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  1. The Gothic body
    sexuality, materialism, and degeneration at the fin de siècle
    Autor*in: Hurley, Kelly
    Erschienen: 1996
    Verlag:  Cambridge University Press, Cambridge ; New York

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511821018; 0521552591; 0521607116; 1107784360; 9780511821011; 9780521552592; 9781107784369
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 8
    Schlagworte: Engels; Gothic Revival (letterkunde); Menselijk lichaam; Roman anglais / 19e siècle / Histoire et critique; Roman noir (Genre littéraire) / Grande-Bretagne / 19e siècle / Histoire et critique; Littérature et société / Grande-Bretagne / Histoire / 19e siècle; Littérature et sciences / Grande-Bretagne / Histoire / 19e siècle; Récits d'horreur anglais / 19e siècle / Histoire et critique; Dégénérescence dans la littérature; Corps humain dans la littérature; Matérialisme dans la littérature; Sexualité dans la littérature; Schauerliteratur; Identität (Motiv); Geschichte 1880-1920; Identität; Körper (Motiv); Degeneration (Motiv); Roman anglais / 19e siècle / Histoire et critique; Corps humain / Dans la littérature; Roman gothique / Grande-Bretagne; Matérialisme / Dans la littérature; Sexualité / Dans la littérature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Englisch; Geschichte; English fiction; Gothic revival (Literature); Literature and society; Literature and science; Horror tales, English; Degeneration in literature; Human body in literature; Materialism in literature; Sex in literature; Identität; Degeneration <Motiv>; Körper <Motiv>; Identität <Motiv>; Englisch; Schauerliteratur
    Umfang: 1 online resource (xii, 203 pages)
    Bemerkung(en):

    Description based on print version record

    This book accounts for the resurgence of Gothic, and its immense popularity, during the British fin de siecle. Kelly Hurley explores a key scenario that haunts the genre: the loss of a unified and stable human identity, and the emergence of a chaotic and transformative "abhuman" identity in its place. She shows that such representations of gothic bodices are strongly indebted to those found in nineteenth-century biology and social medicine, evolutionism, criminal anthropology, and degeneration theory. Gothic is revealed as a highly productive and speculative genre, standing in opportunistic relation to nineteenth-century scientific and social theories
  2. Romanticism and the Gothic
    genre, reception, and canon formation
    Autor*in: Gamer, Michael
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [England]

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511010087; 0511034636; 0511118481; 0511484216; 0521773288; 9780511010088; 9780511034633; 9780511118487; 9780511484216; 9780521773287
    Schriftenreihe: Cambridge studies in Romanticism ; 40
    Schlagworte: Littérature anglaise / 18e siècle / Histoire et critique; Littérature frénétique / Grande Bretagne; Littérature anglaise / 19e siècle / Histoire et critique; Romantisme / Grande-Bretagne; Chefs-d'œuvre (Littérature); Genres littéraires; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Lyrical ballads (Wordsworth, William); Canon (Literature); English literature; Gothic revival (Literature); Literary form; Romanticism; Gothic novel; Romantiek; Engels; Letterkunde; Gothic; Romanticism / Gothic revival; English literature / 18th-19th century; Littérature anglaise / 18e siècle / Histoire et critique; Littérature anglaise / 19e siècle / Histoire et critique; Roman gothique / Grande-Bretagne; Romantisme (littérature) / Grande-Bretagne; Romantik; Gothic novel; Englisch; Geschichte; Literatur; English literature; Gothic revival (Literature); English literature; Literary form; Literary form; Romanticism; Canon (Literature); Englisch; Schauerliteratur; Romantik
    Weitere Schlagworte: Baillie, Joanna / Criticism and interpretation; Wordsworth, William / 1770-1850; Wordsworth, William / 1770-1850 / Lyrical ballads; Baillie, Joanna / 1762-1851 / Critique et interprétation; Scott, Walter / Sir / 1771-1832 / Critique et interprétation; Baillie, Joanna / 1762-1851; Scott, Walter / 1771-1832; Wordsworth, William / 1770-1850 / Lyrical ballads; Baillie, Joanna / 1762-1851; Scott, Walter Sir / 1771-1832; Wordsworth, William (1770-1850) / Lyrical ballads; Baillie, Joanna / (1762-1851) / Critique et interprétation; Scott, Walter / (1771-1832) / Critique et interprétation; Wordsworth, William (1770-1850): Lyrical ballads; Baillie, Joanna (1762-1851); Scott, Walter (1771-1832); Wordsworth, William (1770-1850): Lyrical ballads; Scott, Walter (1771-1832); Baillie, Joanna (1762-1851)
    Umfang: 1 Online-Ressource (xiii, 255 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 201-245) and index

    Introduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket