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  1. Conservative modernists
    literature and Tory politics in Britain, 1900-1920
    Autor*in: Hadjiyiannis, Christos
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

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    Universitäts- und Landesbibliothek Münster
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  2. Decadent Catholicism and the making of modernism
    Autor*in: Lockerd, Martin
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London

    "Tracing the movement of literary decadence from the writers of the fin de siècle - Oscar Wilde, Aubrey Beardsley, Ernest Dowson, and Lionel Johnson - to the modernist writers of the following generation, this book charts the legacy of decadent... mehr

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    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    "Tracing the movement of literary decadence from the writers of the fin de siècle - Oscar Wilde, Aubrey Beardsley, Ernest Dowson, and Lionel Johnson - to the modernist writers of the following generation, this book charts the legacy of decadent Catholicism in the fiction and poetry of British and Irish modernists. Linking the later writers with their literary predecessors, Martin Lockerd examines the shifts in representation of Catholic decadence in the works of W. B. Yeats through Ezra Pound to T.S. Eliot; the adoption and transformation of anti-Catholicism in Irish writers George Moore and James Joyce; the Catholic literary revival as portrayed in Evelyn Waugh's Brideshead Revisited; and the attraction to decadent Catholicism still felt by postmodernist writers D.B.C. Pierre and Alan Hollinghurst. Drawing on new archival research, this study revisits some of the central works of modernist literature and undermines existing myths of modernist newness and secularism to supplant them with a record of spiritual turmoil, metaphysical uncertainty, and a project of cultural subversion that paradoxically relied upon the institutional bulwark of European Christianity. Lockerd explores the aesthetic, sexual, and political implications of the relationship between decadent art and Catholicism as it found a new voice in the works of iconoclastic modernist writers"

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350137684; 9781350137660
    Weitere Identifier:
    RVK Klassifikation: HM 1139
    Schlagworte: Literary studies: fiction, novelists & prose writers / bicssc; Decadence (Literary movement) / Great Britain; English literature / 19th century / History and criticism; English literature / 20th century / History and criticism; Modernism (Literature) / Great Britain; English literature / Irish authors / History and criticism; Christianity and literature / Great Britain / History / 19th century; Christianity and literature / Great Britain / History / 20th century; Literatur; Dekadenz <Motiv>; Englisch; Katholizismus <Motiv>
    Umfang: 1 Online-Ressource (xii, 231 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    List of Figures Abbreviations Acknowledgments Anamnesis Chapter -- 1.The Decadents: Profligates, Priests, Pornographers, and Pontiffs Wilde and his Circle Johnson in the Confessional Dowson's Search for Peace Chapter -- 2.Yeats and Pound: Disavowing Decadence, Forgetting Catholicism Pound: Wrong from the Start Yeats's Strange Souls Chapter -- 3.T. S. Eliot's Decadent (Anglo)-Catholicism ?A Satirist of Vices and Follies? [Decadent]-Catholic in Religion Chapter -- 4.George Moore and James Joyce: Decadent Anti-Catholicism and Irish Modernism Decadence and Cosmopolitanism Moore's Rebellion Non Serviam: Stephen Dedalus as Decadent Anti-Catholic Chapter -- 5.Evelyn Waugh: Decadent Catholicism Revisited ?Firbank is baroque? Aubrey Beardsley's Decadent Arcadia A Wild(e) Conversion Waugh's Queer Celibates Alan Hollinghurst and DBC Pierre: Decadent Catholicism After Modernism Hollinghurst and the Ghost of Firbank DBC Pierre and the Decadence of the -- 1. Bibliography Index. - Mode of access: World Wide Web
  3. Reading the ruins
    modernism, bombsites and British culture
    Autor*in: Mellor, Leo
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    From fires to ghosts, and from flowers to surrealist apparitions, the bombsites of London were both unsettling and inspiring terrains. Yet throughout the years prior to the Second World War, British culture was already filled with ruins and... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    From fires to ghosts, and from flowers to surrealist apparitions, the bombsites of London were both unsettling and inspiring terrains. Yet throughout the years prior to the Second World War, British culture was already filled with ruins and fragments. They appeared as content, with visions of tottering towers and scraps of paper; and also as form, in the shapes of broken poetics. But from the outbreak of the Second World War what had been an aesthetic mode began to resemble a proleptic template. During that conflict many modernist writers – such as Graham Greene, Louis MacNeice, David Jones, J. F. Hendry, Elizabeth Bowen, T. S. Eliot and Rose Macaulay – engaged with devastated cityscapes and the altered lives of a nation at war. To understand the potency of the bombsites, both in the Second World War and after, Reading the Ruins brings together poetry, novels and short stories, as well as film and visual art

     
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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511920813
    Weitere Identifier:
    RVK Klassifikation: EC 6820 ; HM 1101
    Schlagworte: Gesellschaft; Weltkrieg (1939-1945); English literature / 20th century / History and criticism; World War, 1939-1945 / Great Britain / Literature and the war; Modernism (Literature) / Great Britain; World War, 1939-1945 / Social aspects / Great Britain; Moderne; Zweiter Weltkrieg <Motiv>; Englisch; Literatur
    Umfang: 1 Online-Ressource (ix, 245 Seiten), Illustrationen, Karten
    Bemerkung(en):

    Machine generated contents note: Introduction; 1. Imagining destruction; 2. A metropolis aflame; 3. Surrealism and the bombsites; 4. The haunted city; 5. The new London jungle; Coda; Notes; Bibliography; Index
  4. Modernism, imperialism, and the historical sense
    Autor*in: Stasi, Paul
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Mexiko City

    Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist aesthetic forms and structures of empire in the twentieth century. Stasi's text offers new readings of James Joyce, Ezra Pound, T. S. Eliot and Virginia Woolf by situating their work within an early moment of globalization. By combining the insights of Marxist historiography, aesthetic theory and postcolonial criticism, Stasi's careful analysis reveals how these authors' aesthetic forms responded to, and helped shape, their unique historical moment. Written with a wide readership in mind, this book will appeal especially to scholars of British and American literature as well as students of literary criticism and postcolonial studies

     
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  5. Bloomsbury, modernism, and the reinvention of intimacy
    Autor*in: Wolfe, Jesse
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    Bloomsbury, Modernism, and the Reinvention of Intimacy integrates studies of six members and associates of the Bloomsbury group into a rich narrative of early twentieth century culture, encompassing changes in the demographics of private and public... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Bloomsbury, Modernism, and the Reinvention of Intimacy integrates studies of six members and associates of the Bloomsbury group into a rich narrative of early twentieth century culture, encompassing changes in the demographics of private and public life, and Freudian and sexological assaults on middle-class proprieties Jesse Wolfe shows how numerous modernist writers felt torn between the inherited institutions of monogamy and marriage and emerging theories of sexuality which challenged Victorian notions of maleness and femaleness. For Wolfe, this ambivalence was a primary source of the Bloomsbury writers' aesthetic strength: Virginia Woolf, D. H. Lawrence, and others brought the paradoxes of modern intimacy to thrilling life on the page. By combining literary criticism with forays into philosophy, psychoanalysis, sociology, and the avant-garde art of Vienna, this book offers a fresh account of the reciprocal relations between culture and society in that key site for literary modernism known as Bloomsbury

     
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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511794575
    Weitere Identifier:
    RVK Klassifikation: HM 1139
    Schlagworte: Geschichte; English fiction / 20th century / History and criticism; Intimacy (Psychology) in literature; Bloomsbury group; Intimacy (Psychology); Modernism (Literature) / Great Britain; Literature and society / Great Britain / History / 20th century; Intimsphäre; Gesellschaft; Sexualverhalten
    Umfang: 1 Online-Ressource (viii, 264 Seiten), Illustrationen
    Bemerkung(en):

    Introduction: narrating Bloomsbury -- Part I. PHILOSOPHICAL BACKGROUNDS: 1. Yellowy goodness in Bloomsbury's bible; 2. Freud's denial of innocence -- Part II. DEFEATED HUSBANDS: 3. Forster's missing figures; 4. The love that cannot be escaped -- Part III. DOMESTIC ANGELS: 5. Woolf's sane woman in the attic; 6. A return to essences -- Conclusion: the prescience of the two Bloomsburies
  6. The fictions of James Joyce and Wyndham Lewis
    monsters of nature and design
    Autor*in: Klein, Scott W.
    Erschienen: 1994
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    The literary relationship of James Joyce and Wyndham Lewis has previously been described in merely biographical terms. In The Fictions of James Joyce and Wyndham Lewis Scott W. Klein takes Wyndham Lewis's criticism of Ulysses in Times and Western Man... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    The literary relationship of James Joyce and Wyndham Lewis has previously been described in merely biographical terms. In The Fictions of James Joyce and Wyndham Lewis Scott W. Klein takes Wyndham Lewis's criticism of Ulysses in Times and Western Man and Joyce's implicit response to Lewis in Finnegans Wake as an emblematic opposition signalling significant textual relations within and between the fictions of the two authors. The seeing eye and the world, the creating mind and fiction, language and its aesthetic and political object, and the processes of history: all appear in the work of both Joyce and Lewis, as related thematic structures that raise questions about binarism, dialectic, and the reconciliation of opposites. Detailed examination of key texts by Joyce and Lewis reveals affiliations between the two writers, and offers insight into the politics and aesthetics of modernism

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519222
    Weitere Identifier:
    RVK Klassifikation: HM 3135 ; HM 3355
    Schlagworte: English fiction / 20th century / History and criticism; Modernism (Literature) / Great Britain; Influence (Literary, artistic, etc.); Authorship / Collaboration; Intertextuality
    Weitere Schlagworte: Joyce, James / 1882-1941 / Criticism and interpretation; Lewis, Wyndham / 1882-1957 / Criticism and interpretation; Joyce, James (1882-1941); Lewis, Wyndham (1882-1957)
    Umfang: 1 Online-Ressource (XIII, 260 S.)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Erscheinungsjahr des E-Books: 2009

    Introduction: opposition and representation -- The tell-tale Eye -- The mirror and the razor -- The cracked lookingglass of the master -- Minds of the anti-collaborators
  7. Baudelaire and the English Tradition
    Autor*in: Clements, Patricia
    Erschienen: [1986]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400857616
    Weitere Identifier:
    Schlagworte: Englische Literatur; English poetry / 20th century / History and criticism; Modernism (Literature) / Great Britain; English literature / 19th century / History and criticism; POETRY / European / English, Irish, Scottish, Welsh; English literature; English poetry; Influence (Literary, artistic, etc.); Lyrik; Englisch; Literatur
    Weitere Schlagworte: Baudelaire, Charles (1821-1867)
    Umfang: 1 Online-Ressource (452p.)
    Bemerkung(en):

    This study of Baudelaire and English modernism observes his protean influence on poets from Swinburne, who wrote the first English review of Les Fleurs du Mai, to T. S. Eliot. Documenting Baudelaire's impact on Swinburne, Pater, Wilde, Arthur Symons, Aldous Huxley, Edith and Osbert Sitwell, D. H. Lawrence, the Imagists, John Middleton Murry, Eliot, and others, Patricia Clements describes the Baudelaire who is the creation of the English poets and identifies some major lines in the development of modernism in English literature.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  8. Literature and the politics of Post-Victorian decadence
    Autor*in: Mahoney, Kristin
    Erschienen: 2015
    Verlag:  Cambridge Univ. Press, New York

    In this book, Kristin Mahoney argues that the early twentieth century was a period in which the specters of the fin de siecle exercised a remarkable draw on the modern cultural imagination and troubled emergent avant-gardistes. These authors and... mehr

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    Universitätsbibliothek Augsburg
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    Standort:
    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Standort:
    Universitätsbibliothek der LMU München
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    Standort:
    Universitätsbibliothek Passau
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    In this book, Kristin Mahoney argues that the early twentieth century was a period in which the specters of the fin de siecle exercised a remarkable draw on the modern cultural imagination and troubled emergent avant-gardistes. These authors and artists refused to assimilate to the aesthetic and political ethos of the era, representing themselves instead as time travelers from the previous century for whom twentieth-century modernity was both baffling and disappointing. However, they did not turn entirely from the modern moment, but rather relied on decadent strategies to participate in conversations concerning the most highly vexed issues of the period including war, the rise of the Labour Party, the question of women's sexual freedom, and changing conceptions of sexual and gender identities

     
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  9. Literature and the politics of post-Victorian decadence
    Autor*in: Mahoney, Kristin Mary
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    In Literature and the Politics of Post-Victorian Decadence, Kristin Mahoney argues that the early twentieth century was a period in which the specters of the fin de siècle exercised a remarkable draw on the modern cultural imagination and troubled... mehr

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    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In Literature and the Politics of Post-Victorian Decadence, Kristin Mahoney argues that the early twentieth century was a period in which the specters of the fin de siècle exercised a remarkable draw on the modern cultural imagination and troubled emergent avant-gardistes. These authors and artists refused to assimilate to the aesthetic and political ethos of the era, representing themselves instead as time travelers from the previous century for whom twentieth-century modernity was both baffling and disappointing. However, they did not turn entirely from the modern moment, but rather relied on decadent strategies to participate in conversations concerning the most highly vexed issues of the period including war, the rise of the Labour Party, the question of women's sexual freedom, and changing conceptions of sexual and gender identities

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316272046
    Weitere Identifier:
    Schlagworte: Geschichte; English literature / 20th century / History and criticism; Decadence (Literary movement) / Great Britain; Modernism (Aesthetics) / Great Britain; Modernism (Literature) / Great Britain; Politics and literature / Great Britain / History / 20th century; Dekadenzliteratur; Englisch; Politik <Motiv>; Moderne
    Umfang: 1 online resource (xi, 259 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: The Fighting Nineties: The Age Of The Critical Function -- "Queer Indifference": Max Beerbohm, Post-Victorian Decadence, And Camp Nostalgia -- Pacifism and Post-Victorian Decadence: Vernon Lee at the Margins of the Twentieth Century -- "Towards Aristocracy": Baron Corvo and the Corvine Society -- Irish Decadence, Occultism, and Sacrificial Myth: The Martyrdom of Althea Gyles -- Crusading Decadent: Beresford Egan, Global Dandyism, and Post-Victorian Decadent Feminism -- Afterword: Notes on Post-Victorian Decadence after the Wars
  10. Novel theory and technology in Modernist Britain
    Autor*in: Fielding, Heather
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Modernism reshaped novel theory, shifting criticism away from readers' experiences and toward the work as an object autonomous from any reader. Novel Theory and Technology in Modernist Britain excavates technology's crucial role in this evolution and... mehr

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Modernism reshaped novel theory, shifting criticism away from readers' experiences and toward the work as an object autonomous from any reader. Novel Theory and Technology in Modernist Britain excavates technology's crucial role in this evolution and offers a new history of modernism's vision of the novel. To many modernists, both novel and machine increasingly seemed to merge into the experiences of readers or users. But modernists also saw potential for a different understanding of technology - in pre-modern machines, or the technical functioning of technologies stripped of their current social roles. With chapters on Henry James, Ford Madox Ford, Wyndham Lewis, and Rebecca West, Novel Theory argues that in these alternative visions of technology, modernists found models for how the novel might become an autonomous, intellectual object rather than a familiar experience, and articulated a future for the novel by imagining it as a new kind of machine

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108676083
    Weitere Identifier:
    RVK Klassifikation: HM 1331
    Schlagworte: English literature / 20th century / History and criticism; Modernism (Literature) / Great Britain; Technology in literature; Literature and society / England / History / 20th century; Erzähltechnik; Englisch; Moderne; Roman
    Umfang: 1 Online-Ressource (vii, 200 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 24 Apr 2018)
  11. The fictional minds of modernism
    narrative cognition from Henry James to Christopher Isherwood
    Beteiligt: Miguel Alfonso, Ricardo (Hrsg.)
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, New York

    "Rethinks the ways that modernist narratives may be read as resources for understanding cognition and theory of mind" mehr

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    Bayerische Staatsbibliothek
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    "Rethinks the ways that modernist narratives may be read as resources for understanding cognition and theory of mind"

     
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    Quelle: Verbundkataloge
    Beteiligt: Miguel Alfonso, Ricardo (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501359804; 9781501359798
    Weitere Identifier:
    RVK Klassifikation: HM 1139
    Schlagworte: Literary studies: fiction, novelists & prose writers / bicssc; English fiction / 20th century / History and criticism; Psychology in literature; Consciousness in literature; Narration (Rhetoric); Modernism (Literature) / Great Britain; Literatur; Englisch; Romangestalt; Psychologie
    Umfang: 1 Online-Ressource (viii, 235 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Foreword: Cognitivism and Modernist Narrative Acts: Our Arrival / Frederick Luis Aldama -- Introduction / Ricardo Miguel-Alfonso -- On the Cognitive Value of Modernist Narratives / Jukka Mikkonen -- Metaphor and the Place of Mind in Three Modernist Novels / Marco Caracciolo -- Narratives of the Mind: Henry James's "The Private Life," Locke's Private Language, Wittgenstein's Public Privacy, and the Emergence of a Modernist Language of Mental Life / Garry L. Hagberg -- Henry James and the Crypto-Psychological Novel: Remarks on the Mindfulness of The Awkward Age / José Antonio Álvarez-Amorós -- The Mind, A Room of One's Own: An Epiphanic Moment in Virginia Woolf / José Ángel García-Landa -- Complexities of Social Cognition in Dorothy Richardson's Pointed Roofs / Patrick Colm Hogan -- Atmospheric Changes: Proust, Mind-Reading, and Errancy / Paul Sheehan -- Weimar Cognitive Theory: Modernist Narrativity and the Metaphysics of Frame Stories (After Caligari and Kracauer) / David LaRocca -- Reading Minds in Christopher Isherwood's The Berlin Stories / Janine Utell. - Mode of access: World Wide Web
  12. Modernism in the green
    public greens in modern literature and culture
    Beteiligt: Daniel, Julia E. (Hrsg.); Konkol, Margaret (Hrsg.)
    Erschienen: 2020
    Verlag:  Routledge, Taylor & Taylor Group, New York, NY

    Modernism in the Green traces a trans-Atlantic modernist fascination with the creation, use, and representation of the modern green. From the verdant public commons in the heart of cities to the lookout points on mountains in national parks, planned... mehr

     

    Modernism in the Green traces a trans-Atlantic modernist fascination with the creation, use, and representation of the modern green. From the verdant public commons in the heart of cities to the lookout points on mountains in national parks, planned green spaces serve as felicitous stages for the performance of modernism. In its focus on designed and public green zones,Modernism in the Green offers a new perspective on modernism's overlapping investments in the arts, politics, urbanism, race, class, gender, and the nature-culture divide. This collection of essays is the first to explore the prominent and diverse ways greens materialize in modern literature and culture, along with the manner in which modernists represented them. This volume presents the idea of "the green" as a point of exploration, as our contributors analyze social-organic spaces ranging from public parks to roadways and refuse piles. Like the term "green," one that evokes both more-than-human natural zones and crafted public meeting places, these chapters uncover the social and spatial intersection of nature and culture in the very architecture of parks, gardens, buildings, highways, and dumps. This book argues that such greens facilitate modernists' exploration of how nature can manifest in an era of increasing urbanization and mechanization and what identities and communities the green now enables or prevents

     
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  13. Decadent Catholicism and the making of modernism
    Autor*in: Lockerd, Martin
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London

    "Tracing the movement of literary decadence from the writers of the fin de siècle - Oscar Wilde, Aubrey Beardsley, Ernest Dowson, and Lionel Johnson - to the modernist writers of the following generation, this book charts the legacy of decadent... mehr

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    Bayerische Staatsbibliothek
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    "Tracing the movement of literary decadence from the writers of the fin de siècle - Oscar Wilde, Aubrey Beardsley, Ernest Dowson, and Lionel Johnson - to the modernist writers of the following generation, this book charts the legacy of decadent Catholicism in the fiction and poetry of British and Irish modernists. Linking the later writers with their literary predecessors, Martin Lockerd examines the shifts in representation of Catholic decadence in the works of W. B. Yeats through Ezra Pound to T.S. Eliot; the adoption and transformation of anti-Catholicism in Irish writers George Moore and James Joyce; the Catholic literary revival as portrayed in Evelyn Waugh's Brideshead Revisited; and the attraction to decadent Catholicism still felt by postmodernist writers D.B.C. Pierre and Alan Hollinghurst. Drawing on new archival research, this study revisits some of the central works of modernist literature and undermines existing myths of modernist newness and secularism to supplant them with a record of spiritual turmoil, metaphysical uncertainty, and a project of cultural subversion that paradoxically relied upon the institutional bulwark of European Christianity. Lockerd explores the aesthetic, sexual, and political implications of the relationship between decadent art and Catholicism as it found a new voice in the works of iconoclastic modernist writers"

     
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    Medientyp: Ebook
    Format: Online
    ISBN: 9781350137684; 9781350137660
    Weitere Identifier:
    RVK Klassifikation: HM 1139
    Schlagworte: Literary studies: fiction, novelists & prose writers / bicssc; Decadence (Literary movement) / Great Britain; English literature / 19th century / History and criticism; English literature / 20th century / History and criticism; Modernism (Literature) / Great Britain; English literature / Irish authors / History and criticism; Christianity and literature / Great Britain / History / 19th century; Christianity and literature / Great Britain / History / 20th century; Literatur; Dekadenz <Motiv>; Englisch; Katholizismus <Motiv>
    Umfang: 1 Online-Ressource (xii, 231 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    List of Figures Abbreviations Acknowledgments Anamnesis Chapter -- 1.The Decadents: Profligates, Priests, Pornographers, and Pontiffs Wilde and his Circle Johnson in the Confessional Dowson's Search for Peace Chapter -- 2.Yeats and Pound: Disavowing Decadence, Forgetting Catholicism Pound: Wrong from the Start Yeats's Strange Souls Chapter -- 3.T. S. Eliot's Decadent (Anglo)-Catholicism ?A Satirist of Vices and Follies? [Decadent]-Catholic in Religion Chapter -- 4.George Moore and James Joyce: Decadent Anti-Catholicism and Irish Modernism Decadence and Cosmopolitanism Moore's Rebellion Non Serviam: Stephen Dedalus as Decadent Anti-Catholic Chapter -- 5.Evelyn Waugh: Decadent Catholicism Revisited ?Firbank is baroque? Aubrey Beardsley's Decadent Arcadia A Wild(e) Conversion Waugh's Queer Celibates Alan Hollinghurst and DBC Pierre: Decadent Catholicism After Modernism Hollinghurst and the Ghost of Firbank DBC Pierre and the Decadence of the -- 1. Bibliography Index. - Mode of access: World Wide Web
  14. Literary and cultural alternatives to modernism
    unsettling presences
    Beteiligt: Boyiopoulos, Kostas (Hrsg.); Patterson, Anthony (Hrsg.); Sandy, Mark (Hrsg.)
    Erschienen: 2019
    Verlag:  Routledge, New York, NY

    "Our collection of essays re-evaluates the much critically contested term of Modernism that, eventually, came to be used of the dominant, or paradigmatic, strain of literary discourse in early-twentieth-century culture. Modernism as a category is one... mehr

     

    "Our collection of essays re-evaluates the much critically contested term of Modernism that, eventually, came to be used of the dominant, or paradigmatic, strain of literary discourse in early-twentieth-century culture. Modernism as a category is one which is constantly challenged, hybridised, and fractured by voices operating from inside and outside the boundaries it designates. These concerns are reflected by those figures addressed by our contributors' chapters, which include Rupert Brooke, G.K. Chesterton, E.M. Forster, Thomas Hardy, M.R. James, C.L.R James, Vernon Lee, D.H. Lawrence, Richard La Galliene, Pamela Colman Smith, Arthur Symons, and H.G. Wells. Alert to these disturbing voices or unsettling presences that vex accounts of an emergent Modernism in late nineteenth-century and early twentieth-century literary cultures predominately between 1890-1939, our volume questions traditional critical mappings, taxonomies, and periodisations of this vital literary cultural moment. Our volume is equally sensitive to how the avant garde felt for those living and writing within the period with a view to offering a renewed sense of the literary and cultural alternatives to Modernism"--

     
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    Beteiligt: Boyiopoulos, Kostas (Hrsg.); Patterson, Anthony (Hrsg.); Sandy, Mark (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429261855; 0429261853; 9780429537431; 0429537433; 9780429523960; 0429523963; 9780429552137; 0429552130
    Weitere Identifier:
    Schriftenreihe: Routledge studies in twentieth-century literature
    Routledge studies in twentieth-century literature
    Schlagworte: Modernism (Literature) / Great Britain; English literature / 20th century / History and criticism
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on print version record and CIP data provided by publisher
  15. Beyond the Victorian/modernist divide
    remapping the turn-of-the-century break in literature, culture and the visual arts
    Beteiligt: Gillard-Estrada, Anne-Florence (Hrsg.); Besnault-Levita, Anne (Hrsg.)
    Erschienen: 2018; © 2018
    Verlag:  Routledge, Taylor & Francis Group, New York, NY

    Beyond the Victorian/ Modernist Divide contributes to a new phase in the Victorian-modern debate of traditional periodization through the perspective lens of literature and the visual arts. Breaking away from conventionally fixed discourses and... mehr

     

    Beyond the Victorian/ Modernist Divide contributes to a new phase in the Victorian-modern debate of traditional periodization through the perspective lens of literature and the visual arts. Breaking away from conventionally fixed discourses and dichotomies, this book utilizes an interdisciplinary approach to examine the existence of overlaps and unexplored continuities between the Victorians, the post-Victorians and the modernists, including the fields of music, architecture, design, science, and social life. Furthermore, the book remaps the cultural history of two critical meta-narratives and their interdependence - the myth of "high modernism" and the myth of "Victorianism"--By building on recent scholarly work and addressing the question of the "turn of the century break theory" with a new set of arguments and contributions. The essays presented within acknowledge the existence of a break-theory in modernism, but question this theory by re-contextualising it while uncovering long-masked continuities between artists, genres and forms across the divide. The collection offers a new approach to modernism, Edwardianism, and Victorianism; utilizing the cross-fertilisation of interdisciplinary approaches, and by combining contributions that look forward from the Victorians with other contributions that look backward from the modernists. While literary modernism and its vexed relationships with the nineteenth century is a central subject of the book, further analysis includes artistic discourses and theories stemming from history, the visual arts, science, music and design. Each chapter offers a fresh interpretation of individual artists, navigating away from characteristic classifications of works, authors and cultural phenomena. Ultimately, the volume argues that though periodization and genre categories play substantial roles in this divide, it is also essential to be critically aware of the way cultural history has been, and continues to be, constructed

     
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    Beteiligt: Gillard-Estrada, Anne-Florence (Hrsg.); Besnault-Levita, Anne (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781351333238; 1351333232
    Schriftenreihe: Among the Victorians and modernists
    Among the Victorians and modernists
    Schlagworte: English literature / 19th century / History and criticism; Modernism (Literature) / Great Britain; Art and literature / Great Britain / History / 19th century
    Umfang: 1 online resource (xv, 235 pages), illustrations
  16. T. E. Hulme and modernism
    Erschienen: 2013
    Verlag:  Bloomsbury, London [u.a.]

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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781441156655; 1441156658
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Modernism (Literature) / Great Britain; Literatur; Moderne; Englisch
    Weitere Schlagworte: Hulme, T. E. / 1883-1917 / Hulme, Thomas Ernest / Criticism and interpretation; Hulme, Thomas E. (1883-1917)
    Umfang: 159 S.
    Bemerkung(en):

    Includes bibliographical references and index

    Look-out man: Hulme's theories -- Star-eaten: Hulme's romantic images -- Noon-heat: Hulme's contemporaries -- Marking-time: Hulme's influence
  17. War trauma and English modernism
    T. S. Eliot and D. H. Lawrence
    Autor*in: Krockel, Carl
    Erschienen: 2011
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

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  18. T.E. Hulme and modernism
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, London

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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781474222907; 1441156658; 9781441156655
    RVK Klassifikation: HM 3015
    Auflage/Ausgabe: Paperback edition
    Schlagworte: Modernism (Literature) / Great Britain; Moderne; Literatur; Englisch
    Weitere Schlagworte: Hulme, T. E. / 1883-1917 / Hulme, Thomas Ernest / Criticism and interpretation; Hulme, Thomas E. (1883-1917)
    Umfang: 159 Seiten
    Bemerkung(en):

    Look-out man: Hulme's theories -- Star-eaten: Hulme's romantic images -- Noon-heat: Hulme's contemporaries -- Marking-time: Hulme's influence
  19. Modernism and the Aesthetics of Violence
    Autor*in: Sheehan, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    The notion that violence can give rise to art - and that art can serve as an agent of violence - is a dominant feature of modernist literature. In this study Paul Sheehan traces the modernist fascination with violence to the middle decades of the... mehr

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    The notion that violence can give rise to art - and that art can serve as an agent of violence - is a dominant feature of modernist literature. In this study Paul Sheehan traces the modernist fascination with violence to the middle decades of the nineteenth century, when certain French and English writers sought to celebrate dissident sexualities and stylized criminality. Sheehan presents a panoramic view of how the aesthetics of transgression gradually mutates into an infatuation with destruction and upheaval, identifying the First World War as the event through which the modernist aesthetic of violence crystallizes. By engaging with exemplary modernists such as Joyce, Conrad, Eliot and Pound, as well as lesser-known writers including Gautier, Sacher-Masoch, Wyndham Lewis and others, Sheehan shows how artworks, so often associated with creative well-being and communicative self-expression, can be reoriented toward violent and bellicose ends

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139568296
    Weitere Identifier:
    RVK Klassifikation: EC 5177 ; EC 5186 ; EC 5187 ; HM 1101
    Schlagworte: Modernism (Literature) / Great Britain; Modernism (Literature) / France; Violence in literature; Moderne; Gewalt <Motiv>; Literatur
    Umfang: 1 online resource (x, 232 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: modernism's blasted history -- Part I. Decadence Rising: The Violence of Aestheticism: 1. Revolution of the senses -- 2. Victorian sexual aesthetics -- 3. Culture, corruption, criminality -- 4. A malady of dreaming: The Picture of Dorian Gray -- Part II. Modernism's Breach: The Violence of Aesthetics: 5. Prologue: transgression displaced -- 6. No dreaming pale flowers -- 7. Modernist sexual politics -- 8. Maximum energy (like a hurricane) -- 9. Forbidden planet: Heart of Darkness -- Epilogue: traumas of the world -- Notes -- Bibliography
  20. Modernism and cultural conflict, 1880-1922
    Autor*in: Ardis, Ann L.
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... mehr

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    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices

     
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    Format: Online
    ISBN: 9780511484971
    Weitere Identifier:
    RVK Klassifikation: HM 1071 ; HM 1132 ; HM 1139
    Schlagworte: English literature / 20th century / History and criticism; Modernism (Literature) / Great Britain; Culture conflict / Great Britain; Culture conflict in literature; Englisch; Literatur; Kulturkonflikt; Moderne
    Umfang: 1 online resource (ix, 187 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history
  21. Virginia Woolf, the intellectual, and the public sphere
    Autor*in: Cuddy-Keane, Melba
    Erschienen: 2003
    Verlag:  Cambridge University Press, Cambridge

    Virginia Woolf, the Intellectual, and the Public Sphere relates Woolf's literary reviews and essays to early twentieth-century debates about the value of 'highbrow' culture, the methods of instruction in universities and adult education, and the... mehr

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    Virginia Woolf, the Intellectual, and the Public Sphere relates Woolf's literary reviews and essays to early twentieth-century debates about the value of 'highbrow' culture, the methods of instruction in universities and adult education, and the importance of an educated public for the realization of democratic goals. By focusing on Woolf's theories and practice of reading, Melba Cuddy-Keane refutes assumptions about Woolf's modernist elitism, revealing instead a writer who was pedagogically oriented, publicly engaged and committed to the ideal of classless intellectuals working together in reciprocal exchange. Woolf emerges as a stimulating theorist of the unconscious, of dialogic reading, of historicist criticism and of value judgments, while her theoretically informed but accessible prose challenges us to reflect on academic writing today. Combining a wealth of historical detail with a penetrating analysis of Woolf's essays, this 2003 study will alter our views of Woolf, of modernism and of intellectual work

     
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    Medientyp: Ebook
    Format: Online
    ISBN: 9780511485060
    Weitere Identifier:
    RVK Klassifikation: HM 4815
    Schlagworte: Erziehung; Geschichte; Books and reading / Great Britain / History / 20th century; Education / Great Britain / History / 20th century; Modernism (Literature) / Great Britain; Lesen; Geistesleben; Intellektueller; Gesellschaftliches Bewusstsein; Essay; Anglistik
    Weitere Schlagworte: Woolf, Virginia / 1882-1941 / Knowledge and learning; Woolf, Virginia / 1882-1941 / Political and social views; Woolf, Virginia (1882-1941)
    Umfang: 1 online resource (x, 237 pages)
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    A wider sphere -- Part one: Cultural contexts -- Democratic highbrow: Woolf and the classless intellectual -- Woolf, English studies, and the making of the (new) common reader -- Part two: Critical practice -- 3. Woolf and the theory and pedagogy of reading -- Intellectual work today
  22. Modernism, romance, and the fin de siècle
    popular fiction and British culture, 1880-1914
    Autor*in: Daly, Nicholas
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    In Modernism, Romance and the Fin de Siècle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle.... mehr

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    In Modernism, Romance and the Fin de Siècle Nicholas Daly explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle. Rather than treating these stories as Victorian Gothic, Daly locates them as part of a 'popular modernism'. Drawing on work in cultural studies, this book argues that the vampires, mummies and treasure hunts of these adventure narratives provided a form of narrative theory of cultural change, at a time when Britain was trying to accommodate the 'new imperialism', the rise of professionalism, and the expansion of consumerist culture. Daly's wide-ranging study argues that the presence of a genre such as romance within modernism should force a questioning of the usual distinction between high and popular culture

     
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    Medientyp: Ebook
    Format: Online
    ISBN: 9780511485077
    Weitere Identifier:
    RVK Klassifikation: HL 1301 ; HM 1301
    Schlagworte: Geschichte; English fiction / 19th century / History and criticism; Popular literature / Great Britain / History and criticism; English fiction / 20th century / History and criticism; Literature and anthropology / Great Britain / History; Adventure stories, English / History and criticism; Gothic revival (Literature) / Great Britain; Modernism (Literature) / Great Britain; Culture in literature; Unterhaltungsliteratur; Moderne; Literatur; Trivialliteratur; Imperialismus; Politik; Romance; Englisch
    Umfang: 1 online resource (viii, 220 pages)
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    Introduction -- Incorporated bodies: Dracula and professionalism -- The imperial treasure hunt: The snake's pass and the limits of romance -- 'Mummie is become merchandise': the mummy story as commodity theory -- Across the great divide: modernism, popular fiction and the primitive -- Afterword: the long goodbye
  23. Fiction and the law
    legal discourse in Victorian and modernist literature
    Autor*in: Dolin, Kieran
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    Law and literature have been two of the most powerful discourses in the construction of social reality. The relationship between the two has emerged as a vital area of study, as literary representation has proved immensely influential in framing... mehr

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    Law and literature have been two of the most powerful discourses in the construction of social reality. The relationship between the two has emerged as a vital area of study, as literary representation has proved immensely influential in framing popular understanding of law. In Fiction and the Law: Legal Discourse in Victorian and Modernist Literature Kieran Dolin examines the dialectical interplay between legal discourse and the novel in the century between Walter Scott and E. M. Forster, the period when the institution of the law was undergoing radical reform and the novel was at the peak of its cultural power. Dolin's comprehensive study argues that this cultural power is attributable in part to the novel's critical engagement with the law. His study draws on legal and literary theory to trace this important convergence of disciplines in a series of canonical Victorian and Modernist texts

     
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    ISBN: 9780511549342
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    RVK Klassifikation: HL 1331
    Schlagworte: Geschichte; Legal stories, English / History and criticism; English fiction / 19th century / History and criticism; English fiction / 20th century / History and criticism; Law and literature / History / 19th century; Law and literature / History / 20th century; Modernism (Literature) / Great Britain; Recht; Englisch; Roman
    Umfang: 1 online resource (vii, 234 pages)
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    Narrative forms and normative worlds -- The modern western nomos -- True testimony and the foundation of nomos: The heart of Midlothian -- Reformist critique in the mid-Victorian "legal novel": Bleak House -- Representation, inheritance and anti-reformism in the "legal novel": Orley Farm -- Power, chance and the rule of law: Billy Budd, sailor -- From sympathetic criminal to imperial law-giver: Lord Jim -- Freedom, uncertainty and diversity: the critique of imperialist law in A passage to India -- Settling out of court
  24. Bloomsbury, modernism, and the reinvention of intimacy
    Autor*in: Wolfe, Jesse
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    Bloomsbury, Modernism, and the Reinvention of Intimacy integrates studies of six members and associates of the Bloomsbury group into a rich narrative of early twentieth century culture, encompassing changes in the demographics of private and public... mehr

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    Bloomsbury, Modernism, and the Reinvention of Intimacy integrates studies of six members and associates of the Bloomsbury group into a rich narrative of early twentieth century culture, encompassing changes in the demographics of private and public life, and Freudian and sexological assaults on middle-class proprieties Jesse Wolfe shows how numerous modernist writers felt torn between the inherited institutions of monogamy and marriage and emerging theories of sexuality which challenged Victorian notions of maleness and femaleness. For Wolfe, this ambivalence was a primary source of the Bloomsbury writers' aesthetic strength: Virginia Woolf, D. H. Lawrence, and others brought the paradoxes of modern intimacy to thrilling life on the page. By combining literary criticism with forays into philosophy, psychoanalysis, sociology, and the avant-garde art of Vienna, this book offers a fresh account of the reciprocal relations between culture and society in that key site for literary modernism known as Bloomsbury

     
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    Format: Online
    ISBN: 9780511794575
    Weitere Identifier:
    RVK Klassifikation: HM 1139
    Schlagworte: Geschichte; English fiction / 20th century / History and criticism; Intimacy (Psychology) in literature; Bloomsbury group; Intimacy (Psychology); Modernism (Literature) / Great Britain; Literature and society / Great Britain / History / 20th century; Intimsphäre; Gesellschaft; Sexualverhalten
    Umfang: 1 Online-Ressource (viii, 264 Seiten), Illustrationen
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    Introduction: narrating Bloomsbury -- Part I. PHILOSOPHICAL BACKGROUNDS: 1. Yellowy goodness in Bloomsbury's bible; 2. Freud's denial of innocence -- Part II. DEFEATED HUSBANDS: 3. Forster's missing figures; 4. The love that cannot be escaped -- Part III. DOMESTIC ANGELS: 5. Woolf's sane woman in the attic; 6. A return to essences -- Conclusion: the prescience of the two Bloomsburies
  25. The fictions of James Joyce and Wyndham Lewis
    monsters of nature and design
    Autor*in: Klein, Scott W.
    Erschienen: 1994
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    The literary relationship of James Joyce and Wyndham Lewis has previously been described in merely biographical terms. In The Fictions of James Joyce and Wyndham Lewis Scott W. Klein takes Wyndham Lewis's criticism of Ulysses in Times and Western Man... mehr

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    The literary relationship of James Joyce and Wyndham Lewis has previously been described in merely biographical terms. In The Fictions of James Joyce and Wyndham Lewis Scott W. Klein takes Wyndham Lewis's criticism of Ulysses in Times and Western Man and Joyce's implicit response to Lewis in Finnegans Wake as an emblematic opposition signalling significant textual relations within and between the fictions of the two authors. The seeing eye and the world, the creating mind and fiction, language and its aesthetic and political object, and the processes of history: all appear in the work of both Joyce and Lewis, as related thematic structures that raise questions about binarism, dialectic, and the reconciliation of opposites. Detailed examination of key texts by Joyce and Lewis reveals affiliations between the two writers, and offers insight into the politics and aesthetics of modernism

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519222
    Weitere Identifier:
    RVK Klassifikation: HM 3135 ; HM 3355
    Schlagworte: English fiction / 20th century / History and criticism; Modernism (Literature) / Great Britain; Influence (Literary, artistic, etc.); Authorship / Collaboration; Intertextuality
    Weitere Schlagworte: Joyce, James / 1882-1941 / Criticism and interpretation; Lewis, Wyndham / 1882-1957 / Criticism and interpretation; Joyce, James (1882-1941); Lewis, Wyndham (1882-1957)
    Umfang: 1 Online-Ressource (XIII, 260 S.)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Erscheinungsjahr des E-Books: 2009

    Introduction: opposition and representation -- The tell-tale Eye -- The mirror and the razor -- The cracked lookingglass of the master -- Minds of the anti-collaborators