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  1. Cinematic terror
    a global history of terrorism on film
    Autor*in: Shaw, Tony
    Erschienen: 2015
    Verlag:  Bloomsbury, New York, NY [u.a.]

  2. A not so foreign affair
    fascism, sexuality, and the cultural rhetoric of democracy
    Autor*in: Slane, Andrea
    Erschienen: [2012?]
    Verlag:  Duke University Press, Durham

    1. The Democratic Family: Nazi Nationalist Melodrama: Science, Myth, and Paternal Authority in Die Goldene Stadt. American Nationalist Melodrama: Tales of Hitler's Children. "Family Values" and Naziana in Contemporary Right-Wing Media. 2. The... mehr

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    Bayerische Staatsbibliothek
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    1. The Democratic Family: Nazi Nationalist Melodrama: Science, Myth, and Paternal Authority in Die Goldene Stadt. American Nationalist Melodrama: Tales of Hitler's Children. "Family Values" and Naziana in Contemporary Right-Wing Media. 2. The Democratic Psyche. Nazism, Psychology, and the Making of Democratic Subjects. The American Nazi: Cold War Social Problem Films and National Psychobiography. Skinheads, Militiamen, and the Legacies of Failed Masculinity. 3. Democratic Sex. The Iconology of the Sexy Nazi Woman: Marlene Dietrich as Political Palimpsest. Sexualized Nazis and Contemporary Popular Political Culture. -- Epilogue

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822380849
    Weitere Identifier:
    RVK Klassifikation: MG 70070
    Schlagworte: National socialism in motion pictures; National socialism and motion pictures; Motion pictures / Political aspects; Film; Nationalsozialismus; Nationalsozialismus <Motiv>
    Umfang: 1 Online-Ressource (x, 368 Seiten), Illustrationen
    Bemerkung(en):

    Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden (Duke University Press)
  3. The leading man
    Hollywood and the presidential image
    Autor*in: Peretti, Burton W., (Burton William)
    Erschienen: c2012 (2012)
    Verlag:  Rutgers University Press, New Brunswick, N.J.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
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    Format: Online
    ISBN: 0813554047; 0813554055; 9780813554051
    Schriftenreihe: UPCC book collections on Project MUSE.
    Schlagworte: Historical films; Motion pictures and history; Motion pictures / Political aspects; Presidents in motion pictures; HISTORY / United States / General; Film; Politik; Motion pictures and history; Historical films; Motion pictures; Presidents in motion pictures; USA <Motiv>; Selbstdarstellung; Film
    Umfang: 1 Online-Ressource (344 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    "The torments of desire" : presidents and performance before 1929 -- The studios' golden age and the white house, 1929-1945 -- The old man and tv, 1945-1960 -- Charisma's hour, 1960-1969 -- Enter stage right, 1969-1989 -- Hollywood wags the dog, 1990-2000 -- The twin towers, 2001-2009
  4. American politics in Hollywood film
    Autor*in: Scott, Ian
    Erschienen: c2011
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
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    Format: Online
    ISBN: 0748640231; 074864024X; 0748646280; 9780748640232; 9780748640249; 9780748646289
    Auflage/Ausgabe: 2nd ed
    Schlagworte: PERFORMING ARTS / Film & Video / Reference; ART / Film & Video; Motion pictures / Political aspects; Politics in motion pictures; Film; Politik; Politics in motion pictures; Motion pictures; Politik <Motiv>; Film; Politischer Film
    Umfang: 1 Online-Ressource (vii, 264 p.)
    Bemerkung(en):

    Includes bibliographical references and index
  5. "Un-American" Hollywood
    politics and film in the blacklist era
    Erschienen: c2007
    Verlag:  Rutgers University Press, New Brunswick, N.J.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Format: Online
    ISBN: 0813543975; 9780813543970
    RVK Klassifikation: AP 44983 ; HR 1080 ; HR 1600
    Schlagworte: BUSINESS & ECONOMICS / Industries / Media & Communications; TECHNOLOGY & ENGINEERING / Telecommunications; Blacklisting of entertainers; Motion pictures / Political aspects; Cinéma / Aspect politique / États-Unis; Listes noires d'artistes du spectacle / États-Unis; Film / Politik / USA / Geschichte 20. Jh; Politik / Film / USA / Geschichte 20. Jh; Antikommunismus / Film / USA.; Film / Antikommunismus / USA.; Filmzensur; Politik; Zensur; Film; Filmschaffende; PERFORMING ARTS / Film & Video / History & Criticism; Film; Industrie; Politik; Wirtschaft; Motion pictures; Blacklisting of entertainers; Literaturgeschichte <Fach>; Politik; Antikommunismus; Kulturkontakt <Motiv>; Ethnische Beziehungen <Motiv>; Lateinamerika <Motiv>; Film
    Umfang: 1 Online-Ressource (vi, 362 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 279-336) and index

    Are you now or have you ever been a Christian? the strange history of The robe as political allegory / Jeff Smith -- Un-American : Dmytryk, Rossellini, and Christ in concrete / Erica Sheen -- "A living part of the class struggle" : Diego Rivera's The flower carrier and the Hollywood left / Frank Krutnik -- A monarch for the millions : Jewish filmmakers, social commentary, and the postwar cycle of boxing films / Peter Stanfield -- The violent poetry of the times : the politics of history in Daniel Mainwaring and Joseph Losey's The lawless / Doug Dibbern -- Dark passages : jazz and civil liberty in the postwar crime film / Sean McCann -- Documentary realism and the postwar left / Will Straw -- Cloaked in compromise : Jules Dassin's "naked" city / Rebecca Prime -- The progressive producer in the studio system : Adrian Scott at RKO, 1943-1947 / Jennifer Langdon-Teclaw -- The house I live in : Albert Maltz and the fight against anti-Semitism / Art Simon -- Red Hollywood in transition : the case of Robert Rossen / Brian Neve -- Swashbuckling, sapphire, and salt : un-American contributions to TV costume adventure series in the 1950s / Steve Neale -- Hollywood, the new left, and FTA / Mark Shiel -- Red Hollywood / Thom Anderson

    The concept of "un-Americanism," so vital to the HUAC crusade of the 1940s and 1950s, was resoundingly revived in the emotional rhetoric that followed the September 11th terrorist attacks. Today's political and cultural climate makes it more crucial than ever to come to terms with the consequences of this earlier period of repression and with the contested claims of Americanism that it generated. "Un-American" Hollywood reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media industry. Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including The Robe, Christ in Concrete, The House I Live In, The Lawless, The Naked City, The Prowler, Body and Soul, and FTA.
  6. The collapse of the conventional
    German film and its politics at the turn of the twenty-first century
    Erschienen: c2010
    Verlag:  Wayne State University Press, Detroit

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 081433377X; 0814336884; 9780814333778; 9780814336885
    Schriftenreihe: Contemporary approaches to film and television series
    Schlagworte: Politik <Motiv>; Film; PERFORMING ARTS / Theater / History & Criticism; Motion pictures; Motion pictures / Political aspects; Politics in motion pictures; Film; Geschichte; Politik; Motion pictures; Politics in motion pictures; Motion pictures; Historischer Film; Politischer Film
    Umfang: 1 Online-Ressource (vi, 431 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Includes filmography

    Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mütterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhäusler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager

    ""Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the US. The anthology is the first serious attempt to retell the history of the New German Cinema and the c̀onsensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why D̀eutsches Kino' is once again in the limelight."--Marc Silberman, chair of the Department of German at the University of Wisconsin, Madison" ""The Collapse of the Conventional offers a comprehensive introduction to contemporary German cinema and is bound to stimulate new debates about the legacies of New German Cinema and its politics of the aesthetic. A must for everyone interested in German cinema and Contemporary culture."--Sabine Hake, Texas Chair of German Literature and Culture at the University of Texas at Austin" ""Bringing together many of the most important scholars of German film, this hugely significant collection offers a fascinating and subtle account of the contours of the political in the post-Wall cinematic landscape."--Paul Cooke, professor of German cultural studies in the School of Modern Languages and Cultures, University of Leeds"--BOOK JACKET.
  7. Literature, cinema and politics, 1930-1945
    reading between the frames
    Autor*in: Feigel, Lara
    Erschienen: ©2010
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0748639500; 074864265X; 9780748639502; 9780748642656
    Schlagworte: Fine Arts; ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; SOCIAL SCIENCE / Sociology / General; Modernism (Literature); Motion pictures; Motion pictures and literature; Motion pictures / Political aspects; Politics and literature; Film; Geschichte; Politik; Motion pictures and literature; Motion pictures; Politics and literature; Modernism (Literature); Motion pictures; Politischer Film; Dokumentarfilm; Film <Motiv>; Film
    Weitere Schlagworte: Woolf, Virginia (1882-1941)
    Umfang: 1 Online-Ressource (x, 292 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 272-284) and index

    Contents -- Acknowledgements -- List of figures -- Introduction -- 1. Radical cinema -- 2. Mass observing: the 1930s documentary gaze -- 3. The documentary movement and mass leisure, 1930-1945 -- 4. Camera consciousness -- 5. Framing history: Virginia Woolf and the politicisation of aesthetics -- 6. 'The savage and austere light of a burning world': the cinematic blitz -- Afterword -- Endnotes -- Bibliography -- Index

    This book tells the story of a generation of writers who were passionately engaged with politics and with cinema, exploring the rise and fall of a distinct tradition of cinematic literature. Dismayed by the rise of fascism in Europe and by the widening gulf separating the classes at home, these writers turned to cinema as a popular and hard-hitting art form. Lara Feigel crosses boundaries between high modernism and social realism and between 'high' and 'popular' culture, bringing together Virginia Woolf with W.H. Auden, Elizabeth Bowen with John Sommerfield, Sergei Eisenstein with Gracie Field
  8. Cinema and the Republic
    Filming on the Margins in Contemporary France
    Autor*in: Ervine, Jonathan
    Erschienen: 2013
    Verlag:  University of Wales Press, Cardiff

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Sprache: Englisch
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    Format: Online
    ISBN: 0708325971; 9780708325971
    Schriftenreihe: French and francophone studies
    Schlagworte: PERFORMING ARTS / Reference; Motion pictures; Motion pictures / Political aspects; Film; Geschichte; Politik; Motion pictures; Motion pictures; Soziale Integration <Motiv>; Einwanderung <Motiv>; Film
    Umfang: 1 Online-Ressource (208 p.)
    Bemerkung(en):

    A thought-provoking study of what contemporary French cinema has to say about immigration and social cohesion
  9. Keywords in subversive film/media aesthetics
    Autor*in: Stam, Robert
    Erschienen: 2015
    Verlag:  Wiley Blackwell, Chichester, West Sussex

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    Universitätsbibliothek Passau
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    Beteiligt: Porton, Richard (Hrsg.); Goldsmith, Leo (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781118288924
    RVK Klassifikation: AP 45400
    Schlagworte: PERFORMING ARTS / Reference; Motion pictures / Aesthetics; Motion pictures / Political aspects; Motion pictures / Aesthetics; Motion pictures / Political aspects; Film; Politik; Ästhetik; Motion pictures / Aesthetics; Motion pictures / Political aspects; Medienästhetik; Ästhetik; Filmästhetik; Film; Medien; Politischer Film
    Weitere Schlagworte: Electronic books
    Umfang: xi, 312 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  10. Keywords in subversive film/media aesthetics
    Autor*in: Stam, Robert
    Erschienen: 2015
    Verlag:  Wiley Blackwell, Chichester, West Sussex

    Standort:
    Technische Hochschulbibliothek Rosenheim
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  11. Marxism goes to the movies
    Autor*in: Wayne, Mike
    Erschienen: 2020; © 2020
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    "This book provides a long-awaited account of how Marxism has shaped both the medium of film and the study of film. It covers key concepts that anyone studying film needs to engage with, as well as key theorists (both within and beyond film studies)... mehr

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    "This book provides a long-awaited account of how Marxism has shaped both the medium of film and the study of film. It covers key concepts that anyone studying film needs to engage with, as well as key theorists (both within and beyond film studies) and provides an historical perspective on the development of Marxism and film. Author Mike Wayne argues the need to de-reify how we look at film, link text to context, consciousness to social being, industrial strategies to cultural struggle and assesses new technological, cultural and political trends historically"

     
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    Format: Online
    ISBN: 9781315559308
    Weitere Identifier:
    RVK Klassifikation: AP 45100
    Schlagworte: Motion pictures / Political aspects; Motion pictures / Social aspects; Communism and motion pictures; Film; Marxismus; Marxismus <Motiv>
    Umfang: 1 Online-Ressource (ix, 217 Seiten)
  12. Cinematic terror
    a global history of terrorism on film
    Autor*in: Shaw, Tony
    Erschienen: 2015
    Verlag:  Bloomsbury, New York [u.a.]

    "The first history of cinema's treatment of terrorism from the birth of film to today"-- mehr

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    "The first history of cinema's treatment of terrorism from the birth of film to today"--

     
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781441107084; 9781441196200
    RVK Klassifikation: AP 52700 ; MD 8920
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Terrorism in motion pictures; Political violence in motion pictures; Motion pictures / Political aspects; PERFORMING ARTS / Film & Video / History & Criticism; Motion pictures / Political aspects; Political violence in motion pictures; Terrorism in motion pictures; Film; Politik; Film; Terrorismus <Motiv>
    Umfang: [VIII], 315 S., Ill.
    Bemerkung(en):

    Includes bibliographical references, filmography (S. 304 - 306), and index

    Machine generated contents note: -- Acknowledgements -- Introduction -- Chapter 1. Silent revolutionaries -- Chapter 2. Agents of suspense -- Chapter 3. Symbols of resistance -- Chapter 4. Epic freedom fighters -- Chapter 5. Newsreel guerrillas -- Chapter 6. Docu-death squads -- Chapter 7. Schlock and awe -- Chapter 8. Avant-garde narcissists -- Chapter 9. Serial killers -- Chapter 10. Bollywood's communalists -- Chapter 11. Biopics for peace -- Chapter 12. Networked jihadists -- Chapter 13. Suicide victims in close-up -- Chapter 14. YouTube monsters -- Conclusion -- Bibliography --Filmography
  13. Mediations of disruption in post-conflict cinema
    Beteiligt: Martins, Adriana Alves de Paula (Hrsg.); Lopes, Alexandra (Hrsg.)
    Erschienen: [2016]; © 2016
    Verlag:  Palgrave Macmillan, Basingstoke

    Standort:
    Bayerische Staatsbibliothek
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    Beteiligt: Martins, Adriana Alves de Paula (Hrsg.); Lopes, Alexandra (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Schlagworte: Motion pictures / History; Motion pictures / Political aspects; Motion pictures; Motion pictures / Political aspects; Film; Geschichte; Politik; Mediation; Vergangenheitsbewältigung; Konflikt <Motiv>; Film; Konflikt; Konfliktbewältigung
    Umfang: xiv, 219 Seiten, 21 cm
    Bemerkung(en):

    Includes bibliographical references
  14. Literature, cinema and politics, 1930-1945
    reading between the frames
    Autor*in: Feigel, Lara
    Erschienen: 2010
    Verlag:  Edinburgh University Press, Edinburgh

    This book tells the story of a generation of writers who were passionately engaged with politics and with cinema exploring the rise and fall of a distinct tradition of cinematic literature mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book tells the story of a generation of writers who were passionately engaged with politics and with cinema exploring the rise and fall of a distinct tradition of cinematic literature

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748642656
    RVK Klassifikation: AP 47000 ; AP 47600 ; HM 1031 ; HM 1071 ; HM 1274
    Schlagworte: Film; Geschichte; Politik; Motion pictures and literature / History / 20th century; Motion pictures / Political aspects; Politics and literature / History / 20th century; Modernism (Literature); Motion pictures / History / 20th century; Dokumentarfilm; Film <Motiv>; Politischer Film; Film
    Weitere Schlagworte: Woolf, Virginia (1882-1941)
    Umfang: 1 online resource (x, 292 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Radical cinema -- Mass observing : the 1930s documentary gaze -- The documentary movement and mass leisure, 1930-1945 -- Camera consciousness -- Framing history : Virginia Woolf and the politicisation of aesthetics -- 'The savage and austere light of a burning world' : the cinematic Blitz
  15. Empire films and the crisis of colonialism, 1946-1959
    Autor*in: Cowans, Jon
    Erschienen: 2015
    Verlag:  Johns Hopkins University Press, Baltimore

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Sprache: Englisch
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    Format: Online
    ISBN: 9781421416427; 1421416425; 9781421416410; 1421416417
    Schlagworte: Imperialism in motion pictures; Motion pictures / France / History / 20th century; Motion pictures / Great Britain / History / 20th century; Motion pictures / Political aspects; Motion pictures / United States / History / 20th century; PERFORMING ARTS / Reference; Imperialism in motion pictures; Motion pictures; Motion pictures / Political aspects; Film; Geschichte; Politik; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Imperialism in motion pictures; Kolonialismus <Motiv>; Entkolonialisierung <Motiv>; Film
    Bemerkung(en):

    Includes bibliographical references and index

    ""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction""; ""PART I: THE PERSISTENCE OF EMPIRE: COLONIALIST FILMS IN THE DECOLONIZATION ERA""; ""1 The White Woman�s Burden""; ""2 Heroes of Empire""; ""3 Westerns""; ""PART II: COMING TO TERMS: CONFRONTING INSURGENCY AND DECOLONIZATION""; ""4 The British Empire and Decolonization""; ""5 The French Empire and Decolonization""; ""6 Americans in Postwar Asia""; ""PART III: DANGEROUS LIAISONS: INTERRACIAL COUPLES IN FILMS""; ""7 Miscegenation in Westerns""; ""8 Romance across the Pacific""

    ""9 Black-White Couples and Internal Decolonization""""Conclusion""; ""Appendix A: Attitudes toward Indians and U.S. Conquest in Westerns""; ""Appendix B: Outcomes of Interracial Romance in Miscegenation Films""; ""Notes""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""X""; ""Z""
  16. Cinematic terror
    a global history of terrorism on film
    Autor*in: Shaw, Tony
    Erschienen: 2015
    Verlag:  Bloomsbury, New York

    "The first history of cinema's treatment of terrorism from the birth of film to today"-- mehr

    Standort:
    Universitätsbibliothek der LMU München
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    "The first history of cinema's treatment of terrorism from the birth of film to today"--

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781441158093; 9781441193155; 9781501300363
    Weitere Identifier:
    RVK Klassifikation: AP 52700 ; MD 8920
    Auflage/Ausgabe: First published
    Schlagworte: Terrorism in motion pictures; Political violence in motion pictures; Motion pictures / Political aspects; PERFORMING ARTS / Film & Video / History & Criticism; Motion pictures / Political aspects; Political violence in motion pictures; Terrorism in motion pictures; Film; Politik; Film; Terrorismus <Motiv>
    Umfang: 1 Online-Ressource, Illustrationen
    Bemerkung(en):

    Includes bibliographical references, filmography (S. 304 - 306), and index

    Machine generated contents note: -- Acknowledgements -- Introduction -- Chapter 1. Silent revolutionaries -- Chapter 2. Agents of suspense -- Chapter 3. Symbols of resistance -- Chapter 4. Epic freedom fighters -- Chapter 5. Newsreel guerrillas -- Chapter 6. Docu-death squads -- Chapter 7. Schlock and awe -- Chapter 8. Avant-garde narcissists -- Chapter 9. Serial killers -- Chapter 10. Bollywood's communalists -- Chapter 11. Biopics for peace -- Chapter 12. Networked jihadists -- Chapter 13. Suicide victims in close-up -- Chapter 14. YouTube monsters -- Conclusion -- Bibliography --Filmography
  17. Black magic woman and narrative film
    race, sex and afro-religiosity
    Autor*in: Missouri, Montré Aza
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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  18. Michael Moore and the rhetoric of documentary
    Beteiligt: Benson, Thomas W. (Hrsg.)
    Erschienen: 2015
    Verlag:  Southern Illinois Univ. Press, Carbondale

    Standort:
    Bayerische Staatsbibliothek
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    Standort:
    Universitätsbibliothek Würzburg
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    Quelle: Verbundkataloge
    Beteiligt: Benson, Thomas W. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780809334070; 9780809334087
    RVK Klassifikation: AP 51400
    Schlagworte: Documentary films / Political aspects / History and criticism; Motion pictures / Political aspects / United States; Documentary films / Political aspects; Motion pictures / Political aspects; Film; Politik; Rhetorik; Dokumentarfilm
    Weitere Schlagworte: Moore, Michael / 1954 April 23- / Criticism and interpretation; Moore, Michael / 1954 April 23-; Moore, Michael (1954-)
    Umfang: VI, 232 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

    Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips
  19. The politics and poetics of cinematic realism
    Autor*in: Kappelhoff, Hermann
    Erschienen: 2015
    Verlag:  Columbia Univ. Press, New York [u.a.]

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780231170727; 9780231170734; 9780231539319
    Schriftenreihe: Columbia themes in philosophy, social criticism, and the arts
    Schlagworte: Motion pictures / Political aspects; Politics in motion pictures; Motion pictures / Aesthetics; Motion pictures / Aesthetics; Motion pictures / Political aspects; Politics in motion pictures; Film; Politik; Ästhetik; Realismus; Film
    Umfang: xiv, 257 pages, ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  20. Captive bodies
    postcolonial subjectivity in cinema
    Autor*in: Foster, Gwendolyn Audrey
    Erschienen: ©1999
    Verlag:  State University of New York Press, Albany

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585086702; 0791441555; 0791441563; 9780585086705
    Schriftenreihe: SUNY series, cultural studies in cinema/video
    Schlagworte: PERFORMING ARTS / Film & Video / Reference; Captivity; Imperialism; Motion picture industry / Political aspects; Motion pictures; Motion pictures / Political aspects; Racism; Sexism; Film; Politik; Captivity in motion pictures; Imperialism in motion pictures; Racism in motion pictures; Sexism in motion pictures; Motion pictures; Motion picture industry; Film; Gefangener <Motiv>
    Umfang: 1 Online-Ressource (xii, 249 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 211-230) and index
  21. What does a Jew want?
    on binationalism and other specters
    Autor*in: Aloni, Udi
    Erschienen: c2011
    Verlag:  Columbia University Press, New York

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  22. The American President in Film and Television
    Myth, Politics and Representation
    Autor*in: Frame, Gregory
    Erschienen: 2014
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Oxford

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035306347; 3035306346
    Schlagworte: Motion pictures / Political aspects / United States; Motion pictures; Presidents in motion pictures; PERFORMING ARTS / Reference; Motion pictures / Political aspects; Presidents in motion pictures; Film; Politik; Motion pictures; Presidents in motion pictures; Film; USA <Motiv>; Fernsehserie
    Umfang: 1 Online-Ressource (338 p.)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Contents; List of Illustrations; Acknowledgements; Chapter 1. Introduction: The American President in History and Criticism; Chapter 2. The Symbolic Presidency: Washington and Hollywood, 1932-1989; Chapter 3. The Post-Cold War Presidency in Hollywood Cinema; Chapter 4. ""The West Wing"": Continuity and Change from Clinton to Bush; Chapter 5. Predicting Obama? Hollywood's Black Presidency and the Creation of a Stereotype; Chapter 6. 'Having it Allen': Motherhood, Family and the Female Presidency in ""Commander in Chief""

    Conclusion. Old Constructs in a New Era: The White House Invasion Narrative and the Return of Abraham LincolnBibliography; Index

    Why are fictional US presidents everywhere on screen? How do these constructs relate to our understanding of the presidency as an institution and the United States as a nation? This book sheds new light on fictional representations of the leader of the United States by analysing key films and television series from the early 1990s to the present day. Combining textual analysis with close attention to political and historical contexts, it addresses the ways in which representations of the president have responded to a period of profound change in American politics and society, encompassing the
  23. Die Werktätigen in DEFA-Spielfilmen
    Propaganda in den Filmen der DDR
    Autor*in: Brummel, Sabine
    Erschienen: 2010
    Verlag:  Diplomica Verlag, Hamburg

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783836648851; 3836648857; 9783836698856
    Schlagworte: Motion pictures / Political aspects; Propaganda, German; PERFORMING ARTS / Reference; Film; Politik; Motion pictures; Propaganda, German; Propaganda; Kulturpolitik; Arbeiter <Motiv>; Film
    Umfang: 1 Online-Ressource (126 p.)
    Bemerkung(en):

    Cover title

    Includes bibliographical references
  24. Hollywood's Cold War
    Autor*in: Shaw, Tony
    Erschienen: c2007
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0748630732; 9780748630738
    RVK Klassifikation: AP 47000 ; AP 59783
    Schlagworte: PERFORMING ARTS / Film & Video / Reference; SOCIAL SCIENCE / Popular Culture; Cold War in motion pictures; Motion pictures; Motion pictures / Political aspects; Propaganda, Anti-communist; Ost-West-Konflikt; Film; Film; Geschichte; Politik; Cold War in motion pictures; Motion pictures; Propaganda, Anti-communist; Motion pictures; Ost-West-Konflikt; Film; Ost-West-Konflikt <Motiv>
    Umfang: 1 Online-Ressource (x, 342 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and indexes

    COVER; COPYRIGHT; Contents; Acknowledgements; List of Abbreviations; Introduction; CHAPTER 1 Love and defection; CHAPTER 2 The enemy within; CHAPTER 3 Projecting a prophet for profit; CHAPTER 4 Of gods and moguls; CHAPTER 5 Negotiable dissent; CHAPTER 6 Turning a negative into a positive; CHAPTER 7 A cowboy in combats; CHAPTER 8 Secrets and lies; CHAPTER 9 The empire strikes back; Conclusion; Bibliography; Film Index; General Index

    Published at a point when American filmmakers are deeply involved in the War on Terror, this authoritative and timely book offers the first comprehensive account of Hollywood?s propaganda role during the defining ideological conflict of the twentieth century: the Cold War. In an analysis of films dating from America?s first Red Scare in the wake of the 1917 Bolshevik Revolution to the collapse of the Berlin Wall in 1989, Tony Shaw examines the complex relationship between filmmakers, censors, politicians and government propagandists. Movies were at the centre of the Cold War?s battle for heart
  25. Reel power
    Hollywood cinema and American supremacy
    Autor*in: Alford, Matthew
    Erschienen: 2010
    Verlag:  Pluto Press, London

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0745329829; 0745329837; 1849645566; 9780745329826; 9780745329833; 9781849645560
    Schlagworte: DRAMA.; Motion picture industry; Motion pictures / Political aspects; Political science; Politics in motion pictures; Film; Politik; Politische Wissenschaft; Motion picture industry; Motion pictures; Politics in motion pictures; Filmwirtschaft; Kriegsfilm; Film; Politik; Propaganda; Rüstungswirtschaft
    Umfang: 1 Online-Ressource (xiii, 218 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 177-204), filmography (p. 205-210) and index

    Hollywood screened -- Hollywood deactivated -- War -- Comedy -- Action adventure -- Science fiction -- Political drama -- The low-budget battlefield -- Conclusions

    "The Hollywood myth is that its films are just èntertainment'. Far from it. Alford shows that American industrial cinema propagates ideas favourable to its right-wing establishment. Read this book before you see the next blockbuster.---Ken Loach, filmmaker" "American society has seen the increasing convergence of politics and culture. Taking up the crucial role of Hollywood cinema, Matthew Alford makes an outstanding contribution to the literature on media and popular culture.---Carl Boggs, co-author of The Hollywood War Machine (2006)" "A powerful indictment of Hollywood's hidden foreign policy. [This book] was a real eye-opener, even for me.---David Robb, investigative journalist and author of Operation Hollywood (2004)" "Alford puts the Hollywood menu under the microscope. He finds that at best Hollywood serves up comfort food: narrative construction fail to throw light on the systemic abuses of power so prevalent under western orthodoxy. A must-read for film buff and scholar alike---Alison Edgley, author of The social and Political Thought of Noam Chomsky (2000)" "Hollywood has long been labelled subversive, left-wing and anti-American. The labels are wrong." "Reel Power exposes the entertainment industry's intimate links with-the US Department of Defense, the CIA and major weaposn contractors. Examining over a hundred major recent films across a wide range of genres, Alford demonstrates how apparently liberal movies like Three Kings, Avatar and Hotel Rwanda are often just as conformist and misleading as the US military's projects like Black Hawk Down, GI Joe and Transformers." "In a system dominated by reactionary moguls, despite the progressive impulses of a few individual players, Hollywood is hard-wired to support the national security state and the use of all-American violence overseas."--Jacket