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  1. “Who, What Am I?”
    Tolstoy Struggles to Narrate the Self
    Autor*in: Paperno, Irina
    Erschienen: [2014]; ©2014
    Verlag:  Cornell University Press, Ithaca, N.Y.

    "God only knows how many diverse, captivating impressions and thoughts evoked by these impressions . . . pass in a single day. If it were only possible to render them in such a way that I could easily read myself and that others could read me as I... mehr

    Hochschule für Gesundheit, Hochschulbibliothek
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    "God only knows how many diverse, captivating impressions and thoughts evoked by these impressions . . . pass in a single day. If it were only possible to render them in such a way that I could easily read myself and that others could read me as I do. . ." Such was the desire of the young Tolstoy. Although he knew that this narrative utopia—turning the totality of his life into a book—would remain unfulfilled, Tolstoy would spend the rest of his life attempting to achieve it. "Who, What Am I?" is an account of Tolstoy's lifelong attempt to find adequate ways to represent the self, to probe its limits and, ultimately, to arrive at an identity not based on the bodily self and its accumulated life experience. This book guides readers through the voluminous, highly personal nonfiction writings that Tolstoy produced from the 1850s until his death in 1910. The variety of these texts is enormous, including diaries, religious tracts, personal confessions, letters, autobiographical fragments, and the meticulous accounts of dreams. For Tolstoy, inherent in the structure of the narrative form was a conception of life that accorded linear temporal order a predominant role, and this implied finitude. He refused to accept that human life stopped with death and that the self was limited to what could be remembered and told. In short, his was a philosophical and religious quest, and he followed in the footsteps of many, from Plato and Augustine to Rousseau and Schopenhauer. In reconstructing Tolstoy's struggles, this book reflects on the problems of self and narrative as well as provides an intellectual and psychological biography of the writer.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801454967
    Weitere Identifier:
    Schlagworte: Autobiography; Self in literature; Identity (Psychology) in literature; Russian prose literature; Autobiography.; Identity (Psychology) in literature.; Russian prose literature.; Self in literature.
    Umfang: 1 online resource
    Bemerkung(en):

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction -- -- Chapter 1. “So That I Could Easily Read Myself”: Tolstoy’s Early Diaries -- -- Interlude: Between Personal Documents and Fiction -- -- Chapter 2. “To Tell One’s Faith Is Impossible. . . . How to Tell That Which I Live By. I’ll Tell You, All the Same. . . .” Tolstoy in His Correspondence -- -- Chapter 3. Tolstoy’s Confession : What Am I? -- -- Chapter 4. “To Write My Life ”: Tolstoy Tries, and Fails, to Produce a Memoir or Autobiography -- -- Chapter 5. “What Should We Do Then?”: Tolstoy on Self and Other -- -- Chapter 6. “I Felt a Completely New Liberation from Personality”: Tolstoy’s Late Diaries -- -- Appendix: Russian Quotations -- -- Notes -- -- Index

  2. Stories of the Soviet Experience
    Memoirs, Diaries, Dreams
    Autor*in: Paperno, Irina
    Erschienen: [2009]; ©2009
    Verlag:  Cornell University Press, Ithaca, N.Y.

    Beginning with glasnost in the late 1980s and continuing into the present, scores of personal accounts of life under Soviet rule, written throughout its history, have been published in Russia, marking the end of an epoch. In a major new work on... mehr

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    Beginning with glasnost in the late 1980s and continuing into the present, scores of personal accounts of life under Soviet rule, written throughout its history, have been published in Russia, marking the end of an epoch. In a major new work on private life and personal writings, Irina Paperno explores this massive outpouring of human documents to uncover common themes, cultural trends, and literary forms. The book argues that, diverse as they are, these narratives-memoirs, diaries, notes, blogs-assert the historical significance of intimate lives shaped by catastrophic political forces, especially the Terror under Stalin and World War II. Moreover, these published personal documents create a community where those who lived through the Soviet era can gain access to the inner recesses of one another's lives.This community strives to forge a link to the tradition of Russia's nineteenth-century intelligentsia; thus the Russian "intelligentsia" emerges as an additional implicit subject of this book. The book surveys hundreds of personal accounts and focuses on two in particular, chosen for their exceptional quality, scope, and emotional power. Notes about Anna Akhmatova is the diary Lidiia Chukovskaia, a professional editor, kept to document the day-to-day life of her friend, the great Russian poet Anna Akhmatova. Evgeniia Kiseleva, a barely literate former peasant, kept records in notebooks with the thought of crafting a movie script from the story of her life. The striking parallels and contrasts between these two documents demonstrate how the Soviet state and the idea of history shaped very different lives and very different life stories.The book also analyzes dreams (most of them terror dreams) recounted in the diaries and memoirs of authors ranging from a peasant to well-known writers, a Party leader, and Stalin himself. History, Paperno shows, invaded their dreams, too. With a sure grasp of Russian cultural history, great sensitivity to the men and women who wrote, and a command of European and American scholarship on life writing, Paperno places diaries and memoirs of the Soviet experience in a rich historical and conceptual frame. An important and lasting contribution to the history of Russian culture at the end of an epoch, Stories of the Soviet Experience also illuminates the general logic and specific uses of personal narratives.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801459115
    Weitere Identifier:
    Schlagworte: Russian prose literature; Autobiographical memory; Autobiography; Russian prose literature; Autobiographical memory; Autobiography; Autobiographical memory.; Autobiography.; Russian prose literature.
    Umfang: 1 online resource
    Bemerkung(en):

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction -- -- Part I. Memoirs and Diaries Published at The End of The Soviet Epoch: An Overview -- -- Publishers, Authors, Texts, Reader, Corpus -- -- The Background: Memoir Writing and Historical Consciousness -- -- Connecting the “I” and History -- -- Revealing the Intimate -- -- Building a Community -- -- Writing at the End -- -- Qualification: The “I” in Quotation Marks -- -- Excursus: Readers Respond in LiveJournal -- -- Concluding Remarks -- -- Part II. Two Texts: Close Readings -- -- 1. Lidiia Chukovskaia’s Diary of Anna Akhmatova’s Life: “Intimacy and Terror” -- -- 2. The Notebooks of the Peasant Evgeniia Kiseleva: “The War Separated Us Forever” -- -- Part III. Dreams of Terror: Interpretations -- -- Comments on Dreams as Stories and as Sources -- -- Andrei Arzhilovsky: The Peasant Raped by Stalin -- -- Nikolai Bukharin Dreams of Stalin: Abraham and Isaac -- -- Writers’ Dreams: Mikhail Prishvin -- -- Writers’ Dreams: Veniamin Kaverin -- -- The Dreams of Anna Akhmatova -- -- A Comment on Writers’ and Peasants’ Theories of Dreams -- -- A Philosopher’s Dreams: Yakov Druskin -- -- Stalin’s Dream -- -- Concluding Remarks -- -- Conclusion -- -- Epilogue -- -- Appendix: Russian Texts -- -- Notes -- -- Index

  3. “Who, What Am I?”
    Tolstoy Struggles to Narrate the Self
    Autor*in: Paperno, Irina
    Erschienen: [2014]; ©2014
    Verlag:  Cornell University Press, Ithaca, N.Y.

    "God only knows how many diverse, captivating impressions and thoughts evoked by these impressions . . . pass in a single day. If it were only possible to render them in such a way that I could easily read myself and that others could read me as I... mehr

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    "God only knows how many diverse, captivating impressions and thoughts evoked by these impressions . . . pass in a single day. If it were only possible to render them in such a way that I could easily read myself and that others could read me as I do. . ." Such was the desire of the young Tolstoy. Although he knew that this narrative utopia—turning the totality of his life into a book—would remain unfulfilled, Tolstoy would spend the rest of his life attempting to achieve it. "Who, What Am I?" is an account of Tolstoy's lifelong attempt to find adequate ways to represent the self, to probe its limits and, ultimately, to arrive at an identity not based on the bodily self and its accumulated life experience. This book guides readers through the voluminous, highly personal nonfiction writings that Tolstoy produced from the 1850s until his death in 1910. The variety of these texts is enormous, including diaries, religious tracts, personal confessions, letters, autobiographical fragments, and the meticulous accounts of dreams. For Tolstoy, inherent in the structure of the narrative form was a conception of life that accorded linear temporal order a predominant role, and this implied finitude. He refused to accept that human life stopped with death and that the self was limited to what could be remembered and told. In short, his was a philosophical and religious quest, and he followed in the footsteps of many, from Plato and Augustine to Rousseau and Schopenhauer. In reconstructing Tolstoy's struggles, this book reflects on the problems of self and narrative as well as provides an intellectual and psychological biography of the writer.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt