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  1. The Routledge introduction to American modernism
    Erschienen: 2016
    Verlag:  Routledge,, London

    1. Some origins of modernism -- 2. The "foreign" in American modernism -- 3. Poetry as origin -- 4. Hemingway, Dos Passos, Cather, Lewis, and the American style -- 5. Fitzgerald, Faulkner, and Wolfe as American romantics -- 6. The Harlem Renaissance... mehr

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    1. Some origins of modernism -- 2. The "foreign" in American modernism -- 3. Poetry as origin -- 4. Hemingway, Dos Passos, Cather, Lewis, and the American style -- 5. Fitzgerald, Faulkner, and Wolfe as American romantics -- 6. The Harlem Renaissance and after -- 7. Reconstructing the 1930s -- 8. 1940s writing.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315726830; 9781317538097; 9781317538103
    Weitere Identifier:
    Schriftenreihe: Routledge introductions to American literature
    Schlagworte: Modernism (Literature); American literature; Modernism (Literature) ; United States; American literature ; 20th century ; History and criticism
    Umfang: 1 online resource (191 pages)
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    Includes bibliographical references (pages [171]-183) and index

  2. Modernism's other work
    the art object's political life
    Erschienen: 2012
    Verlag:  Oxford University Press, New York

    This title considers writings by Gertrude Stein, Wyndham Lewis Elizabeth Bishop, Amiri Barka, and others, to challenge deeply held critical beliefs about the meaning - in particular the political meaning - of modernism's commitment to the work of art... mehr

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    This title considers writings by Gertrude Stein, Wyndham Lewis Elizabeth Bishop, Amiri Barka, and others, to challenge deeply held critical beliefs about the meaning - in particular the political meaning - of modernism's commitment to the work of art as an object detached from the world

     

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  3. Would Poetry Disappear?
    American Verse and the Crisis of Modernity
    Erschienen: 2004
    Verlag:  Ohio State University Press, Columbus

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  4. Commemorative modernisms
    women writers, death and the First World War
    Autor*in: Kelly, Alice
    Erschienen: 2020
    Verlag:  Edinburgh University Press, Edinburgh

    This book provides the first sustained study of women's literary representations of death and the culture of war commemoration that underlies British and American literary modernism. mehr

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    This book provides the first sustained study of women's literary representations of death and the culture of war commemoration that underlies British and American literary modernism.

     

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  5. Cross-Cultural Visions in African American Modernism
    From Spatial Narrative to Jazz Haiku
    Erschienen: 2006
    Verlag:  Ohio State University Press, Columbus

    Yoshinobu Hakutani traces the development of African American modernism, which initially gathered momentum with Richard Wright’s literary manifesto “Blueprint for Negro Writing” in 1937. Hakutani dissects and discusses the cross-cultural influences... mehr

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    Yoshinobu Hakutani traces the development of African American modernism, which initially gathered momentum with Richard Wright’s literary manifesto “Blueprint for Negro Writing” in 1937. Hakutani dissects and discusses the cross-cultural influences on the then-burgeoning discipline in three stages: American dialogues, European and African cultural visions, and Asian and African American cross-cultural visions. In writing Black Boy, the centerpiece of the Chicago Renaissance, Wright was inspired by Theodore Dreiser. Because the European and African cultural visions that Wright, Ralph Ellison, Alice Walker, and Toni Morrison acquired were buttressed by the universal humanism that is common to all cultures, this ideology is shown to transcend the problems of society. Fascinated by Eastern thought and art, Wright, Walker, Sonia Sanchez, and James Emanuel wrote highly accomplished poetry and prose. Like Ezra Pound, Wright was drawn to classic haiku, as reflected in the 4,000 haiku he wrote at the end of his life. As W. B. Yeats’s symbolism was influenced by his cross-cultural visions of noh theatre and Irish folklore, so is James Emanuel’s jazz haiku energized by his cross-cultural rhythms of Japanese poetry and African American music. The book demonstrates some of the most visible cultural exchanges in modern and postmodern African American literature. Such a study can be extended to other contemporary African American writers whose works also thrive on their cross-cultural visions, such as Amiri Baraka, Ishmael Reed, Charles Johnson, and haiku poet Lenard Moore.

     

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  6. The Edge of Modernism
    American Poetry and the Traumatic Past
    Erschienen: 2006
    Verlag:  Johns Hopkins University Press, Baltimore

    In The Edge of Modernism, Walter Kalaidjian explores American poetry on genocide, the Holocaust, and total war as well as on postwar social antagonisms, racial oppression, and domestic violence. By asking what it means for traumatic memory to have... mehr

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    In The Edge of Modernism, Walter Kalaidjian explores American poetry on genocide, the Holocaust, and total war as well as on postwar social antagonisms, racial oppression, and domestic violence. By asking what it means for traumatic memory to have agency in the American verse tradition, Kalaidjian creates an original historical account of how American poets became witnesses, often unconsciously, to modern extremity. Combining psychoanalytic theory and cultural studies, this intense, sweeping account of modern poetics analyzes the ways in which literary form gives testimony to the trauma of twentieth-century history. Through close readings of well-known and less familiar poets—among them Langston Hughes, Countee Cullen, Claude McKay, Edwin Rolfe, Sylvia Plath, Adrienne Rich, Peter Balakian, Rachel Blau DuPlessis, Anne Sexton, and Anthony Hecht—Kalaidjian discerns the latent "edge" of modern trauma as it cuts through the literary representations, themes, and formal techniques of twentieth-century American poetics. In this way, The Edge of Modernism advances an innovative and dynamic model of modern periodization.

     

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  7. From modernism to postmodernism
    American poetry and theory in the twentieth century
    Erschienen: 2005
    Verlag:  Cambridge University Press, Cambridge

    In this overview of twentieth-century American poetry, Jennifer Ashton examines the relationship between modernist and postmodernist American poetics. Ashton moves between the iconic figures of American modernism - Stein, Williams, Pound - and... mehr

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    In this overview of twentieth-century American poetry, Jennifer Ashton examines the relationship between modernist and postmodernist American poetics. Ashton moves between the iconic figures of American modernism - Stein, Williams, Pound - and developments in contemporary American poetry to show how contemporary poetics, specially the school known as language poetry, have attempted to redefine the modernist legacy. She explores the complex currents of poetic and intellectual interest that connect contemporary poets with their modernist forebears. The works of poets such as Gertrude Stein and John Ashbery are explained and analysed in detail. This major account of the key themes in twentieth-century poetry and poetics develops important ways to read both modernist and postmodernist poetry through their similarities as well as their differences. It will be of interest to all working in American literature, to modernists, and to scholars of twentieth-century poetry.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511485442; 9780521855044; 9780521101554; 0521855047
    Weitere Identifier:
    RVK Klassifikation: HU 1150
    Schriftenreihe: Cambridge studies in American literature and culture ; v. [149]
    Schlagworte: American poetry; Modernism (Literature); Postmodernism (Literature); American poetry ; 20th century ; History and criticism; Modernism (Literature) ; United States; Postmodernism (Literature) ; United States
    Umfang: 1 online resource (x, 201 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 31 May 2016)

    Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction: modernism's new literalism; CHAPTER 1 Gertrude Stein for anyone; CHAPTER 2 Making the rose red: Stein, proper names, and the critique of indeterminacy; CHAPTER 3 Laura (Riding) Jackson and T=H=E N=E=W C=R=I=T=I=C=I=S=M; CHAPTER 4 Modernism's old literalism: Pound, Williams, Zukofsky, and the objectivist critique of metaphor; CHAPTER 5 Authorial inattention: Donald Davidson's literalism, Jorie Graham's Materialism…; Notes; Index;

  8. Glamour in Six Dimensions
    Modernism and the Radiance of Form
    Autor*in: Brown, Judith
    Erschienen: 2018; ©2018
    Verlag:  Cornell University Press, Ithaca

    Glamour is an alluring but elusive concept. We most readily associate it with fashion, industrial design, and Hollywood of the Golden Age, and yet it also shaped the language and interests of high modernism. In Glamour in Six Dimensions, Judith... mehr

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    Glamour is an alluring but elusive concept. We most readily associate it with fashion, industrial design, and Hollywood of the Golden Age, and yet it also shaped the language and interests of high modernism. In Glamour in Six Dimensions, Judith Brown... Cover -- GLAMOUR IN SIX DIMENSIONS -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Perception -- 2. Violence -- 3. Photography -- 4. Celebrity -- 5. Primitivism -- 6. Cellophane -- Notes -- Index.

     

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  9. The Routledge introduction to American modernism
    Erschienen: 2016
    Verlag:  Routledge,, London

    1. Some origins of modernism -- 2. The "foreign" in American modernism -- 3. Poetry as origin -- 4. Hemingway, Dos Passos, Cather, Lewis, and the American style -- 5. Fitzgerald, Faulkner, and Wolfe as American romantics -- 6. The Harlem Renaissance... mehr

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    1. Some origins of modernism -- 2. The "foreign" in American modernism -- 3. Poetry as origin -- 4. Hemingway, Dos Passos, Cather, Lewis, and the American style -- 5. Fitzgerald, Faulkner, and Wolfe as American romantics -- 6. The Harlem Renaissance and after -- 7. Reconstructing the 1930s -- 8. 1940s writing.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315726830; 9781317538097; 9781317538103
    Weitere Identifier:
    Schriftenreihe: Routledge introductions to American literature
    Schlagworte: Modernism (Literature); American literature; Modernism (Literature) ; United States; American literature ; 20th century ; History and criticism
    Umfang: 1 online resource (191 pages)
    Bemerkung(en):

    Includes bibliographical references (pages [171]-183) and index

  10. American literature in transition, 1910-1920
    Beteiligt: Van Wienen, Mark W. (HerausgeberIn)
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    American Literature in Transition, 1910–1920 offers provocative new readings of authors whose innovations are recognized as inaugurating Modernism in US letters, including Robert Frost, Willa Cather, T. S. Eliot, Ezra Pound, Gertrude Stein, H. D.,... mehr

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    American Literature in Transition, 1910–1920 offers provocative new readings of authors whose innovations are recognized as inaugurating Modernism in US letters, including Robert Frost, Willa Cather, T. S. Eliot, Ezra Pound, Gertrude Stein, H. D., and Marianne Moore. Gathering the voices of both new and established scholars, the volume also reflects the diversity and contradictions of US literature of the 1910s. 'Literature' itself is construed variously, leading to explorations of jazz, the movies, and political writing as well as little magazines, lantern slides, and sports reportage. One section of thematic essays cuts across genre boundaries. Another section oriented to formats drills deeply into the workings of specific media, genres, or forms. Essays on institutions conclude the collection, although a critical mass of contributors throughout explore long-term literary and cultural trends - where political repression, race prejudice, war, and counterrevolution are no less prominent than experimentation, progress, and egalitarianism Machine generated contents note: Chronology: 1910-1920; Introduction: revolution, progress, and reaction in the first decade of American modernism Mark W. Van Wienen; Part I. Themes: 1. The city: modern poetics and metropolitan life John Timberman Newcomb; 2. The country: myth and reality, affirmation and reform Janet Galligani Casey; 3. Indian country: between native claims and modernist desires Beth H. Piatote; 4. Labor: the Lawrence strike in poetry and public opinion John Marsh; 5. The color line: racial inequality in the literary field Michael Nowlin; 6. The new woman: narrating the histor(ies) of the feminist movement Francesca Sawaya; 7. Eugenics: bad blood and better babies Beth Widmaier Capo; 8. Bohemians: Greenwich Village and 'the masses' Joanna Levin; 9. Americanism: assimilation and the 'immigrant question' Cathy Schlund-Vials; 10. Masculinity: regenerative primitivism as cultural compensation Jonathan Vincent; 11. Revolution: imagining a counternarrative Laura Hapke; Part II. Formats: 12. Modernist poetry: or, the growing taste for the lower kinds of poetry Robin G. Schulze; 13. Modernist fiction: women's writing and cultural emergence Guy Reynolds; 14. Realist drama: from the little theatre to Broadway Brenda Murphy; 15. Realist fiction: a resilient mode Robin Peel; 16. Roots and popular music: literary encounters with jazz and blues Tim A. Ryan; 17. Popular verse: poetry in motion Mike Chasar; 18. Sports writing: a foundational decade Scott D. Emmert; 19. Manifestos: anti-foundationalism in avant-garde, feminist, and African-American modernisms Laura Ann Winkiel; Part III. Institutions: 20. Little magazines: aesthetics and dissent Jayne Marek; 21. The movies: the transitional era Charlie Keil; 22. The academy: potential and constraint Cary Nelson; 23. The presidency: Woodrow Wilson and the reinvention of executive power Sean McCann; 24. The war: event and institution Mark W. Van Wienen; Works cited; Index

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Van Wienen, Mark W. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316534397
    Weitere Identifier:
    Schriftenreihe: American literature in transition
    Schlagworte: Literature and society; Modernism (Literature); American literature; American literature ; 20th century ; History and criticism; Modernism (Literature) ; United States; Literature and society ; United States ; History ; 20th century
    Umfang: 1 Online-Ressource (XX, 417 Seiten), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Jan 2018)

  11. The Cambridge companion to the modernist novel
    Beteiligt: Shiach, Morag (HerausgeberIn)
    Erschienen: 2007
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    The novel is modernism's most vital and experimental genre. In this 2007 Companion leading critics explore the very significant pleasures of reading modernist novels, but also demonstrate how and why reading modernist fiction can be difficult. No one... mehr

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    The novel is modernism's most vital and experimental genre. In this 2007 Companion leading critics explore the very significant pleasures of reading modernist novels, but also demonstrate how and why reading modernist fiction can be difficult. No one technique or style defines a novel as modernist. Instead, these essays explain the formal innovations, stylistic preferences and thematic concerns which unite modernist fiction. They also show how modernist novels relate to other forms of art, and to the social and cultural context from which they emerged. Alongside chapters on prominent novelists such as James Joyce and Virginia Woolf, as well as lesser-known authors such as Dorothy Richardson and Djuna Barnes, themes such as genre and geography, time and consciousness are discussed in detail. With a chronology and guide to further reading, this is the most accessible and informative overview of the genre available. Reading the modernist novel : an introduction / Morag Shiach -- Modernists on the art of fiction / Jeff Wallace -- Early modernism / Peter Brooker -- Remembrance and tense past / Ann Banfield -- Consciousness as a stream / Anne Fernihough -- The legacies of modernism / Laura Marcus -- James Joyce and the languages of modernism / Katherine Mullin -- Tradition and revelation : moments of being in Virginia Woolf's major novels / Meg Jensen -- Wyndham Lewis and modernist satire / Rebecca Beasley -- D.H. Lawrence : organicism and the modernist novel / Hugh Stevens -- Joseph Conrad's half-written fictions / Jeremy Hawthorn -- Djuna Barnes : melancholic modernism / Deborah Parsons -- William Faulkner : an impossibly comprehensive expressivity / Catherine Gunther Kodat -- Writing lives : Dorothy Richardson, May Sinclair, Gertrude Stein / Howard Finn -- C.L.R. James, Claude McKay, Nella Larsen, Jean Toomer : the 'black Atlantic' and the modernist novel / Anna Snaith -- Situating Samuel Beckett / Lois Oppenheim

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Shiach, Morag (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139001465
    Weitere Identifier:
    RVK Klassifikation: HM 1295 ; HM 1139
    Schriftenreihe: Cambridge companions to literature
    Schlagworte: American fiction; English fiction; Modernism (Literature); Modernism (Literature); English fiction ; 20th century ; History and criticism; Modernism (Literature) ; United States; Modernism (Literature) ; Great Britain; American fiction ; 20th century ; History and criticism
    Umfang: Online-Ressource
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    Title from publisher's bibliographic system (viewed on 09 Nov 2015)

  12. The Cambridge companion to modernist poetry
    Beteiligt: Davis, Alex (HerausgeberIn); Jenkins, Lee Margaret (HerausgeberIn)
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge [UK]

    This 2007 Companion offers the most comprehensive overview available of modernist poetry, its forms, its major authors and its contexts. The first part explores the historical and cultural contexts and sexual politics of literary modernism and the... mehr

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    This 2007 Companion offers the most comprehensive overview available of modernist poetry, its forms, its major authors and its contexts. The first part explores the historical and cultural contexts and sexual politics of literary modernism and the avant garde. The chapters in the second part concentrate on individual authors and movements, while the concluding part offers a comprehensive overview of the early reception and subsequent canonisation of modernist poetry. As well as insightful readings of canonical poets, the Companion features extended discussions of poets whose importance is now being increasingly recognised, such as Mina Loy, poets of the Harlem Renaissance, and postcolonial poets in the Caribbean, Africa and India. While modernist poets are often thought of as difficult, these essays will help students to understand and enjoy their experimental, playful and fascinating responses to contemporary social and cultural change and their dialogue with the arts and with each other. pt. 1. Contexts. Modernist poetry in history / David Ayers -- Schools, movements, manifestoes / Paul Peppis -- The poetics of modernism / Peter Nicholls -- Gender, sexuality and the modernist poem / Cristanne Miller -- pt. 2. Authors and alliances. Pound or Eliot : Whose era? / Lawrence Rainey -- H.D. and revisionary myth-making / Rachel Blau DuPlessis -- Yeats, Ireland and modernism / Anne Fogarty -- Modernist poetry in the British Isles / Drew Milne -- US modernism I : Moore, Stevens and the modernist lyric / Bonnie Costello -- US modernism II : The other tradition -- Williams, Zukofsky and Olson / Mark Scroggins -- The poetry of the Harlem Renaissance / Sharon Lynette Jones -- Caliban's modernity : Postcolonial poetry of Africa, South Asia and the Caribbean / Jahan Ramazani -- pt. 3. Receptions. Modernist poetry and the canon / Jason Harding

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Davis, Alex (HerausgeberIn); Jenkins, Lee Margaret (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139001632; 9780521618151; 9780521853057
    Weitere Identifier:
    RVK Klassifikation: HG 550 ; HM 1191 ; HN 1160 ; HM 1160
    Schriftenreihe: The Cambridge companions to literature and classics
    Cambridge companions to literature
    The Cambridge companions complete collection
    Cambridge collections online
    Schlagworte: Modernism (Literature); Modernism (Literature); American poetry; English poetry; English poetry ; 20th century ; History and criticism; Modernism (Literature) ; United States; Modernism (Literature) ; Great Britain; American poetry ; 20th century ; History and criticism
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

  13. The great American songbooks
    musical texts, modernism, and the value of popular culture
    Erschienen: [2013]; © 2013
    Verlag:  Oxford University Press, New York

    'The Great American Songbooks' shows how popular music shapes and permeates a host of modernism's hallmark texts. Austin Graham begins his study of 20th-century texts with a discussion of American popular music and literature in the 19th century mehr

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    'The Great American Songbooks' shows how popular music shapes and permeates a host of modernism's hallmark texts. Austin Graham begins his study of 20th-century texts with a discussion of American popular music and literature in the 19th century

     

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  14. The African American Roots of Modernism
    From Reconstruction to the Harlem Renaissance
    Erschienen: 2011; ©2011.
    Verlag:  University of North Carolina Press, Chapel Hill

    The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound... mehr

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    The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response from African American intellectuals. The African American Roots of Modernism explores how the Jim Crow system triggered significant artistic and intellectual responses from African American writers, deeply marking the beginnings of literary modernism and, ultimately, notions of American modernity. In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, black performance of popular culture forms, and more. Smethurst introduces a whole cast of characters, including understudied figures such as William Stanley Braithwaite and Fenton Johnson, and more familiar authors such as Charles Chesnutt, Pauline Hopkins, and James Weldon Johnson. By considering the legacy of writers and artists active between the end of Reconstruction and the rise of the Harlem Renaissance, Smethurst illuminates their influence on the black and white U.S. modernists who followed. Cover -- Contents -- Acknowledgments -- Introduction: New Forms and Captive Knights in the Age of Jim Crow and Mechanical Reproduction -- One: Dueling Banjos: African American Dualism and Strategies for Black Representation at the Turn of the Century -- Two: Remembering "Those Noble Sons of Ham": Poetry, Soldiers, and Citizens at the End of Reconstruction -- Three: The Black City: The Early Jim Crow Migration Narrative and the New Territory of Race -- Four: Somebody Else's Civilization: African American Writers, Bohemia, and the New Poetry -- Five: A Familiar and Warm Relationship: Race, Sexual Freedom, and U.S. Literary Modernism -- Conclusion: "Our Beautiful White. . . -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780807878088
    Schriftenreihe: The John Hope Franklin Series in African American History and Culture Ser
    Schlagworte: Modernism (Literature); Segregation in literature; African Americans; African Americans; American literature; African Americans; African Americans ; Intellectual life ; 19th century; African Americans ; Intellectual life ; 20th century; African Americans ; Segregation; American literature ; African American authors ; History and criticism; Modernism (Literature) ; United States; Segregation in literature; Electronic books
    Umfang: 1 online resource (265 pages)
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    Description based on publisher supplied metadata and other sources

  15. Race and the Modern Artist.
    Erschienen: 2003; ©2002.
    Verlag:  Oxford University Press, Incorporated, Cary

    Definitions of modernism have been debated throughout the twentieth century. But both during the height of the modernist era and since, little to no consideration has been given to the work of minority writers as part of this movement. Considering... mehr

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    Definitions of modernism have been debated throughout the twentieth century. But both during the height of the modernist era and since, little to no consideration has been given to the work of minority writers as part of this movement. Considering works by writers ranging from B.A. Botkin,T.S. Eliot, Waldo Frank, and Jean Toomer to Pedro Pietri and Allen Ginsberg, these essays examine the disputed relationships between modernity, modernism, and American cultural diversity. In so doing, the collection as a whole adds an important new dimension to our understanding of twentieth-centuryliterature. Intro -- CONTENTS -- CONTRIBUTORS -- Introduction: Modernity, Modernism, and the American Ethnic Minority Artist -- T.S. Eliot, B. A. Botkin, and the Politics of Cultural Representation: Folklore, Modernity, and Pluralism -- Four Types of Writing under Modern Conditions -- or, Black Writers and "Populist Modernism" -- Exploring "Something New": The "Modernism" of Claude McKay's Harlem Shadows -- The Strong Men Gittin' Stronger: Sterling Brown's Southern Road and the Representation and Re-Creation of the Southern Folk Voice -- Waldo Frank, Jean Toomer, and the Critique of Racial Voyeurism -- "Among Negroes": Gertrude Stein and African America -- A Black Man in Jewface -- Incognito Ergo Sum: "Ex" Marks the Spot in Cahan, Johnson, Larsen, and Yezierska -- A Jewish New World in Jacob Glatshteyn's "Sheeny Mike" -- Beware of Signs -- or, How to Tell the Living from the Dead: Orality and Writing in the Work of Pedro Pietri -- Centralizing the Marginal: Prolegomena to a Study of Boundaries in Contemporary African American Fiction -- When All Met Together in One Room: Josef Jarab Interviews Allen Ginsberg -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y.

     

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    Quelle: Verbundkataloge
    Beteiligt: Jarab, Josef (MitwirkendeR); Melnick, Jeffrey (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780195352627
    Schriftenreihe: W. E. B. du Bois Institute Ser
    Schlagworte: African Americans; Race relations in literature; Modernism (Literature); American literature; African Americans ; Intellectual life ; 20th century; American literature ; African American authors ; History and criticism; Modernism (Literature) ; United States; Race relations in literature; Electronic books
    Umfang: 1 online resource (281 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  16. Deafening Modernism
    Embodied Language and Visual Poetics in American Literature
    Erschienen: 2015; ©2015
    Verlag:  NYU Press, s.l.

    Cover -- Contents -- Acknowledgments -- Introduction -- 1 Impersonality: Tradition and the Inescapable Body -- 2 Primitivism: Communicative Norms and the Ethics of the Story -- 3 Difficulty: Juxtaposition, Indeterminacy, and the Linguistics of... mehr

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    Cover -- Contents -- Acknowledgments -- Introduction -- 1 Impersonality: Tradition and the Inescapable Body -- 2 Primitivism: Communicative Norms and the Ethics of the Story -- 3 Difficulty: Juxtaposition, Indeterminacy, and the Linguistics of Simultaneity -- 4 The Image: Cinematic Poetics and Deaf Vision -- Epilogue: The Textual Body -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W -- Y -- About the Author.

     

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    Format: Online
    ISBN: 9781479828869
    Schriftenreihe: Cultural Front
    Schlagworte: Modernism (Literature)-United States; Visual poetry, American-History and criticism; Language and languages in literature; Modernism (Literature) ; United States; Visual poetry, American ; History and criticism; Language and languages in literature; Electronic books
    Umfang: Online-Ressource (208 p)
    Bemerkung(en):

    Description based upon print version of record

  17. The Cambridge companion to H. D.
    Beteiligt: Christodoulides, Nephie (Hrsg.)
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    H. D. (Hilda Doolittle) was one of the central figures in literary modernism in the 1910s. She collaborated with Ezra Pound and others and played an important role in the early development of modernist poetry. This Cambridge Companion is a critical... mehr

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    H. D. (Hilda Doolittle) was one of the central figures in literary modernism in the 1910s. She collaborated with Ezra Pound and others and played an important role in the early development of modernist poetry. This Cambridge Companion is a critical introduction to H. D. containing essays on all her major works. The first part explores the author's initial exclusion from the canon and her subsequent reinstatement; her tendency to merge fact with fiction in her autobiographical texts; her contribution to the little magazines; her relation to modernism; her representation of gender; and her influence on later generations of writers. The second part offers close and accessible critical analyses of H. D.'s style, her poems Hymen and Trilogy, her novels HERmione and Majic Ring, her understanding of translation as literary practice and of her notion of history in Tribute to Freud and The Gift. Machine generated contents note: Chronology; Introduction Nephie J. Christodoulides and Polina Mackay; Part I. Contexts and Issues: 1. 'Uncanonically seated': H. D. and literary canons Miranda B. Hickman; 2. Facts and fictions Nephie J. Christodoulides; 3. H. D. and the 'Little Magazines' Cyrena N. Pondrom; 4. H. D.'s modernism Polina Mackay; 5. H. D. and gender: queering the reading Georgia Johnston; 6. Reading H. D.: influence and legacy Jo Gill; Part II. Works: 7. H. D.'s transformative poetics Diana Collecott; 8. Hymen and Trilogy Sarah Graham; 9. HERmione and other prose Matte Robinson and Demetrios P. Tryphonopoulos; 10. H. D. and translation Eileen Gregory; 11. Reading history in The Gift and Tribute to Freud Brenda S. Helt; Further reading; Index

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Christodoulides, Nephie (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780521769082; 0521769086; 9780521187558; 0521187559
    Weitere Identifier:
    RVK Klassifikation: HU 3489
    Schriftenreihe: Cambridge companions to literature
    Schlagworte: Modernism (Literature); H. D ; (Hilda Doolittle) ; 1886-1961 ; Criticism and interpretation; Modernism (Literature) ; United States
    Weitere Schlagworte: H. D (1886-1961); Array; Array
    Bemerkung(en):

    Formerly CIP Uk. - Includes bibliographical references and index

    Includes bibliographical references and index

    Online-Ausg. New York : Cambridge Histories Online, 2011. Online-Ressource

  18. Ashes taken for fire
    aesthetic modernism and the critique of identity
    Autor*in: Bell, Kevin
    Erschienen: c2007
    Verlag:  University of Minnesota Press, Minneapolis

    Kevin Bell surveys fiction by Conrad, Woolf, Faulkner, West, Ellison, and Himes to argue that modernism exposes cultural identities such as blackness as mere strategies of conforming the self into belonging. For while blackness operates as a standard... mehr

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    Kevin Bell surveys fiction by Conrad, Woolf, Faulkner, West, Ellison, and Himes to argue that modernism exposes cultural identities such as blackness as mere strategies of conforming the self into belonging. For while blackness operates as a standard figural expression for disorientation, its presumably "voided" character is reprojected in this work as an immanent force of possibility and experimentation

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0816649014; 9780816649006; 0816649006; 9780816649013
    Schlagworte: Modernism (Literature); English fiction; American fiction; Modernism (Literature); American fiction ; 20th century ; History and criticism; English fiction ; 20th century ; History and criticism; Modernism (Literature) ; England; Modernism (Literature) ; United States; Electronic books
    Umfang: Online-Ressource (x, 252 p), 23 cm
    Bemerkung(en):

    Includes bibliographical references (p. 239-245) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Introduction: Modernism under the Sign of Suicide; Part I: Mimetic Elusives; 1 Holographic Ensemble: The Death of Doubt Itself in The Nigger of the "Narcissus"; 2 Something Savage, Something Pedantic: Imaginary Portraits of Certitude in Jacob's Room; Part II: Narcissism and Nothingness; 3 Maladjusted Phantasms: The Ontological Question of Blackness in Light in August; 4 The Business of Dreams: Retailing Presence in Miss Lonelyhearts; Part III: Blackness (In) Visible; 5 Chaos and Surface in Invisible Man

    6 Assuming the Position: Fugitivity and Futurity in the Work of Chester HimesNotes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z

  19. African, Native, and Jewish American literature and the reshaping of Modernism
    Autor*in: Kent, Alicia A.
    Erschienen: 2007
    Verlag:  Palgrave Macmillan, New York

    Includes bibliographical references (p. [189]-212) and index Introduction -- African Americans: moving from caricatures to creators, Charles Chesnutt and Zora Neale Hurston -- Native Americans: moving from Primitive to Postmodern, Mourning Dove and... mehr

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    Includes bibliographical references (p. [189]-212) and index Introduction -- African Americans: moving from caricatures to creators, Charles Chesnutt and Zora Neale Hurston -- Native Americans: moving from Primitive to Postmodern, Mourning Dove and D'Arcy McNickle -- Jewish Americans: moving from exile to authorship, Abraham Cahan and Anzia Yezierska Examines literature by African, Native, and Jewish American novelists at the beginning of the twentieth century, a period of radical dislocation from homelands for these three ethnic groups as well as the period when such voices established themselves as central figures in the American literary canon

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1403977976; 9781403977977
    Schlagworte: American literature; Modernism (Literature); American literature; American literature; American literature; American literature ; 20th century ; History and criticism; American literature ; African American authors ; History and criticism; American literature ; Indian authors ; History and criticism; American literature ; Jewish authors ; History and criticism; Modernism (Literature) ; United States; Electronic books
    Umfang: x, 230 p. S., 22 cm
    Bemerkung(en):

    Includes bibliographical references (p. [189]-212) and index

    Electronic reproduction Available via World Wide Web

    Cover; Table of Contents; List of Illustrations; Acknowledgments; Chapter 1 Introduction; Chapter 2 African Americans: Moving from Caricatures to Creators, Charles Chesnutt and Zora Neale Hurston; Chapter 3 Native Americans: Moving from Primitive to Postmodern, Mourning Dove and D'Arcy McNickle; Chapter 4 Jewish Americans: Moving from Exile to Authorship, Abraham Cahan and Anzia Yezierska; Chapter 5 Conclusion; Notes; Works Cited; Index

  20. Patterns for America
    modernism and the concept of culture
    Autor*in: Hegeman, Susan
    Erschienen: c1999
    Verlag:  Princeton University Press, Princeton, NJ

    In recent decades, historians and social theorists have given much thought to the concept of "culture," its origins in Western thought, and its usefulness for social analysis. In this book, Susan Hegeman focuses on the term's history in the United... mehr

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    In recent decades, historians and social theorists have given much thought to the concept of "culture," its origins in Western thought, and its usefulness for social analysis. In this book, Susan Hegeman focuses on the term's history in the United States in the first half of the twentieth century. She shows how, during this period, the term "culture" changed from being a technical term associated primarily with anthropology into a term of popular usage. She shows the connections between this movement of "culture" into the mainstream and the emergence of a distinctive "American culture," with

     

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  21. The Art of Twentieth-Century American Poetry
    Modernism and After
    Erschienen: 2008
    Verlag:  John Wiley & Sons, Ltd, Hoboken

    Written by a leading critic, this invigorating introduction to modernist American poetry conveys the excitement that can be generated by a careful reading of modernist poems. Encourages readers to identify with the modernists' sense of the... mehr

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Written by a leading critic, this invigorating introduction to modernist American poetry conveys the excitement that can be generated by a careful reading of modernist poems. Encourages readers to identify with the modernists' sense of the revolutionary possibilities of their art.Embraces four generations of modernist American poets up through to the 1980s.Gives readers a sense of the ambitions, the disillusionments and the continuities of modernist poetry.Includes close readings of particular poems which show how readers can use these works to connect with what concerns them

     

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    Format: Online
    ISBN: 9781405121064
    Schriftenreihe: Blackwell Introductions to Literature
    Wiley Blackwell Introductions to Literature Ser
    Schlagworte: American poetry ; 20th century ; History and criticism; Modernism (Literature) ; United States; Electronic books
    Umfang: Online-Ressource (266 p.)
    Bemerkung(en):

    Description based upon print version of record

    Preface and Acknowledgments; Abbreviations; Chapter 1 Introduction The Art of Twentieth-Century American Poetry: An Overview; Chapter 2 The New Realism in Modernist Poetry: Pound and Williams; Chapter 3 The Doctrine of Impersonality and Modernism's War on Rhetoric: Eliot, Loy, and Moore; Chapter 4 How Modernist Poetics Failed and Efforts at Renewal: Williams, Oppen, and Hughes; Chapter 5 The Return to Rhetoric in Modernist Poetry: Stevens and Auden; Chapter 6 Modernist Dilemmas and Early Post-Modernist Responses; Notes; Works Cited; Further Reading; Index;

  22. The Routledge Introduction to American Postmodernism
    Erschienen: 2018
    Verlag:  Routledge,, Boca Raton, FL

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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9781315180434
    Auflage/Ausgabe: First edition.
    Schriftenreihe: Routledge Introductions to American Literature
    Schlagworte: Modernism (Literature); American literature; Modernism (Literature) ; United States; American literature ; History and criticism ; 20th century; Electronic books; One Flew Over the Cuckoo’s Nest ; bisacsh; One Flew Over the Cuckoo's Nest ; bisacsh; LITERARY CRITICISM / Modern / 21st Century ; bisacsh; LITERARY CRITICISM / Modern / General ; bisacsh; Adrienne Rich ; bisacsh; Alice Walker ; bisacsh; American Literature ; bisacsh; American Modernism ; bisacsh; A Farewell to Arms ; bisacsh; autobiography ; bisacsh; avant garde ; bisacsh; biography ; bisacsh; Charles Bukowski ; bisacsh; Chuck Palahniuk ; bisacsh; contemporary literature ; bisacsh; culture ; bisacsh; David Cowart ; bisacsh; David Foster Wallace ; bisacsh; Denise Levertov ; bisacsh; Donald Barthelme ; bisacsh; drama ; bisacsh; Ernest Hemingway ; bisacsh; existentialism ; bisacsh; experimentation within genres ; bisacsh; fiction ; bisacsh; Gary Snyder ; bisacsh; Gertrude Stein ; bisacsh; Gloria Naylor ; bisacsh; Helena Maria Viramontes ; bisacsh; Infinite Jest ; bisacsh; identity politics ; bisacsh; John Barth ; bisacsh; Ken Kesey ; bisacsh; Kurt Vonnegut ; bisacsh; Literature of Exhaustion ; bisacsh; modernism ; bisacsh; North American Literature ; bisacsh; Philip Roth ; bisacsh; poetry ; bisacsh; prose ; bisacsh; Ralph Ellison ; bisacsh; Raymond Carve ; bisacsh; Richard Kostelanetz ; bisacsh; Richard Powers ; bisacsh; Sherwood Anderson ; bisacsh; Slaughterhouse Five ; bisacsh; short story ; bisacsh; The Color Purple ; bisacsh; The Waste Land ; bisacsh; Toni Morrison ; bisacsh; T. S. Eliot ; bisacsh; United States ; bisacsh; Yusef Komunyakaa ; bisacsh; LITERARY CRITICISM / Modern / 21st Century; LITERARY CRITICISM / Modern / General; Adrienne Rich; Alice Walker; American Literature; American Modernism; A Farewell to Arms; autobiography; avant garde; biography; Charles Bukowski; Chuck Palahniuk; contemporary literature; culture; David Cowart; David Foster Wallace; Denise Levertov; Donald Barthelme; drama; Ernest Hemingway; existentialism; experimentation within genres; fiction; Gary Snyder; Gertrude Stein; Gloria Naylor; Helena Maria Viramontes; Infinite Jest; identity politics; John Barth; Ken Kesey; Kurt Vonnegut; Literature of Exhaustion; modernism; North American Literature; One Flew Over the Cuckoo’s Nest; Philip Roth; poetry; prose; Ralph Ellison; Raymond Carve; Richard Kostelanetz; Richard Powers; Sherwood Anderson; Slaughterhouse Five; short story; The Color Purple; The Waste Land; Toni Morrison; T. S. Eliot; United States; Yusef Komunyakaa
    Umfang: 1 online resource (178 pages)
    Bemerkung(en):

    Includes bibliographical references and index

  23. The Routledge Introduction to American Postmodernism
    Erschienen: 2018
    Verlag:  Routledge,, Boca Raton, FL

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315180434
    Auflage/Ausgabe: First edition.
    Schriftenreihe: Routledge Introductions to American Literature
    Schlagworte: Modernism (Literature); American literature; Modernism (Literature) ; United States; American literature ; History and criticism ; 20th century; Electronic books; One Flew Over the Cuckoo’s Nest ; bisacsh; One Flew Over the Cuckoo's Nest ; bisacsh; LITERARY CRITICISM / Modern / 21st Century ; bisacsh; LITERARY CRITICISM / Modern / General ; bisacsh; Adrienne Rich ; bisacsh; Alice Walker ; bisacsh; American Literature ; bisacsh; American Modernism ; bisacsh; A Farewell to Arms ; bisacsh; autobiography ; bisacsh; avant garde ; bisacsh; biography ; bisacsh; Charles Bukowski ; bisacsh; Chuck Palahniuk ; bisacsh; contemporary literature ; bisacsh; culture ; bisacsh; David Cowart ; bisacsh; David Foster Wallace ; bisacsh; Denise Levertov ; bisacsh; Donald Barthelme ; bisacsh; drama ; bisacsh; Ernest Hemingway ; bisacsh; existentialism ; bisacsh; experimentation within genres ; bisacsh; fiction ; bisacsh; Gary Snyder ; bisacsh; Gertrude Stein ; bisacsh; Gloria Naylor ; bisacsh; Helena Maria Viramontes ; bisacsh; Infinite Jest ; bisacsh; identity politics ; bisacsh; John Barth ; bisacsh; Ken Kesey ; bisacsh; Kurt Vonnegut ; bisacsh; Literature of Exhaustion ; bisacsh; modernism ; bisacsh; North American Literature ; bisacsh; Philip Roth ; bisacsh; poetry ; bisacsh; prose ; bisacsh; Ralph Ellison ; bisacsh; Raymond Carve ; bisacsh; Richard Kostelanetz ; bisacsh; Richard Powers ; bisacsh; Sherwood Anderson ; bisacsh; Slaughterhouse Five ; bisacsh; short story ; bisacsh; The Color Purple ; bisacsh; The Waste Land ; bisacsh; Toni Morrison ; bisacsh; T. S. Eliot ; bisacsh; United States ; bisacsh; Yusef Komunyakaa ; bisacsh; LITERARY CRITICISM / Modern / 21st Century; LITERARY CRITICISM / Modern / General; Adrienne Rich; Alice Walker; American Literature; American Modernism; A Farewell to Arms; autobiography; avant garde; biography; Charles Bukowski; Chuck Palahniuk; contemporary literature; culture; David Cowart; David Foster Wallace; Denise Levertov; Donald Barthelme; drama; Ernest Hemingway; existentialism; experimentation within genres; fiction; Gary Snyder; Gertrude Stein; Gloria Naylor; Helena Maria Viramontes; Infinite Jest; identity politics; John Barth; Ken Kesey; Kurt Vonnegut; Literature of Exhaustion; modernism; North American Literature; One Flew Over the Cuckoo’s Nest; Philip Roth; poetry; prose; Ralph Ellison; Raymond Carve; Richard Kostelanetz; Richard Powers; Sherwood Anderson; Slaughterhouse Five; short story; The Color Purple; The Waste Land; Toni Morrison; T. S. Eliot; United States; Yusef Komunyakaa
    Umfang: 1 online resource (178 pages)
    Bemerkung(en):

    Includes bibliographical references and index

  24. Modernism in the green
    public greens in modern literature and culture
    Beteiligt: Daniel, Julia E. (HerausgeberIn); Konkol, Margaret (HerausgeberIn)
    Erschienen: 2020
    Verlag:  Routledge, Taylor & Taylor Group,, New York, NY

    Free land : central park and racial erasure in the proslavery United States -- Hospital, parlor, fresco, posey : metaphors for parks in the public lectures of Frederick Law Olmsted -- Modernist picturesque : representing urban green space on London... mehr

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    Free land : central park and racial erasure in the proslavery United States -- Hospital, parlor, fresco, posey : metaphors for parks in the public lectures of Frederick Law Olmsted -- Modernist picturesque : representing urban green space on London transport posters, 1908-1940 -- By Chicago, for Chicago? Listening for the city in the creation of Grant Park Music Festival -- A modernist walk in the park with Virginia Woolf -- Green agoraphobia : architectural cures in Baudelaire and Kafka -- Park blues : Langston Hughes, racial exclusion, and the park ballad -- A more-than-human green : national parks and animality in Marianne Moore's An octopus -- The way of the road : traveling through Yosemite National Park in Gertrude Stein's Everybody's autobiography -- The imagination's meadows in William Carlos William's Spring and all.

     

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  25. Literature and Culture of the Chicago Renaissance