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Speed and Flight in Shakespeare

Autor*in: Steggle, Matthew

Erschienen: 2022.

Verlag: Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

Chapter 1: Introduction -- Chapter 2: Acceleration in The Comedy of Errors -- Chapter 3: Taking Flight in Romeo and Juliet -- Chapter 4: The Speed Demons of A Midsummer Night's Dream -- Chapter 5: The Action of the Tiger: Richard III and Henry V --... mehr

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Resolving-System (lizenzpflichtig)

Potsdam: Universität Potsdam, Universitätsbibliothek

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Universität Potsdam, Universitätsbibliothek

Fernleihe:

uneingeschränkte Fernleihe, Kopie und Ausleihe

Chapter 1: Introduction -- Chapter 2: Acceleration in The Comedy of Errors -- Chapter 3: Taking Flight in Romeo and Juliet -- Chapter 4: The Speed Demons of A Midsummer Night's Dream -- Chapter 5: The Action of the Tiger: Richard III and Henry V -- Chapter 6: Macbeth: Life in Fast Forward -- Chapter 7: Free Flight:The Tempest -- Chapter 8: Conclusion. . Shakespeare's plays are fascinated by the problems of speed and flight. They are repeatedly interested in humans, spirits, and objects that move very fast; become airborne; and in some cases even travel into space. In Speed and Flight in Shakespeare, the first study of any kind on the subject, Steggle looks at how Shakespeare’s language explores ideas of speed and flight, and what theatrical resources his plays use to represent these states. Shakespeare has, this book argues, an aesthetic of speed and flight. Featuring chapters on The Comedy of Errors, A Midsummer Night’s Dream, Romeo and Juliet, Henry V, Macbeth and The Tempest, this study opens up a new field around the ‘historical phenomenology’ of early modern speed. Matthew Steggle is Professor of English at the University of Bristol, UK. His research interests include early modern literature and drama, with a particular focus on "historicized performance studies", and "acoustic approaches" to early modern drama. His publications include four monographs on early modern drama; editions of plays by Shakespeare, Jonson, and Brome; and dozens of scholarly articles and book chapters. Steggle is also Co-editor of the AHRC-funded Oxford Works of John Marston project, and of the Lost Plays Database. .

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RIS-Format
BibTeX-Format

Quelle:	Verbundkataloge
Sprache:	Englisch
Medientyp:	Ebook
Format:	Online
ISBN:	9783030936570
Weitere Identifier:	doi: 10.1007/978-3-030-93657-0
Auflage/Ausgabe:	1st ed. 2022.
Schriftenreihe:	Springer eBook Collection
Schlagworte:	European literature—Renaissance, 1450-1600.; Drama.; Theater—History.; Stage management.; Performing arts.; Theater.
Umfang:	1 Online-Ressource(XI, 136 p. 2 illus.)

Shakespeare and Costume in Practice

Autor*in: Escolme, Bridget

Erschienen: 2020.

Verlag: Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

1. Chapter One: Introduction -- 2. Chapter Two: Hamlet, Mourning and the Disappearing Costume: Inky Cloaks and Solemn Black -- 3. Chapter Three: Much Ado About Nothing, Restorative Nostalgia and the Costume Drama: Tires and Rebatoes, Corsets and Lace... mehr

Zugang:

Resolving-System (lizenzpflichtig)

Potsdam: Universität Potsdam, Universitätsbibliothek

Standort:

Universität Potsdam, Universitätsbibliothek

Fernleihe:

uneingeschränkte Fernleihe, Kopie und Ausleihe

1. Chapter One: Introduction -- 2. Chapter Two: Hamlet, Mourning and the Disappearing Costume: Inky Cloaks and Solemn Black -- 3. Chapter Three: Much Ado About Nothing, Restorative Nostalgia and the Costume Drama: Tires and Rebatoes, Corsets and Lace -- 4. Chapter Four: The Post-Colonial Tempest: Costume and Race -- 5. Chapter Five: Conclusion: Practitioner Interviews. What is the role of costume in Shakespeare production? Shakespeare and Costume in Practiceargues that costume design choices are central not only to the creation of period setting and the actor’s work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre – and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.

Export in Literaturverwaltung

RIS-Format
BibTeX-Format

Quelle:	Verbundkataloge
Sprache:	Englisch
Medientyp:	Ebook
Format:	Online
ISBN:	9783030571498
Weitere Identifier:	doi: 10.1007/978-3-030-57149-8
Auflage/Ausgabe:	1st ed. 2020.
Schriftenreihe:	Shakespeare in Practice Springer eBook Collection
Schlagworte:	Literature, Modern.; Theater—Production and direction.; Theater—History.; Theater.; Literature—History and criticism.; Stage management.
Umfang:	1 Online-Ressource(XI, 215 p.)

Speed and Flight in Shakespeare

Autor*in: Steggle, Matthew

Erschienen: 2022.

Verlag: Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

Chapter 1: Introduction -- Chapter 2: Acceleration in The Comedy of Errors -- Chapter 3: Taking Flight in Romeo and Juliet -- Chapter 4: The Speed Demons of A Midsummer Night's Dream -- Chapter 5: The Action of the Tiger: Richard III and Henry V --... mehr

Zugang:

Resolving-System (lizenzpflichtig)

Freiburg/Breisgau: Universitätsbibliothek Freiburg

Standort:

Universitätsbibliothek Freiburg

Fernleihe:

Standort:

Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)

Fernleihe:

keine Fernleihe

Lippstadt: Zentrum für Wissensmanagement, Bibliothek Lippstadt

Standort:

Zentrum für Wissensmanagement, Bibliothek Lippstadt

Signatur:

eBook Springer

Fernleihe:

Standort:

Universitätsbibliothek Mannheim

Fernleihe:

keine Fernleihe

Standort:

Universitätsbibliothek Mannheim

Fernleihe:

keine Fernleihe

Oldenburg: Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)

Standort:

Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)

Fernleihe:

keine Fernleihe

Potsdam: Universität Potsdam, Universitätsbibliothek

Standort:

Universität Potsdam, Universitätsbibliothek

Fernleihe:

keine Fernleihe

Stuttgart: Universitätsbibliothek Stuttgart

Standort:

Universitätsbibliothek Stuttgart

Fernleihe:

keine Fernleihe

Chapter 1: Introduction -- Chapter 2: Acceleration in The Comedy of Errors -- Chapter 3: Taking Flight in Romeo and Juliet -- Chapter 4: The Speed Demons of A Midsummer Night's Dream -- Chapter 5: The Action of the Tiger: Richard III and Henry V -- Chapter 6: Macbeth: Life in Fast Forward -- Chapter 7: Free Flight:The Tempest -- Chapter 8: Conclusion. . Shakespeare's plays are fascinated by the problems of speed and flight. They are repeatedly interested in humans, spirits, and objects that move very fast; become airborne; and in some cases even travel into space. In Speed and Flight in Shakespeare, the first study of any kind on the subject, Steggle looks at how Shakespeare’s language explores ideas of speed and flight, and what theatrical resources his plays use to represent these states. Shakespeare has, this book argues, an aesthetic of speed and flight. Featuring chapters on The Comedy of Errors, A Midsummer Night’s Dream, Romeo and Juliet, Henry V, Macbeth and The Tempest, this study opens up a new field around the ‘historical phenomenology’ of early modern speed. Matthew Steggle is Professor of English at the University of Bristol, UK. His research interests include early modern literature and drama, with a particular focus on "historicized performance studies", and "acoustic approaches" to early modern drama. His publications include four monographs on early modern drama; editions of plays by Shakespeare, Jonson, and Brome; and dozens of scholarly articles and book chapters. Steggle is also Co-editor of the AHRC-funded Oxford Works of John Marston project, and of the Lost Plays Database. .

Export in Literaturverwaltung

RIS-Format
BibTeX-Format

Quelle:	Verbundkataloge
Sprache:	Englisch
Medientyp:	Ebook
Format:	Online
ISBN:	9783030936570
Weitere Identifier:	doi: 10.1007/978-3-030-93657-0
Auflage/Ausgabe:	1st ed. 2022.
Schriftenreihe:	Springer eBook Collection
Schlagworte:	European literature—Renaissance, 1450-1600.; Drama.; Theater—History.; Stage management.; Performing arts.; Theater.
Umfang:	1 Online-Ressource(XI, 136 p. 2 illus.)

Fernleihe:

keine Fernleihe

Mannheim: Universitätsbibliothek Mannheim

Standort:

Universitätsbibliothek Mannheim

Fernleihe:

keine Fernleihe

Standort:

Universitätsbibliothek Mannheim

Fernleihe:

keine Fernleihe

Oldenburg: Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)

Standort:

Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)

Fernleihe:

keine Fernleihe

Potsdam: Universität Potsdam, Universitätsbibliothek

Standort:

Universität Potsdam, Universitätsbibliothek

Fernleihe:

keine Fernleihe

Stuttgart: Universitätsbibliothek Stuttgart

Standort:

Universitätsbibliothek Stuttgart

Fernleihe:

keine Fernleihe

1. Chapter One: Introduction -- 2. Chapter Two: Hamlet, Mourning and the Disappearing Costume: Inky Cloaks and Solemn Black -- 3. Chapter Three: Much Ado About Nothing, Restorative Nostalgia and the Costume Drama: Tires and Rebatoes, Corsets and Lace -- 4. Chapter Four: The Post-Colonial Tempest: Costume and Race -- 5. Chapter Five: Conclusion: Practitioner Interviews. What is the role of costume in Shakespeare production? Shakespeare and Costume in Practiceargues that costume design choices are central not only to the creation of period setting and the actor’s work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre – and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.

Export in Literaturverwaltung

RIS-Format
BibTeX-Format

Quelle:	Verbundkataloge
Sprache:	Englisch
Medientyp:	Ebook
Format:	Online
ISBN:	9783030571498
Weitere Identifier:	doi: 10.1007/978-3-030-57149-8
Auflage/Ausgabe:	1st ed. 2020.
Schriftenreihe:	Shakespeare in Practice
Schlagworte:	Literature, Modern.; Theater—Production and direction.; Theater—History.; Theater.; Literature—History and criticism.; Stage management.
Umfang:	1 Online-Ressource(XI, 215 p.)

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