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  1. Deadpan
    the aesthetics of Black inexpression
    Autor*in: Post, Tina
    Erschienen: [2022]
    Verlag:  New York University Press, New York

    "Deadpan: The Aesthetics of Black Inexpression is an examination of the aesthetic assertions that inhere in gestures of expressionlessness, inscrutability, and emotional withholding in African American cultural production"-- Explores... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Deadpan: The Aesthetics of Black Inexpression is an examination of the aesthetic assertions that inhere in gestures of expressionlessness, inscrutability, and emotional withholding in African American cultural production"-- Explores expressionlessness, inscrutability, and emotional withholding in Black cultural productionArguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan-a vaudeville term meaning "dead face"-across literature, theater, visual and performance art, and the performance of self in everyday life.Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness's deadpan aesthetic within and beyond black embodiments, including Young Jean Lee's The Shipment and Branden Jacobs-Jenkins's Neighbors, as well as Buster Keaton's signature character and Steve McQueen's restitution of the former's legacy within the continuum of Black cultural production. Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility

     
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    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781479811205; 9781479811212
    RVK Klassifikation: LH 60240 ; LH 60230 ; LH 61040
    Schriftenreihe: Minoritarian aesthetics
    Schlagworte: Facial expression; Body language; Aesthetics; Black people; ART060000; Black & Asian studies; Ethnische Gruppen und multikulturelle Studien; Performance art; Performancekunst; SOC056000; SOC070000; SOCIAL SCIENCE / Ethnic Studies / African American Studies; Social & cultural history; Sozial- und Kulturgeschichte
    Umfang: 269 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern

    Introduction : some type of way -- Subjectivity and self-specimenization -- Minimalism and the aesthetics of Black threat -- The opacity gradient -- Excess and absence (or, The Negro Believes) -- Buster Keaton's Black deadpan -- Coda : Steve McQueen takes it back.
  2. Emancipation
    the unfinished project of liberation
    Beteiligt: Gilham, Will (HerausgeberIn)
    Erschienen: [2023]
    Verlag:  Amon Carter Museum of Art, Fort Worth ; Williams College Museum of Art, Williamstown ; University of California Press, Oakland

    This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2023:2569:
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 C 1320
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary life. Building upon in-depth conversations about representations of enslavement and emancipation at the close of the Civil War, this project originates from an analysis of sculptor John Quincy Adams Ward's The Freedman (1863), one of the first bronze representations of a Black person in the United States, and expands into an investigation of how living artists envision emancipation, freedom, and liberation today. Featuring interviews with artists Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, the exhibition catalog explores their practices along with cutting-edge scholarship by Kirsten Pai Buick and Kelvin Parnell, among others, as well as a haunting story of embodiment and exploitation by celebrated science-fiction author N. K. Jemisin. Burdened by failed promises but buoyed by hope, this project is mournful and melancholy yet also reflective and celebratory in its aspirations for a brighter future. Published in association with the Amon Carter Museum of American Art Exhibition dates: Amon Carter Museum of American Art: March 12-July 9, 2023 Newcomb Art Museum at Tulane University: August 5-November 11, 2023 Williams College Museum of Art: February 16-June 16, 2024

     
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    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Gilham, Will (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520393301
    Schlagworte: ART / History / Contemporary (1945-); ART / History / Modern (late 19th Century to 1945); Art & design styles: from c 1960; Black & Asian studies; Ethnic Studies; Ethnische Gruppen und multikulturelle Studien; HIS056000; History of art & design styles: from c 1900 -; History of the Americas; Kunstgeschichte; Modernismus; SOC056000; SOCIAL SCIENCE / Ethnic Studies / African American Studies; Sozial- und Kulturgeschichte
    Umfang: 139 Seiten
    Bemerkung(en):

    Seite [140]: Published on the occasion of the exhibition "Emancipation: The Unfinished Project of Liberation", organized by the Amon Carter Musum of American Art, Fort Worth, Texas and the Williams College Museum of Art, Williamstown, Massachusetts. Exposition dates: Amon Carter Center of American Art, Fort Worth, Texas, March 12 through July 9, 2023. - New Comb Museum at Tulane University, New Orleans, Louisiana, August 5 through November 11, 2023. - Williams College Museum of Art, Williamstown, Massachusetts, February 16 through June 16, 2024

    Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen

    Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
  3. Emancipation
    the unfinished project of liberation
    Beteiligt: Gilham, Will (HerausgeberIn)
    Erschienen: [2023]
    Verlag:  Amon Carter Museum of Art, Fort Worth ; Williams College Museum of Art, Williamstown ; University of California Press, Oakland

    This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary life. Building upon in-depth conversations about representations of enslavement and emancipation at the close of the Civil War, this project originates from an analysis of sculptor John Quincy Adams Ward's The Freedman (1863), one of the first bronze representations of a Black person in the United States, and expands into an investigation of how living artists envision emancipation, freedom, and liberation today. Featuring interviews with artists Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, the exhibition catalog explores their practices along with cutting-edge scholarship by Kirsten Pai Buick and Kelvin Parnell, among others, as well as a haunting story of embodiment and exploitation by celebrated science-fiction author N. K. Jemisin. Burdened by failed promises but buoyed by hope, this project is mournful and melancholy yet also reflective and celebratory in its aspirations for a brighter future. Published in association with the Amon Carter Museum of American Art Exhibition dates: Amon Carter Museum of American Art: March 12-July 9, 2023 Newcomb Art Museum at Tulane University: August 5-November 11, 2023 Williams College Museum of Art: February 16-June 16, 2024

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Gilham, Will (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520393301
    Schlagworte: ART / History / Contemporary (1945-); ART / History / Modern (late 19th Century to 1945); Art & design styles: from c 1960; Black & Asian studies; Ethnic Studies; Ethnische Gruppen und multikulturelle Studien; HIS056000; History of art & design styles: from c 1900 -; History of the Americas; Kunstgeschichte; Modernismus; SOC056000; SOCIAL SCIENCE / Ethnic Studies / African American Studies; Sozial- und Kulturgeschichte
    Umfang: 139 Seiten
    Bemerkung(en):

    Seite [140]: Published on the occasion of the exhibition "Emancipation: The Unfinished Project of Liberation", organized by the Amon Carter Musum of American Art, Fort Worth, Texas and the Williams College Museum of Art, Williamstown, Massachusetts. Exposition dates: Amon Carter Center of American Art, Fort Worth, Texas, March 12 through July 9, 2023. - New Comb Museum at Tulane University, New Orleans, Louisiana, August 5 through November 11, 2023. - Williams College Museum of Art, Williamstown, Massachusetts, February 16 through June 16, 2024

    Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen

    Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
  4. Deadpan
    the aesthetics of Black inexpression
    Autor*in: Post, Tina
    Erschienen: [2022]; © 2022
    Verlag:  New York University Press, New York

    "Deadpan: The Aesthetics of Black Inexpression is an examination of the aesthetic assertions that inhere in gestures of expressionlessness, inscrutability, and emotional withholding in African American cultural production"-- Explores... mehr

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Deadpan: The Aesthetics of Black Inexpression is an examination of the aesthetic assertions that inhere in gestures of expressionlessness, inscrutability, and emotional withholding in African American cultural production"-- Explores expressionlessness, inscrutability, and emotional withholding in Black cultural productionArguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan-a vaudeville term meaning "dead face"-across literature, theater, visual and performance art, and the performance of self in everyday life.Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness's deadpan aesthetic within and beyond black embodiments, including Young Jean Lee's The Shipment and Branden Jacobs-Jenkins's Neighbors, as well as Buster Keaton's signature character and Steve McQueen's restitution of the former's legacy within the continuum of Black cultural production. Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781479811205; 9781479811212
    Schriftenreihe: Minoritarian aesthetics
    Schlagworte: ART060000; Black & Asian studies; Ethnische Gruppen und multikulturelle Studien; Performance art; Performancekunst; SOC056000; SOC070000; SOCIAL SCIENCE / Ethnic Studies / African American Studies; Social & cultural history; Sozial- und Kulturgeschichte; Facial expression; Body language; Aesthetics; Black people
    Umfang: 269 Seiten, Illustrationen
    Bemerkung(en):

    Introduction: some type of way -- Subjectivity and self-specimenization -- Minimalism and the aesthetics of Black threat -- The opacity gradient -- Excess and absence (or, The Negro Believes) -- Buster Keaton's Black deadpan -- Coda : Steve McQueen takes it back
  5. Kwame Nkrumah's Political Kingdom and Pan-Africanism Reinterpreted, 1909-1972
    Autor*in: Assensoh, A.B; Alex-Assensoh, Yvette M.
    Erschienen: 2023
    Verlag:  Lexington Books, Lanham

    This book provides an in-depth study of the life of the late Pan-African leader Kwame Nkrumah. The authors present a twenty-first-century reinterpretation of Nkrumah s Pan-Africanist views in the context of Black unity as well as Black liberation... mehr

     

    This book provides an in-depth study of the life of the late Pan-African leader Kwame Nkrumah. The authors present a twenty-first-century reinterpretation of Nkrumah s Pan-Africanist views in the context of Black unity as well as Black liberation within the African continent and the United States and Caribbean diaspora

     
    Export in Literaturverwaltung   RIS-Format
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    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781666906769
    Schriftenreihe: African Governance, Development, and Leadership
    Schlagworte: 20th century history: c 1900 to c 2000; African history; Afrikanische Geschichte; Ethnic Studies; Ethnic studies; HISTORY / Africa / West; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; Nationalism; POL053000; Pannationalismus; Political leaders & leadership; Politische Führer und Führung; SOC056000
    Umfang: 162 Seiten
    Bemerkung(en):

    Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen

    Chronology (1909-1972)Chapter 1: Birth, Early Education and EmploymentChapter 2: Overseas Student Years: Nkrumah s American and UK Sojourns, 1935-1947Chapter 3: Kwame Nkrumah and Pan-Africanism: A New InterpretationChapter 4: Years of Activism and Post-Colonial Gold Coast, 1947-1960Chapter 5: Ghana: Kwame Nkrumah s Political Kingdom, 1960-1966Epilogue: The 1966 Coup, Exile, Death, and Cultural Legacy of Kwame Nkrumah
  6. Black enlightenment
    Autor*in: Parekh, Surya
    Erschienen: 2023
    Verlag:  Duke University Press, Durham

    "Black Enlightenment examines how eighteenth-century Black thinkers engage with Enlightenment philosophy in ways distinct from more general narratives of freedom or oppression. Surya Parekh considers how these thinkers are situated within... mehr

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2023 A 7479
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Franckesche Stiftungen, Studienzentrum August Hermann Francke, Archiv und Bibliothek
    Signatur:
    FBb 275
    Fernleihe:
    keine Fernleihe

    Standort:
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    Signatur:
    PR120 Pare2023
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    335999 - A
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Black Enlightenment examines how eighteenth-century Black thinkers engage with Enlightenment philosophy in ways distinct from more general narratives of freedom or oppression. Surya Parekh considers how these thinkers are situated within Enlightenment discourses of race, especially considering the complex textuality and politics of whiteness embedded in canonical thought. Parekh centers the ideas of Francis Williams (1697-1762), Ignatius Sancho (c. 1729-1780), and Phillis Wheatley (c. 1753-1784). By critically assessing the work of these thinkers and others, Parekh unpacks their relationship to an Enlightenment philosophy dependent on slavery and the construction of the Black subject. Parekh's work not only informs many active fields of scholarship around the Black Atlantic and the intellectual history of the Enlightenment, but also investigates a confrontation between a confrontation between philosophy and Black thought that still inhabits global movements today"-- Examining the work of Black Enlightenment authors, Surya Parekh reimagines the Enlightenment from the position of the Black subject

     
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    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478020264; 9781478025191
    Schlagworte: Authors, Black; Enlightenment; Philosophy, Black; Racism; Antislavery movements in literature; Antislavery movements; SOCIAL SCIENCE / Black Studies (Global); Ethnic Studies; Ethnic studies; Kolonialismus und Imperialismus; PHI040000; POL045000; Politik und Staat; SOC056000; Westliche Philosophie: nach 1800
    Umfang: x, 200 Seiten, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 177-193

    Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen

    Black Enlightenment -- (Dis)Figuring Kant -- The Changing Rhetoric of Race -- The Character of Ignatius Sancho -- Phillis Wheatley's Providence.
  7. Why are you so angry?
    anger and rage in Black feminist literature
    Autor*in: Potjans, Anne
    Erschienen: 2024
    Verlag:  Peter Lang, New York

    This is a study of Black women's anger, its attempted silencing, and its cultural effects. It grounds the discussion of the political and cultural function of Black feminist anger in several points of inquiry, tying it to the conditions of Black life... mehr

     

    This is a study of Black women's anger, its attempted silencing, and its cultural effects. It grounds the discussion of the political and cultural function of Black feminist anger in several points of inquiry, tying it to the conditions of Black life mired in the structures that characterize the afterlives of slavery and colonialism. Turning to anger can do important work with regards to unraveling epistemic and hermeneutic injustices, the role of negative affect in public spaces, as well as in everyday communicative situations, and how emotional standards integral to dominant definitions of the human and of subjectivity function to maintain and reify human difference and discrimination. By analyzing integral works of Black literature, this book explores how the messiness of anger and rage is navigated and represented in literary texts, but also commended and valued as part of Black feminist lived experience

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781636672212; 9781636672205
    Schriftenreihe: Counterpoints ; vol. 550
    Schlagworte: American literature; American literature; Anger in literature; African American women; Feminist literature; Gesellschaftliche Gruppen, Gemeinschaften und Identitäten; LITERARY CRITICISM / European / French; LITERARY CRITICISM / European / General; LITERARY CRITICISM / European / German; LITERARY CRITICISM / Women Authors; Literatur: Geschichte und Kritik; Literature: history & criticism; Lyrik, Poesie; PHILOSOPHY / Social; Poetry; SOC056000; SOCIAL SCIENCE / Feminism & Feminist Theory; Social & political philosophy; Social discrimination & inequality; Social groups; Soziale Diskriminierung und soziale Gleichbehandlung; Soziale und politische Philosophie
    Umfang: pages cm
    Bemerkung(en):

    Includes bibliographical references and index

    Acknowledgments - Introduction - If You Are Not Angry by Now, You Have Not Been Paying Attention: Analyzing Black Feminist Anger - "This Hell Where I Live": Anger in the Poetry of Wanda Coleman - Beloved Anger: The Affective Limits of Liberal Humanism - Tensed from Being Gentle, or Why You Always Fit the Description - "What Happened, Miss Simone?".