Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 3 von 3.

  1. Rape, cake, and Gonzofeminism
    Autor*in: Hermann, Michaela
    Erschienen: 2020

  2. Catching the thief of time
    the perils of procrastination
    Autor*in: Kets de Vries, Manfred F. R.
    Erschienen: [2021]
    Verlag:  INSEAD, [Fontainebleau]

    Zugang:
    Verlag (kostenfrei)

    Standort:
    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schriftenreihe: Array ; 2021, 56
    Schlagworte: Procrastination; Self-regulation; Self-harm; Mental Health; Depression; Fear of Failure; Need for Perfection; HarshSuperego; Reframing; Self-compassion; Helping Professional
    Umfang: 1 Online-Ressource (circa 22 Seiten)
  3. Rape, Cake, and Gonzofeminism ; on Intergenerational Trauma, Sexual Violence, and the Formation of White Female Subjectivities in Gillian Flynn’s Sharp Objects ; Vergewaltigung, Kuchen, und Gonzofeminismus: Zu Intergenerationellem Trauma, Sexueller Gewalt, und der Subjektivitätsbildung weißer Frauen in Gillian Flynn's Sharp Objects
    Autor*in: Hermann, Michaela
    Erschienen: 2020

    This thesis interrogates the contemporary gonzofeminism as proposed by Gillian Flynn in her debut novel Sharp Objects (2006). It argues that the problematic frame narrative - i.e., women themselves perpetrate violence - is so complicated by Flynn’s... mehr

     

    This thesis interrogates the contemporary gonzofeminism as proposed by Gillian Flynn in her debut novel Sharp Objects (2006). It argues that the problematic frame narrative - i.e., women themselves perpetrate violence - is so complicated by Flynn’s dense use of symbolism, narrative technique, and subversion and blending of genre elements, it reveals the inherent failure of gendered tropes and productively explores the relationship between the construction of womanhood and American cultural imaginaries to arrive at incisive sociocultural critique. This paper draws on theoretical texts from feminist literary and cultural scholars and from fields as diverse as sociolinguistics, trauma studies, genre theory, and psychoanalysis to evidence how her writing reflects current cultural anxieties surrounding the failure of what has been termed ‘white feminism’; it also assesses the ways in which her writing politicizes rape and her antiheroine destigmatizes survivors of sexual violence. The result of her writing, this thesis contends, is not the postfeminist pathologization of women, but the pathologization of a violent society.

     
    Export in Literaturverwaltung