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  1. The Author of the Prometheus Bound
    Autor*in: Herington, C. J
    Erschienen: [2021]
    Verlag:  University of Texas Press, Austin

    Frontmatter -- Preface -- Contents -- Chapter I. General Considerations: Criteria -- Chapter II. First Criterion: Minor Stylistic and Metrical Phenomena -- Chapter III. Second Criterion: Cosmic View and Trilogic Composition -- Chapter IV.... mehr

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    Frontmatter -- Preface -- Contents -- Chapter I. General Considerations: Criteria -- Chapter II. First Criterion: Minor Stylistic and Metrical Phenomena -- Chapter III. Second Criterion: Cosmic View and Trilogic Composition -- Chapter IV. Miscellaneous Items Perhaps Bearing on Date or Authenticity -- Chapter V. Résumé of the Results of Chapters II, III, and IV -- CHAPTER VI. Some Conclusions -- Appendix A. The Components of the Prometheia -- Appendix B. External Grounds for Dating the Prometheus -- Bibliography The Prometheus Bound has proved to be both the most problematic and the most influential of extant Greek tragedies. Especially during the past two hundred years the character here created has transcended the boundaries of nationality, ideology, and race: Goethe, Shelley, Marx, and—to judge by other published translations—modern Russia and China have in turn been fascinated by this being who is tortured by the gods for furthering the progress of humanity. Yet the interpretation of the play itself and its relation to the group of now-lost plays with which it was originally produced continue to arouse violent controversy. At the center of the controversy stand the questions, raised with increasing urgency during the twentieth century, whether the play is by Aeschylus at all and when it was written. This monograph attempts a systematic answer to these questions. It first surveys the general conditions of the authenticity problem as they appeared after the redating of Aeschylus’ Supplices. Next, it catalogues in detail the stylistic, metrical, and thematic features of the Prometheus that have been supposed to tell against Aeschylus’ authorship. Finally, it suggests that these phenomena will not make sense on the assumption that the play was written by anyone other than Aeschylus, and that the date of composition must fall after the Oresteia, in the last two years of Aeschylus’ life. Given this definite context and date, many of the apparent problems of the Prometheus Bound either fall away or at least can be more precisely formulated by reference to the other extant tragedies of Aeschylus’ latest phase

     

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    ISBN: 9781477304211
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    Schlagworte: Aeschylus.-Prometheus bound; Prometheus-(Greek deity)-In literature; Tragedy; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource (136 p)
  2. The Author of the Prometheus Bound
    Erschienen: [2021]; © 1970
    Verlag:  University of Texas Press, Austin

    The Prometheus Bound has proved to be both the most problematic and the most influential of extant Greek tragedies. Especially during the past two hundred years the character here created has transcended the boundaries of nationality, ideology, and... mehr

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    The Prometheus Bound has proved to be both the most problematic and the most influential of extant Greek tragedies. Especially during the past two hundred years the character here created has transcended the boundaries of nationality, ideology, and race: Goethe, Shelley, Marx, and-to judge by other published translations-modern Russia and China have in turn been fascinated by this being who is tortured by the gods for furthering the progress of humanity. Yet the interpretation of the play itself and its relation to the group of now-lost plays with which it was originally produced continue to arouse violent controversy. At the center of the controversy stand the questions, raised with increasing urgency during the twentieth century, whether the play is by Aeschylus at all and when it was written. This monograph attempts a systematic answer to these questions. It first surveys the general conditions of the authenticity problem as they appeared after the redating of Aeschylus' Supplices. Next, it catalogues in detail the stylistic, metrical, and thematic features of the Prometheus that have been supposed to tell against Aeschylus' authorship. Finally, it suggests that these phenomena will not make sense on the assumption that the play was written by anyone other than Aeschylus, and that the date of composition must fall after the Oresteia, in the last two years of Aeschylus' life. Given this definite context and date, many of the apparent problems of the Prometheus Bound either fall away or at least can be more precisely formulated by reference to the other extant tragedies of Aeschylus' latest phase

     

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    ISBN: 9781477304211
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    Schlagworte: LITERARY CRITICISM / General; Aeschylus.-Prometheus bound; Prometheus-(Greek deity)-In literature; Tragedy
    Umfang: 1 Online-Ressource (136 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)

  3. The Author of the Prometheus Bound
    Erschienen: [1970]; ©1970
    Verlag:  University of Texas Press, Austin ; Walter de Gruyter GmbH, Berlin

    The Prometheus Bound has proved to be both the most problematic and the most influential of extant Greek tragedies. Especially during the past two hundred years the character here created has transcended the boundaries of nationality, ideology, and... mehr

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    The Prometheus Bound has proved to be both the most problematic and the most influential of extant Greek tragedies. Especially during the past two hundred years the character here created has transcended the boundaries of nationality, ideology, and race: Goethe, Shelley, Marx, and-to judge by other published translations-modern Russia and China have in turn been fascinated by this being who is tortured by the gods for furthering the progress of humanity. Yet the interpretation of the play itself and its relation to the group of now-lost plays with which it was originally produced continue to arouse violent controversy. At the center of the controversy stand the questions, raised with increasing urgency during the twentieth century, whether the play is by Aeschylus at all and when it was written. This monograph attempts a systematic answer to these questions. It first surveys the general conditions of the authenticity problem as they appeared after the redating of Aeschylus' Supplices. Next, it catalogues in detail the stylistic, metrical, and thematic features of the Prometheus that have been supposed to tell against Aeschylus' authorship. Finally, it suggests that these phenomena will not make sense on the assumption that the play was written by anyone other than Aeschylus, and that the date of composition must fall after the Oresteia, in the last two years of Aeschylus' life. Given this definite context and date, many of the apparent problems of the Prometheus Bound either fall away or at least can be more precisely formulated by reference to the other extant tragedies of Aeschylus' latest phase.

     

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    ISBN: 9781477304211
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    Schlagworte: Aeschylus.-Prometheus bound; Prometheus-(Greek deity)-In literature; Tragedy; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource (136 p.)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)

  4. Frankenstein and Its Classics
    The Modern Prometheus from Antiquity to Science Fiction
    Autor*in: Weiner, Jesse
    Erschienen: 2018
    Verlag:  Bloomsbury Publishing Plc, London ; ProQuest, Ann Arbor, Michigan

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    Beteiligt: Stevens, Benjamin Eldon; Rogers, Brett M.
    Sprache: Englisch
    Medientyp: Ebook
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    ISBN: 9781350054905
    RVK Klassifikation: FB 5701 ; HL 4345
    Schriftenreihe: Bloomsbury Studies in Classical Reception Ser.
    Schlagworte: Antike; Rezeption; Film; Literatur; Comic; Shelley, Mary Wollstonecraft,-1797-1851.-Frankenstein; Frankenstein's Monster-(Fictitious character); Frankenstein, Victor-(Fictitious character); Prometheus-(Greek deity)-In literature; Science fiction-Classical influences; Frankenstein films
    Weitere Schlagworte: Frankenstein Fiktive Gestalt; Prometheus; Shelley, Mary (1797-1851): Frankenstein
    Umfang: 1 Online-Ressource (289 pages)
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  5. Frankenstein and Its Classics
    The Modern Prometheus from Antiquity to Science Fiction
    Erschienen: 2018
    Verlag:  Bloomsbury Publishing PLC, London

    Cover page -- Halftitle page -- Series page -- Title page -- Copyright page -- Contents -- Preface -- Contributors -- Illustrations -- Introduction: The Modern Prometheus Turns 200 -- Frankenstein and Its Classics: The Case of Plutarch -- The... mehr

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    Cover page -- Halftitle page -- Series page -- Title page -- Copyright page -- Contents -- Preface -- Contributors -- Illustrations -- Introduction: The Modern Prometheus Turns 200 -- Frankenstein and Its Classics: The Case of Plutarch -- The Frankenstein Tradition: The Case of Scalzi (and Jared) -- Frankenstein 's Classical Receptions and Twenty-First-Century Questions -- Outline of the Volume -- Notes -- Part One Promethean Heat -- 1 Patchwork Paratexts and Monstrous Metapoetics: "After tea M reads Ovid" -- Monstrous Metapoets: Ovidian Frankensteins -- Monstrous Metamorphoses: Matter unform'd and Ovid -- Patchwork Paratexts: "Prometheus mixt" -- Notes -- 2 Prometheus and Dr. Darwin's Vermicelli: Another Stir to the Frankenstein Broth -- Galvanic or Organic? Two Films -- Which Prometheus? -- Erasmus Darwin's Giants -- Little Worms and Dr. Darwin's Vermicelli -- Magi and Alchemists -- Conclusion -- Notes -- 3 The Politics of Revivification in Lucan's Bellum Civile and Mary Shelley's Frankenstein -- The "Galvanic Process": Lucan's and Shelley's Monsters -- Lucan on the Corpse of the Res Publica -- Shelley and the French Revolution -- Notes -- 4 Romantic Prometheis and the Molding of Frankenstein -- Newton's Return to Nature and Percy Shelley's Queen Mab -- Pantheons and Modern Prometheis -- Notes -- 5 Why the 'Year without a Summer'? -- Introduction -- The Eruption -- The Aftermath -- Conclusion: Mary Shelley in 1816 -- Glossary -- Notes -- 6 The Sublime Monster: Frankenstein , or The Modern Pandora -- Introduction -- Ars poetica: Hesiod's Pandora -- How to Make a Monster -- Technology of the Sublime: Hesiod -- Deformity and/as the Kantian Sublime -- Technology of the Sublime: Longinus -- Conclusions: The Creature as Genius loci of the Sublime Landscape -- Notes -- Part Two Hideous Progeny 7 Cupid and Psyche in Frankenstein: Mary Shelley's Apuleian Science Fiction? -- Introduction -- Historical Connections via Paratextual Evidence -- Cupid and Psyche in Frankenstein: Forms and Themes -- Cupid and Psyche at the End of Human History: The Last Man -- Conclusions: The Future of Frankenstein 's Classical Receptions -- or, Mary Shelley's Apuleian Science Fiction? -- Notes -- 8 The Pale Student of Unhallowed Arts: Frankenstein, Aristotle, and theWisdom of Lucretius -- Notes -- 9 Timothy Leary and the Psychodynamics of Stealing Fire -- Literary Activism, or Hacking the Promethean Myth -- Timothy Leary -- or, the Modern Victor Frankenstein -- Unmasking the Monster: Magic Mushrooms and the Neuropolitics of Empathy -- Reanimating Leary's Legacy -- Notes -- 10 Frankenfilm: Classical Monstrosity in Bill Morrison's Spark of Being -- Introduction -- Antiquarianism, Recombination, and Reanimation in Spark of Being -- Monsters in the Mirror, Monsters on the Screen -- Conclusion -- Notes -- 11 Alex Garland's Ex Machina or The Modern Epimetheus -- Notes -- 12 The Postmodern Prometheus and Posthuman Reproductions in Science Fiction -- Thinking with Prometheus1 -- The Modern Prometheus -- Postmodern/Posthuman Prometheus -- Ancient Prometheus -- Notes -- Other Modern Prometheis: Suggestions for Further Reading and Viewing -- Short Stories, Novels, and Plays -- Film -- Television -- Bibliography -- Index

     

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