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  1. Shakespeare's Asian journeys
    critical encounters, cultural geographies, and the politics of travel
    Beteiligt: Ick, Judy Celine A. (MitwirkendeR); Lei, Bi-qi Beatrice (MitwirkendeR); Trivedi, Poonam (MitwirkendeR)
    Erschienen: 2017
    Verlag:  Routledge,, New York

    pt. 1. Re-defining the field of Asian Shakespeare -- pt. 2. Shakespeare and Asian politics -- pt. 3. Shakespeare and Asian identity -- pt. 4. Asian Shakespeare and pop culture. mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book EBA TF-21
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Standort:
    Palucca-Hochschule für Tanz Dresden, Bibliothek
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    Standort:
    German Institute for Global and Area Studies, Bibliothek
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    E-Book EBA TF-21
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    pt. 1. Re-defining the field of Asian Shakespeare -- pt. 2. Shakespeare and Asian politics -- pt. 3. Shakespeare and Asian identity -- pt. 4. Asian Shakespeare and pop culture.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Ick, Judy Celine A. (MitwirkendeR); Lei, Bi-qi Beatrice (MitwirkendeR); Trivedi, Poonam (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315442969; 9781315442938
    Weitere Identifier:
    Schriftenreihe: Routledge studies in Shakespeare ; 19
    Schlagworte: Human geography; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Human geography ; Asia; Electronic books
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 online resource (xix, 271 pages)
    Bemerkung(en):

    Includes bibliographical references and indexes
  2. Shakespeare's Asian journeys
    critical encounters, cultural geographies, and the politics of travel
    Beteiligt: Ick, Judy Celine A. (MitwirkendeR); Lei, Bi-qi Beatrice (MitwirkendeR); Trivedi, Poonam (MitwirkendeR)
    Erschienen: 2017
    Verlag:  Routledge,, New York

    pt. 1. Re-defining the field of Asian Shakespeare -- pt. 2. Shakespeare and Asian politics -- pt. 3. Shakespeare and Asian identity -- pt. 4. Asian Shakespeare and pop culture. mehr

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    pt. 1. Re-defining the field of Asian Shakespeare -- pt. 2. Shakespeare and Asian politics -- pt. 3. Shakespeare and Asian identity -- pt. 4. Asian Shakespeare and pop culture.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Ick, Judy Celine A. (MitwirkendeR); Lei, Bi-qi Beatrice (MitwirkendeR); Trivedi, Poonam (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315442969; 9781315442938
    Weitere Identifier:
    Schriftenreihe: Routledge studies in Shakespeare ; 19
    Schlagworte: Human geography; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Human geography ; Asia; Electronic books
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 online resource (xix, 271 pages)
    Bemerkung(en):

    Includes bibliographical references and indexes
  3. Great Shakespeareans Set IV
    Autor*in: Poole, Adrian
    Erschienen: 2014
    Verlag:  Bloomsbury Publishing, London

    Great Shakespeareans presents a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an... mehr

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    Hochschulbibliothek Friedensau
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    Great Shakespeareans presents a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. An essential resource for students and scholars in Shakespeare studies

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781441145284
    Schriftenreihe: Great Shakespeareans
    Great Shakespeareans Ser.
    Schlagworte: Shakespeare, William ; 1564-1616 ; Criticism and interpretation..; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Electronic books
    Umfang: Online-Ressource (1168 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Half-title; Title; Contents; Volume XIV: Hugo, Pasternak, Brecht, Césaire; Half-title; Title; Copyright; Contents; Series Editors' Preface; List of Illustrations; Notes on Contributors; Introduction: Writing Against Tyranny; Chapter 1 Les Hugo; Chapter 2 Indirect Dissidence, Shakespeare, and Pasternak; Chapter 3 Brecht as Great Shakespearean: A Lifelong Connection; Chapter 4 Aimé Césaire, Une Tempête : On Poetry, Legacy and Work; Notes; Select Bibliography; Index; Volume XV: Poel, Granville Barker, Guthrie, Wanamaker; Half-title; Title; Copyright; Contents; Series Editors' Preface

    AcknowledgementsList of Illustrations; Notes on Contributors; Introduction; Chapter 1 William Poel; Chapter 2 H. Granville Barker; Chapter 3 Tyrone Guthrie; Chapter 4 Sam Wanamaker; Endnotes; Selected Bibliography; Index; Volume XVI: Gielgud, Olivier, Ashcroft, Dench; Half-title; Title; Copyright; Contents; Series Editors' Preface; Notes on Contributors; Note on References to Shakespeare; Introduction; Chapter 1 John Gielgud; Chapter 2 Laurence Olivier; Chapter 3 Peggy Ashcroft; Chapter 4 Judi Dench; Notes; Select Bibliography; Index; Volume XVII: Welles, Kurosawa, Kozintsev, Zeffirelli

    Half-titleTitle; Copyright; Contents; Series Editors' Preface; Acknowledgements; A Note on References; Notes on Contributors; Introduction; Chapter 1 Orson Welles; Chapter 2 Akira Kurosawa; Chapter 3 Grigori Kozintsev; Chapter 4 Franco Zeffirelli; Notes; Select Bibliography; Index; Volume XVIII: Brook, Hall, Ninagawa, Lepage; Half-title; Title; Copyright; Contents; Series Editors' Preface; Notes on Contributors; Introduction; Chapter 1 Peter Brook; Chapter 2 Peter Hall; Chapter 3 Yukio Ninagawa; Chapter 4 Robert Lepage; Notes; Select Bibliography; Index
  4. The Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Autor*in: Galey, Alan
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts Machine generated contents note: 1. Introduction: scenes from the prehistory of digitization; 2. Leaves of brass: Shakespeare and the idea of the archive; 3. The archive and the book: information architectures from folio to variorum; 4. The counterfeit presentments of Victorian photography; 5. Inventing Shakespeare's voice: early sound transmission and recording; 6. Networks of deep impression: Shakespeare and the modern invention of information; 7. Data and the ghosts of materiality; 8. Conclusion : sites of Shakespearean memory

     
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  5. Shakespeare and childhood
    Autor*in: Chedgzoy, Kate; Shaughnessy, Robert; Greenhalgh, Susanne
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    This 2007 collection offered the first definitive study of a surprisingly underdeveloped area of scholarly investigation, namely the relationship between Shakespeare, children and childhood from Shakespeare's time to the present. It offers a thorough... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    This 2007 collection offered the first definitive study of a surprisingly underdeveloped area of scholarly investigation, namely the relationship between Shakespeare, children and childhood from Shakespeare's time to the present. It offers a thorough mapping of the domain in which Shakespearean childhoods need to be studied, in order to show how studying Shakespearean childhoods makes significant contributions both to Shakespearean scholarship, and to the history of childhood and its representations. The book is divided into two sections, each with a substantial introduction outlining relevant critical debates and contextualizing the rich combination of fresh research and readings of familiar Shakespearean texts that characterize the individual essays. The first part of the book examines the significance of the figure of the child in the Shakespearean canon. The second part traces the rich histories of negotiation, exchange and appropriation that have characterised Shakespeare's subsequent relations to the cultures of childhood in literary realms Shakespeare's children -- What, are they children? / Kate Chedgzoy -- Little princes : Shakespeare's royal children in context / Catherine Belsey -- Father-child identification, loss, and gender in Shakespeare's plays / Hattie Fletcher and Marianne Novy -- Character building : Shakespeare's children in context / A.J. Piesse -- Coriolanus and the little eyases : the boyhood of Shakespeare's hero / Lucy Munro -- Procreation, child-loss, and the gendering of the sonnet / Patricia Phillippy -- Children's Shakespeares -- Reinventing Shakespearean childhoods / Susanne Greenhalgh -- Play's the thing : agency in children's Shakespeares / Naomi J. Miller -- Shakespeare in the Victorian children's periodicals / Kathryn Prince -- Growing up with Shakespeare : the memoirs of the Terry family / Pascale Aebischer -- Shakespeare in the company of boys / Kate Chedgzoy -- Dream children : staging and screening childhood in a midsummer night's dream / Susanne Greenhalgh -- Shakespeare (')tween media and markets in the 1990s and beyond / Richard Burt -- Shakespeare's child characters / Mark Lawhorn

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483493
    Weitere Identifier:
    RVK Klassifikation: HI 3385
    Schlagworte: Children in literature; English drama; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Shakespeare, William ; 1564-1616 ; Characters ; Children; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Children in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xi, 284 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. Reviewing Shakespeare
    journalism and performance from the eighteenth century to the present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes the changing priorities and interpretative habits of theatre critics as they have both responded to and provoked innovations in Shakespearean performance culture over the last three centuries. It analyses the conditions – theatrical, journalistic, social and personal – in which Shakespearean reception has taken place, presenting original readings of the works of key critics (Shaw, Beerbohm, Agate, Tynan), whilst also tracking broader historical shifts in the relationship between reviewers and performance. Prescott explores the key function of the 'night-watch constable' in patrolling the boundaries of legitimate Shakespearean performance and offers a compelling account of the many ways in which newspaper reviews are uniquely fruitful documents for anyone interested in Shakespeare and the theatre An introduction to the night-watch constable -- Tradition and the individual talent : reviewing the Macbeth actor c.1740s-1890s -- New journalism, new critics c.1890-1910 -- The reviewer in transition c.1920-1960 -- New contexts, new crises (1997-2012) : reviewing from the opening of Shakespeare's Globe to the World Shakespeare Festival 2012

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139108966
    Weitere Identifier:
    RVK Klassifikation: HI 3550
    Schlagworte: Theater; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Shakespeare, William ; 1564-1616 ; Dramatic production; Shakespeare, William ; 1564-1616 ; Influence; Theater ; Reviews
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 216 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  7. Hamlet versus Lear
    cultural politics and Shakespeare's art
    Autor*in: Foakes, R. A.
    Erschienen: 1993
    Verlag:  Cambridge University Press, Cambridge

    This book focuses on the two plays of Shakespeare that have generally contended for the title of 'greatest' among his works. Hamlet remained a focal point of reference until about 1960, when it was displaced by King Lear, a play which at the same... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    This book focuses on the two plays of Shakespeare that have generally contended for the title of 'greatest' among his works. Hamlet remained a focal point of reference until about 1960, when it was displaced by King Lear, a play which at the same time ceased to be perceived as a play of redemption and became a play of despair. Foakes attempts to explain these shifts by analysing the reception of the plays since about 1800, an analysis which necessarily engages with the politics of the plays and the politics of criticism. Recent critical theorising has destabilised the texts and undermined the notion of 'greatness' or any consideration of the plays as works of art. Foakes takes issue with such theories and reconsiders textual revisions, in order to argue for the integrity of the plays as reading texts, and to recover a flexible sense of their artistry in relation to meaning. The book will be of interest to scholars and students of Shakespeare and to theatre-goers

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511518867
    Weitere Identifier:
    Schlagworte: Politics and literature; Transmission of texts; Canon (Literature); Tragedy; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Shakespeare, William ; 1564-1616 ; Criticism, Textual; Shakespeare, William ; 1564-1616 ; King Lear; Shakespeare, William ; 1564-1616 ; Hamlet; Politics and literature ; Great Britain; Transmission of texts ; England; Canon (Literature); Tragedy
    Weitere Schlagworte: Shakespeare, William (1564-1616): King Lear; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 262 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Hamlet and Hamletism. Hamlet privatized and politicized ; Hamlet and Hamletism ; Hamlet in the modern world ; Hamlet our contemporary -- The reception of King Lear. King Lear and redemption ; King Lear and despair ; King Lear destabilized ; King Lear historicized -- Plays and texts. Processing Shakespeare ; Scripts, play-texts, literature ; Texts of Hamlet ; Texts of King Lear -- Hamlet, King Lear and art. Let's restate the problem ; Shakespeare under attack ; Inward illusion ; Knowledge, meaning, artistic form -- A design for Hamlet. Hamlet Senior ; Gertrude and Ophelia ; Claudius ; Hamlet -- A shaping for King Lear. Division ; Expulsion ; Confusion ; War ; The overall design.
  8. Shakespeare and Contemporary Theory
    New Historicism and Cultural Materialism
    Autor*in: Parvini, Neema
    Erschienen: 2012
    Verlag:  Bloomsbury Publishing, London

    In the thirty years since the publication of Stephen Greenblatt's Renaissance Self-Fashioning overthrew traditional modes of Shakespeare criticism, New Historicism and Cultural Materialism have rapidly become the dominant modes for studying and... mehr

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
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    e-Book Academic Complete
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    ProQuest
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    In the thirty years since the publication of Stephen Greenblatt's Renaissance Self-Fashioning overthrew traditional modes of Shakespeare criticism, New Historicism and Cultural Materialism have rapidly become the dominant modes for studying and writing about the Bard. This comprehensive guide introduces students to the key writers, texts and ideas of contemporary Shakespeare criticism and alternatives to new historicist and cultural materialist approaches suggested by a range of dissenters including evolutionary critics, historical formalists and advocates of 'the new aestheticism', and the mo

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781441111272
    RVK Klassifikation: HI 3300 ; HI 3550
    Schlagworte: New Historicism; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Electronic books
    Umfang: Online-Ressource (233 p)
    Bemerkung(en):

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Cover; Halftitle; Series page; Title; Copyright; Contents; Acknowledgements; A note on the texts; Timeline of theoretical and critical developments; A who's who of new historicism and cultural materialism; 1 Introduction; Why this book and why now?; 2 Before new historicism and cultural materialism; The first half of the twentieth century: Traditional scholarship from A. C. Bradley to Moody E. Prior; The 1950s to the 1970s: Formalism, structuralism and deconstruction; 3 Theory in focus; Clifford Geertz: Culture, thick description and local knowledge

    Antonio Gramsci: Intellectuals, the organization of production, hegemony and how he differs from T. S. EliotLouis Althusser: Into the matrix of ideological interpellation; Michel Foucault: Power relations and discourse analysis; 4 New historicism; 5 Cultural materialism; 6 Alternative views in new historicism and cultural materialism; 7 Conclusion; Glossary of critical terms; Bibliography; Index;
  9. Reviewing Shakespeare
    Journalism and Performance from the Eighteenth Century to the Present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries mehr

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 9781107021495
    Schlagworte: Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Shakespeare, William ; 1564-1616 ; Dramatic production; Shakespeare, William ; 1564-1616 ; Influence; Theater ; Reviews; Electronic books
    Umfang: Online-Ressource (228 p)
    Bemerkung(en):

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    Contents; Acknowledgements; Chapter One An introduction to the night-watch constable; Performance, print, memory: three preludes; Eunuchs in a harem: the cultural reputation of the critic; Night-watch constables, men of letters and domineering pedants; Critical conditions; Re-viewing the Shakespearean reviewer: precedents; Reviewing Shakespeare: the argument; Chapter Two Tradition and the individual talent; Macbeth and the ghost of success; 'Are you a man?' Macbeth, King David and the Irish Jew; Heroic assassin or common stabber? Class, masculinity and courage

    Mid century Macbeths: rivalry and riotingA domestic coward: Irving's Macbeth and the masculine estimate of man; 'Lay on': the Macbeth actor exits fighting; Chapter Three New Journalism, New Critics c.1890-1910; 'The climax and masterpiece of literary Jacobinism': the introduction of the signed article; 'Gentlemen, I am about to speak of myself à propos of Shakespeare': the critic and the play of personality; 'The best part of the circus': Shaw as New Critic; 'The plays as Shakespeare wrote them': Shaw and authenticity; 'He would buy me in the market like a rabbit': Shaw and incorruptibility

    'The hack work of genius': Beerbohm and Shakespeare in the Saturday ReviewChapter Four The reviewer in transition c.1920-1960; Prologue: another Shaw?; 'That modern nuisance': Agate, the producer and the death of the actor; Unchanging Cockaigne: Agate and the recuperation of tradition; 'Post-mortem on the egoist': style, paternity and the dynamics of succession; He That Plays the King: enter Tynan, stage right; 'When comes there such another?' Tynan, Olivier and Macbeth; Re-enter Tynan, stage left: anti-heroic Shakespeare and the possibility of radicalism; Conclusion: Roundheads and Cavaliers

    Chapter Five New contexts, new crises (1997-2012)'When comes there such another?' Tynan and belatedness; Matters of size and status: reviewing and post-Fleet Street journalism; A community of the same? The cultural biography of contemporary reviewers; Speak, memory: a misfortune of Macbeths 1995-6; Inheriting the Globe: the reception of Shakespearean audience and authenticity in contemporary reviewing; Damn Yankees: reviewing the Shakespearean audience; 'Arsenal/Tottenham': reviewing the Shakespearean space; 'Dear Mr Billington': the audience writes back

    The World Shakespeare Festival 2012: coverage, comment and the framer framed'Back to British business as usual': race, nation and regime change in Henry V at the Globe and Julius Caesar in Stratford; Epilogue: guarding the guardians, changing the guard; Notes; Works cited; Index
  10. Shakespeare and Modernity
    Early Modern to Millennium
    Autor*in: Grady, Hugh
    Erschienen: 2013
    Verlag:  Taylor and Francis, Hoboken

    This fascinating collection traces the ways in which Shakespeare has been reassessed over the years and explores many issues concerning Shakespeare's modernity mehr

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    This fascinating collection traces the ways in which Shakespeare has been reassessed over the years and explores many issues concerning Shakespeare's modernity

     
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    Quelle: Verbundkataloge
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    Medientyp: Ebook
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    ISBN: 9780415212007
    Schriftenreihe: Accents on Shakespeare
    Accents on Shakespeare Ser.
    Schlagworte: Literature and history ; Great Britain ; History; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Electronic books
    Umfang: Online-Ressource (247 p)
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    Description based upon print version of record

    Cover; Shakespeare and modernity early Modern to Millennium; Copyright; Contents; List of Contributors; General Editor's Preface; Acknowledgements; 1. Introduction: Shakespeare and Modernity; 2. (post) Modern Elizabeth: Gender, Politics, and the Emergence of Modern Subjectivity; 3. Ante-aesthetics: Towards a Theory of Early Modern Audience Response; 4. Shakespeare, Modernity and the Aesthetic: Art, Truth and Judgement in the winter's tale; 5. Measure for Measure and Modernity: the Problem of the Sceptic's Authority

    6. 'Jew. Shylock Is My Name': Speech Prefixes in the Merchant of Venice as Symptoms of the Early Modern7. The Merchant of Venice: 'modern' Anti-semitism and the Veil of Allegory; 8. Jewish Invader and the Soul of State: the Merchant of Venice and Science Fiction Movies; 9. Shakespeare and the End of History: Period as Brand Name; 10. The Hamlet Formerly Known as Prince; References; Index
  11. Dryden, Pope, Johnson, Malone
    Great Shakespeareans: Volume I
    Autor*in: Rawson, Claude
    Erschienen: 2014
    Verlag:  Bloomsbury Publishing, London

    Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars... mehr

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    Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of Alexander Pope, John Dryden, Samuel Johnson and Edmond Malone to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of

     
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    Medientyp: Ebook
    Format: Online
    ISBN: 9780826420862
    Schriftenreihe: Great Shakespeareans
    Great Shakespeareans Ser. ; v.1
    Schlagworte: Shakespeare, William, -- 1564-1616 -- Criticism and interpretation -- History; Shakespeare, William, -- 1564-1616 -- Appreciation -- Great Britain; Dryden, John, -- 1631-1700 -- Criticism and interpretation; Pope, Alexander, -- 1688-1744 -- Criticism and interpretation; Dryden, John ; 1631-1700 ; Criticism and interpretation; Pope, Alexander ; 1688-1744 ; Criticism and interpretation; Shakespeare, William ; 1564-1616 ; Appreciation ; Great Britain; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Electronic books
    Umfang: Online-Ressource (248 p)
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    Description based upon print version of record

    Cover; Contents; Acknowledgements; Notes on Contributors; Series Preface; Introduction; 1 John Dryden; 2 Alexander Pope; 3 Samuel Johnson; 4 Edmond Malone; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W
  12. The Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Autor*in: Galey, Alan
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four... mehr

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    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts Machine generated contents note: 1. Introduction: scenes from the prehistory of digitization; 2. Leaves of brass: Shakespeare and the idea of the archive; 3. The archive and the book: information architectures from folio to variorum; 4. The counterfeit presentments of Victorian photography; 5. Inventing Shakespeare's voice: early sound transmission and recording; 6. Networks of deep impression: Shakespeare and the modern invention of information; 7. Data and the ghosts of materiality; 8. Conclusion : sites of Shakespearean memory

     
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  13. Hamlet versus Lear
    cultural politics and Shakespeare's art
    Autor*in: Foakes, R. A.
    Erschienen: 1993
    Verlag:  Cambridge University Press, Cambridge

    This book focuses on the two plays of Shakespeare that have generally contended for the title of 'greatest' among his works. Hamlet remained a focal point of reference until about 1960, when it was displaced by King Lear, a play which at the same... mehr

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    This book focuses on the two plays of Shakespeare that have generally contended for the title of 'greatest' among his works. Hamlet remained a focal point of reference until about 1960, when it was displaced by King Lear, a play which at the same time ceased to be perceived as a play of redemption and became a play of despair. Foakes attempts to explain these shifts by analysing the reception of the plays since about 1800, an analysis which necessarily engages with the politics of the plays and the politics of criticism. Recent critical theorising has destabilised the texts and undermined the notion of 'greatness' or any consideration of the plays as works of art. Foakes takes issue with such theories and reconsiders textual revisions, in order to argue for the integrity of the plays as reading texts, and to recover a flexible sense of their artistry in relation to meaning. The book will be of interest to scholars and students of Shakespeare and to theatre-goers

     
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    Schlagworte: Politics and literature; Transmission of texts; Canon (Literature); Tragedy; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Shakespeare, William ; 1564-1616 ; Criticism, Textual; Shakespeare, William ; 1564-1616 ; King Lear; Shakespeare, William ; 1564-1616 ; Hamlet; Politics and literature ; Great Britain; Transmission of texts ; England; Canon (Literature); Tragedy
    Weitere Schlagworte: Shakespeare, William (1564-1616): King Lear; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 262 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Hamlet and Hamletism. Hamlet privatized and politicized ; Hamlet and Hamletism ; Hamlet in the modern world ; Hamlet our contemporary -- The reception of King Lear. King Lear and redemption ; King Lear and despair ; King Lear destabilized ; King Lear historicized -- Plays and texts. Processing Shakespeare ; Scripts, play-texts, literature ; Texts of Hamlet ; Texts of King Lear -- Hamlet, King Lear and art. Let's restate the problem ; Shakespeare under attack ; Inward illusion ; Knowledge, meaning, artistic form -- A design for Hamlet. Hamlet Senior ; Gertrude and Ophelia ; Claudius ; Hamlet -- A shaping for King Lear. Division ; Expulsion ; Confusion ; War ; The overall design.
  14. Shakespeare and childhood
    Autor*in: Chedgzoy, Kate; Shaughnessy, Robert; Greenhalgh, Susanne
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    This 2007 collection offered the first definitive study of a surprisingly underdeveloped area of scholarly investigation, namely the relationship between Shakespeare, children and childhood from Shakespeare's time to the present. It offers a thorough... mehr

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    This 2007 collection offered the first definitive study of a surprisingly underdeveloped area of scholarly investigation, namely the relationship between Shakespeare, children and childhood from Shakespeare's time to the present. It offers a thorough mapping of the domain in which Shakespearean childhoods need to be studied, in order to show how studying Shakespearean childhoods makes significant contributions both to Shakespearean scholarship, and to the history of childhood and its representations. The book is divided into two sections, each with a substantial introduction outlining relevant critical debates and contextualizing the rich combination of fresh research and readings of familiar Shakespearean texts that characterize the individual essays. The first part of the book examines the significance of the figure of the child in the Shakespearean canon. The second part traces the rich histories of negotiation, exchange and appropriation that have characterised Shakespeare's subsequent relations to the cultures of childhood in literary realms Shakespeare's children -- What, are they children? / Kate Chedgzoy -- Little princes : Shakespeare's royal children in context / Catherine Belsey -- Father-child identification, loss, and gender in Shakespeare's plays / Hattie Fletcher and Marianne Novy -- Character building : Shakespeare's children in context / A.J. Piesse -- Coriolanus and the little eyases : the boyhood of Shakespeare's hero / Lucy Munro -- Procreation, child-loss, and the gendering of the sonnet / Patricia Phillippy -- Children's Shakespeares -- Reinventing Shakespearean childhoods / Susanne Greenhalgh -- Play's the thing : agency in children's Shakespeares / Naomi J. Miller -- Shakespeare in the Victorian children's periodicals / Kathryn Prince -- Growing up with Shakespeare : the memoirs of the Terry family / Pascale Aebischer -- Shakespeare in the company of boys / Kate Chedgzoy -- Dream children : staging and screening childhood in a midsummer night's dream / Susanne Greenhalgh -- Shakespeare (')tween media and markets in the 1990s and beyond / Richard Burt -- Shakespeare's child characters / Mark Lawhorn

     
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    ISBN: 9780511483493
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    RVK Klassifikation: HI 3385
    Schlagworte: Children in literature; English drama; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Shakespeare, William ; 1564-1616 ; Characters ; Children; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Children in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xi, 284 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  15. Reviewing Shakespeare
    journalism and performance from the eighteenth century to the present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes... mehr

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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes the changing priorities and interpretative habits of theatre critics as they have both responded to and provoked innovations in Shakespearean performance culture over the last three centuries. It analyses the conditions – theatrical, journalistic, social and personal – in which Shakespearean reception has taken place, presenting original readings of the works of key critics (Shaw, Beerbohm, Agate, Tynan), whilst also tracking broader historical shifts in the relationship between reviewers and performance. Prescott explores the key function of the 'night-watch constable' in patrolling the boundaries of legitimate Shakespearean performance and offers a compelling account of the many ways in which newspaper reviews are uniquely fruitful documents for anyone interested in Shakespeare and the theatre An introduction to the night-watch constable -- Tradition and the individual talent : reviewing the Macbeth actor c.1740s-1890s -- New journalism, new critics c.1890-1910 -- The reviewer in transition c.1920-1960 -- New contexts, new crises (1997-2012) : reviewing from the opening of Shakespeare's Globe to the World Shakespeare Festival 2012

     
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139108966
    Weitere Identifier:
    RVK Klassifikation: HI 3550
    Schlagworte: Theater; Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Shakespeare, William ; 1564-1616 ; Dramatic production; Shakespeare, William ; 1564-1616 ; Influence; Theater ; Reviews
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 216 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)