruyter, Berlin/Boston

    Historical gardens listed as cultural monuments are valuable evidence of our civilization. How can they be preserved under changing climatic conditions? On the basis of four historical gardens, this project analyzes the natural, cultural and social... mehr

     

    Historical gardens listed as cultural monuments are valuable evidence of our civilization. How can they be preserved under changing climatic conditions? On the basis of four historical gardens, this project analyzes the natural, cultural and social framework in which the images of the garden are inscribed. Yet, what courses of action are possible if plants or trees are no longer adapted to the local conditions? Representatives from the natural and social sciences, the humanities, and historical garden conservation present their first joint solution strategies for the preservation of historical gardens as complete works of art facing climate change.

     
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  23. Movement of knowledge : Medical humanities perspectives on medicine, science, and experience
    Beteiligt: Hansson, Kristofer (Hrsg.); Irwin, Rachel (Hrsg.)
    Erschienen: 2020
    Verlag:  Kriterium, Gothenburg

    Medical knowledge is always in motion. It moves from the lab to the office, from a press release to a patient, from an academic journal to a civil servant’s desk and then on to a policymaker. Knowledge is deconstructed, reconstructed, and transformed... mehr

     

    Medical knowledge is always in motion. It moves from the lab to the office, from a press release to a patient, from an academic journal to a civil servant’s desk and then on to a policymaker. Knowledge is deconstructed, reconstructed, and transformed as it moves. The dynamic, ever-evolving nature of medical knowledge has given rise to different concepts to explain it: diffusion, translation, circulation, transit, co-production. At the same time, its movements—and the ways in which we conceptualize and describe them—have material consequences. For instance, value judgements on the validity of certain forms of knowledge determine the direction of clinical research. Policy decisions are taken in relation to existing knowledge. The acceptance or rejection of treatment protocols based on medical ‘facts’ impacts on patients, dependents, health providers, and society at large. Simply put, knowledge and the movement of knowledge matter. How do they matter, though? The contributors to this volume examine the complexity of medical knowledge in everyday life. We demonstrate not only the pervasive influence of knowledge in medical and public health settings, but also the range of methodological and theoretical tools to study knowledge. Ours is a multidisciplinary approach to the medical humanities, presenting both contemporary and historical perspectives in order to explore the borderlands between expertise and common knowledge.

     
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    Quelle: OAPEN
    Beteiligt: Hansson, Kristofer (Hrsg.); Irwin, Rachel (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Anthropology; The arts: general issues; Social & cultural anthropology, ethnography; History of medicine; Medical & healthcare law; Science & technology: general interest (Children's / Teenage)
    Weitere Schlagworte: Knowledge; Ethnography; Medicine; Health care Public health; Science
    Umfang: 1 electronic resource (265 p.)
  24. The Saburo Hasegawa Reader
    Erschienen: 2019
    Verlag:  University of California Press

    Published on the occasion of the 2019 exhibition “Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan,” The Saburo Hasegawa Reader encompasses a selection of writings by the Japanese artist, theorist, essayist, teacher, and curator... mehr

     

    Published on the occasion of the 2019 exhibition “Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan,” The Saburo Hasegawa Reader encompasses a selection of writings by the Japanese artist, theorist, essayist, teacher, and curator Saburo Hasegawa (1908–1957), translated into English for the first time. Credited with introducing abstract art to Japan in the 1930s, Hasegawa also became influential as a lecturer on Japan and its aesthetic and philosophical traditions in New York and San Francisco before his premature death in 1957. A memorial volume, initiated by the Oakland Art Museum but left unpublished since the 1950s, as well as interviews from students at California College of Arts and Crafts, helps to establish Hasegawa as a thoughtful bridge between East and West and an engaging and thoughtful interpreter of classical and contemporary sources.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520970922
    Weitere Identifier:
    Schlagworte: The arts: general issues; Asian history
    Weitere Schlagworte: Art; General; History; Asia; General
  25. Vulnerability in Scandinavian Art and Culture
    Beteiligt: Dancus, Adriana Margareta (Hrsg.); Hyvönen, Mats (Hrsg.); Karlsson, Maria (Hrsg.)
    Erschienen: 2020
    Verlag:  Springer Nature, Cham

    In this open access book, seventeen scholars discuss how contemporary Scandinavian art and media have become important arenas to articulate and stage various forms of vulnerability in the Scandinavian welfare states. How do discourses of privilege... mehr

     

    In this open access book, seventeen scholars discuss how contemporary Scandinavian art and media have become important arenas to articulate and stage various forms of vulnerability in the Scandinavian welfare states. How do discourses of privilege and vulnerability coexist and interact in Scandinavia? How do the Scandinavian countries respond to vulnerability given increased migration? How is vulnerability distributed in terms of margin and centre, normality and deviance? And how can vulnerability be used to move audiences towards each other and accomplish change? We address these questions in an interdisciplinary study that brings examples from celebrated and provocative fiction and documentary films, TV-series, reality TV, art installations, design, literature, graphic art, radio podcasts and campaigns on social media.

     
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