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  1. Between discipline and a hard place
    the value of contemporary art
    Autor*in: Jelinek, Alana
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London ; Bloomsbury Publishing, [London, England]

    "Written from the perspective of a practising artist, this book proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is. Jelinek contends... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    "Written from the perspective of a practising artist, this book proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is. Jelinek contends that while there are objects called 'art' in museums from deep into human history and from around the globe - from Hans Sloane's collection, which became the foundation of the British Museum, to Alfred Barr's inclusion of 'primitive art' within the walls of MoMA, the Museum of Modern Art - only those that have been made with the knowledge and discipline of art should rightly be termed as such. Policing the definition of art in this way is not to entrench it as an elitist occupation, but in order to focus on its liberal democratic potential. The Discipline of Art describes the value of art outside the current preoccupation with economic considerations yet without resorting to a range of stereotypical and ultimately instrumentalist political or social goods, such as social inclusion or education. A wider argument is also made for disciplinarity, as Jelinek discusses the great potential as well as the pitfalls of interdisciplinary and multidisciplinary working, particularly with the so-called 'creative' arts. A passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world"-- Cover -- Halftitle Page -- Title Page -- Contents -- Lists of illustrations -- Acknowledgements -- 1 First things first .. -- Summary -- First things first .. -- Art within neoliberalism -- Art as knowledge -- The personal is political -- Parameters, or what I'm trying to do -- Meaning-making -- The power of metaphor -- 2 What is art? -- Summary -- What is art? Artists and audiences -- A history of definitions of art -- Art as defined by art historians -- Anthropology and art -- Art and philosophy -- The art world -- 3 Why discipline? -- Summary -- Why discipline? Neoliberal and liberal culture -- Disciplines, elites and pluralism -- Elites and expertise -- Communities and status -- 4 Art: A knowledge-forming discipline -- Summary -- Art: A knowledge-forming discipline -- Knowledge -- Adisciplinarity (=without or not discipline) -- Art -- Not art -- Academia -- Art and truth -- Knowledge -- Art knowledge and truth -- Concluding -- 5 Corporate censorship -- Corporate censorship -- Not censorship but something else: The art world -- Not censorship but something else: The market -- (Corporate) censorship -- The self-censoring artist -- 6 Art in society Types of art history: Population view -- Types of art history: Community view -- Types of art history: Examples of ecological narrations of art history -- Other types of change -- Not a teleology -- Notes -- Bibliography -- Index -- Imprint

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1350100501; 1350100471; 9781350100510; 9781350100503; 9781350100473
    Weitere Identifier:
    Schlagworte: Modern art; Theory of art
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

    Also published in print.
  2. Kartografie naděje: příběhy sociální změny
    = Cartographies of hope: change narratives
    Beteiligt: Anděl, Jaroslav (HerausgeberIn)
    Erschienen: 2012
    Verlag:  DOX, Praha

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Anděl, Jaroslav (HerausgeberIn)
    Sprache: Tschechisch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788087446195; 8087446194
    RVK Klassifikation: LH 65880
    Schlagworte: Moderní umění; Multimediální projekty; Instalace (umění); Sociální změna; Náměty, témata a motivy; Modern art; Multimedia projects; Installations (art); Social change; Themes and motives
    Umfang: 275 Seiten, 25 cm
    Bemerkung(en):

    Vydáno u příležitosti stejnojmenné výstavy konané 22.11. 2012-21.2. 2013 v Centru současného umění DOX
  3. Serial images
    the modern art of iteration
    Autor*in: Dyer, Jennifer
    Erschienen: 2011
    Verlag:  Lit-Verl., Wien [u.a.]

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783643900777
    Weitere Identifier:
    9783643900777
    RVK Klassifikation: CC 6900 ; LH 65020
    DDC Klassifikation: Malerei, Gemälde (750)
    Schriftenreihe: International studies in hermeneutics and phenomenology ; 4
    Schlagworte: Paperback / softback; Seriality; Modern art; Freedom; Iteration; Subjectivity
    Umfang: X, 146 S., Ill., 22 cm
    Bemerkung(en):

    Literaturverz. S. 133 - 146
  4. Between discipline and a hard place
    the value of contemporary art
    Autor*in: Jelinek, Alana
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London ; Bloomsbury Publishing, [London, England]

    "Written from the perspective of a practising artist, this book proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is. Jelinek contends... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Written from the perspective of a practising artist, this book proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is. Jelinek contends that while there are objects called 'art' in museums from deep into human history and from around the globe - from Hans Sloane's collection, which became the foundation of the British Museum, to Alfred Barr's inclusion of 'primitive art' within the walls of MoMA, the Museum of Modern Art - only those that have been made with the knowledge and discipline of art should rightly be termed as such. Policing the definition of art in this way is not to entrench it as an elitist occupation, but in order to focus on its liberal democratic potential. The Discipline of Art describes the value of art outside the current preoccupation with economic considerations yet without resorting to a range of stereotypical and ultimately instrumentalist political or social goods, such as social inclusion or education. A wider argument is also made for disciplinarity, as Jelinek discusses the great potential as well as the pitfalls of interdisciplinary and multidisciplinary working, particularly with the so-called 'creative' arts. A passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world"-- Cover -- Halftitle Page -- Title Page -- Contents -- Lists of illustrations -- Acknowledgements -- 1 First things first .. -- Summary -- First things first .. -- Art within neoliberalism -- Art as knowledge -- The personal is political -- Parameters, or what I'm trying to do -- Meaning-making -- The power of metaphor -- 2 What is art? -- Summary -- What is art? Artists and audiences -- A history of definitions of art -- Art as defined by art historians -- Anthropology and art -- Art and philosophy -- The art world -- 3 Why discipline? -- Summary -- Why discipline? Neoliberal and liberal culture -- Disciplines, elites and pluralism -- Elites and expertise -- Communities and status -- 4 Art: A knowledge-forming discipline -- Summary -- Art: A knowledge-forming discipline -- Knowledge -- Adisciplinarity (=without or not discipline) -- Art -- Not art -- Academia -- Art and truth -- Knowledge -- Art knowledge and truth -- Concluding -- 5 Corporate censorship -- Corporate censorship -- Not censorship but something else: The art world -- Not censorship but something else: The market -- (Corporate) censorship -- The self-censoring artist -- 6 Art in society Types of art history: Population view -- Types of art history: Community view -- Types of art history: Examples of ecological narrations of art history -- Other types of change -- Not a teleology -- Notes -- Bibliography -- Index -- Imprint

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1350100501; 1350100471; 9781350100510; 9781350100503; 9781350100473
    Weitere Identifier:
    Schlagworte: Modern art; Theory of art
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

    Also published in print.