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Poor "Black" Theatre: Mid-America Theatre Conference Keynote Address, March 7, 2009 /E. Patrick Johnson --Hit-and-Run Theatre: The Rise of a New Dramatic Form in Zimbabwe /Praise Zenega --Abject No More: Authority and Authenticity in the Theatrical Career of Rose McClendon /Cheryl Black --How Does the Show Go On? Theatre for Development in Post-election Kenya /Christopher Connelly --The Unreported Miracle of Paul Robeson and The Miracle /Felicia Hardison Londre --Mvett Performance: Retention, Reinvention, and Exaggeration in Remembering the Past /Mbala D. Nkanga --"You Hip to Buffalo?" The Hidden Heritage of Black Theatre in Western New York/Virginia Anderson --Masculine Women, Feminist Men: Assertions and Contradictions in Mawugbe's In the Chest of a Woman /Awo Mana Asiedu --Understanding Paul Robeson's Soviet Experience /Lauren McConnell --Ota the Other: An African on Display in America /Jocelyn L. Buckner --Oteller and Desdemonum: Defining-Nineteenth Century Blackness /Andrew Carlson --"Looking at One's Self through the Eyes of Others": Representations of the Progressive Era Middle Class in W.E.B. Du Bois's The Star of Etheopia /Rebecca Hewett --Knowing Their Place: The Ulster Lyric Theatre, the Lyric Theatre, and the Northern Irish Theatre Scene /Roy Connolly --Thinking about the Theatre -- and Theatre Critics: An Interview with Robert Brustein, Conducted by Bert Cardullo, New York City, July 2008 /Bert Cardullo --BOOK REVIEWS --Rhonda Blair, The Actor, Image, and Action: Acting and Cognitive Neuroscience /Adrianne Adderley --Bud Coleman and Judith A. Sebesta, eds., Women in American Musical Theare /Terry Berliner --Thomas Alan King, The Gendering of Men, 1600-1750. Vol. 2, Queer Articulations /Scott S. Boston --William E. Demastes, Spalding Gray's America /Johan Callens --Anne Fletcher, Rediscovering Mordecai Gorelik: Scene Design and the American Theatre --Barbara Wallace Grossman, A Spectacle of Suffering: Clara Morris on the American Stage /Anne Fletcher --M. Susan Anthony, Gothic Plays and American Society, 1794-1830 /Diane Long Hoeveler --Cathy Turner and Synne K. Behrndt, Dramaturgy and Performance /Valleri J. Hohman --Diana Taylor and Sarah J. Townsend, eds., Stages of Conflict: A Critical Anthology of Latin American Theater and Performance /Jorge Huerta --Anne Aliotsos and Weddy Vierow, American Women Stage Directors of the Twentieth Century /Megan Sanborn Jones --Elina Gertsman, ed., Visualizing Medieval Performance: Perspectives, Histories, Contexts /Darin Kerr --Laurence Senelick, ed., Theatre Arts on Acting /David Krasner --Scott K. Taylor, Honor and Violence in Golden Age Spain /Hugh K. Long --Leigh Clemons, Branding Texas: Performing Culture in the Lone Star State /Eric Love --Teril Moi, Henerik Ibsen and the Birth of Modernism /Joe Martin --Marc Robinson, The American Play, 1787-2000 /Heather S. Nathans --Phillip C. Kolin, ed., The Influence of Tennessee Williams: Essays on Fifteen American Playwrights /Elizabeth A. Osborne --Marc Maufort and Caroline de Wagter, eds., Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama /Barbara Ozieblo --Melissa Sihra, ed., Women in Irish Drama: A Century of Authorship and Repression /W. Douglas Powers --Christopher Bigsby, ed., The Cambridge Companion to August Wilson /Sandra Shannon --Miranda Lundskaer- Nielson, Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s /Bryan M. Vandevender --Sharon Friedman, ed., Feminist Theatrical Revisions of Classic Works /Sara L. Warner --Robin G. Wilder and Jackson Bryer, eds., The Selected Letters of Thornton Wilder /Christopher J. Wheatley --Milly S. Barranger, Unfriendly Witnesses: Gender, Theater, and Film in McCarthy Era /Barry Witham.
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