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  1. The calling card script
    a writer's toolbox for screen, stage and radio
    Autor*in: Ashton, Paul
    Erschienen: 2011
    Verlag:  A & C Black, London

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781408142233; 1408142236; 9781408110171
    Schlagworte: LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; Motion picture plays / Technique; Radio plays / Technique; Television plays / Technique; Motion picture plays; Radio plays; Television plays
    Umfang: 1 online resource (257 pages), illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (ebrary, viewed February 20, 2014)
  2. Writing the character-centered screenplay
    Autor*in: Horton, Andrew
    Erschienen: ©1994
    Verlag:  University of California Press, Berkeley

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  3. How scripts are made
    Autor*in: Karetnikova, Inga
    Erschienen: c1990
    Verlag:  Southern Illinois University Press, Carbondale

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585107203; 0809313790; 0809313804; 9780585107202
    Schlagworte: PERFORMING ARTS / Film & Video / Screenwriting; Motion picture authorship; Motion picture plays / Technique; Cinéma / Art d'écrire; Cinéma / Scénarios / Technique; Technik; Drehbuch; Motion picture authorship; Motion picture plays
    Umfang: 1 Online-Ressource (xi, 174 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 161-165) and index
  4. Screenplay and narrative theory
    the screenplectics model of complex narrative systems
    Autor*in: Varotsis, George
    Erschienen: 2015
    Verlag:  Lexington Books, Lanham [u.a.]

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781498504416; 9781498504423
    Schlagworte: Motion picture authorship; Motion picture plays / Technique; Narration (Rhetoric); Drehbuch; Erzähltechnik
    Umfang: vii, 141 pages, ill., 24cm
    Bemerkung(en):

    Includes bibliographical references (pages 125-130) and index
  5. How to write a horror movie
    Autor*in: Bell, Neal
    Erschienen: 2020; © 2020
    Verlag:  Routledge, Abingdon, Oxon

    "How to Write a Horror Movie is a close look at an always-popular (but often disrespected) genre. It focuses on the screenplay and acts as a guide to bringing scary ideas to cinematic life using examples from great (and some not-so-great) horror... mehr

     

    "How to Write a Horror Movie is a close look at an always-popular (but often disrespected) genre. It focuses on the screenplay and acts as a guide to bringing scary ideas to cinematic life using examples from great (and some not-so-great) horror movies. Author Neal Bell examines how the basic tools of the scriptwriter's trade - including structure, dialogue, humor, mood, characters, and pace - can work together to embody personal fears that will resonate strongly on screen. Screenplay examples include classic works such as 1943's I Walked With A Zombie and recent scary films that have given the genre renewed attention like writer/director Jordan Peele's critically acclaimed and financially successful Get Out. Since fear is universal, the book considers films from around the world including the 'found-footage' [REC] from Spain (2007), the Swedish vampire movie, Let The Right One In (2008) and the Persian-language film Under The Shadow (2016). The book provides insights into the economics of horror-movie making, and the possible future of this versatile genre. It is the ideal text for screenwriting students exploring genre and horror, and aspiring scriptwriters who have an interest in horror screenplays"--

     
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    Volltext (URL des Erstveroeffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429055416; 0429055412; 9780429619359; 0429619359; 9780429617201; 0429617208; 9780429621505; 0429621507
    Schlagworte: Horror films / Authorship; Motion picture plays / Technique; Motion picture authorship
    Umfang: 1 online resource (170 pages), illustrations
    Bemerkung(en):

    "A Focal Press Book" -- taken from front cover

    Description based on online resource; title from digital title page (viewed on June 17, 2020)
  6. Screenwriting tips, you hack
    150 practical pointers for becoming a better screenwriter
    Autor*in: Bennett, Xander
    Erschienen: 2011
    Verlag:  Focal, Oxford

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780240818245; 0240818245
    Schlagworte: Motion picture authorship; Motion picture plays / Editing; Motion picture plays / Technique; Motion picture authorship; Motion picture plays; Motion picture plays
    Umfang: 1 volume
    Bemerkung(en):

    Screenwriting Tip #99 Voice-over usually feels like scaffolding. You know-something you left in there when you were constructing the first draft, but really should have torn out after it served its purpose. Screenwriting Tip #120 Always remember that funny trumps everything. Your script could be written in crayon with your name spelled wrong on the cover, but if it's genuinely funny, none of that matters. Screenwriting Tip #156 The easiest way to write kick-ass protagonists is to make them incredibly good at what they do. Confused at the outline stage? Stuck in the swamp of Act Two? Don't know who your protagonist is or where she's going? You might feel like a hack. But don't worry-you're not alone. Even the most experienced writers feel like this at times. Sometimes we just need a few short pointers and reminders to set us on the path again. Xander Bennett worked as a script reader in the trenches of Hollywood, reading and covering hundreds of mediocre screenplays.

    After months of reading about heroic Sea World trainers, transgendered circus detectives and crime-fighting chupacabras, he couldn't take it any more. Xander started a blog called 'Screenwriting Tips, You Hack', a place designed to provide short, witty tips on screenwriting for amateur writers all the way up to journeymen scribes. This book is the evolution of that blog. Dozens of the best scripts (along with many brand-new ones) have been expanded into bite-sized chapters full of funny, insightful, highly usable advice. Let Xander's pain be your gain as you learn about the differences between film and television structure, how to force yourself to write when you really don't want to, and why you probably shouldn't base your first spec script around an alien invasion.

    Get tips from a script reader from the trenches who can clue you into how to keep your first audience interested Easily digest chunks of wisdom sugar-coated with humor in short tips Expanded tips offer examples of what works and what doesn't, and walk you through the process of writing a screenplay
  7. Story
    substance, structure, style, and the principles of screenwriting
    Autor*in: MacKee, Robert
    Erschienen: 1999
    Verlag:  Methuen, New York, NY

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780413715609
    RVK Klassifikation: AP 50600
    Schlagworte: Motion picture authorship; Motion picture plays / Technique; Literarische Technik; Literaturproduktion; Drehbuch; Schreiben
    Umfang: 466 S., graph. Darst., 23 cm
    Bemerkung(en):

    Filmografie S. 423 - 455
  8. Words in action
    forms and techniques of film dialogue
    Autor*in: Braga, Paolo
    Erschienen: ©2015
    Verlag:  Peter Lang, Bern

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035108293; 3035108293
    Schlagworte: Dialogue in motion pictures; Motion picture plays / Technique; LITERARY CRITICISM / Drama; Dialogue in motion pictures / (OCoLC)fst00892502; Motion picture plays / Technique / (OCoLC)fst01027223
    Umfang: 1 online resource (233 pages)
    Bemerkung(en):

    Online resource; title from PDF title page (EBSCO, viewed June 11, 2015)

    Includes bibliographical references
  9. Screenplay and narrative theory
    the screenplectics model of complex narrative systems
    Autor*in: Varotsis, George
    Erschienen: [2015]
    Verlag:  Lexington Books, Lanham

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781498504416; 9781498504430; 9781498504423
    Schlagworte: Motion picture authorship; Motion picture plays / Technique; Narration (Rhetoric)
    Umfang: vii, 141 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 125-130
  10. Alternative scriptwriting
    successfully breaking the rules
    Autor*in: Dancyger, Ken; Rush, Jeff
    Erschienen: 2007
    Verlag:  Elsevier/Focal Press, Amsterdam

    Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional... mehr

     

    Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional three-act structure, Alternative Scriptwriting first defines conventional approach, suggests alternatives, then provides case studies. These contemporary examples and case studies demonstrate what works, what doesn't, and why. Because the film industry as well as the public demand greater and greater creativity, one must go beyond the traditional three-act restorative and predictable plot to test your limits and break new creative ground. Rather than teaching writing in a tired formulaic manner, this book elevates the subject and provides inspiration to reach new creative heights. Alternative Scriptwriting 4E covers: * The melodrama and the thriller * Adaptations from contemporary literature * Writing non-fictional narratives for the feature documentary * An in-depth exploration of point-of-view and perspective as expressive of the film writer's voice * Voice-oriented genres--docudrama, the fable and experimental narrative * Non-linear storytelling-the narrative strategies that are necessary to make an open-architecture story work * Considerations for writing for DV that speak to the flexibility and improvisation this medium allows

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780240808499; 0240808495
    Auflage/Ausgabe: 4th ed.
    Schlagworte: Motion picture authorship; Motion picture plays / Technique; Creative writing
    Umfang: XIV, 409 S., Ill.
    Bemerkung(en):

    The Edge; Beyond the Edge

    Includes bibliographical references and index
  11. Alternative scriptwriting
    beyond the Hollywood formula
    Autor*in: Dancyger, Ken
    Erschienen: 2013

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    Quelle: Verbundkataloge
    Beteiligt: Rush, Jeff (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780240522463; 9781299192386
    Auflage/Ausgabe: Fifth Edition
    Schlagworte: Motion picture authorship; Motion picture plays / Technique
    Umfang: 1 online resource (xi, 466 pages)
    Bemerkung(en):

    Description based on print version record