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  1. Milton and the Rise of Russian Satanism
    Autor*in: Boss, Valentin
    Erschienen: 2016; ©1991
    Verlag:  University of Toronto Press, Toronto

    No European Devil can claim so long or so political a connection with Russian culture as Milton's Satan. Russian poets came to know him before they heard of Dante, Marlowe, Tasso, or of the devils of the Baroque era. This may explain why Milton's... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Hochschule Merseburg, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    Universitätsbibliothek der Eberhard Karls Universität
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    No European Devil can claim so long or so political a connection with Russian culture as Milton's Satan. Russian poets came to know him before they heard of Dante, Marlowe, Tasso, or of the devils of the Baroque era. This may explain why Milton's influence was so intensely felt by the Russians, especially during the Romantic age. In this, the first study in any language of Milton's reception in Russia, that influence is traced to an early translation of Paradise Lost uncovered by Valentin Boss in the Moscow archives.British radicals who professed to believe that Milton himself was of the Devil's party were, with the notable exception of Byron and Tom Moore, hardly known by Pushkin and his contemporaries. Russian literary Satanism, although derived from Milton, thus developed its own characteristics which tsarist censors considered morally subversive. A brilliant pleiade of poets from Zhukovsky to Lermontov gave Milton's outcast from Heaven some of his many modern masks. Towards the end of the nineteenth century these inspired the alarming paintings and sculptures of Mikhail Vrubel who, like Lermentov, was obsessed by the demonic. In cultural influence Goethe's Devil had by then eclipsed Milton's, but Goethe's did not survive 1917 with the same political authority. Boss concludes with a description of what happened to Milton's Satan after October 1917, when his connection with the English Revolution gave him an edge his German rival lacked.Lunacharsky, Lenin's Commissar for Education, who admired Milton's Arch-rebel, steered him past Left-wing Communists who continued to regard Paradise Lost and Paradise Regained as Christian propaganda. Despite such attacks, Milton's Satan resurfaced under Brezhnev to bask in Soviet pedagogic approval as an Anti-Imperialist and 'the embodiment of love of freedom.' Russian notions of good and evil changed before the Revolution and will change again under glasnost' and p

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442664654
    Weitere Identifier:
    Schlagworte: Russian poetry; Devil in literature; Devil in literature; Russian poetry; Devil in literature.; Russian poetry.
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publishers Web site, viewed Jan. 06, 2016)

    Frontmatter -- -- Contents -- -- Preface -- -- Acknowledgments -- -- Transliteration -- -- INTRODUCTION. The Rise of Russian Satanism -- -- PART I. The Satan of the Enlightenment -- -- 1. Satan and the First Translation of Paradise Lost -- -- 2. Introducing Milton's Satan to the Common Reader -- -- 3. Monks and 'Pocket Poets': Publication -- -- 4. Masonic Devils and the Light Within -- -- 5. Satan, Pugachev, and the French Revolution -- -- PART II. Satan as Romantic and Marxist Idol -- -- 6. The Demonic Tradition from Zhukovsky to Pushkin -- -- 7. Milton's Satan and Lermontov -- -- 8. Banning and Reviving Satan -- -- 9. 1917 and After: The Triumph of Milton's Satan -- -- 10. Satan as Anti-Imperialist -- -- Conclusion: Prince of Darkness, Prince of Light -- -- Appendixes -- -- Abbreviations -- -- Notes -- -- Bibliographic Note -- -- Bibliography -- -- Index
  2. Freedom From Violence and Lies :
    Essays on Russian Poetry and Music by Simon Karlinsky.
    Autor*in: Hughes, Robert P.
    Erschienen: 2013.
    Verlag:  Academic Studies Press,

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    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
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  3. Twentieth-century Russian poetry :
    reinventing the canon /
    Beteiligt: Hodgson, Katharine, (editor.); Shelton, Joanne, (editor.); Smith, Alexandra, (editor.)
    Erschienen: [2017]; ©2017
    Verlag:  Open Book Publishers,, Cambridge, UK :

    The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social... mehr

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    The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation's culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin's second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel'shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition - "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic ...

     
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    Quelle: Verbundkataloge
    Beteiligt: Hodgson, Katharine, (editor.); Shelton, Joanne, (editor.); Smith, Alexandra, (editor.)
    Medientyp: Ebook
    Format: Online
    ISBN: 9781783740895; 1783740892; 9781783740901; 1783740906; 9781783740918; 1783740914; 1783740876; 9781783740871; 2821897286; 9782821897281
    Weitere Identifier:
    9781783740871
    Schlagworte: Russian poetry; Soviet poetry; Literature and literary studies.; Poetry.; LITERARY CRITICISM; Russian poetry.; Soviet poetry.
    Umfang: 1 online resource (x, 499 pages) :, color illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 425-469) and index.

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