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  1. The Limits of Fabrication
    Materials Science, Materialist Poetics
    Autor*in: Brown, Nathan
    Erschienen: [2017]; © 2017
    Verlag:  Fordham University Press, New York, NY

    Poetry, or poiēsis, has long been understood as a practice of making. But how are experiments in the making of poetic forms related to formal making in science and engineering? The Limits of Fabrication takes up this question in the context of recent... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Poetry, or poiēsis, has long been understood as a practice of making. But how are experiments in the making of poetic forms related to formal making in science and engineering? The Limits of Fabrication takes up this question in the context of recent developments in nanoscale materials science, investigating concepts and ideologies of form at stake in new approaches to material construction. Tracing the direct pertinence of fields crucial to the new materials science (nanotechnology, biotechnology, crystallography, and geodesic design) in the work of Shanxing Wang, Caroline Bergvall, Christian Bök, and Ronald Johnson back to the midcentury development of Charles Olson’s "objectist" poetics, Nathan Brown carves out a tradition of constructivist, nonorganic poetics that has developed in conversation with science and engineering.While proposing a new approach to the relation of technē (craft, skill) and poiēsis (making, forming), this book also intervenes in philosophical debates concerning the concept of the object, the distinction between organic and inorganic matter, theories of self-organization, and the relation between "design" and "nature." Engaging with Heidegger, Agamben, Whitehead, Stiegler, and Nancy, Brown shows that materials science and materialist poetics offer crucial resources for thinking through the direction of contemporary materialist philosophy

     

    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823274789
    Weitere Identifier:
    Schriftenreihe: Idiom: Inventing Writing Theory
    Schlagworte: Charles Olson; Continental Philosophy; Martin Heidegger; Materialism; Materials Science; Nanotechnology; Poetry; Science & Technology Studies; biopolitics; SCIENCE / System Theory; Architecture in literature; Form (Philosophy); Literature and science; Materialism in literature; Materials science; Poetics; Poetry
    Umfang: 1 online resource (312 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  2. The Limits of Fabrication
    Materials Science, Materialist Poetics
    Autor*in: Brown, Nathan
    Erschienen: [2017]
    Verlag:  Fordham University Press, New York, NY

    Frontmatter -- CONTENTS -- FIGURES -- PROLOGUE: LIMITS -- INTRODUCTION: MATERIALS SCIENCE, MATERIALIST POETICS -- 1. THE INORGANIC OPEN: NANOTECHNOLOGY AND PHYSICAL BEING -- 2. OBJECTISM: CHARLES OLSON’S POETICS OF PHYSICAL BEING -- 3. DESIGN... mehr

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    Frontmatter -- CONTENTS -- FIGURES -- PROLOGUE: LIMITS -- INTRODUCTION: MATERIALS SCIENCE, MATERIALIST POETICS -- 1. THE INORGANIC OPEN: NANOTECHNOLOGY AND PHYSICAL BEING -- 2. OBJECTISM: CHARLES OLSON’S POETICS OF PHYSICAL BEING -- 3. DESIGN SCIENCE: GEODESIC ARCHITECTURE IN NANOSCALE CARBON CHEMISTRY AND RONALD JOHNSON’S ARK -- 4. SURRATIONAL SOLIDS, SURREALIST LIQUIDS: CRYSTALLOGRAPHY AND BIOTECHNOLOGY IN MATERIALS SCIENCE AND MATERIALIST POETRY -- 5. THE SCALE OF A WOUND: NANOTECHNOLOGY AND THE POETICS OF REAL ABSTRACTION IN SHANXING WANG’S MAD SCIENCE IN IMPERIAL CITY -- CONCLUSION: TECHNĒ , POIĒSIS, FABRICATION -- ACKNOWLEDGMENTS -- NOTES -- WORKS CITED -- INDEX Poetry, or poiēsis, has long been understood as a practice of making. But how are experiments in the making of poetic forms related to formal making in science and engineering? The Limits of Fabrication takes up this question in the context of recent developments in nanoscale materials science, investigating concepts and ideologies of form at stake in new approaches to material construction. Tracing the direct pertinence of fields crucial to the new materials science (nanotechnology, biotechnology, crystallography, and geodesic design) in the work of Shanxing Wang, Caroline Bergvall, Christian Bök, and Ronald Johnson back to the midcentury development of Charles Olson’s “objectist” poetics, Nathan Brown carves out a tradition of constructivist, nonorganic poetics that has developed in conversation with science and engineering.While proposing a new approach to the relation of technē (craft, skill) and poiēsis (making, forming), this book also intervenes in philosophical debates concerning the concept of the object, the distinction between organic and inorganic matter, theories of self-organization, and the relation between “design” and “nature.” Engaging with Heidegger, Agamben, Whitehead, Stiegler, and Nancy, Brown shows that materials science and materialist poetics offer crucial resources for thinking through the direction of contemporary materialist philosophy

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823274789
    Weitere Identifier:
    Schriftenreihe: Idiom: Inventing Writing Theory
    Schlagworte: Poetry; Architecture in literature; Form (Philosophy); Literature and science; Materialism in literature; Materials science; Poetics; SCIENCE / System Theory
    Umfang: 1 Online-Ressource (312 p)
  3. The Limits of Fabrication
    Materials Science, Materialist Poetics
    Autor*in: Brown, Nathan
    Erschienen: [2017]; © 2017
    Verlag:  Fordham University Press, New York, NY

    Poetry, or poiēsis, has long been understood as a practice of making. But how are experiments in the making of poetic forms related to formal making in science and engineering? The Limits of Fabrication takes up this question in the context of recent... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Universitätsbibliothek Passau
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    Poetry, or poiēsis, has long been understood as a practice of making. But how are experiments in the making of poetic forms related to formal making in science and engineering? The Limits of Fabrication takes up this question in the context of recent developments in nanoscale materials science, investigating concepts and ideologies of form at stake in new approaches to material construction. Tracing the direct pertinence of fields crucial to the new materials science (nanotechnology, biotechnology, crystallography, and geodesic design) in the work of Shanxing Wang, Caroline Bergvall, Christian Bök, and Ronald Johnson back to the midcentury development of Charles Olson’s "objectist" poetics, Nathan Brown carves out a tradition of constructivist, nonorganic poetics that has developed in conversation with science and engineering.While proposing a new approach to the relation of technē (craft, skill) and poiēsis (making, forming), this book also intervenes in philosophical debates concerning the concept of the object, the distinction between organic and inorganic matter, theories of self-organization, and the relation between "design" and "nature." Engaging with Heidegger, Agamben, Whitehead, Stiegler, and Nancy, Brown shows that materials science and materialist poetics offer crucial resources for thinking through the direction of contemporary materialist philosophy

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823274789
    Weitere Identifier:
    Schriftenreihe: Idiom: Inventing Writing Theory
    Schlagworte: Charles Olson; Continental Philosophy; Martin Heidegger; Materialism; Materials Science; Nanotechnology; Poetry; Science & Technology Studies; biopolitics; SCIENCE / System Theory; Architecture in literature; Form (Philosophy); Literature and science; Materialism in literature; Materials science; Poetics; Poetry
    Umfang: 1 online resource (312 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  4. The limits of fabrication
    materials science, materialist poetics
    Autor*in: Brown, Nathan
    Erschienen: 2017
    Verlag:  Fordham University Press, New York

    "The Limits of Fabrication engages anew with traditional understandings of poetry as a practice of making or building, putting this approach to the test and radicalizing its implications by studying models of form and structure in twentieth and... mehr

    Universitätsbibliothek Heidelberg
    2017 A 6046
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    asl 477 DF 4415
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    Brechtbau-Bibliothek
    HK 452.073
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The Limits of Fabrication engages anew with traditional understandings of poetry as a practice of making or building, putting this approach to the test and radicalizing its implications by studying models of form and structure in twentieth and twenty-first century materialist poetics alongside recent innovations in materials science and engineering"-- Machine generated contents note: -- List of Figures -- Prologue: The Limits Of Fabrication -- Introduction: Materials Science, Materialist Poetics -- 1. The Inorganic Open: Nanotechnology and Physical Being -- 2. Objectism: Charles Olson's Poetics of Physical Being -- 3. Design Science: Geodesic Architecture in Nanoscale Carbon Chemistry and Ronald Johnson's Ark -- 4. Surrational Solids, Surrealist Liquids: Crystallography and Biotechnology in Materials Science and Materialist Poetry -- 5. The Scale of a Wound: Nanotechnology and the Poetics of Real Abstraction in Shanxing Wang's Mad Science in Imperial City -- Conclusion: Techne, Poiesis, Fabrication -- Acknowledgments -- Notes -- Works Cited -- Index

     

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