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  1. Japanese expanded cinema and intermedia
    critical texts of the 1960s
    Beteiligt: Hirasawa, Gō (HerausgeberIn); Adachi-Tasch, Ann (HerausgeberIn); Ross, Julian (HerausgeberIn)
    Erschienen: [2020]
    Verlag:  Archive Books, Berlin

    This publication presents a collection of commissioned translations of a selection of key texts about Intermedia and Expanded Cinema in Japan. Intermedia and Expanded Cinema, both as critical approach and artistic practice, left an indelible mark in... mehr

     

    This publication presents a collection of commissioned translations of a selection of key texts about Intermedia and Expanded Cinema in Japan. Intermedia and Expanded Cinema, both as critical approach and artistic practice, left an indelible mark in a period of Japanese art history that is broadly considered to be one of its most dynamic moments in the wake of its postwar reemergence

     
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    Quelle: Verbundkataloge
    Beteiligt: Hirasawa, Gō (HerausgeberIn); Adachi-Tasch, Ann (HerausgeberIn); Ross, Julian (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783948212292; 3948212295
    Schlagworte: Motion pictures; Arts; Cinematography; Motion pictures; Motion pictures ; Production and direction; Interactive multimedia; Criticism, Textual; Case studies
    Umfang: 220 pages, illustrations, facsimiles, 20 cm
    Bemerkung(en):

    Includes bibliographical references
  2. Video and filmmaking as psychotherapy
    research and practice
    Beteiligt: Cohen, Joshua L. (HerausgeberIn); Johnson, J. Lauren (HerausgeberIn); Orr, Penelope (HerausgeberIn)
    Erschienen: 2015
    Verlag:  Routledge, New York

    Introduction / Joshua L. Cohen and J. Lauren Johnson -- A challenge to readers : ethical considerations in film- and video-based therapies / J. Lauren Johnson and Joshua L. Cohen -- Film/video based therapy and editing as process from a depth... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 930458
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Bildende Künste Dresden, Bibliothek
    Signatur:
    2021/0941
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Introduction / Joshua L. Cohen and J. Lauren Johnson -- A challenge to readers : ethical considerations in film- and video-based therapies / J. Lauren Johnson and Joshua L. Cohen -- Film/video based therapy and editing as process from a depth psychological perspective / Joshua L. Cohen and Penelope P. Orr -- Filming the fantasy : green screen technology from novelty to psychotherapy / Jon Ehinger -- Vision, story, medicine : therapeutic filmmaking and first nations communities / J. Lauren Johnson -- Expansive palettes : a client video media experience / Natalie R. Carlton -- The benefits of using a technological intervention for children and adolescents within a grief and loss program / Carolyn McGurl, Winston Seegobin, Elizabeth Hamilton, and Mark McMinn -- Digital storytelling as a trauma narrative intervention for children exposed to domestic violence / Kim Anderson and Beatriz Wallace -- Digital video intervention with special populations : looking for inherent qualities / Penelope P. Orr -- Digital storytelling : using videos to increase social wellness / Martin Otanez and Wanda Lakota -- Video art and activism : applications in art therapy / Basis Mosinski -- Digital video production : healing for the YouTube generation of veterans / Rivka Tuval-Mashiach and Benjamin Patton -- Video art therapy / Yarden Kerem -- Expanding the scope of traditional art therapy with green screen technology / Joe Kavitski -- Technology, art therapy, and psychodynamic theory : computer animation with an adolescent in foster care / Brian Austin.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Cohen, Joshua L. (HerausgeberIn); Johnson, J. Lauren (HerausgeberIn); Orr, Penelope (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1138781428; 9781138286962; 1138286966; 9781138781429
    Schriftenreihe: Advances in mental health research series
    Schlagworte: Psychotherapy; Motion pictures; Psychotherapy; Sensory Art Therapies; Video Recording; Motion Pictures as Topic; Motion pictures ; Production and direction; Psychotherapy ; Methodology; Art therapy
    Umfang: XVIII, 221 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Bibliografija ob posameznem prispevku -- Kazalo

    Joshua L. Cohen and J. Lauren JohnsonA challenge to readers : ethical considerations in film- and video-based therapies / J. Lauren Johnson and Joshua L. Cohen: Introduction

    Joshua L. Cohen and Penelope P. Orr: Film/video based therapy and editing as process from a depth psychological perspective

    Jon Ehinger: Filming the fantasy : green screen technology from novelty to psychotherapy

    J. Lauren Johnson: Vision, story, medicine : therapeutic filmmaking and first nations communities

    Natalie R. Carlton: Expansive palettes : a client video media experience

    Carolyn McGurl, Winston Seegobin, Elizabeth Hamilton, and Mark McMinn: The benefits of using a technological intervention for children and adolescents within a grief and loss program

    Kim Anderson and Beatriz Wallace: Digital storytelling as a trauma narrative intervention for children exposed to domestic violence

    Penelope P. Orr: Digital video intervention with special populations : looking for inherent qualities

    Martin Otanez and Wanda Lakota: Digital storytelling : using videos to increase social wellness

    Basis Mosinski: Video art and activism : applications in art therapy

    Rivka Tuval-Mashiach and Benjamin Patton: Digital video production : healing for the YouTube generation of veterans

    Yarden Kerem: Video art therapy

    Joe Kavitski: Expanding the scope of traditional art therapy with green screen technology

    Brian Austin.: Technology, art therapy, and psychodynamic theory : computer animation with an adolescent in foster care
  3. Panel to the screen
    style, American film, and comic books during the blockbuster era
    Autor*in: Morton, Drew
    Erschienen: [2017]; © 2017
    Verlag:  University Press of Mississippi, Jackson

    "Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The screen has been fractured into panels, the photographic has given way to the graphic, and the steady rhythm of cinematic time has evolved into a far more malleable element. In other words, films have begun to look like comics. Yet, this interplay also occurs in the other direction. In order to retain cultural relevancy, comic books have begun to look like films. Frank Miller's original Sin City comics are indebted to film noir while Stephen King's The Dark Tower series could be a Sergio Leone spaghetti western translated onto paper. Film and comic books continuously lean on one another to reimagine their formal attributes and stylistic possibilities. In Panel to the Screen, Drew Morton examines this dialogue in its intersecting and rapidly changing cultural, technological, and industrial contexts. Early on, many questioned the prospect of a "low" art form suited for children translating into "high" art material capable of drawing colossal box office takes. Now the naysayers are as quiet as the queued crowds at Comic-Cons are massive. Morton provides a nuanced account of this phenomenon by using formal analysis of the texts in a real-world context of studio budgets, grosses, and audience reception"--

     
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  4. The making of Incarnation
    Autor*in: McCarthy, Tom
    Erschienen: 2021
    Verlag:  Jonathan Cape, London

    Bodies in motion. Birds, bees and bobsleighs. What is the force that moves the sun and other stars? Where's our fucking airplane? What's inside Box 808, and why does everybody want it? Deep within the archives of time-and-motion pioneer Lillian... mehr

    Standort:
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    Signatur:
    Magazin Lit McCarthy, T. 2021
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Bodies in motion. Birds, bees and bobsleighs. What is the force that moves the sun and other stars? Where's our fucking airplane? What's inside Box 808, and why does everybody want it? Deep within the archives of time-and-motion pioneer Lillian Gilbreth lies a secret. Famous for producing solid light tracks that captured the path of workers' movements, Gilbreth helped birth the era of mass observation and big data. Did she also, as her broken correspondence with a young Soviet physicist suggests, discover in her final days a 'perfect' movement, one that would 'change everything'? An international hunt begins for the one box missing from her records, and we follow contemporary motion-capture consultant Mark Phocan, as well as his collaborators and antagonists, across geopolitical fault lines and experimental zones: medical labs, CGI studios, military research centres... Places where the frontiers of potential - to cure, kill, understand or entertain - are constantly tested. And all the while, work is underway on the blockbuster film Incarnation, on epic space tragedy

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1787333302; 9781787333307; 9781787333291; 1787333299
    Schlagworte: Perpetual motion; Motion study; Time study; Human-machine systems; Motion pictures; Copyright; Human mechanics; Intellectual property; Motion pictures ; Production and direction; Physicists; Science fiction; Cyberpunk fiction; Novels; Fiction
    Weitere Schlagworte: Gilbreth, Lillian Moller
    Umfang: 327 Seiten, 24 cm
    Bemerkung(en):

    Simultaneously published: New York : Alfred A. Knopf, [2021]
  5. Writing and producing for television and film
    Erschienen: 2005
    Verlag:  Sage, New Delhi

    Role models from the visual media often spark in viewers the will to emulate desired behavior. The Entertainment-Education method combines emotional appeal and relevant knowledge in order to promote such behavior change. This book-the second in a... mehr

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    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Role models from the visual media often spark in viewers the will to emulate desired behavior. The Entertainment-Education method combines emotional appeal and relevant knowledge in order to promote such behavior change. This book-the second in a three-book series titled Communication for Behavior Change-is amied at all producing or directing Entertainment-Education dramas for television and film. The authors-both leading practitioners in the field of Entertainment-Education-dwell in detail on the Design Approach for determining and then articulating effective messages to be contained in the d

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9788132102625; 8132102622; 1282153919; 9781282153912
    Schriftenreihe: Communication for behavior change ; v. 2
    Schlagworte: Television; Motion pictures; Television authorship; Motion picture authorship; Television; Motion pictures; LANGUAGE ARTS & DISCIPLINES ; Rhetoric; REFERENCE ; Writing Skills; LANGUAGE ARTS & DISCIPLINES ; Composition & Creative Writing; Motion picture authorship; Motion pictures ; Production and direction; Television authorship; Television ; Production and direction
    Umfang: Online Ressource (278 p.), ill.
    Bemerkung(en):

    Includes bibliographical references. - Description based on print version record
  6. Writing and producing for television and film
    Autor*in: De Fossard, Esta
    Erschienen: 2005
    Verlag:  SAGE, Delhi

    This text provides practical guidelines to those in the field of entertainment-education drama who want to sharpen their skills. It contains separate sections for various users - programme managers, writers, producers, directors and actors mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Universitätsbibliothek Hildesheim
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
    Signatur:
    eBook Sage
    Fernleihe:
    keine Fernleihe

     

    This text provides practical guidelines to those in the field of entertainment-education drama who want to sharpen their skills. It contains separate sections for various users - programme managers, writers, producers, directors and actors

     
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      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9788132108559
    RVK Klassifikation: AP 50600
    Auflage/Ausgabe: Online-Ausg.
    Schriftenreihe: Communication for behavior change ; v. 2
    Schlagworte: Television authorship; Television; Motion picture authorship; Motion pictures; Television authorship; Television ; Production and direction; Motion picture authorship; Motion pictures ; Production and direction
    Umfang: Online Ressource (278 p.), ill.
    Bemerkung(en):

    This text provides practical guidelines to those in the field of entertainment-education drama who want to sharpen their skills. It contains separate sections for various users - programme managers, writers, producers, directors and actors
  7. Storytelling for Film and Television
    From First Word to Last Frame
    Autor*in: Dancyger, Ken
    Erschienen: 2019
    Verlag:  Routledge, Milton

    Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgments; SECTION I NARRATIVE; Chapter 1 Introduction; Chapter 2 The narrative tools; Chapter 3 The technical dimension; Chapter 4 The creative possibilities; Chapter 5 Three case... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Palucca-Hochschule für Tanz Dresden, Bibliothek
    Fernleihe:
    keine Fernleihe

     

    Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgments; SECTION I NARRATIVE; Chapter 1 Introduction; Chapter 2 The narrative tools; Chapter 3 The technical dimension; Chapter 4 The creative possibilities; Chapter 5 Three case studies of excellence; SECTION II DIRECTING; Chapter 6 The directing tools; Chapter 7 The technical dimension; Chapter 8 The creative possibilities; Chapter 9 Three case studies of excellence; SECTION III EDITING; Chapter 10 The editing tools; Chapter 11 The technical dimension; Chapter 12 The creative possibilities

     
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  8. Frankenstein
    Autor*in: Horton, Robert
    Erschienen: 2014
    Verlag:  Columbia University Press, New York

    <div>James Whale's Frankenstein (1931) spawned a phenomenon that has been rooted in world culture for decades. This cinematic Prometheus has generated countless sequels, remakes, rip-offs, and parodies in every media, and this granddaddy of cult... mehr

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    Aggregator (lizenzpflichtig)

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    Signatur:
    e-Book Academic Complete
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe
    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
    Signatur:
    eBook ProQuest
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    Signatur:
    ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
    Signatur:
    E-Books ProQuest Academic
    Fernleihe:
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    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
    Signatur:
    E-Book Proquest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    Signatur:
    EBS ProQuest
    Fernleihe:
    keine Fernleihe

     

     

    James Whale's Frankenstein (1931) spawned a phenomenon that has been rooted in world culture for decades. This cinematic Prometheus has generated countless sequels, remakes, rip-offs, and parodies in every media, and this granddaddy of cult movies constantly renews its followers in each generation. Along with an in-depth critical reading of the original 1931 film, this book tracks Frankenstein the monster's heavy cultural tread from Mary Shelley's source novel to today's Internet chat rooms.

     
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231167437
    Schriftenreihe: Cultographies
    Schlagworte: Motion pictures -- Production and direction; Motion pictures ; Production and direction; Electronic books
    Umfang: Online-Ressource (129 p)
    Bemerkung(en):

    Description based upon print version of record

    Table of Contents; Acknowledgements; 1. Welcome to Nightmare Theatre: Meeting Frankenstein; 2. Assembling a Monster; 3. The Monster Mash: Sons of the House of Frankenstein; 4. Beyond the Clouds and Stars: Surveying Frankenstein; 5. The Monster's Place; Appendix: The Frankenstein Family Tree; Bibliography; Index
  9. Storytelling for Film and Television
    From First Word to Last Frame
    Autor*in: Dancyger, Ken
    Erschienen: 2019
    Verlag:  Routledge, Milton

    Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgments; SECTION I NARRATIVE; Chapter 1 Introduction; Chapter 2 The narrative tools; Chapter 3 The technical dimension; Chapter 4 The creative possibilities; Chapter 5 Three case... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgments; SECTION I NARRATIVE; Chapter 1 Introduction; Chapter 2 The narrative tools; Chapter 3 The technical dimension; Chapter 4 The creative possibilities; Chapter 5 Three case studies of excellence; SECTION II DIRECTING; Chapter 6 The directing tools; Chapter 7 The technical dimension; Chapter 8 The creative possibilities; Chapter 9 Three case studies of excellence; SECTION III EDITING; Chapter 10 The editing tools; Chapter 11 The technical dimension; Chapter 12 The creative possibilities

     
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  10. Video and filmmaking as psychotherapy
    research and practice
    Beteiligt: Cohen, Joshua L. (HerausgeberIn); Johnson, J. Lauren (HerausgeberIn); Orr, Penelope (HerausgeberIn)
    Erschienen: 2015
    Verlag:  Routledge, New York

    Introduction / Joshua L. Cohen and J. Lauren Johnson -- A challenge to readers : ethical considerations in film- and video-based therapies / J. Lauren Johnson and Joshua L. Cohen -- Film/video based therapy and editing as process from a depth... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction / Joshua L. Cohen and J. Lauren Johnson -- A challenge to readers : ethical considerations in film- and video-based therapies / J. Lauren Johnson and Joshua L. Cohen -- Film/video based therapy and editing as process from a depth psychological perspective / Joshua L. Cohen and Penelope P. Orr -- Filming the fantasy : green screen technology from novelty to psychotherapy / Jon Ehinger -- Vision, story, medicine : therapeutic filmmaking and first nations communities / J. Lauren Johnson -- Expansive palettes : a client video media experience / Natalie R. Carlton -- The benefits of using a technological intervention for children and adolescents within a grief and loss program / Carolyn McGurl, Winston Seegobin, Elizabeth Hamilton, and Mark McMinn -- Digital storytelling as a trauma narrative intervention for children exposed to domestic violence / Kim Anderson and Beatriz Wallace -- Digital video intervention with special populations : looking for inherent qualities / Penelope P. Orr -- Digital storytelling : using videos to increase social wellness / Martin Otanez and Wanda Lakota -- Video art and activism : applications in art therapy / Basis Mosinski -- Digital video production : healing for the YouTube generation of veterans / Rivka Tuval-Mashiach and Benjamin Patton -- Video art therapy / Yarden Kerem -- Expanding the scope of traditional art therapy with green screen technology / Joe Kavitski -- Technology, art therapy, and psychodynamic theory : computer animation with an adolescent in foster care / Brian Austin.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Cohen, Joshua L. (HerausgeberIn); Johnson, J. Lauren (HerausgeberIn); Orr, Penelope (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1138781428; 9781138286962; 1138286966; 9781138781429
    Schriftenreihe: Advances in mental health research series
    Schlagworte: Psychotherapy; Motion pictures; Psychotherapy; Sensory Art Therapies; Video Recording; Motion Pictures as Topic; Motion pictures ; Production and direction; Psychotherapy ; Methodology; Art therapy
    Umfang: XVIII, 221 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Bibliografija ob posameznem prispevku -- Kazalo

    Joshua L. Cohen and J. Lauren JohnsonA challenge to readers : ethical considerations in film- and video-based therapies / J. Lauren Johnson and Joshua L. Cohen: Introduction

    Joshua L. Cohen and Penelope P. Orr: Film/video based therapy and editing as process from a depth psychological perspective

    Jon Ehinger: Filming the fantasy : green screen technology from novelty to psychotherapy

    J. Lauren Johnson: Vision, story, medicine : therapeutic filmmaking and first nations communities

    Natalie R. Carlton: Expansive palettes : a client video media experience

    Carolyn McGurl, Winston Seegobin, Elizabeth Hamilton, and Mark McMinn: The benefits of using a technological intervention for children and adolescents within a grief and loss program

    Kim Anderson and Beatriz Wallace: Digital storytelling as a trauma narrative intervention for children exposed to domestic violence

    Penelope P. Orr: Digital video intervention with special populations : looking for inherent qualities

    Martin Otanez and Wanda Lakota: Digital storytelling : using videos to increase social wellness

    Basis Mosinski: Video art and activism : applications in art therapy

    Rivka Tuval-Mashiach and Benjamin Patton: Digital video production : healing for the YouTube generation of veterans

    Yarden Kerem: Video art therapy

    Joe Kavitski: Expanding the scope of traditional art therapy with green screen technology

    Brian Austin.: Technology, art therapy, and psychodynamic theory : computer animation with an adolescent in foster care
  11. Panel to the screen
    style, American film, and comic books during the blockbuster era
    Autor*in: Morton, Drew
    Erschienen: [2017]; © 2017
    Verlag:  University Press of Mississippi, Jackson

    "Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 995667
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2022/6895
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2017 A 7
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    AP 88808 M889
    Fernleihe:
    keine Fernleihe

     

    "Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The screen has been fractured into panels, the photographic has given way to the graphic, and the steady rhythm of cinematic time has evolved into a far more malleable element. In other words, films have begun to look like comics. Yet, this interplay also occurs in the other direction. In order to retain cultural relevancy, comic books have begun to look like films. Frank Miller's original Sin City comics are indebted to film noir while Stephen King's The Dark Tower series could be a Sergio Leone spaghetti western translated onto paper. Film and comic books continuously lean on one another to reimagine their formal attributes and stylistic possibilities. In Panel to the Screen, Drew Morton examines this dialogue in its intersecting and rapidly changing cultural, technological, and industrial contexts. Early on, many questioned the prospect of a "low" art form suited for children translating into "high" art material capable of drawing colossal box office takes. Now the naysayers are as quiet as the queued crowds at Comic-Cons are massive. Morton provides a nuanced account of this phenomenon by using formal analysis of the texts in a real-world context of studio budgets, grosses, and audience reception"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format