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  1. British satire and the politics of style
    1789 - 1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse.

     
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  2. British satire and the politics of style
    1789 - 1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse.

     
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  3. British satire and the politics of style
    1789 - 1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse.

     
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    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511585333
    Weitere Identifier:
    RVK Klassifikation: HL 1397 ; HL 1401
    Auflage/Ausgabe: 1. publ., digitally printed 1. paperback version 2006
    Schriftenreihe: Cambridge studies in Romanticism ; 23
    Schlagworte: Engels; Letterkunde; Politiek; Politique et littérature - Grande-Bretagne - Histoire - 18e siècle; Politique et littérature - Grande-Bretagne - Histoire - 19e siècle; Radicalisme - Grande-Bretagne; Romantisme - Grande-Bretagne; Satire politique anglaise - Histoire et critique; Satires; Englisch; Geschichte; Literatur; Politik; Radikalismus; Political satire, English; Politics and literature; Politics and literature; Radicalism; Romanticism; Englisch; Politik <Motiv>; Satire
    Umfang: 1 Online-Ressource (XII, 263 S.)
  4. British satire and the politics of style
    1789 - 1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely... mehr

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format