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  1. Museum pieces
    toward the indigenization of Canadian museums
    Autor*in: Phillips, Ruth B., (Ruth Bliss)
    Erschienen: c2011
    Verlag:  McGill-Queen's University Press, Montreal

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773587462; 9780773587465
    RVK Klassifikation: LB 34000 ; LB 34605 ; LB 48605
    Schriftenreihe: McGill-Queen's/Beaverbrook Canadian Foundation studies in art history
    Schlagworte: SOCIAL SCIENCE / Ethnic Studies / Native American Studies; Museum exhibits; Museums and Indians; Museums / Political aspects; Museums / Social aspects; Gesellschaft; Politik; Museum exhibits; Museums and Indians; Museums; Museums; Museum; Indigenismus
    Umfang: 1 Online-Ressource (xvi, 376 p. :)
    Bemerkung(en):

    Includes bibliographical references and index

    Pt. 1. Confrontation and contestation. Undoing the settler museum : showing off and showing up -- "Arrow of truth" : the Indians of Canada pavilion at Expo 67, with Sherry Brydon -- Moment of truth : The Spirit Sings as critical event and the exhibition inside it -- APEC at the Museum of Anthropology : the politics of site and the poetics of sight bite

    Pt. 2. Re-disciplining the museum. Exclusions and inclusions : authenticity, sacrality, and possession -- How museums marginalize : naming domains of inclusion and exclusion -- Fielding culture : dialogues between art history and anthropology -- Disappearing acts : traditions of exposure, traditions of enclosure, and the sacrality of Onkwehonwe medicine masks -- Global travels of a Mi'kmaq coat : colonial legacies, repatriation, and the new cosmopolitanism

    Pt. 3. Working it out. Indigenizing exhibitions : experiments and practices -- Making space : First Nations artists, the national museums, and the Columbus Quincentennial (1992) -- Cancelling white noise : Gerald McMaster's Savage Graces (1994) -- Threads of the Land at the Canadian Museum of Civilization (1995) -- Toward a dialogic paradigm : new models of collaborative curatorial practice -- Inside-out and outside-in : re-presenting Native North America at the Canadian Museum of Civilization and The National Museum of the American Indian (2003-2004)

    Pt. 4. Second museum age. Working with hybridity -- From harmony to antiphony : the Indigenous presence in a (future) Portrait Gallery of Canada -- Modes of inclusion : Indigenous art at the National Gallery of Canada and the Art Gallery of Ontario -- Digital (r)evolution of museum-based research -- "Learning to feed off controversies" : meeting the challenges of translation and recovery in Canadian museums
  2. Museums, heritage and indigenous voice
    decolonising engagement
    Autor*in: Onciul, Bryony
    Erschienen: 2015
    Verlag:  Routledge, New York [u.a.]

    "Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are places of contention, a politicized environment that highlights commonly hidden issues and naturalized inequalities built into current approaches to community engagement. Data from participant observation, archives, and in-depth interviewing with participants brings Blackfoot community voice into the text and provides an alternative understanding of self and cross-cultural representation. Focusing on the experiences of museum professionals and Blackfoot Elders who have worked with a number of museums and heritage sites, Indigenous Voices in Cultural Institutions unpicks the power and politics of engagement on a micro level and how it can be applied more broadly, by exposing the limits and challenges of cross-cultural engagement and community self-representation. The result is a volume that provides readers with an in-depth understanding of the nuances of self-representation and decolonization "..

     
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  3. Museums, heritage and indigenous voice
    decolonising engagement
    Autor*in: Onciul, Bryony
    Erschienen: 2015
    Verlag:  Routledge, New York ; London

    "Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are places of contention, a politicized environment that highlights commonly hidden issues and naturalized inequalities built into current approaches to community engagement. Data from participant observation, archives, and in-depth interviewing with participants brings Blackfoot community voice into the text and provides an alternative understanding of self and cross-cultural representation. Focusing on the experiences of museum professionals and Blackfoot Elders who have worked with a number of museums and heritage sites, Indigenous Voices in Cultural Institutions unpicks the power and politics of engagement on a micro level and how it can be applied more broadly, by exposing the limits and challenges of cross-cultural engagement and community self-representation. The result is a volume that provides readers with an in-depth understanding of the nuances of self-representation and decolonization "..

     
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
  4. Museum pieces
    toward the indigenization of Canadian museums
    Autor*in: Phillips, Ruth B.
    Erschienen: c2011
    Verlag:  McGill-Queen's University Press, Montreal

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780773587465
    RVK Klassifikation: LB 34000 ; LB 34605 ; LB 48605
    Schriftenreihe: McGill-Queen's/Beaverbrook Canadian Foundation studies in art history
    Schlagworte: Gesellschaft; Politik; Museum exhibits; Museums and Indians; Museums; Museums; Museum; Indigenismus
    Umfang: xvi, 376 p.
    Bemerkung(en):

    Includes bibliographical references and index
  5. Museums, heritage and indigenous voice
    decolonizing engagement
    Autor*in: Onciul, Bryony
    Erschienen: 2015
    Verlag:  Routledge, New York [u.a.]

    "Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Signatur:
    LB 34000 2015 003
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Institut für Museumsforschung, Bibliothek
    Signatur:
    C.2.8.2.Onci
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signatur:
    622081
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Max-Planck-Institut zur Erforschung multireligiöser und multiethnischer Gesellschaften, Bibliothek
    Signatur:
    LB 34000 Onci 2015
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A/666556
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Signatur:
    6189-296 9
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are places of contention, a politicized environment that highlights commonly hidden issues and naturalized inequalities built into current approaches to community engagement. Data from participant observation, archives, and in-depth interviewing with participants brings Blackfoot community voice into the text and provides an alternative understanding of self and cross-cultural representation. Focusing on the experiences of museum professionals and Blackfoot Elders who have worked with a number of museums and heritage sites, Indigenous Voices in Cultural Institutions unpicks the power and politics of engagement on a micro level and how it can be applied more broadly, by exposing the limits and challenges of cross-cultural engagement and community self-representation. The result is a volume that provides readers with an in-depth understanding of the nuances of self-representation and decolonization "--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781138781115
    RVK Klassifikation: LB 34000 ; LB 35000 ; LB 48000
    Schriftenreihe: Routledge research in museum studies ; 10
    Schlagworte: Museums; Museums and Indians; Museums; Ethnological museums and collections; Cultural property; Museum exhibits
    Umfang: XIV, 267 S, Ill.
  6. Museums, heritage and indigenous voice
    decolonising engagement
    Autor*in: Onciul, Bryony
    Erschienen: 2015
    Verlag:  Routledge, New York

    "Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Signatur:
    LB 34000 2015 003
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Institut für Museumsforschung, Bibliothek
    Signatur:
    C.2.8.2.Onci
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signatur:
    622081
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Max-Planck-Institut zur Erforschung multireligiöser und multiethnischer Gesellschaften, Bibliothek
    Signatur:
    LB 34000 Onci 2015
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A/666556
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Signatur:
    6189-296 9
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    67/10793
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are places of contention, a politicized environment that highlights commonly hidden issues and naturalized inequalities built into current approaches to community engagement. Data from participant observation, archives, and in-depth interviewing with participants brings Blackfoot community voice into the text and provides an alternative understanding of self and cross-cultural representation. Focusing on the experiences of museum professionals and Blackfoot Elders who have worked with a number of museums and heritage sites, Indigenous Voices in Cultural Institutions unpicks the power and politics of engagement on a micro level and how it can be applied more broadly, by exposing the limits and challenges of cross-cultural engagement and community self-representation. The result is a volume that provides readers with an in-depth understanding of the nuances of self-representation and decolonization "--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781138781115
    Weitere Identifier:
    9781138781115
    RVK Klassifikation: LB 48000 ; LB 35000 ; LB 34000
    Schriftenreihe: Routledge research in museum studies ; 10
    Schlagworte: Museums; Museums and Indians; Museums; Ethnological museums and collections; Cultural property; Museum exhibits
    Umfang: xiv, 267 Seiten, Illustrationen, Diagramme, Karten
  7. Museums, heritage and indigenous voice
    decolonising engagement
    Autor*in: Onciul, Bryony
    Erschienen: 2015
    Verlag:  Routledge, New York [u.a.]

    "Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are places of contention, a politicized environment that highlights commonly hidden issues and naturalized inequalities built into current approaches to community engagement. Data from participant observation, archives, and in-depth interviewing with participants brings Blackfoot community voice into the text and provides an alternative understanding of self and cross-cultural representation. Focusing on the experiences of museum professionals and Blackfoot Elders who have worked with a number of museums and heritage sites, Indigenous Voices in Cultural Institutions unpicks the power and politics of engagement on a micro level and how it can be applied more broadly, by exposing the limits and challenges of cross-cultural engagement and community self-representation. The result is a volume that provides readers with an in-depth understanding of the nuances of self-representation and decolonization "..

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format