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  1. The experience of poetry
    from Homer's listeners to Shakespeare's readers
    Autor*in: Attridge, Derek
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    Was the experience of poetry - or a cultural practice we now call poetry - continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in... mehr

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    Was the experience of poetry - or a cultural practice we now call poetry - continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this text first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterised Ancient Rome, and the private and public venues for poetic experience in Late Antiquity.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191873898
    Weitere Identifier:
    RVK Klassifikation: EC 6050 ; EC 1868 ; EC 1840
    Schriftenreihe: Oxford scholarship online
    Schlagworte: Performance poetry; Performance poetry; Poetry, Ancient; Poetry, Medieval; Poetry; Performance poetry ; History and criticism; Performance poetry ; Social aspects; Poetry, Ancient ; History and criticism; Poetry, Medieval ; History and criticism; Poetry ; 16th century ; History and criticism
    Umfang: 1 Online-Ressource (xiii, 445 Seiten), Illustrationen
    Bemerkung(en):

    This edition previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on February 8, 2019)

  2. Rebel barons
    resisting royal power in medieval culture
    Erschienen: 2017
    Verlag:  Oxford University Press, Oxford

    A volume that explores the rebel baron narrative defined as chansons de geste (medieval chronicles relating heroic deeds) from areas including Burgundy, England, Flanders, Occitania, and Italy. mehr

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    A volume that explores the rebel baron narrative defined as chansons de geste (medieval chronicles relating heroic deeds) from areas including Burgundy, England, Flanders, Occitania, and Italy.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    Format: Online
    ISBN: 9780191830365
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    Auflage/Ausgabe: First edition
    Schlagworte: Epic literature, European; Poetry, Medieval; Charlemagne ; Emperor ; 742-814 ; In literature; Epic literature, European ; History and criticism; Poetry, Medieval ; History and criticism
    Weitere Schlagworte: Charlemagne Emperor (742-814)
    Umfang: 1 Online-Ressource (vi, 308 Seiten)
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    This edition previously issued in print: 2017. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 19, 2017)

  3. Winner and Waster and its contexts
    chivalry, law and economics in fourteenth-century England
    Autor*in: Ormrod, W. M.
    Erschienen: 2021
    Verlag:  D.S. Brewer, Cambridge

    First recent full-length analysis of a major medieval poem. mehr

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    First recent full-length analysis of a major medieval poem.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781800101968; 9781843845812
    Schlagworte: Debate poetry, English (Middle); Poetry, Medieval; Wynnere and Wastoure ; Criticism, Textual; Debate poetry, English (Middle) ; History and criticism; Poetry, Medieval ; History and criticism; Great Britain ; History ; Edward III, 1327-1377
    Umfang: 1 online resource (xi, 189 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 09 Apr 2021)

  4. Winner and Waster and its contexts
    chivalry, law and economics in fourteenth-century England
    Autor*in: Ormrod, W. M.
    Erschienen: 2021
    Verlag:  D.S. Brewer, Cambridge

    First recent full-length analysis of a major medieval poem. mehr

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    First recent full-length analysis of a major medieval poem.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781800101968; 9781843845812
    Schlagworte: Debate poetry, English (Middle); Poetry, Medieval; Wynnere and Wastoure ; Criticism, Textual; Debate poetry, English (Middle) ; History and criticism; Poetry, Medieval ; History and criticism; Great Britain ; History ; Edward III, 1327-1377
    Umfang: 1 online resource (xi, 189 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 09 Apr 2021)

  5. The Germanic Hero
    Politics and Pragmatism in Early Medieval Poetry
    Autor*in: Murdoch, Brian
    Erschienen: 1996
    Verlag:  Bloomsbury Publishing, London

    In this study, the author looks at the role the warrior-hero plays within a set of predetermined political and social constraints. The hero if not a sword-wielding barbarian, bent only upon establishing his own fame; such fame-seekers (including... mehr

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    In this study, the author looks at the role the warrior-hero plays within a set of predetermined political and social constraints. The hero if not a sword-wielding barbarian, bent only upon establishing his own fame; such fame-seekers (including some famous medieval literary figures) might even fall outside the definition of the Germanic hero, the real value of whose deeds are given meaning only within the political construct. Individual prowess is not enough. The hero must conquer the blows of fate because he is committed to the conquest of chaos, and over all to the need for social s

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781852851439
    Schlagworte: Poetry, Medieval -- History and criticism; Politics and literature -- Europe, German-speaking; Epic poetry, Germanic -- History and criticism; Germanic peoples in literature; Pragmatism in literature; Heroes in literature; Poetry, Medieval ; History and criticism; Politics and literature ; Europe, German-speaking; Epic poetry, Germanic ; History and criticism; Germanic peoples in literature; Pragmatism in literature; Heroes in literature; Electronic books
    Umfang: Online-Ressource (199 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Contents; Preface; 1 About Heroes: Otto, Sigurðr, Hamðir and Byrhtnoð; 2 Coping with Necessity: Hildebrand, Gunnarr and Völundr; 3 Youth, Education and Age: Beowulf, Ernst of Bavaria and Heinrich of Kempten; 4 In the Hands of the Church: Waltharius the Visigoth and Louis of the West Franks; 5 Shifting Perspectives: Roland; 6 Damage and Damage Limitation: The Nibelungs, Hilde and Kudrun; Bibliography of Primary Texts; Index to Secondary Literature; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W

  6. The experience of poetry
    from Homer's listeners to Shakespeare's readers
    Autor*in: Attridge, Derek
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    Was the experience of poetry - or a cultural practice we now call poetry - continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in... mehr

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    Was the experience of poetry - or a cultural practice we now call poetry - continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this text first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterised Ancient Rome, and the private and public venues for poetic experience in Late Antiquity.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191873898
    Weitere Identifier:
    RVK Klassifikation: EC 6050 ; EC 1868 ; EC 1840
    Schriftenreihe: Oxford scholarship online
    Schlagworte: Performance poetry; Performance poetry; Poetry, Ancient; Poetry, Medieval; Poetry; Performance poetry ; History and criticism; Performance poetry ; Social aspects; Poetry, Ancient ; History and criticism; Poetry, Medieval ; History and criticism; Poetry ; 16th century ; History and criticism
    Umfang: 1 Online-Ressource (xiii, 445 Seiten), Illustrationen
    Bemerkung(en):

    This edition previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on February 8, 2019)

  7. Rebel barons
    resisting royal power in medieval culture
    Erschienen: 2017
    Verlag:  Oxford University Press, Oxford

    A volume that explores the rebel baron narrative defined as chansons de geste (medieval chronicles relating heroic deeds) from areas including Burgundy, England, Flanders, Occitania, and Italy. mehr

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    A volume that explores the rebel baron narrative defined as chansons de geste (medieval chronicles relating heroic deeds) from areas including Burgundy, England, Flanders, Occitania, and Italy.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191830365
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schlagworte: Epic literature, European; Poetry, Medieval; Charlemagne ; Emperor ; 742-814 ; In literature; Epic literature, European ; History and criticism; Poetry, Medieval ; History and criticism
    Weitere Schlagworte: Charlemagne Emperor (742-814)
    Umfang: 1 Online-Ressource (vi, 308 Seiten)
    Bemerkung(en):

    This edition previously issued in print: 2017. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 19, 2017)

  8. Exemplary comparison from Homer to Petrarch
    Autor*in: Sayce, Olive
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    The book is a study of comparison and identification with exemplary figures drawn from myth, history and historical legend, the Bible, the authorial canon, and literary tradition, from Homer to the interrelated branches of the medieval European... mehr

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    The book is a study of comparison and identification with exemplary figures drawn from myth, history and historical legend, the Bible, the authorial canon, and literary tradition, from Homer to the interrelated branches of the medieval European vernacular lyric up to the end of the fourteenth century. The first half treats Homer, Virgil, Latin poets from Catullus to Ovid, and late and medieval Latin poets. The second half discusses the troubadour lyric, including Italian and Catalan poets who wrote in the language of the troubadours, the trouvère lyric, the German lyric, and the Sicilian and Italian lyric up to Petrarch. The languages covered are thus classical Greek, classical, post-classical and medieval Latin, Occitan/Old Provençal, Old French, and medieval German and Italian.Representative examples of comparison and identification are given in the original language, followed by translation and textual and literary analysis. OLIVE SAYCE is Emeritus Fellow and Tutor in Modern Languages, Somerville College, Oxford Homer: The Iliad and the Odyssey -- Virgil: the Aeneid -- Latin poets from Catullus to Ovid -- Latin poets from antiquity to the Middle Ages -- The troubadour poets -- the trouvère poets -- The German poets -- The Sicilian and Italian poets

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846156366
    Schlagworte: Simile; Rhetoric, Ancient; Rhetoric, Medieval; Poetry, Medieval; Latin poetry; Latin poetry, Medieval and modern; Homer ; Criticism and interpretation; Virgil ; Criticism and interpretation; Simile; Rhetoric, Ancient; Rhetoric, Medieval; Poetry, Medieval ; History and criticism; Latin poetry ; History and criticism; Latin poetry, Medieval and modern ; History and criticism
    Weitere Schlagworte: Virgil; Homer
    Umfang: 1 Online-Ressource (xiv, 407 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  9. The medieval poet as voyeur
    looking and listening in medieval love-narratives
    Autor*in: Spearing, A. C.
    Erschienen: 1993
    Verlag:  Cambridge University Press, Cambridge

    While love is private, and in medieval literature especially is seen as demanding secrecy, to tell stories about it is to make it public. Looking, often accompanied by listening, is the means by which love is brought into the public realm and by... mehr

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    While love is private, and in medieval literature especially is seen as demanding secrecy, to tell stories about it is to make it public. Looking, often accompanied by listening, is the means by which love is brought into the public realm and by which legal evidence of adulterous love can be obtained. Medieval romances contain many scenes in which secret watchers and listeners play leading roles, and in which the problematic relation of sight to truth is a central theme. The effect of such scenes is to place the poem's audience as secret watchers and listeners; and in later medieval narratives, as the role of the storyteller comes to be realized, the poet too sees himself in the undignified role of a voyeur. A. C. Spearing's book explores these and related themes, first in relation to medieval and modern theories and instances of looking, and then through a series of readings of romances and first-person narratives, including works by Beroul, Gottfried von Strassburg, Chrétien de Troyes, Marie de France, Chaucer, Lydgate, Douglas, Dunbar, and Skelton. Its focus on looking also leads to the recovery of some less well-known works such as Partonope of Blois and The Squire of Low Degree. The general approach is psychoanalytic, but the reading of specific medieval texts always has primacy, and this in turn makes possible a running critique of current conceptions of the gaze in relation to power and gender Theories of looking -- Examples of looking -- The Tristan story -- Chretien de Troyes -- The Lanval story -- Troilus and Criseyde and The Manciple's Tale -- Partonope of Blois -- The Knight's Tale and The Merchant's Tale -- The Squyr of Lowe Degre -- The Romaunt of the Rose -- The Parliament of Fowls and A Complaynt of a Loveres Lyfe -- The Palice of Honour and The Goldyn Targe -- The Tretis of the Twa Mariit Wemen and the Wedo -- Phyllyp Sparowe

     

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    Format: Online
    ISBN: 9780511518799
    Weitere Identifier:
    Schlagworte: Voyeurism in literature; Point of view (Literature); Love poetry; Poetry, Medieval; Poetry, Medieval ; History and criticism; Love poetry ; History and criticism; Voyeurism in literature; Point of view (Literature)
    Umfang: 1 Online-Ressource (321 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  10. Sciences and the self in medieval poetry
    Alan of Lille's Anticlaudianus and John Gower's Confessio amantis
    Autor*in: Simpson, James
    Erschienen: 1995
    Verlag:  Cambridge University Press, Cambridge

    In this 1995 study James Simpson examines two great poems of the later medieval period, the Latin philosophical epic, Alan of Lille's Anticlaudianus (1181–3), and John Gower's English poem, The Confessio Amantis (1390–3). Simpson locates these works... mehr

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    In this 1995 study James Simpson examines two great poems of the later medieval period, the Latin philosophical epic, Alan of Lille's Anticlaudianus (1181–3), and John Gower's English poem, The Confessio Amantis (1390–3). Simpson locates these works in a cultural context dominated by two kinds of literary humanism: the absolutist, whose philosophical mentor is Plato, whose literary model is Virgil and whose concept of the self is centred in the intellect, and the constitutionalist, whose classical models are Aristotle and Ovid and whose concept of the self resides in the mediatory power of the imagination. Both poems are examples of the Bildungsroman, in which the self reaches its fullness only by traversing an educational cursus in the related sciences of ethics, politics and cosmology, but as this study shows, there are very different modes of thought behind their conceptions of selfhood and education 1. Introduction -- 2. The outer form of the Anticlaudianus -- 3. A preposterous interpretation of the Anticlaudianus -- 4. Alan's philosopher-king -- 5. Ovidian disunity in Gower's Confessio amantis -- 6. Genius's psychological information in Book III -- 7. The primacy of politics in the Confessio amantis -- 8. Poetics -- 9. Conclusion: varieties of humanist politics

     

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  11. Poetry and philosophy in the Middle Ages
    a festschrift for Peter Dronke
    Erschienen: c2001
    Verlag:  Brill, Leiden

    This collection of essays, written to honour Professor Peter Dronke on his retirement, addresses the question of the relationship between poetry and philosophy in the Middle Ages mehr

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    This collection of essays, written to honour Professor Peter Dronke on his retirement, addresses the question of the relationship between poetry and philosophy in the Middle Ages

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9004119647
    Schriftenreihe: Mittellateinische Studien und Texte ; Bd. 29
    Schlagworte: Philosophy, Medieval; Latin poetry, Medieval and modern; Poetry, Medieval; Latin poetry, Medieval and modern ; History and criticism; Philosophy, Medieval; Poetry, Medieval ; History and criticism; Electronic books
    Umfang: Online-Ressource (xi, 392 p), ill, 25 cm
    Bemerkung(en):

    Includes bibliographical references and indexes

    Electronic reproduction; Available via World Wide Web

    Contents; List of Illustrations; List of Abbreviations; Preface; Peter Dronke and Medieval Latin at Cambridge; An Annotated List of Works by Peter Dronke bearing on the Relation between Poetry and Philosophy in the Middle Ages; Uodalscalc-Studien IV: Mikrokosmos und Makrokosmos bei Uodalscalc von St. Ulrich und Afra (1124-um 1150) (Augsburg, Archiv des Bistums 78, fol. 72[sup(r)]); Learned Knowledge of Arabic Poetry, Rhymed Prose, and Didactic Verse from Petrus Alfonsi to Petrarch; Alcuin, Carmen ix and Hrabanus, Ad Bonosum: a Teacher and his Pupil write Consolation

    Cratylus Mediaevalis-Ontology and Polysemy in Medieval Platonism (to ca. 1200)Some Quantitative Poems Attributed to Columbanus of Bobbio; Nisifortinus: le disciple qui corrige le maître; II Liber viginti quattuor philosophorum nei poemi medievali: il Roman de la Rose, il Granum sinapis, la Divina Commedia; Peter Abelard and the Poets; God and the Goddesses: Vision, Poetry, and Belief in the Middle Ages; Amor transformat amantem in amatum. Bernhard von Waging an Nicolaus Cusanus über die Vision einer reformunwilligen Nonne; Illustrated Manuscripts of Petrarch's De Remediis Utriusque Fortunae

    Dichter und Philosophen-zwei zankende GeschwisterLeda and the Swan: the Unbearable Matter of Bliss; Originality in Medieval Latin Literature; The Highest Form of Compliment: Imitatio in Medieval Latin Culture; Jean de Meun and the Castration of Saturn; On the Text and Interpretation of Abelard's Planctus; Una Scheda Per Ildegarde Di Bingen; Dante's Averroism; List of Contributors; Indices

  12. The Germanic Hero
    Politics and Pragmatism in Early Medieval Poetry
    Autor*in: Murdoch, Brian
    Erschienen: 1996
    Verlag:  Bloomsbury Publishing, London

    In this study, the author looks at the role the warrior-hero plays within a set of predetermined political and social constraints. The hero if not a sword-wielding barbarian, bent only upon establishing his own fame; such fame-seekers (including... mehr

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    In this study, the author looks at the role the warrior-hero plays within a set of predetermined political and social constraints. The hero if not a sword-wielding barbarian, bent only upon establishing his own fame; such fame-seekers (including some famous medieval literary figures) might even fall outside the definition of the Germanic hero, the real value of whose deeds are given meaning only within the political construct. Individual prowess is not enough. The hero must conquer the blows of fate because he is committed to the conquest of chaos, and over all to the need for social s

     

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    ISBN: 9781852851439
    Schlagworte: Poetry, Medieval -- History and criticism; Politics and literature -- Europe, German-speaking; Epic poetry, Germanic -- History and criticism; Germanic peoples in literature; Pragmatism in literature; Heroes in literature; Poetry, Medieval ; History and criticism; Politics and literature ; Europe, German-speaking; Epic poetry, Germanic ; History and criticism; Germanic peoples in literature; Pragmatism in literature; Heroes in literature; Electronic books
    Umfang: Online-Ressource (199 p)
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    Cover; Contents; Preface; 1 About Heroes: Otto, Sigurðr, Hamðir and Byrhtnoð; 2 Coping with Necessity: Hildebrand, Gunnarr and Völundr; 3 Youth, Education and Age: Beowulf, Ernst of Bavaria and Heinrich of Kempten; 4 In the Hands of the Church: Waltharius the Visigoth and Louis of the West Franks; 5 Shifting Perspectives: Roland; 6 Damage and Damage Limitation: The Nibelungs, Hilde and Kudrun; Bibliography of Primary Texts; Index to Secondary Literature; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W

  13. Exemplary comparison from Homer to Petrarch
    Autor*in: Sayce, Olive
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    The book is a study of comparison and identification with exemplary figures drawn from myth, history and historical legend, the Bible, the authorial canon, and literary tradition, from Homer to the interrelated branches of the medieval European... mehr

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    The book is a study of comparison and identification with exemplary figures drawn from myth, history and historical legend, the Bible, the authorial canon, and literary tradition, from Homer to the interrelated branches of the medieval European vernacular lyric up to the end of the fourteenth century. The first half treats Homer, Virgil, Latin poets from Catullus to Ovid, and late and medieval Latin poets. The second half discusses the troubadour lyric, including Italian and Catalan poets who wrote in the language of the troubadours, the trouvère lyric, the German lyric, and the Sicilian and Italian lyric up to Petrarch. The languages covered are thus classical Greek, classical, post-classical and medieval Latin, Occitan/Old Provençal, Old French, and medieval German and Italian.Representative examples of comparison and identification are given in the original language, followed by translation and textual and literary analysis. OLIVE SAYCE is Emeritus Fellow and Tutor in Modern Languages, Somerville College, Oxford Homer: The Iliad and the Odyssey -- Virgil: the Aeneid -- Latin poets from Catullus to Ovid -- Latin poets from antiquity to the Middle Ages -- The troubadour poets -- the trouvère poets -- The German poets -- The Sicilian and Italian poets

     

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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9781846156366
    Schlagworte: Simile; Rhetoric, Ancient; Rhetoric, Medieval; Poetry, Medieval; Latin poetry; Latin poetry, Medieval and modern; Homer ; Criticism and interpretation; Virgil ; Criticism and interpretation; Simile; Rhetoric, Ancient; Rhetoric, Medieval; Poetry, Medieval ; History and criticism; Latin poetry ; History and criticism; Latin poetry, Medieval and modern ; History and criticism
    Weitere Schlagworte: Virgil; Homer
    Umfang: 1 Online-Ressource (xiv, 407 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  14. Sciences and the self in medieval poetry
    Alan of Lille's Anticlaudianus and John Gower's Confessio amantis
    Autor*in: Simpson, James
    Erschienen: 1995
    Verlag:  Cambridge University Press, Cambridge

    In this 1995 study James Simpson examines two great poems of the later medieval period, the Latin philosophical epic, Alan of Lille's Anticlaudianus (1181–3), and John Gower's English poem, The Confessio Amantis (1390–3). Simpson locates these works... mehr

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    In this 1995 study James Simpson examines two great poems of the later medieval period, the Latin philosophical epic, Alan of Lille's Anticlaudianus (1181–3), and John Gower's English poem, The Confessio Amantis (1390–3). Simpson locates these works in a cultural context dominated by two kinds of literary humanism: the absolutist, whose philosophical mentor is Plato, whose literary model is Virgil and whose concept of the self is centred in the intellect, and the constitutionalist, whose classical models are Aristotle and Ovid and whose concept of the self resides in the mediatory power of the imagination. Both poems are examples of the Bildungsroman, in which the self reaches its fullness only by traversing an educational cursus in the related sciences of ethics, politics and cosmology, but as this study shows, there are very different modes of thought behind their conceptions of selfhood and education 1. Introduction -- 2. The outer form of the Anticlaudianus -- 3. A preposterous interpretation of the Anticlaudianus -- 4. Alan's philosopher-king -- 5. Ovidian disunity in Gower's Confessio amantis -- 6. Genius's psychological information in Book III -- 7. The primacy of politics in the Confessio amantis -- 8. Poetics -- 9. Conclusion: varieties of humanist politics

     

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  15. The medieval poet as voyeur
    looking and listening in medieval love-narratives
    Autor*in: Spearing, A. C.
    Erschienen: 1993
    Verlag:  Cambridge University Press, Cambridge

    While love is private, and in medieval literature especially is seen as demanding secrecy, to tell stories about it is to make it public. Looking, often accompanied by listening, is the means by which love is brought into the public realm and by... mehr

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    While love is private, and in medieval literature especially is seen as demanding secrecy, to tell stories about it is to make it public. Looking, often accompanied by listening, is the means by which love is brought into the public realm and by which legal evidence of adulterous love can be obtained. Medieval romances contain many scenes in which secret watchers and listeners play leading roles, and in which the problematic relation of sight to truth is a central theme. The effect of such scenes is to place the poem's audience as secret watchers and listeners; and in later medieval narratives, as the role of the storyteller comes to be realized, the poet too sees himself in the undignified role of a voyeur. A. C. Spearing's book explores these and related themes, first in relation to medieval and modern theories and instances of looking, and then through a series of readings of romances and first-person narratives, including works by Beroul, Gottfried von Strassburg, Chrétien de Troyes, Marie de France, Chaucer, Lydgate, Douglas, Dunbar, and Skelton. Its focus on looking also leads to the recovery of some less well-known works such as Partonope of Blois and The Squire of Low Degree. The general approach is psychoanalytic, but the reading of specific medieval texts always has primacy, and this in turn makes possible a running critique of current conceptions of the gaze in relation to power and gender Theories of looking -- Examples of looking -- The Tristan story -- Chretien de Troyes -- The Lanval story -- Troilus and Criseyde and The Manciple's Tale -- Partonope of Blois -- The Knight's Tale and The Merchant's Tale -- The Squyr of Lowe Degre -- The Romaunt of the Rose -- The Parliament of Fowls and A Complaynt of a Loveres Lyfe -- The Palice of Honour and The Goldyn Targe -- The Tretis of the Twa Mariit Wemen and the Wedo -- Phyllyp Sparowe

     

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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9780511518799
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    Schlagworte: Voyeurism in literature; Point of view (Literature); Love poetry; Poetry, Medieval; Poetry, Medieval ; History and criticism; Love poetry ; History and criticism; Voyeurism in literature; Point of view (Literature)
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  16. Ethics and enjoyment in late medieval poetry
    love after Aristotle
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    Jessica Rosenfeld provides a history of the ethics of medieval vernacular love poetry by tracing its engagement with the late medieval reception of Aristotle. Beginning with a history of the idea of enjoyment from Plato to Peter Abelard and the... mehr

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    Jessica Rosenfeld provides a history of the ethics of medieval vernacular love poetry by tracing its engagement with the late medieval reception of Aristotle. Beginning with a history of the idea of enjoyment from Plato to Peter Abelard and the troubadours, the book then presents a literary and philosophical history of the medieval ethics of love, centered on the legacy of the Roman de la Rose. The chapters reveal that 'courtly love' was scarcely confined to what is often characterized as an ethic of sacrifice and deferral, but also engaged with Aristotelian ideas about pleasure and earthly happiness. Readings of Machaut, Froissart, Chaucer, Dante, Deguileville and Langland show that poets were often markedly aware of the overlapping ethical languages of philosophy and erotic poetry. The study's conclusion places medieval poetry and philosophy in the context of psychoanalytic ethics, and argues for a re-evaluation of Lacan's ideas about courtly love Introduction: love after Aristotle -- Enjoyment: a medieval history -- Narcissus after Aristotle: love and ethics in Le Roman de la Rose -- Metamorphoses of pleasure in the fourteenth century Dit Amoureux -- Love's knowledge: fabliau, allegory, and fourteenth-century anti-intellectualism -- On human happiness: Dante, Chaucer, and the felicity of friendship -- Coda: Chaucer's philosophical women

     

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    ISBN: 9780511686924
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    Schriftenreihe: Cambridge studies in medieval literature ; 85
    Schlagworte: Ethics in literature; Pleasure in literature; Poetry, Medieval; Poetry, Medieval ; History and criticism; Pleasure in literature; Ethics in literature
    Umfang: 1 Online-Ressource (vii, 245 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)