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  1. Phenomenological Hermeneutics and the Study of Literature
    Autor*in: Valdes, Mario
    Erschienen: [2019]; © 1987
    Verlag:  University of Toronto Press, Toronto

    In the intensity of current theoretical debates, critics and students of literature are sometimes in danger of losing sight of the most basic principles and presuppositions of their discipline, of the underlying connections between attitudes to truth... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    In the intensity of current theoretical debates, critics and students of literature are sometimes in danger of losing sight of the most basic principles and presuppositions of their discipline, of the underlying connections between attitudes to truth and the study of literature. Aware of this danger, Mario Valdés has taken up the challenge of retracing the historical and philosophical background of his own approach to literature, the application of phenomenological philosophy to the interpretation of texts. Phenomenological hermeneutics, Valdés reminds us, participates in a long-standing tradition of textual commentary that originates in the Renaissance and achieves full force in the work of Giambattista Vico by the middle of the eighteenth century. Valdés characterizes this tradition as the embodiment of a relational rather than an absolutist epistemology: its practitioners do not seek fixed and exclusive meanings in texts but regard the literary work of art as an experience that is shared within a community of readers and commentators, and enriched by the historical continuity of that community. Valdés demonstrates the vigour of the tradition and community he has inherited in a brief survey of such relational commentators as Vico, Juan Luis Vives, Wilhelm von Humboldt, Unamuno, Croce, and Collingwood. He elaborates the contemporary contribution of phenomenological hermeneutics to the tradition, referring particularly to the work of Paul Ricoeur. In arguing for a living and evolving community of criticism, he contests both the historicist imposition of closure on texts and the radical scepticism of the deconstructionists. And in reading of works by Octavio Paz and Jorge Luis Borges, he offers a model for the continuing celebration of the living literary text

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487580513
    Weitere Identifier:
    Schriftenreihe: Heritage
    Schlagworte: PHILOSOPHY / Movements / Phenomenology; Hermeneutik; Literaturwissenschaft; Literatur
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  2. Kinaesthesia in the psychology, philosophy and culture of human experience
    Autor*in: Smith, Roger
    Erschienen: 2023
    Verlag:  Routledge, Taylor & Francis Group, London

    * Interdisciplinary book that weaves together ideas from psychology, philosophy, neuroscience, and dance. * Considers how movement is central to our sense of reality, our sense of self, and our relationships with others and the surrounding world. *... mehr

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 A 4367
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    * Interdisciplinary book that weaves together ideas from psychology, philosophy, neuroscience, and dance. * Considers how movement is central to our sense of reality, our sense of self, and our relationships with others and the surrounding world. * Accessibly written book that foregrounds the author's voice and experiences

     
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    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032435909; 9781032435886
    Schriftenreihe: Routledge Focus
    Schlagworte: Dance; Kognitive Psychologie; Kunst, allgemein; PHILOSOPHY / Mind & Body; PHILOSOPHY / Movements / Phenomenology; PSYCHOLOGY / Cognitive Psychology; PSYCHOLOGY / General; Perception; Philosophie Ästhetik; Philosophy: aesthetics; Psychological theory & schools of thought; Psychologie: Theorien und Denkschulen; Tanz; The arts: general issues; Theaterwissenschaft; Theatre studies
    Umfang: xi, 143 Seiten, Illustrationen
    Bemerkung(en):

    PrefaceList of illustrationsPart 1. First movement: theme and variations1. Being alive2. What is the sense of movement?3. Kinaesthesia appears on the map of sciencePart 2. Second movement: andante4. The feel for reality5. Phenomenology and embodiment 6. Movement and timePart 3. Third movement: minuet and trio7. Free dance8. Walking9. The dance of lifePart 4. Fourth movement: allegro10. Gesture11 .Agency12. Finale - con brioReferences and selected readingIndex
  3. POETICS AND ETHICS OF ATTENTION IN CONTEMPORARY BRITISH NARRATIVE
    Autor*in: Ganteau, Jean-Michel
    Erschienen: 2023
    Verlag:  ROUTLEDGE, [S.l.] ; Taylor & Francis Group, London

    This book uses attention as a prism through which to interrogate the literary text. It starts from analyses of the changes that the mediasphere and communication technologies have brought for the contemporary subject, submitting him/her to the... mehr

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    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    This book uses attention as a prism through which to interrogate the literary text. It starts from analyses of the changes that the mediasphere and communication technologies have brought for the contemporary subject, submitting him/her to the tyranny of a new attention economy. My point is that the contemporary novel and memoir resist such influences and evince a great deal of resilience by promoting an ecology of attention (Citton) based on poetic options whose pragmatic effect is to develop an ethics of the particularist type. To do this, I draw on critical and theoretical literature hailing from various fields: psychology, but also more prominently phenomenology, political philosophy, and analytical philosophy (essentially Ordinary Language Philosophy), alongside the ethics of care and vulnerability. By using a selection of fictional and non-fictional narratives, I address such issues as social invisibilities, climate change, AI and cognitive disability and end up drafting a poetics of attention

     
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  4. The poet as phenomenologist
    Rilke and the new poems
    Autor*in: Fischer, Luke
    Erschienen: 2015
    Verlag:  Bloomsbury, New York [u.a.]

    "The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of Rilke and Husserl. Fischer explicates an implicit phenomenology of perception in Rilke's writings from his middle period (1902-1910). He argues that Rilke cultivated an artistic perception that, in a philosophically significant manner, overcomes the opposition between the sensuous and the intelligible while simultaneously transcending the boundaries of philosophy. Fischer offers novel interpretations of central poems from Rilke's Neue Gedichte (1907) and Der neuen Gedichte anderer Teil (1908) and frames them as the ultimate articulation of Rilke's non-dualistic vision. He thus demonstrates the continuity between Rilke and phenomenology while arguing that poetry, in this case, provides the most adequate response to a philosophical problem"..

     
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  5. Phenomenology, interpretation, and community
    Erschienen: ©1996
    Verlag:  State University of New York Press, Albany

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585043132; 0791428656; 0791428664; 9780585043135
    Schriftenreihe: Selected studies in phenomenology and existential philosophy ; 19
    Schlagworte: PHILOSOPHY / Movements / Phenomenology; Hermeneutics; Phenomenology; Phenomenology; Hermeneutics; Hermeneutik; Phänomenologie
    Umfang: 1 Online-Ressource (xxiii, 295 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  6. Groove
    a phenomenology of rhythmic nuance
    Autor*in: Roholt, Tiger C.
    Erschienen: 2014
    Verlag:  Bloomsbury, New York, NY

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781441170774; 1441170774; 9781441166272; 1441166270; 9781441104182; 1441104186; 9781441101389; 1441101381; 1322111006; 9781322111001
    Schlagworte: MUSIC / History & Criticism; PHILOSOPHY / Aesthetics; PHILOSOPHY / Movements / Phenomenology; Music / Philosophy and aesthetics; Musical meter and rhythm; MUSIC / Instruction & Study / Theory; Musik; Ästhetik; Musical meter and rhythm; Music; Metrum; Musik; Musikphilosophie; Rhythmus
    Umfang: 1 online resource (ix, 175 pages)
    Bemerkung(en):

    "Written by an experienced drummer and philosopher, Groove is a vivid and exciting study of one of music's most central and relatively unexplored aspects. Tiger C. Roholt explains why grooves, which are forged in music's rhythmic nuances, remain hidden to some listeners. He argues that grooves are not graspable through the intellect nor through mere listening; rather, grooves are disclosed through our bodily engagement with music. We grasp a groove bodily by moving with music's pulsations. By invoking the French philosopher Maurice Merleau-Ponty's notion of "motor intentionality," Roholt shows that the "feel" of a groove, and the understanding of it, are two sides of a coin: to "get" a groove just is to comprehend it bodily and to feel that embodied comprehension"-- Provided by publisher

    Print version record

    Introduction -- 1. Musical Nuance -- 2. Perceiving -- 3. The Body -- 4. Groove in Music

    "A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"--
  7. The madness of vision
    on baroque aesthetics
    Autor*in: Buci-Glucksmann, Christine
    Erschienen: ©2013
    Verlag:  Ohio University Press, Athens, Ohio

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Baker, Dorothy Zayatz
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0821420194; 0821444379; 9780821420195; 9780821444375
    Schriftenreihe: Series in Continental thought ; no. 44
    Schlagworte: PHILOSOPHY / Aesthetics; PHILOSOPHY / Movements / Phenomenology; PHILOSOPHY / Essays; PHILOSOPHY / General; ART / History / General; Aesthetics, Modern; Geschichte; Ästhetik; Aesthetics, Modern; Phänomenologie; Barock; Ästhetik
    Umfang: 1 online resource (xxii, 172 pages), illustrations
    Bemerkung(en):

    Print version record

    "Christine Buci-Glucksmann's The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image--Arabic script, Bettini's "The Eye of Cardinal Colonna," Bernini's Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio's Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer's self-portrait, among others--and deftly crosses historical, national, and artistic boundaries to address Graciǹ's El Criticn̤; Monteverdi's opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer's Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts"--

    Prelude : a "Je ne Sais Quoi -- " -- The stage of vision -- The work of the gaze -- Seeingness; or, The eye of the phantasm -- The rhetorical telescope I : Il Mirabile, il Furore -- The rhetorical telescope II : figures of nothingness -- Palimpsests of the ungazeable -- Finale : the burning of vision
  8. The poet as phenomenologist
    Rilke and the New Poems
    Autor*in: Fischer, Luke
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, New York

    The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical... mehr

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of Rilke and Husserl. Fischer explicates an implicit phenomenology of perception in Rilke's writings from his middle period (1902-1910). He argues that Rilke cultivated an artistic perception that, in a philosophically significant manner, overcomes the opposition between the sensuous and the intelligible while simultaneously transcending the boundaries of philosophy. Fischer offers novel interpretations of central poems from Rilke's Neue Gedichte (1907) and Der neuen Gedichte anderer Teil (1908) and frames them as the ultimate articulation of Rilke's non-dualistic vision. He thus demonstrates the continuity between Rilke and phenomenology while arguing that poetry, in this case, provides the most adequate response to a philosophical problem.

     
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  9. Phenomenological Hermeneutics and the Study of Literature
    Autor*in: Valdes, Mario
    Erschienen: [2019]; © 1987
    Verlag:  University of Toronto Press, Toronto

    In the intensity of current theoretical debates, critics and students of literature are sometimes in danger of losing sight of the most basic principles and presuppositions of their discipline, of the underlying connections between attitudes to truth... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In the intensity of current theoretical debates, critics and students of literature are sometimes in danger of losing sight of the most basic principles and presuppositions of their discipline, of the underlying connections between attitudes to truth and the study of literature. Aware of this danger, Mario Valdés has taken up the challenge of retracing the historical and philosophical background of his own approach to literature, the application of phenomenological philosophy to the interpretation of texts. Phenomenological hermeneutics, Valdés reminds us, participates in a long-standing tradition of textual commentary that originates in the Renaissance and achieves full force in the work of Giambattista Vico by the middle of the eighteenth century. Valdés characterizes this tradition as the embodiment of a relational rather than an absolutist epistemology: its practitioners do not seek fixed and exclusive meanings in texts but regard the literary work of art as an experience that is shared within a community of readers and commentators, and enriched by the historical continuity of that community. Valdés demonstrates the vigour of the tradition and community he has inherited in a brief survey of such relational commentators as Vico, Juan Luis Vives, Wilhelm von Humboldt, Unamuno, Croce, and Collingwood. He elaborates the contemporary contribution of phenomenological hermeneutics to the tradition, referring particularly to the work of Paul Ricoeur. In arguing for a living and evolving community of criticism, he contests both the historicist imposition of closure on texts and the radical scepticism of the deconstructionists. And in reading of works by Octavio Paz and Jorge Luis Borges, he offers a model for the continuing celebration of the living literary text

     
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487580513
    Weitere Identifier:
    Schriftenreihe: Heritage
    Schlagworte: PHILOSOPHY / Movements / Phenomenology; Hermeneutik; Literaturwissenschaft; Literatur
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  10. Literature, geography, and the postmodern poetics of place
    Autor*in: Prieto, Eric
    Erschienen: 2013
    Verlag:  Palgrave Macmillan, New York [u.a.]

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  11. Groove
    a phenomenology of rhythmic nuance
    Autor*in: Roholt, Tiger C.
    Erschienen: 2014
    Verlag:  Bloomsbury, New York, NY [u.a.]

    "A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"-- mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781441104182
    RVK Klassifikation: CC 6900 ; LR 56820
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Musical meter and rhythm; Music / Philosophy and aesthetics; MUSIC / History & Criticism; PHILOSOPHY / Aesthetics; PHILOSOPHY / Movements / Phenomenology; Music / Philosophy and aesthetics; Musical meter and rhythm; Musik; Ästhetik; Metrum; Musikphilosophie; Rhythmus; Musik
    Umfang: IX, 175 S.
    Bemerkung(en):

    "Written by an experienced drummer and philosopher, Groove is a vivid and exciting study of one of music's most central and relatively unexplored aspects. Tiger C. Roholt explains why grooves, which are forged in music's rhythmic nuances, remain hidden to some listeners. He argues that grooves are not graspable through the intellect nor through mere listening; rather, grooves are disclosed through our bodily engagement with music. We grasp a groove bodily by moving with music's pulsations. By invoking the French philosopher Maurice Merleau-Ponty's notion of "motor intentionality," Roholt shows that the "feel" of a groove, and the understanding of it, are two sides of a coin: to "get" a groove just is to comprehend it bodily and to feel that embodied comprehension"-- Provided by publisher

    Includes bibliographical references and index

    Machine generated contents note: -- Chapter 1. Musical NuanceChapter 2. PerceivingChapter 3. The BodyChapter 4. Groove in Music
  12. The body of property
    antebellum American fiction and the phenomenology of possession
    Autor*in: Luck, Chad
    Erschienen: 2014
    Verlag:  Fordham Univ. Press, New York, NY

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
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  13. Literature, geography, and the postmodern poetics of place
    Autor*in: Prieto, Eric
    Erschienen: 2013
    Verlag:  Palgrave Macmillan, New York [u.a.]

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bayreuth
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Standort:
    Universitätsbibliothek Passau
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    Standort:
    Universitätsbibliothek Würzburg
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  14. The Phenomenological Image
    A Husserlian Inquiry into Reality, Phantasy, and Aesthetic Experience
    Autor*in: Rozzoni, Claudio
    Erschienen: [2023]; 2024
    Verlag:  De Gruyter, Berlin ; Boston

    Our environment is changing rapidly, as is the spectrum of possible relationships we can entertain with it. Against this background, one important task emerging in contemporary philosophical discussion concerns defining the status of contemporary... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
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    Standort:
    Hochschule Coburg, Zentralbibliothek
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    Standort:
    Hochschule Kempten, Hochschulbibliothek
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    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Standort:
    Universitätsbibliothek Passau
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    Our environment is changing rapidly, as is the spectrum of possible relationships we can entertain with it. Against this background, one important task emerging in contemporary philosophical discussion concerns defining the status of contemporary images and the "iconic spaces" we encounter with ever-increasing frequency in their various forms. Within this context, the dimension of perception seems to be losing its primacy over the image, making a philosophical description of the relationships between image and reality all the more necessary. Among images, the classical distinction between documentary and fiction has been drastically called into question, and along with it the nature of the emotions and values we experience in these two domains. Rozzoni promotes a phenomenology of the image, that is, a return to a description of images that starts from their essential features while avoiding simplistic dichotomies. By elucidating images' intimate relationship with phantasy and aesthetic experience and their role in shaping our experience of "reality," this book develops a perspectival notion of "truth" intended to shed light on our contemporary interactions with images and the events, emotions, and values we experience through them

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110725766
    Weitere Identifier:
    Schlagworte: Fiktion; Gefühle; Realität; Werte; PHILOSOPHY / Movements / Phenomenology
    Umfang: 1 Online-Ressource (IX, 247 Seiten)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jan 2024)
  15. Dante and the other
    a phenomenology of love
    Beteiligt: Daniels, Aaron B. (Herausgeber)
    Erschienen: 2021
    Verlag:  Routledge, Abingdon, Oxon ; Taylor & Francis Group, London

    "Dante and the Other brings together noted and emerging Dante scholars with theologians, philosophers, psychoanalysts, and psychotherapists, bridging the Florentine's premodern world to today's postmodern context. Exploring how alterity has become a... mehr

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    "Dante and the Other brings together noted and emerging Dante scholars with theologians, philosophers, psychoanalysts, and psychotherapists, bridging the Florentine's premodern world to today's postmodern context. Exploring how alterity has become a potent symbol in religion, philosophy, politics, and culture, this book will be of interest to many related fields. The book offers a thorough foundation in approaching Dante as proto-phenomenologist. It includes an informative review of literature, historical insight into Dante's poetics-toward-ineffability as alternative to modern scientism, a foray into science fiction, existential elaborations, phenomenological analyses of Inferno's Canto I, and applications to psychotherapy and qualitative research. It also contains a poem from an imagined Virgil retiring in Limbo, and a meditation on Dante's complicated relationship to homosexuality. Dante and the Other presents the mystical passion of apophatic spirituality, the millennia-spanning Augustinianism of radical orthodoxy, Levinas, Heidegger, and many others-all driven by Dante's Labors of Love. It is essential reading for Dante scholars, as well as readers interested in his works"--...

     
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    Quelle: Verbundkataloge
    Beteiligt: Daniels, Aaron B. (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003131892; 1003131891; 9781000328769; 1000328767; 9781000328752; 1000328759; 9781000328776; 1000328775
    Schriftenreihe: Psychology and the other
    Schlagworte: Other (Philosophy) in literature; Love in literature; Phenomenology and literature; LITERARY CRITICISM / Semiotics & Theory; PHILOSOPHY / Movements / Phenomenology; PSYCHOLOGY / Movements / Psychoanalysis
    Weitere Schlagworte: Dante Alighieri (1265-1321); Dante Alighieri (1265-1321)
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Chapters are based on papers presented at a Dante Salon during the 5th Psychology and the Other Conference, held in 2019 at Boston College
  16. Dante and the other
    a phenomenology of love
    Beteiligt: Daniels, Aaron B. (HerausgeberIn)
    Erschienen: 2021
    Verlag:  Routledge, Abingdon, Oxon

    "Dante and the Other brings together noted and emerging Dante scholars with theologians, philosophers, psychoanalysts, and psychotherapists, bridging the Florentine's premodern world to today's postmodern context. Exploring how alterity has become a... mehr

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    "Dante and the Other brings together noted and emerging Dante scholars with theologians, philosophers, psychoanalysts, and psychotherapists, bridging the Florentine's premodern world to today's postmodern context. Exploring how alterity has become a potent symbol in religion, philosophy, politics, and culture, this book will be of interest to many related fields. The book offers a thorough foundation in approaching Dante as proto-phenomenologist. It includes an informative review of literature, historical insight into Dante's poetics-toward-ineffability as alternative to modern scientism, a foray into science fiction, existential elaborations, phenomenological analyses of Inferno's Canto I, and applications to psychotherapy and qualitative research. It also contains a poem from an imagined Virgil retiring in Limbo, and a meditation on Dante's complicated relationship to homosexuality. Dante and the Other presents the mystical passion of apophatic spirituality, the millennia-spanning Augustinianism of radical orthodoxy, Levinas, Heidegger, and many others-all driven by Dante's Labors of Love. It is essential reading for Dante scholars, as well as readers interested in his works"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Daniels, Aaron B. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003131892
    Schriftenreihe: The Psychology and the other book series
    Psychology and the other
    Schlagworte: Other (Philosophy) in literature; Love in literature; Phenomenology and literature; Love in literature; Other (Philosophy) in literature; Phenomenology and literature; Psychology; Conference papers and proceedings; Criticism, interpretation, etc; LITERARY CRITICISM / Semiotics & Theory ; bisacsh; PHILOSOPHY / Movements / Phenomenology ; bisacsh; PSYCHOLOGY / Movements / Psychoanalysis ; bisacsh; LITERARY CRITICISM / Semiotics & Theory; PHILOSOPHY / Movements / Phenomenology; PSYCHOLOGY / Movements / Psychoanalysis
    Weitere Schlagworte: Dante Alighieri (1265-1321); Dante Alighieri (1265-1321); Dante Alighieri
    Umfang: 1 Online-Ressource (xviii, 225 Seiten)
    Bemerkung(en):

    "This volume grows out of a ‘Dante Salon’ at the 2019 Psychology and the Other Conference held at Boston College. " (Vorwort)
  17. POETICS AND ETHICS OF ATTENTION IN CONTEMPORARY BRITISH NARRATIVE
    Autor*in: Ganteau, Jean-Michel
    Erschienen: 2023
    Verlag:  ROUTLEDGE, [S.l.]

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  18. The Phenomenological Image
    A Husserlian Inquiry into Reality, Phantasy, and Aesthetic Experience
    Autor*in: Rozzoni, Claudio
    Erschienen: [2023]; 2024
    Verlag:  De Gruyter, Berlin

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110725766
    Weitere Identifier:
    Schlagworte: Fiktion; Gefühle; Realität; Werte; PHILOSOPHY / Movements / Phenomenology
    Weitere Schlagworte: Fiction; emotion; reality; values
    Umfang: 1 online resource (IX, 247 p.)
  19. <<The>> pulse of sense
    encounters with Jean-Luc Nancy
    Beteiligt: Chabbert, Marie (Verfasser, Herausgeber); Deketelaere, Nikolaas (Verfasser, Herausgeber)
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    This volume stages a series of encounters between the French philosopher Jean-Luc Nancy and leading scholars of his work along four major themes of Nancy’s thought: sense, experience, existence, and Christianity. In doing so, the volume seeks to... mehr

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    This volume stages a series of encounters between the French philosopher Jean-Luc Nancy and leading scholars of his work along four major themes of Nancy’s thought: sense, experience, existence, and Christianity. In doing so, the volume seeks to remind readers that Nancy’s sens has many meanings in French: aside from those that easily carry over into English, i.e., everything to do with "meaning" and "the senses"; it also includes the "way" they are "conducted," the "direction" they take, the "thrust" or "pulse" in which the circulation of sense exists. Faithful to this plural understanding of sens, the writings collected here aim to join Jean-Luc Nancy in the process of "making-sense" that animates his thinking, rather than to deliver a definitive summary of his position on any given issue. They are conceived of as notes "along the way," documenting "encounters" as moments of "(re)direction" and recording the "pulse" of sense that animates them. In that spirit, Nancy himself has provided each contribution with an "echo" in which he, in turn, responds to each author and thereby continues their mutual encounter. Aside from these echoes, this volume includes an original essay in which Nancy reflects upon the international trajectory of his thinking; a trajectory that is to be and undoubtedly will be continued, in many different directions, across and around the world. The chapters in this book were originally published as a special issue of Angelaki

     
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    Quelle: Verbundkataloge
    Beteiligt: Chabbert, Marie (Verfasser, Herausgeber); Deketelaere, Nikolaas (Verfasser, Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032198811; 9781032198828
    Weitere Identifier:
    9781032198811
    Schriftenreihe: Angelaki
    Schlagworte: Philosophy - aesthetics; Philosophy of mind; Ethics & moral philosophy; Philosophy of religion; Philosophy - epistemology & theory of knowledge; PHILOSOPHY / Ethics & Moral Philosophy; PHILOSOPHY / Aesthetics; PHILOSOPHY / Movements / Phenomenology; PHILOSOPHY / Epistemology; PHILOSOPHY / Individual Philosophers; PHILOSOPHY / Religious; PHILOSOPHY / Political; PHILOSOPHY / General
    Weitere Schlagworte: Nancy, Jean-Luc / Criticism and interpretation; Philosophy, French / 20th century; Philosophie française / 20e siècle; Nancy, Jean-Luc; Philosophy, French; 1900-1999; Criticism, interpretation, etc; Metaphysik, Ontologie; Ethik, Moralphilosophie; Ästhetik; Phänomenologie; Erkenntnistheorie; Philosophie: Allgemeines, Methoden; Religionsphilosophie, Philosophische Theologie; Sozialphilosophie, Politische Philosophie
    Umfang: xiii, 256 Seiten, Porträt (schwarz-weiß), 25,2 cm
    Bemerkung(en):

    Introduction: The Conduct of Existence
    Marie Chabbert and Nikolaas Deketelaere
    Part 1: The Fragility of Sense
    1. The World's Fragile Skin
    Jean-Luc Nancy, trans. by Marie Chabbert and Nikolaas Deketelaere
    2. Insistence, or the Force of Jean-Luc Nancy
    Irving Goh
    3. Nancy on Trial: Thinking Philosophy and the Jurisdictional
    Peter Gratton
    4. The Fragility of Thinking
    Leslie Hill
    Part 2: The Poetics of Experience
    5. Pir-ating the Given: Jean-Luc Nancy's Critique of Empiricism
    Benjamin Hutchens
    6. Abraham's Ordeal: Jean-Luc Nancy and Søren Kierkegaard on the Poetics of Faith
    Nikolaas Deketelaere
    7. Interpreters of the Divine: Nancy's Poet, Jeremiah the Prophet, and Saint Paul's Glossolalist
    Gert-Jan van der Heiden
    8

    Art's Passing for Hegel, Lacoue-Labarthe, and Nancy
    John McKeane
    Part 3: The Corporeality of Existence
    9. Jean-Luc Nancy, a Romantic Philosopher? On Romance, Love, and Literature
    Aukje van Rooden
    10. Spread Body and Exposed Body: Dialogue with Jean-Luc Nancy
    Emmanuel Falque, trans. by Marie Chabbert and Nikolaas Deketelaere
    11. An Ontology for Our Times
    Marie-Eve Morin
    12. Affectivity, Sense, and Affects: Emotions as an Articulation of Biological Life
    Ian James
    Part 4: The Emancipation of Christianity
    13. Metamorphosis or Mutation? Jean-Luc Nancy and the Deconstruction of Christianity
    Joeri Schrijvers
    14. Desecularisation: Thinking Secularisation Beyond Metaphysics
    Erik Meganck
    15. Raising Death: Resurrection between Christianity and Modernity --

    A Dialogue with Jean-Luc Nancy's Noli me tangere
    Laurens ten Kate
    16. The Eternal Return of Religion: Jean-Luc Nancy on Faith in the Singular-Plural
    Marie Chabbert
    17. Nancy is a Thinker of Radical Emancipation
    Christopher Watkin
    Part 5: Coda
    18. An Accordion Tune
    Jean-Luc Nancy, trans. by Marie Chabbert and Nikolaas Deketelaere

    Introduction: The Conduct of Existence Part 1: The Fragility of Sense 1. The World’s Fragile Skin 2. Insistence, or the Force of Jean-Luc Nancy 3. Nancy on Trial: Thinking Philosophy and the Jurisdictional 4. The Fragility of Thinking Part 2: The Poetics of Experience 5. Pir-ating the Given: Jean-Luc Nancy’s Critique of Empiricism 6. Abraham’s Ordeal: Jean-Luc Nancy and Søren Kierkegaard on the Poetics of Faith 7. Interpreters of the Divine: Nancy’s Poet, Jeremiah the Prophet, and Saint Paul’s Glossolalist 8. Art’s Passing for Hegel, Lacoue-Labarthe, and Nancy Part 3: The Corporeality of Existence 9. Jean-Luc Nancy, a Romantic Philosopher? On Romance, Love, and Literature 10. Spread Body and Exposed Body: Dialogue with Jean-Luc Nancy 11. An Ontology for Our Times 12. Affectivity, Sense, and Affects: Emotions as an Articulation of Biological Life Part 4: The Emancipation of Christianity 13. Metamorphosis or Mutation? Jean-Luc Nancy and the Deconstruction of Christianity 14. Desecularisation: Thinking Secularisation Beyond Metaphysics 15. Raising Death: Resurrection between Christianity and Modernity – A Dialogue with Jean-Luc Nancy’s noli me tangere 16. The Eternal Return of Religion: Jean-Luc Nancy on Faith in the Singular-Plural 17. Nancy is a Thinker of Radical Emancipation Part 5: Coda 18. An Accordion Tune ;
  20. The poet as phenomenologist
    Rilke and the new poems
    Autor*in: Fischer, Luke
    Erschienen: 2015
    Verlag:  Bloomsbury, New York [u.a.]

    "The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical... mehr

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    "The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of Rilke and Husserl. Fischer explicates an implicit phenomenology of perception in Rilke's writings from his middle period (1902-1910). He argues that Rilke cultivated an artistic perception that, in a philosophically significant manner, overcomes the opposition between the sensuous and the intelligible while simultaneously transcending the boundaries of philosophy. Fischer offers novel interpretations of central poems from Rilke's Neue Gedichte (1907) and Der neuen Gedichte anderer Teil (1908) and frames them as the ultimate articulation of Rilke's non-dualistic vision. He thus demonstrates the continuity between Rilke and phenomenology while arguing that poetry, in this case, provides the most adequate response to a philosophical problem"..

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501304880; 9781628925449; 9781628925456
    Weitere Identifier:
    RVK Klassifikation: GM 5165
    Schriftenreihe: New directions in German studies ; 10
    Schlagworte: LITERARY CRITICISM / European / German; LITERARY CRITICISM / Poetry; PHILOSOPHY / Movements / Phenomenology; Literatur; Philosophie; Ästhetik; Phenomenology and literature; Literature; LITERARY CRITICISM / European / German; LITERARY CRITICISM / Poetry; PHILOSOPHY / Movements / Phenomenology; Phänomenologie
    Weitere Schlagworte: Rilke, Rainer Maria, (1875-1926); Rilke, Rainer Maria, (1875-1926); Rilke, Rainer Maria (1875-1926): Neue Gedichte
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index
  21. Groove
    a phenomenology of rhythmic nuance
    Autor*in: Roholt, Tiger C.
    Erschienen: 2014
    Verlag:  Bloomsbury, New York, NY [u.a.]

    "A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"-- mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "A highly original work in the philosophy of music and sound, offering an in-depth study of the nature and purpose of rhythm"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781441104182
    RVK Klassifikation: CC 6900 ; LR 56820
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Musical meter and rhythm; Music / Philosophy and aesthetics; MUSIC / History & Criticism; PHILOSOPHY / Aesthetics; PHILOSOPHY / Movements / Phenomenology; Music / Philosophy and aesthetics; Musical meter and rhythm; Musik; Ästhetik; Metrum; Musikphilosophie; Rhythmus; Musik
    Umfang: IX, 175 S.
    Bemerkung(en):

    "Written by an experienced drummer and philosopher, Groove is a vivid and exciting study of one of music's most central and relatively unexplored aspects. Tiger C. Roholt explains why grooves, which are forged in music's rhythmic nuances, remain hidden to some listeners. He argues that grooves are not graspable through the intellect nor through mere listening; rather, grooves are disclosed through our bodily engagement with music. We grasp a groove bodily by moving with music's pulsations. By invoking the French philosopher Maurice Merleau-Ponty's notion of "motor intentionality," Roholt shows that the "feel" of a groove, and the understanding of it, are two sides of a coin: to "get" a groove just is to comprehend it bodily and to feel that embodied comprehension"-- Provided by publisher

    Includes bibliographical references and index

    Machine generated contents note: -- Chapter 1. Musical NuanceChapter 2. PerceivingChapter 3. The BodyChapter 4. Groove in Music
  22. The body of property
    antebellum American fiction and the phenomenology of possession
    Autor*in: Luck, Chad
    Erschienen: 2014
    Verlag:  Fordham Univ. Press, New York, NY

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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  23. The philosophy of perception
    phenomenology and image theory
    Autor*in: Wiesing, Lambert
    Erschienen: 2014
    Verlag:  Bloomsbury, London [u.a.]

    "Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for... mehr

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    "Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, the question of how human perception is possible is displaced by questions about what perception obliges us to be and do. He argues that perception requires us to be embodied, to be visible, and to continually participate in the public and physical world we perceive. Only in looking at images, he proposes, can we achieve something like a break in participation, a temporary respite from this, one of perception's relentless demands. Wiesing's methods chart a markedly new path in contemporary perception theory. In addition to identifying common ground among diverse philosophical positions, he identifies how his own, phenomenological approach differs from those of many other philosophers, past and present. As part of the argument, he provides a succinct but comprehensive survey of the philosophy of images His original critical exposition presents scholars of phenomenology, perception and aesthetics with a new, important understanding of the old phenomenon, the human being in the world"..

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781780937595; 9781780937083; 9781780937519
    RVK Klassifikation: CC 4400
    Auflage/Ausgabe: 1. publ.
    Schlagworte: PHILOSOPHY / Aesthetics; PHILOSOPHY / Movements / Phenomenology; Ästhetik; Perception (Philosophy); Phenomenology; PHILOSOPHY / Aesthetics; PHILOSOPHY / Movements / Phenomenology; Phänomenologie; Subjekt <Philosophie>; Wahrnehmung
    Umfang: IX, 166 S.
    Bemerkung(en):

    Includes bibliographical references (pages 155-159) and index
  24. The poet as phenomenologist
    Rilke and the New Poems
    Autor*in: Fischer, Luke
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, New York

    The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of Rilke and Husserl. Fischer explicates an implicit phenomenology of perception in Rilke's writings from his middle period (1902-1910). He argues that Rilke cultivated an artistic perception that, in a philosophically significant manner, overcomes the opposition between the sensuous and the intelligible while simultaneously transcending the boundaries of philosophy. Fischer offers novel interpretations of central poems from Rilke's Neue Gedichte (1907) and Der neuen Gedichte anderer Teil (1908) and frames them as the ultimate articulation of Rilke's non-dualistic vision. He thus demonstrates the continuity between Rilke and phenomenology while arguing that poetry, in this case, provides the most adequate response to a philosophical problem.

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781501326035
    RVK Klassifikation: GM 5165
    Auflage/Ausgabe: first published in paperback
    Schriftenreihe: New directions in German studies ; vol. 10
    Schlagworte: LITERARY CRITICISM / European / German; LITERARY CRITICISM / Poetry; PHILOSOPHY / Movements / Phenomenology; Literatur; Philosophie; Ästhetik; Phenomenology and literature; Literature; LITERARY CRITICISM / European / German; LITERARY CRITICISM / Poetry; PHILOSOPHY / Movements / Phenomenology; Phänomenologie
    Weitere Schlagworte: Rilke, Rainer Maria, (1875-1926); Rilke, Rainer Maria, (1875-1926); Rilke, Rainer Maria (1875-1926): Neue Gedichte
    Umfang: xii, 331 Seiten
  25. The Phenomenological Image
    A Husserlian Inquiry into Reality, Phantasy, and Aesthetic Experience
    Autor*in: Rozzoni, Claudio
    Erschienen: [2024]; © 2024
    Verlag:  De Gruyter, Berlin

    Our environment is changing rapidly, as is the spectrum of possible relationships we can entertain with it. Against this background, one important task emerging in contemporary philosophical discussion concerns defining the status of contemporary... mehr

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 A 12059
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    Our environment is changing rapidly, as is the spectrum of possible relationships we can entertain with it. Against this background, one important task emerging in contemporary philosophical discussion concerns defining the status of contemporary images and the "iconic spaces" we encounter with ever-increasing frequency in their various forms. Within this context, the dimension of perception seems to be losing its primacy over the image, making a philosophical description of the relationships between image and reality all the more necessary. Among images, the classical distinction between documentary and fiction has been drastically called into question, and along with it the nature of the emotions and values we experience in these two domains. Rozzoni promotes a phenomenology of the image, that is, a return to a description of images that starts from their essential features while avoiding simplistic dichotomies. By elucidating images' intimate relationship with phantasy and aesthetic experience and their role in shaping our experience of "reality," this book develops a perspectival notion of "truth" intended to shed light on our contemporary interactions with images and the events, emotions, and values we experience through them

     
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    Hinweise zum Inhalt
    Unbekannt (lizenzpflichtig)
    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783110725735; 3110725738
    Weitere Identifier:
    9783110725735
    Schlagworte: PHILOSOPHY / Aesthetics; PHILOSOPHY / History & Surveys / Modern; PHILOSOPHY / Movements / Phenomenology; Phenomenology & Existentialism; Philosophie Ästhetik; Philosophy: aesthetics; Phänomenologie und Existenzphilosophie
    Umfang: IX, 247 Seiten, Illustrationen, 23 cm x 15.5 cm