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Pornographie oder Pornokratie?
Frauenbilder in den Filmen von Catherine Breillat -
Sex, the self, and the sacred
women in the cinema of Pier Paolo Pasolini -
Screening gender, framing genre
Canadian literature into film -
Perspectives on pornography
sexuality in film and literature -
Screening the male
exploring masculinities in Hollywood cinema -
Captive bodies
postcolonial subjectivity in cinema -
Bad women
regulating sexuality in early American cinema -
The wages of sin
censorship and the fallen woman film ; 1928 - 1942 -
Bad women
regulating sexuality in early American cinema -
Screening the male
exploring masculinities in Hollywood cinema -
Sex, the self, and the sacred
women in the cinema of Pier Paolo Pasolini -
Captive bodies
postcolonial subjectivity in cinema -
Sex, the self, and the sacred
women in the cinema of Pier Paolo Pasolini -
Pornographie oder Pornokratie?
Frauenbilder in den Filmen von Catherine Breillat -
Perspectives on pornography
sexuality in film and literature -
L' intimité à l'écran
l'amour et la sexualité au cinéma -
Perspectives on pornography
sexuality in film and literature -
The wages of sin
censorship and the fallen woman film ; 1928 - 1942 -
Sex, the self, and the sacred
women in the cinema of Pier Paolo Pasolini -
L' intimité à l'écran
l'amour et la sexualité au cinéma