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  1. The new entrepreneurs
    an institutional history of television anthology writers
    Autor*in: Kraszewski, Jon
    Erschienen: ©2010
    Verlag:  Wesleyan University Press, Middletown, Conn.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0819569461; 081956947X; 0819571032; 9780819569462; 9780819569479; 9780819571038
    Schriftenreihe: Wesleyan film
    Schlagworte: Television / Production and direction / United States; Television authorship / United States; Television plays, American / History and criticism; Television programs / Economic aspects / United States; Fine Arts; Literature; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Television authorship; Television plays, American; Television / Production and direction; Television programs / Economic aspects; Television programs / Social aspects; Gesellschaft; Literatur; Television authorship; Television plays, American; Television; Television programs; Television programs
    Umfang: 1 Online-Ressource (xi, 213 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction -- Between the television and book publishing industries : anthology writers and their struggle for authorial identities -- Between the television and theater industries : representations of race in Rod Serling's "Noon on doomsday" -- Between the television and motion picture industries : Paddy Chayefsky's "Marty" as art cinema -- New strategies for entrepreneurship : Reginald Rose, The defenders, and the 1960s television industry -- A new zone of production? Rod Serling's attempt to redefine the role of the writer in the 1960s television industry

    How television writers thwarted the constraints of corporate culture in the 1950s and flourished
  2. Writing and producing for television and film
    Autor*in: De Fossard, Esta
    Erschienen: 2005
    Verlag:  Sage, New Delhi

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1282153919; 8132102622; 9781282153912; 9788132102625
    Schriftenreihe: Communication for behavior change ; v. 2
    Schlagworte: LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; Motion picture authorship; Motion pictures / Production and direction; Television authorship; Television / Production and direction; Film; Television authorship; Television; Motion picture authorship; Motion pictures
    Umfang: 1 Online-Ressource (278 pages)
    Bemerkung(en):

    1. Using television and film for social development: the entertainment-education format -- 2. The role of the program manager -- 3. Articulation: designing message content for entertainment-education programs -- 4. Artistry: writing entertainment-education drama -- 5. Artistry: character development -- 6. Guidelines for script presentation and review -- 7. Auxiliaries: enhancing the message -- 8. Guidelines for pre-production: needs, budgets, and contracts -- 9. Guidelines for pre-production: artistic preparation -- 10. Guidelines for successful shooting -- 11. Guidelines for successful acting -- 12. Pilot testing -- 13. Major checklist

    Includes bibliographical references

    Role models from the visual media often spark in viewers the will to emulate desired behavior. The Entertainment-Education method combines emotional appeal and relevant knowledge in order to promote such behavior change. This book-the second in a three-book series titled Communication for Behavior Change-is amied at all producing or directing Entertainment-Education dramas for television and film. The authors-both leading practitioners in the field of Entertainment-Education-dwell in detail on the Design Approach for determining and then articulating effective messages to be contained in the d
  3. Medienkonkurrenzen um 2000
    Affekte, Finanzkrisen und Geschlechtermythen in Roman, Film und Theater
    Autor*in: Urbani, Nadja
    Erschienen: [2015]
    Verlag:  transcript Verlag, Bielefeld

    Media competition today: How can novel, film, and theater hold their ground in modern media landscapes? What differences and interferences characterize them? mehr

     

    Media competition today: How can novel, film, and theater hold their ground in modern media landscapes? What differences and interferences characterize them?

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839430477
    Weitere Identifier:
    Schriftenreihe: Edition Medienwissenschaft ; 21
    Schlagworte: Amazone; Ekel (Motiv); Film; Finanzkrise (Motiv); Roman; Television / Production and direction; Theater; Communication Science, other; Communications; Linguistics, Communication Studies; Öffentliche Darbietungen, Film, Rundfunk
    Umfang: 1 online resource(528p.), illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed October 05 2015)
  4. Storytelling for Film and Television
    From First Word to Last Frame
    Autor*in: Dancyger, Ken
    Erschienen: 2019
    Verlag:  Routledge, Milton

    Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing, and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing, and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative filmmaking and television production. The book takes a unique approach by connecting the different phases of the creative process of film and television production. It shows how writing, directing, and editing all contribute to the process of storytelling and function together to advance the narrative goals of a screenplay, to tell the best story. A case study approach provides numerous examples of effectiveness and brings together the core areas of aesthetics and production to make these concepts more accessible. Case studies include classic and modern films, foreign films, limited and series television, with examples including Breaking Bad, Game of Thrones, The Revenant, and Son of Saul. This is the ideal text for film and television production students at all levels. It is written in a style which makes it accessible to anybody interested in learning more about the storytelling process and is written for a global audience addressing a global industry

     
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    Volltext (URL des Erstveroeffentlichers)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781351245975; 135124597X; 9781351245968; 1351245961; 9781351245982; 1351245988; 9781351245951; 1351245953
    Schlagworte: Motion picture authorship; Television authorship; Motion pictures / Production and direction; Television / Production and direction
    Umfang: 1 online resource (209 pages)
  5. Storytelling for Film and Television
    From First Word to Last Frame
    Autor*in: Dancyger, Ken
    Erschienen: 2019
    Verlag:  Routledge, Milton

    Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing, and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that... mehr

     

    Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing, and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative filmmaking and television production. The book takes a unique approach by connecting the different phases of the creative process of film and television production. It shows how writing, directing, and editing all contribute to the process of storytelling and function together to advance the narrative goals of a screenplay, to tell the best story. A case study approach provides numerous examples of effectiveness and brings together the core areas of aesthetics and production to make these concepts more accessible. Case studies include classic and modern films, foreign films, limited and series television, with examples including Breaking Bad, Game of Thrones, The Revenant, and Son of Saul. This is the ideal text for film and television production students at all levels. It is written in a style which makes it accessible to anybody interested in learning more about the storytelling process and is written for a global audience addressing a global industry

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveroeffentlichers)