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  1. Shakespeare and millennial fiction
    Beteiligt: Hartley, Andrew James (HerausgeberIn)
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    How do writers of contemporary fiction incorporate Shakespeare - the man, his work and his cultural legacy? This collection brings together some of the leading voices in the scholarship of Shakespearean adaptation and appropriation to examine the... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    How do writers of contemporary fiction incorporate Shakespeare - the man, his work and his cultural legacy? This collection brings together some of the leading voices in the scholarship of Shakespearean adaptation and appropriation to examine the ways in which writers have used literary culture's most prominent historical figure to their own ends since the year 2000. The essays consider the representation of the man himself, the rethinking of his stories - often in pointed defiance of the original - and explorations of the plays radically repositioned in time and space. In the process the collection reveals which versions of Shakespeare are most current in contemporary culture and education, even as they remake them in the terms of the present, often exploiting the new notions of genre, of publishing technologies, and of political identity which have evolved so drastically since the turn of the last century Machine generated contents note: Introduction: 'reason not the need!' Andrew James Hartley; 1. Hamlet the Dane: 'tell my story' Graham Holderness; 2. Shakespeare found and lost Rebecca Bushnell; 3. Shakespeare's novel life: speech, text and dialogue in recent Shakespearean fictions Ken Jacobsen; 4. The school of (The) Night Circus: performing Shakespeare arcana in novel forms Regina Buccola; 5. 'A delicate and tender prince': Hamlet and millenial boyhood M. Tyler Sasser; 6. 'How many daughters had Lady Macbeth?' Jennifer Flaherty; 7. Engaging Ophelia in early twenty-first-century young adult fiction Emily Detmer-Goebel; 8. Criminal adaptations: gender, genre, and Shakespearean young adult literature Erica Hateley; 9. A man with a map: the millennial Macbeth Lisa Hopkins; 10. Shakespeare and the post-millennial cancer novel Sujata Iyengar; 11. Posthuman Tempests in the twenty-first century Christy Desmet; 12. Stratford-upon-web: Shakespeare in twenty-first century fanfiction Michelle K. Yost; 13. The paranormal Bard: Shakespeare is/as undead Laurie E. Osborne; 14. The Hogarth Shakespeare series: redeeming Shakespeare's literariness Douglas M. Lanier

     
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  2. Shakespeare and quotation
    Beteiligt: Maxwell, Julie (HerausgeberIn); Rumbold, Kate Louise (HerausgeberIn)
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Shakespeare is the most frequently quoted English author of all time. Quotations appear everywhere, from the epigraphs of novels to the mottoes on coffee cups. But Shakespeare was also a frequent quoter himself - of classical and contemporary... mehr

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    Shakespeare is the most frequently quoted English author of all time. Quotations appear everywhere, from the epigraphs of novels to the mottoes on coffee cups. But Shakespeare was also a frequent quoter himself - of classical and contemporary literature, of the Bible, of snatches of popular songs and proverbs. This volume brings together an international team of scholars to trace the rich history of quotation from Shakespeare's own lifetime to the present day. Exploring a wide range of media, including Romantic poetry, theatre criticism, novels by Jane Austen, Thomas Hardy and Ian McEwan, political oratory, propaganda, advertising, drama, film and digital technology, the chapters draw fresh connections between Shakespeare's own practices of creative reworking and the quotation of his work in new and traditional forms. Richly illustrated and featuring an Afterword by Margreta de Grazia, the collection tells a new story of the making and remaking of Shakespeare's plays and poems Machine generated contents note: List of illustrations; Acknowledgements; General introduction; Part I. Shakespeare and Early Modern Quotation: Introduction; 1. Shakespeare and the early modern culture of quotation James P. Bednarz; 2. Shakespeare and Sententiae: the use of quotation in Lucrece Kevin Petersen; 3. 'The ears of profiting': listening to Falstaff's biblical quotations Beatrice Groves; 4. Quoting Hamlet Douglas Bruster; Part II. Quoting Shakespeare, 1700-2000: Introduction; 5. 'Shakespeare says...': the anthology and the eighteenth-century novel Kate Rumbold; 6. Pope's Shakespeare and poetic quotation in the early eighteenth century Brean Hammond; 7. Shakespeare quotation in the Romantic Age Fiona Ritchie and R. S. White; 8. Quoting Shakespeare in the British novel: 1840-1940 Daniel Pollack-Pelzner; 9. Pedagogy and propaganda: the uses of quotation, 1750-1945 Frans De Bruyn, Gail Marshall and Ton Hoenselaars; 10. The impossibility of quotation: twentieth-century literature Craig Raine; 11. Quoting Shakespeare in twentieth-century film Toby Malone; Part III. Quoting Shakespeare Now: Introduction; 12. Creative writing: quoting Shakespeare in theory and in practice Julie Maxwell; 13. Quoting Shakespeare in contemporary poetry and prose Christy Desmet; 14. Mis/quotation in constrained writing Peter Kirwan; 15. 'Beauty too rich for use?': Shakespeare and advertising Graham Holderness; 16. Digital technology and the future of reception history Stephen O'Neill, Balz Engler and Regula Trillini Hohl; Afterword Margreta de Grazia

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Maxwell, Julie (HerausgeberIn); Rumbold, Kate Louise (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316460795
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    Schlagworte: Shakespeare, William ; 1564-1616 ; Influence; Shakespeare, William ; 1564-1616 ; In literature; Shakespeare, William ; 1564-1616 ; In mass media; Shakespeare, William ; 1564-1616 ; Quotations
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xi, 312 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 20 Jun 2018)
  3. Shakespeare and the eighteenth-century novel
    cultures of quotation from Samuel Richardson to Jane Austen
    Autor*in: Rumbold, Kate Louise
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Explores the significant presence of Shakespeare in major novels of the eighteenth and early nineteenth centuries Quotation culture -- Shakespeare's novel authority -- Theatrical Shakespeare -- Banal Shakespeare -- Ann Radcliffe's gothic epigraphs --... mehr

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    Explores the significant presence of Shakespeare in major novels of the eighteenth and early nineteenth centuries Quotation culture -- Shakespeare's novel authority -- Theatrical Shakespeare -- Banal Shakespeare -- Ann Radcliffe's gothic epigraphs -- Jane Austen and eighteenth-century Shakespeare

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316478851
    Schlagworte: English fiction; Shakespeare, William ; 1564-1616 ; Influence; Shakespeare, William ; 1564-1616 ; In literature; English fiction ; 18th century ; History and criticism; Electronic books
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource
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    Includes bibliographical references and index
  4. Shakespeare's literary lives
    the author as character in fiction and film
    Autor*in: Franssen, Paul
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    This is an entertaining account of Shakespeare's afterlives in fiction. Paul Franssen offers the first sustained analysis of stories and films that involve the character of Shakespeare. Taking a broad international and historical perspective, he... mehr

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    This is an entertaining account of Shakespeare's afterlives in fiction. Paul Franssen offers the first sustained analysis of stories and films that involve the character of Shakespeare. Taking a broad international and historical perspective, he shows how fictions about Shakespeare help us understand what he meant to a certain age, nation, or author, and how they have become a vital aspect of the Shakespeare industry. Appearing sometimes as a ghost or time-traveller, fictional Shakespeares have been made to speak to many issues, such as the French Revolution, the Irish conflict, colonialism, the Anglo-American relationship, sexual orientation, race and class. Written in an accessible style, this book will appeal to advanced students as well as academic researchers in Shakespeare studies, film and cultural studies, literary reception and creative writing Machine generated contents note: Introduction; 1. Shakespeare's ghosts; 2. William the Conqueror; 3. Stratford to London; 4. Wilde imaginings; 5. Faith; 6. Travels; 7. Not of an age; Conclusion

     
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    Quelle: Staatsbibliothek zu Berlin
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    Medientyp: Ebook
    Format: Online
    ISBN: 9781316410851
    Weitere Identifier:
    Schlagworte: Dramatists in literature; Shakespeare, William ; 1564-1616 ; Appreciation; Shakespeare, William ; 1564-1616 ; In literature; Dramatists in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xi, 276 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 01 Jan 2016)
  5. Shakespeare and the eighteenth-century novel
    cultures of quotation from Samuel Richardson to Jane Austen
    Autor*in: Rumbold, Kate Louise
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    The eighteenth century has long been acknowledged as a pivotal period in Shakespeare's reception, transforming a playwright requiring 'improvement' into a national poet whose every word was sacred. Scholars have examined the contribution of... mehr

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    The eighteenth century has long been acknowledged as a pivotal period in Shakespeare's reception, transforming a playwright requiring 'improvement' into a national poet whose every word was sacred. Scholars have examined the contribution of performances, adaptations, criticism and editing to this process of transformation, but the crucial role of fiction remains overlooked. Shakespeare and the Eighteenth-Century Novel reveals for the first time the prevalence, and the importance, of fictional characters' direct quotations from Shakespeare. Quoting characters ascribe emotional and moral authority to Shakespeare, redeploy his theatricality, and mock banal uses of his words; by shaping in this way what is considered valuable about Shakespeare, the novel accrues new cultural authority of its own. Shakespeare underwrites, and is underwritten by, the eighteenth-century novel, and this book reveals the lasting implications for both of their reputations Quotation culture -- Shakespeare's novel authority -- Theatrical Shakespeare -- Banal Shakespeare -- Ann Radcliffe's gothic epigraphs -- Jane Austen and eighteenth-century Shakespeare

     
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    Quelle: Staatsbibliothek zu Berlin
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    Medientyp: Ebook
    Format: Online
    ISBN: 9781316450949
    Weitere Identifier:
    Schlagworte: English fiction; Shakespeare, William ; 1564-1616 ; Influence; Shakespeare, William ; 1564-1616 ; In literature; English fiction ; 18th century ; History and criticism
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xi, 245 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 08 Mar 2016)
  6. Shakespeare and quotation
    Beteiligt: Maxwell, Julie (HerausgeberIn); Rumbold, Kate Louise (HerausgeberIn)
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Shakespeare is the most frequently quoted English author of all time. Quotations appear everywhere, from the epigraphs of novels to the mottoes on coffee cups. But Shakespeare was also a frequent quoter himself - of classical and contemporary... mehr

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    Shakespeare is the most frequently quoted English author of all time. Quotations appear everywhere, from the epigraphs of novels to the mottoes on coffee cups. But Shakespeare was also a frequent quoter himself - of classical and contemporary literature, of the Bible, of snatches of popular songs and proverbs. This volume brings together an international team of scholars to trace the rich history of quotation from Shakespeare's own lifetime to the present day. Exploring a wide range of media, including Romantic poetry, theatre criticism, novels by Jane Austen, Thomas Hardy and Ian McEwan, political oratory, propaganda, advertising, drama, film and digital technology, the chapters draw fresh connections between Shakespeare's own practices of creative reworking and the quotation of his work in new and traditional forms. Richly illustrated and featuring an Afterword by Margreta de Grazia, the collection tells a new story of the making and remaking of Shakespeare's plays and poems Machine generated contents note: List of illustrations; Acknowledgements; General introduction; Part I. Shakespeare and Early Modern Quotation: Introduction; 1. Shakespeare and the early modern culture of quotation James P. Bednarz; 2. Shakespeare and Sententiae: the use of quotation in Lucrece Kevin Petersen; 3. 'The ears of profiting': listening to Falstaff's biblical quotations Beatrice Groves; 4. Quoting Hamlet Douglas Bruster; Part II. Quoting Shakespeare, 1700-2000: Introduction; 5. 'Shakespeare says...': the anthology and the eighteenth-century novel Kate Rumbold; 6. Pope's Shakespeare and poetic quotation in the early eighteenth century Brean Hammond; 7. Shakespeare quotation in the Romantic Age Fiona Ritchie and R. S. White; 8. Quoting Shakespeare in the British novel: 1840-1940 Daniel Pollack-Pelzner; 9. Pedagogy and propaganda: the uses of quotation, 1750-1945 Frans De Bruyn, Gail Marshall and Ton Hoenselaars; 10. The impossibility of quotation: twentieth-century literature Craig Raine; 11. Quoting Shakespeare in twentieth-century film Toby Malone; Part III. Quoting Shakespeare Now: Introduction; 12. Creative writing: quoting Shakespeare in theory and in practice Julie Maxwell; 13. Quoting Shakespeare in contemporary poetry and prose Christy Desmet; 14. Mis/quotation in constrained writing Peter Kirwan; 15. 'Beauty too rich for use?': Shakespeare and advertising Graham Holderness; 16. Digital technology and the future of reception history Stephen O'Neill, Balz Engler and Regula Trillini Hohl; Afterword Margreta de Grazia

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Maxwell, Julie (HerausgeberIn); Rumbold, Kate Louise (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316460795
    Weitere Identifier:
    Schlagworte: Shakespeare, William ; 1564-1616 ; Influence; Shakespeare, William ; 1564-1616 ; In literature; Shakespeare, William ; 1564-1616 ; In mass media; Shakespeare, William ; 1564-1616 ; Quotations
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xi, 312 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 20 Jun 2018)
  7. Shakespeare and millennial fiction
    Beteiligt: Hartley, Andrew James (HerausgeberIn)
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    How do writers of contemporary fiction incorporate Shakespeare - the man, his work and his cultural legacy? This collection brings together some of the leading voices in the scholarship of Shakespearean adaptation and appropriation to examine the... mehr

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    How do writers of contemporary fiction incorporate Shakespeare - the man, his work and his cultural legacy? This collection brings together some of the leading voices in the scholarship of Shakespearean adaptation and appropriation to examine the ways in which writers have used literary culture's most prominent historical figure to their own ends since the year 2000. The essays consider the representation of the man himself, the rethinking of his stories - often in pointed defiance of the original - and explorations of the plays radically repositioned in time and space. In the process the collection reveals which versions of Shakespeare are most current in contemporary culture and education, even as they remake them in the terms of the present, often exploiting the new notions of genre, of publishing technologies, and of political identity which have evolved so drastically since the turn of the last century Machine generated contents note: Introduction: 'reason not the need!' Andrew James Hartley; 1. Hamlet the Dane: 'tell my story' Graham Holderness; 2. Shakespeare found and lost Rebecca Bushnell; 3. Shakespeare's novel life: speech, text and dialogue in recent Shakespearean fictions Ken Jacobsen; 4. The school of (The) Night Circus: performing Shakespeare arcana in novel forms Regina Buccola; 5. 'A delicate and tender prince': Hamlet and millenial boyhood M. Tyler Sasser; 6. 'How many daughters had Lady Macbeth?' Jennifer Flaherty; 7. Engaging Ophelia in early twenty-first-century young adult fiction Emily Detmer-Goebel; 8. Criminal adaptations: gender, genre, and Shakespearean young adult literature Erica Hateley; 9. A man with a map: the millennial Macbeth Lisa Hopkins; 10. Shakespeare and the post-millennial cancer novel Sujata Iyengar; 11. Posthuman Tempests in the twenty-first century Christy Desmet; 12. Stratford-upon-web: Shakespeare in twenty-first century fanfiction Michelle K. Yost; 13. The paranormal Bard: Shakespeare is/as undead Laurie E. Osborne; 14. The Hogarth Shakespeare series: redeeming Shakespeare's literariness Douglas M. Lanier

     
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  8. Constructing a world
    Shakespeare's England and the new historical fiction
    Autor*in: Rozett, Martha Tuck
    Erschienen: 2003
    Verlag:  SUNY Press, Albany

    Intro -- Constructing A World -- Contents -- Acknowledgments -- 1. Introduction: Historical Fiction Old and New -- 2. Of Narrators -- or How the Teller Tells the Tale -- 3. Historical Novelists at Work: George Garrett and Anthony Burgess -- 4. Barry... mehr

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    Intro -- Constructing A World -- Contents -- Acknowledgments -- 1. Introduction: Historical Fiction Old and New -- 2. Of Narrators -- or How the Teller Tells the Tale -- 3. Historical Novelists at Work: George Garrett and Anthony Burgess -- 4. Barry Unsworth's Morality Play and the Origins of English Secular Drama -- 5. Fictional Queen Elizabeths and Women-Centered Historical Fiction -- 6. Rewriting Shakespeare: The Henriad with and without Falstaff -- 7. Teaching Shakespeare's England through Historical Fiction -- Notes -- 1. Introduction: Historical Fiction Old and New -- 2. Of Narrators -- or How the Teller Tells the Tale -- 3. Historical Novelists at Work: George Garrett and Anthony Burgess -- 4. Barry Unsworth's Morality Play and the Origins of English Secular Drama -- 5. Fictional Queen Elizabeths and Women-Centered Historical Fiction -- 6. Rewriting Shakespeare: The Henriad with and without Falstaff -- 7. Teaching Shakespeare's England through Historical Fiction -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    ISBN: 0791455513; 0791455521; 9780791487730; 9780791455517
    Schlagworte: Historical fiction, English; American fiction; English fiction; Historical fiction, American; American fiction ; 20th century ; History and criticism; Elizabeth ; I ; Queen of England ; 1533-1603 ; In literature; English fiction ; 20th century ; History and criticism; Historical fiction, American ; History and criticism; Historical fiction, English ; History and criticism; Shakespeare, William ; 1564-1616 ; Adaptations; Shakespeare, William ; 1564-1616 ; In literature; Electronic books
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Elizabeth Queen of England (1533-1603)
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    Includes bibliographical references (p. 185-198) and index

    Electronic reproduction; Available via World Wide Web

    ""Constructing A World""; ""Contents""; ""Acknowledgments""; ""1. Introduction: Historical Fiction Old and New""; ""2. Of Narrators; or How the Teller Tells the Tale""; ""3. Historical Novelists at Work: George Garrett and Anthony Burgess""; ""4. Barry Unsworth�s Morality Play and the Origins of English Secular Drama""; ""5. Fictional Queen Elizabeths and Women-Centered Historical Fiction""; ""6. Rewriting Shakespeare: The Henriad with and without Falstaff""; ""7. Teaching Shakespeare�s England through Historical Fiction""; ""Notes""; ""1. Introduction: Historical Fiction Old and New""

    ""2. Of Narrators or How the Teller Tells the Tale""; ""3. Historical Novelists at Work: George Garrett and Anthony Burgess""; ""4. Barry Unsworth�s Morality Play and the Origins of English Secular Drama""; ""5. Fictional Queen Elizabeths and Women-Centered Historical Fiction""; ""6. Rewriting Shakespeare: The Henriad with and without Falstaff""; ""7. Teaching Shakespeare�s England through Historical Fiction""; ""Works Cited""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""

    ""Y""
  9. Shakespeare's Literary Lives
    The Author as Character in Fiction and Film
    Autor*in: Franssen, Paul
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    In this book, Franssen investigates the use of Shakespeare as a fictional character in different literary genres, periods and cultures mehr

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    In this book, Franssen investigates the use of Shakespeare as a fictional character in different literary genres, periods and cultures

     
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    ISBN: 9781316475102
    Schlagworte: Shakespeare, William ; 1564-1616 ; Appreciation; Shakespeare, William ; 1564-1616 ; In literature; Dramatists in literature; Electronic books
    Umfang: Online-Ressource (290 p)
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    Description based upon print version of record

    Cover -- Half-title page -- Title page -- Copyright page -- Dedication -- Contents -- Illustrations -- Acknowledgements -- Introduction -- 1 Shakespeare's ghosts -- 2 William the Conqueror -- 3 Stratford to London -- 4 Wilde imaginings -- 5 Faith -- 6 Travels -- 7 Not of an age -- Conclusion -- Bibliography -- Index
  10. Shakespeare's literary lives
    the author as character in fiction and film
    Autor*in: Franssen, Paul
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    This is an entertaining account of Shakespeare's afterlives in fiction. Paul Franssen offers the first sustained analysis of stories and films that involve the character of Shakespeare. Taking a broad international and historical perspective, he... mehr

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    This is an entertaining account of Shakespeare's afterlives in fiction. Paul Franssen offers the first sustained analysis of stories and films that involve the character of Shakespeare. Taking a broad international and historical perspective, he shows how fictions about Shakespeare help us understand what he meant to a certain age, nation, or author, and how they have become a vital aspect of the Shakespeare industry. Appearing sometimes as a ghost or time-traveller, fictional Shakespeares have been made to speak to many issues, such as the French Revolution, the Irish conflict, colonialism, the Anglo-American relationship, sexual orientation, race and class. Written in an accessible style, this book will appeal to advanced students as well as academic researchers in Shakespeare studies, film and cultural studies, literary reception and creative writing Machine generated contents note: Introduction; 1. Shakespeare's ghosts; 2. William the Conqueror; 3. Stratford to London; 4. Wilde imaginings; 5. Faith; 6. Travels; 7. Not of an age; Conclusion

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316410851
    Weitere Identifier:
    Schlagworte: Dramatists in literature; Shakespeare, William ; 1564-1616 ; Appreciation; Shakespeare, William ; 1564-1616 ; In literature; Dramatists in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xi, 276 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 01 Jan 2016)
  11. Shakespeare and the eighteenth-century novel
    cultures of quotation from Samuel Richardson to Jane Austen
    Autor*in: Rumbold, Kate Louise
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    The eighteenth century has long been acknowledged as a pivotal period in Shakespeare's reception, transforming a playwright requiring 'improvement' into a national poet whose every word was sacred. Scholars have examined the contribution of... mehr

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    The eighteenth century has long been acknowledged as a pivotal period in Shakespeare's reception, transforming a playwright requiring 'improvement' into a national poet whose every word was sacred. Scholars have examined the contribution of performances, adaptations, criticism and editing to this process of transformation, but the crucial role of fiction remains overlooked. Shakespeare and the Eighteenth-Century Novel reveals for the first time the prevalence, and the importance, of fictional characters' direct quotations from Shakespeare. Quoting characters ascribe emotional and moral authority to Shakespeare, redeploy his theatricality, and mock banal uses of his words; by shaping in this way what is considered valuable about Shakespeare, the novel accrues new cultural authority of its own. Shakespeare underwrites, and is underwritten by, the eighteenth-century novel, and this book reveals the lasting implications for both of their reputations Quotation culture -- Shakespeare's novel authority -- Theatrical Shakespeare -- Banal Shakespeare -- Ann Radcliffe's gothic epigraphs -- Jane Austen and eighteenth-century Shakespeare

     
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    ISBN: 9781316450949
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    Schlagworte: English fiction; Shakespeare, William ; 1564-1616 ; Influence; Shakespeare, William ; 1564-1616 ; In literature; English fiction ; 18th century ; History and criticism
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xi, 245 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 08 Mar 2016)