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  1. Harvard Guide to Contemporary American Writing
    Erschienen: [1979]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  2. American Writing in the Twentieth Century
    Autor*in: Thorp, Willard
    Erschienen: [1960]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674594340; 9780674594333
    Weitere Identifier:
    Schriftenreihe: The Library of Congress Series in American Civilization
    Schlagworte: American literature / 20th century / History and criticism; Littérature américaine / 20e siècle / Histoire et critique; Englische Literatur Amerikas; American literature; Literatur
    Umfang: 1 Online-Ressource (ix,353p.)
  3. Congress
    An Explanation
    Autor*in: Luce, Robert
    Erschienen: [1926]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674420946; 9780674427716
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    Schriftenreihe: The Godkin Lectures on the Essentials of Free Government and the Duties of the Citizen
    Schlagworte: American literature / 20th century / History and criticism; Littérature américaine / 20e siècle / Histoire et critique; Englische Literatur Amerikas; American literature
    Umfang: 1 Online-Ressource (154p.)
  4. The Shape of the Signifier
    1967 to the End of History
    Erschienen: [2006]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400849598
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    Schlagworte: Literatur, Rhetorik, Literaturwissenschaft; American literature / History and criticism / Theory, etc; American literature / 20th century / History and criticism; American literature / 21st century / History and criticism; Signification (Logic) in literature; Literary form; Literatuurtheorie; Letterkunde; Amerikaans; Historisme; Littérature américaine / Histoire et critique / Théorie, etc; Littérature américaine / 20e siècle / Histoire et critique; Littérature américaine / 21e siècle / Histoire et critique; Signifiance dans la littérature; Genres littéraires; Geschichtstheorie; Literatur; Literaturtheorie; LITERARY CRITICISM / Semiotics & Theory; Literatur; Geschichtstheorie; Literaturtheorie; Literatur
    Umfang: 1 Online-Ressource (232p.)
    Bemerkung(en):

    The Shape of the Signifier is a critique of recent theory--primarily literary but also cultural and political. Bringing together previously unconnected strands of Michaels's thought--from "Against Theory" to Our America--it anatomizes what's fundamentally at stake when we think of literature in terms of the experience of the reader rather than the intention of the author, and when we substitute the question of who people are for the question of what they believe. With signature virtuosity, Michaels shows how the replacement of ideological difference (we believe different things) with identitarian difference (we speak different languages, we have different bodies and different histories) organizes the thinking of writers from Richard Rorty to Octavia Butler to Samuel Huntington to Kathy Acker. He then examines how this shift produces the narrative logic of texts ranging from Toni Morrison's Beloved to Michael Hardt and Toni Negri's Empire. As with everything Michaels writes, The Shape of the Signifier is sure to leave controversy and debate in its wake

  5. Ars Americana, ars politica
    partisan expression in contemporary American literature and culture
    Autor*in: Swirski, Peter
    Erschienen: 2010
    Verlag:  McGill-Queen's University Press, Montréal, Québec

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773537651; 077353766X; 077358059X; 9780773537651; 9780773537668; 9780773580596
    Schlagworte: Littérature américaine / 20e siècle / Histoire et critique; Politique et littérature / États-Unis / Histoire / 20e siècle; Écrivains américains / 20e siècle / Pensée politique et sociale; Littérature américaine / Aspect politique; Politique dans la littérature; LITERARY CRITICISM / American / General; LITERARY CRITICISM / Semiotics & Theory; American literature; Authors, American / Political and social views; Politics and literature; Politics in literature; Geschichte; American literature; Politics and literature; Politics in literature; Authors, American; Literatur; Politik <Motiv>
    Umfang: 1 Online-Ressource (221 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [183]-204) and index

    1960s: The return of the Black Panther: Irving Wallace's The man -- 1970s: The life and death of Walter Bodmor Nixon: Richard Condon's Death of a politician -- 1980s: The whores r us: P.J. O'Rourke's Parliament of whores -- 1990s: That dirty word, socialism: Warren Beatty's Bulworth -- 2000s: Truth or dare? Michael Moore's Stupid white men ... and other sorry excuses for the state of the nation! -- Conclusion: political art, American art

    A penetrating look at modern American politics and the partisan culture that feeds off its turmoil

  6. The pleasures of Babel
    contemporary American literature and theory
    Autor*in: Clayton, Jay
    Erschienen: 1993
    Verlag:  Oxford University Press, New York

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1429407948; 9780195083736; 9781429407946
    RVK Klassifikation: HU 1090 ; HU 1400 ; HU 1440 ; HU 1510
    Schlagworte: Littérature américaine / 20e siècle / Histoire et critique / Théorie, etc; Pluralisme dans la littérature; Littérature et société / États-Unis / Histoire / 20e siècle; Langage et culture / États-Unis / Histoire / 20e siècle; Pouvoir (Sciences sociales) dans la littérature; Minorités dans la littérature; Narration; LITERARY CRITICISM / Semiotics & Theory; Literatuurtheorie; Littérature américaine / 20e siècle / Histoire et critique; Langage et culture / États-Unis / Histoire / 20e siècle; Littérature et société / États-Unis / 20e siècle; Geschichte; American literature; Cultural pluralism in literature; Literature and society; Language and culture; Narration (Rhetoric); Power (Social sciences) in literature; Minorities in literature; Nationale Minderheit; Gesellschaft; Literaturtheorie; Multikulturelle Gesellschaft; Marginalität; Kultur; Literatur
    Umfang: 1 Online-Ressource (ix, 209 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 171-195) and indexes

    Culture/Narrative/Power -- - The Story of Deconstruction -- - Theories of Desire -- - The Narrative Turn in Minority Writing -- - Rituals of Change: Ethnography on the Border -- - Feminism and the Politics of Community -- - Conclusion: Literature without Masterpieces -- - Author Index

  7. Vanishing moments
    class and American literature
    Autor*in: Schocket, Eric
    Erschienen: c2006
    Verlag:  University of Michigan Press, Ann Arbor

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0472025708; 9780472025701
    RVK Klassifikation: HT 1520
    Schriftenreihe: Class, culture
    Schlagworte: Travailleurs dans la littérature; Littérature américaine / 19e siècle / Histoire et critique; Littérature américaine / 20e siècle / Histoire et critique; LITERARY CRITICISM / American / General; Sociale klassen; Klassenverhoudingen; Amerikaans; Bellettrie; American literature; Literature; Working class; Literatur; Working class in literature; American literature; American literature; Klassenbewusstsein; Arbeiterklasse; Literatur
    Umfang: 1 Online-Ressource (xv, 300 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 257-284) and index

    1. The veil and the vision : reading class in American literature -- 2. "Discovering some new race" : "life in the iron mills," whiteness, and the genesis of the American labor narrative -- 3. Voices of insurgency : strikes, speech, and social realism -- 4. Middle-class melancholy and proletarian pain : the writer as class transvestite -- 5. Modernism and the aesthetics of management : T.S. Eliot and Gertrude Stein write labor literature -- 6. The fetish of being inside : proletarian texts and working-class bodies

  8. Women of the Harlem renaissance
    Autor*in: Wall, Cheryl A.
    Erschienen: ©1995
    Verlag:  Indiana University Press, Bloomington

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
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    ISBN: 0253209803; 0253329086; 0585001251; 9780585001258
    RVK Klassifikation: HU 1728 ; HU 1732 ; HU 1982
    Schriftenreihe: Women of letters (Bloomington, Ind.)
    Schlagworte: Littérature américaine / Auteurs noirs américains / Histoire et critique; Femmes et littérature / États-Unis / Histoire / 20e siècle; Littérature américaine / 20e siècle / Histoire et critique; Noires américaines / New York (État) / New York / Vie intellectuelle; Noirs américains dans la littérature; Harlem Renaissance; Écrits de femmes américains / Histoire et critique; LITERARY CRITICISM / American / General; Amerikaans; Harlem Renaissance; Vrouwelijke auteurs; Letterkunde; Schriftstellerin; Frau; Harlem renaissance; African American women / Intellectual life; African Americans in literature; American literature; American literature / African American authors; American literature / Women authors; Harlem Renaissance; Intellectual life; Women and literature; Geschichte; Literatur; Schriftstellerin; Weibliche Schwarze. Amerika; American literature; Women and literature; American literature; American literature; African American women; African Americans in literature; Harlem Renaissance; Schriftstellerin; Harlem renaissance
    Weitere Schlagworte: Fauset, Jessie Redmon / Critique et interprétation; Hurston, Zora Neale / Critique et interprétation; Larsen, Nella / Critique et interprétation; Fauset, Jessie Redmon; Hurston, Zora Neale; Larsen, Nella; Fauset, Jessie Redmon; Hurston, Zora Neale; Larsen, Nella; Fauset, Jessie Redmon; Hurston, Zora Neale; Larsen, Nella
    Umfang: 1 Online-Ressource (xx, 246 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 233-238) and index

    Foreword - by Sandra M. Gilbert and Susan Gubar. -- - Prologue: a note on the journey. -- - On being young, a woman, and colored: when Harlem was in vogue. -- - Jessie Redmon Fauset: traveling in place. -- - Nella Larsen: passing for what? -- - Zora Neale Hurston's traveling blues. -- - Epilogue: destinations deferred. -- - Selected bibliography of writings by women of the Harlem Renaissance

  9. The modernist nation
    generation, renaissance, and twentieth-century American literature
    Autor*in: Soto, Michael
    Erschienen: ©2004
    Verlag:  University of Alabama Press, Tuscaloosa

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0817313923; 0817380507; 9780817313920; 9780817380502
    Schlagworte: American literature; Littérature américaine / 20e siècle / Histoire et critique; Modernisme (Littérature) / États-Unis; Avant-garde (Esthétique) / États-Unis / Histoire / 20e siècle; Américains dans la littérature; Conflit de générations dans la littérature; Nationalisme dans la littérature; Artistes dans la littérature; Beat generation; LITERARY CRITICISM / American / General; American literature; Artists in literature; Avant-garde (Aesthetics); Beat generation; Conflict of generations in literature; Modernism (Literature); National characteristics, American, in literature; Nationalism in literature; Geschichte; American literature; Modernism (Literature); Avant-garde (Aesthetics); National characteristics, American, in literature; Conflict of generations in literature; Nationalism in literature; Artists in literature; Beat generation; Literarische Bewegung
    Umfang: 1 Online-Ressource (x, 228 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 203-219) and index

    Generational rhetoric and American avant-gardism -- - Renaissance rhetoric and American cultural nationalism -- - American modernism is born : the rise of the Bohemian artist narrative -- - The modernist generation : growing up in the American race

    "Soto is a clever and convincing reader of modernist prose and makes a fair case for the value of the generational model. [His book] beats notions of 'ages' or 'epochs', because it is organic and bridges individual and collective historiography, while also allowing for the non-contemporaneity of the contemporaneous, the coexistence of multiple generations in time and space." & mdash;Modern Language Review "[The Modernist Nation's] historical span is impressive, ranging from Ralph Waldo Emerson to James Baldwin. ... One of Soto's contributions is to continue the work of thinking

  10. Breaking boundaries
    Latina writing and critical readings
    Erschienen: 1989
    Verlag:  University of Massachusetts Press, Amherst, Mass.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585153914; 9780585153919
    RVK Klassifikation: IQ 00177 ; IQ 00202
    Schlagworte: Literatura americana / Mujeres como autoras / Historia y crítica; Littérature américaine / Auteurs hispano-américains / Histoire et critique; Écrits de femmes américains / Histoire et critique; Littérature américaine / 20e siècle / Histoire et critique; Américaines d'origine latino-américaine / Vie intellectuelle / 20e siècle; Femmes et littérature / États-Unis / Histoire / 20e siècle; Américains d'origine latino-américaine dans la littérature; LITERARY CRITICISM / American / General; Spaans; Amerikaans; Vrouwelijke auteurs; American literature; American literature / Hispanic American authors; American literature / Women authors; Hispanic American women / Intellectual life; Hispanic Americans in literature; Women and literature; Geschichte; Schriftstellerin; Spanisch; American literature; American literature; American literature; Hispanic American women; Women and literature; Hispanic Americans in literature; Schriftstellerin; Lateinamerikanerin; Chicanos; Frauenliteratur
    Umfang: 1 Online-Ressource (xv, 268 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 251-263)

    At the threshold of the unnamed : Latina literary discourse in the eighties / Eliana Ortega and Nancy Saporta Sternbach -- Heat and rain (testimonio) / Denise Chávez -- "Nopalitos" : the making of fiction (testimonio) / Helena Maria Viramontes -- Doña Josefa : bloodpulse of transition and change / Janice Dewey -- "A deep racial memory of love" : the Chicana feminism of Cherríe Moraga / Nancy Saporta Sternbach -- Sandra Cisneros' The house on Mango Street : community-oriented introspection and the demystification of patriarchal violence / Ellen McCracken -- Deconstructing the dominant patriarchal text : Cecile Pineda's narratives / Juan Bruce-Novoa -- The ties that bind : women and community in Evangelina Vigil's Thirty an' seen a lot / Mary Jane Treacy

    The sardonic powers of the erotic in the work of Ana Castillo / Norma Alarcón -- Puerto Rican writers in the U.S., Puerto Rican writers in Puerto Rico : a separation beyond language (testimonio) / Nicholasa Mohr -- Open letter to Eliana (testimonio) / Sandra María Esteves -- Poetic discourse of the Puerto Rican woman in the U.S. : new voices of Anacaonian liberation / Eliana Ortega -- "Señores, don't leibol mi, please!! : ya soy Luz María Umpierre" / Asunción Horno-Delgado, translated by Janet N. Gold -- A commentary on the works of three Puerto Rican women poets in New York / Yamila Azize Vargas translated by Sonia Crespo Vega -- Latinas at the crossroads : an affirmation of life in Rosario Morales and Aurora Levins Morales' Getting home alive / Lourdes Rojas

    The show does go on (testimonio) / Dolores Prida -- From immigrants to ethnics : Cuban women writers in the U.S. / Eliana Rivero -- Dolores Prida's Coser y cantar : mapping the dialectics of ethnic identity and assimilation / Albert Sandoval -- A Cuban-Panamanian-American-lawyer-writer now in Connecticut (testimonio) / Bessy Reyna -- An oral history (testimonio) / Sherezada (Chiqui) Vicioso -- Marjorie Agosín as Latina writer / Nina M. Scott

  11. The shape of the signifier
    1967 to the end of history
    Erschienen: [2004]; © 2004
    Verlag:  Princeton University, Princeton, N.J.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0691118728; 0691126186; 1400849594; 9780691118727; 9780691126180; 9781400849598
    Schlagworte: Amerikaans; Historisme; Letterkunde; Literatuurtheorie; Littérature américaine / Histoire et critique / Théorie, etc; Littérature américaine / 20e siècle / Histoire et critique; Littérature américaine / 21e siècle / Histoire et critique; Signifiance dans la littérature; Genres littéraires; LITERARY CRITICISM / Semiotics & Theory; Literatuurtheorie; Letterkunde; Amerikaans; Historisme; Literaturtheorie; Geschichtstheorie; Literatur; Literaturtheorie; Literatur; American literature; American literature; American literature; Signification (Logic) in literature; Literary form; Geschichtstheorie; Literaturtheorie; Literatur
    Umfang: 1 online resource (224 pages), illustrations
    Bemerkung(en):

    Print version record

    I: Posthistoricism -- The end of history -- Political science fictions -- Partez au vert/Go on the green -- The shape of the signifier -- The end of theory -- II: Prehistoricism -- Rocks -- And stones -- And trees -- III: Historicism -- Remembering -- Reliving -- Dismembering -- Forgetting -- Coda: empires of the senseless

  12. My mother was a computer
    digital subjects and literary texts
    Erschienen: 2005
    Verlag:  University of Chicago Press, Chicago

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226321493; 0226321495
    RVK Klassifikation: EC 5410 ; HN 1091
    Schlagworte: Intelligence informatique; Interaction homme-machine (Informatique); Ordinateurs dans la littérature; Réalité virtuelle; Littérature américaine / 20e siècle / Histoire et critique; COMPUTERS / Enterprise Applications / Business Intelligence Tools; COMPUTERS / Intelligence (AI) & Semantics; Bellettrie; Automatisering; Hypertekst; Virtuele werkelijkheid; Inteligência artificial; Realidade virtual; Künstliche Intelligenz; Computer <Motiv>; Literatur; Computational intelligence; Human-computer interaction; Computers in literature; Virtual reality; American literature; Künstliche Intelligenz; Literatur; Computer <Motiv>
    Umfang: 1 Online-Ressource (x, 290 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 266-278) and index

    Prologue: computing kin -- Part I. Making: language and code. Intermediation: textuality and the regime of computation ; Speech, writing, code: three worldviews ; The dream of information: escape and constraint in the bodies of three fictions -- Part II. Storing: print and etext. Translating media ; Performative code and figurative language: Neal Stephenson's Cryptonomicon ; Flickering connectivities in Shelley Jackson's Patchwork girl -- Part III. Transmitting: analog and digital. (Un)masking the agent: Stanislaw Lem's "The mask" ; Simulating narratives: what virtual creatures can teach us ; Subjective cosmology and the regime of computation: intermediation in Greg Egan's fiction -- Epilogue: recursion and emergence

  13. Disturbing calculations
    the economics of identity in postcolonial Southern literature, 1912-2002
    Erschienen: c2008
    Verlag:  University of Georgia Press, Athens, Ga.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0820336726; 9780820336725
    RVK Klassifikation: HU 1540
    Schriftenreihe: New southern studies
    Schlagworte: LITERARY CRITICISM / American / General; Littérature américaine / États-Unis (sud) / Histoire et critique; Littérature américaine / 20e siècle / Histoire et critique; Valeur / Dans la littérature; Valeur / Aspect psychologique; Nombres / Dans la littérature; Soi / Dans la littérature; Identité (psychologie) / Dans la littérature; LITERARY CRITICISM / Semiotics & Theory; American literature; Ego (Psychology) in literature; Fetishism in literature; Identity (Psychology) in literature; Literature; Narcissism in literature; Numbers in literature; Value in literature; Value / Psychological aspects; Literatur; Psychologie; American literature; American literature; Value in literature; Value; Numbers in literature; Fetishism in literature; Narcissism in literature; Ego (Psychology) in literature; Identity (Psychology) in literature; Identität <Motiv>; Literatur
    Umfang: 1 Online-Ressource (xi, 263 p.)
    Bemerkung(en):

    The fetish of number : narcissism, economics, and the twentieth century Southern ego -- The fetish of surplus value : reconstructing the white elite in Allen Tate, William Alexander Percy, William Faulkner, and Thomas Wolfe -- Stealing themselves out of slavery : African American Southerners in Richard Wright, William Attaway, James Weldon Johnson, and Zora Neale Hurston -- The measures of love : Southern belles and working girls in Frances Newman, Anita Loos, and Katherine Anne Porter -- Contemporary crises of value : white trash, black paralysis, and elite amnesia in Dorothy Allison, Alice Walker, and Walker Percy -- Remembering the missing : Native Americans, immigrants, and Atlanta's murdered children in Louis Owens, Marilou Awiakta, Lan Cao, James Baldwin, Toni Cade Bambara, and Tayari Jones

    Includes bibliographical references (p. 233-251) and index

  14. Signs and cities
    Black literary postmodernism
    Autor*in: Dubey, Madhu
    Erschienen: c2003
    Verlag:  University of Chicago Press, Chicago

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0226167283; 9780226167282
    Schlagworte: Littérature américaine / Auteurs noirs américains / Histoire et critique; Littérature américaine / 20e siècle / Histoire et critique; Postmodernisme (Littérature) / États-Unis; Noirs américains / Vie intellectuelle; Vie urbaine dans la littérature; Noirs américains dans la littérature; LITERARY CRITICISM / American / General; Schwarze. USA; American literature; American literature; Postmodernism (Literature); African Americans; City and town life in literature; African Americans in literature; Stadt <Motiv>; Postmoderne; Roman; Schwarze
    Umfang: 1 Online-Ressource (ix, 284 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 243-276) and index

    The postmodern moment in Black literary and cultural studies -- Books of life: postmodern uses of print literacy -- Urban writing as voyeurism: literature in the age of spectacle -- Reading as listening: the Southern folk aesthetic -- Reading as mediation: urbanity in the age of information

    Signs and Cities is the first book to consider what it means to speak of a postmodern moment in African-American literature. Dubey argues that for African-American studies, postmodernity best names a period, beginning in the early 1970s, marked by acute disenchantment with the promises of urban modernity and of print literacy. Dubey shows how black novelists from the last three decades have reconsidered the modern urban legacy and thus articulated a distinctly African-American strain of postmodernism. She argues that novelists such as Octavia Butler, Samuel Delany, Toni Morrison, Gloria Naylor

  15. Looking for Harlem
    urban aesthetics in African American literature
    Autor*in: Balshaw, Maria
    Erschienen: 2000
    Verlag:  Pluto Press, London

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  16. Color & culture
    Black writers and the making of the modern intellectual
    Autor*in: Posnock, Ross
    Erschienen: 1998
    Verlag:  Harvard University Press, Cambridge, Mass.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0674042336; 0674143094; 9780674042339; 9780674143098
    Schlagworte: Littérature américaine / Auteurs noirs américains; Langage et culture / États-Unis / Histoire / 20e siècle; Littérature américaine / 20e siècle / Histoire et critique; Noirs américains / Vie intellectuelle; Noirs américains dans la littérature; Noirs / Vie intellectuelle; LITERARY CRITICISM / American / General; Negers; Amerikaans; Schrijvers; Intellectualisme; African Americans in literature; African Americans / Intellectual life; American literature; American literature / African American authors; Blacks / Intellectual life; Intellectual life; Language and culture; Geschichte; Schriftsteller; Schwarze; Schwarze. USA; American literature; Language and culture; American literature; African Americans; African Americans in literature; Blacks; Geschichte; Kultur; Schwarze; Literatur; Intellektueller; Schriftsteller
    Weitere Schlagworte: Locke, Alain / 1886-1954; Du Bois, W. E. B. / (William Edward Burghardt) / 1868-1963; Locke, Alain LeRoy / 1886-1954; Du Bois, W. E. B. / (William Edward Burghardt) / 1868-1963; Locke, Alain / 1885-1954; Du Bois, W. E. B. (1868-1963); Locke, Alain (1885-1954); Locke, Alain LeRoy (1886-1954); Du Bois, William E. B. (1868-1963)
    Umfang: 1 Online-Ressource (353 pages)
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    Includes bibliographical references (pages 331-346) and index

    In this book, Ross Posnock shows that black writers, far from being recent arrivals, were arguably the first modern American intellectuals. W.E.B. Du Bois's ideal of a "higher and broader and more varied human culture" is at the heart of a cosmopolitan tradition that Posnock identifies as a missing chapter in American literary and cultural history. The book offers a much needed historical perspective on "black intellectuals" as a social category, ranging over a century - from Frederick Douglass to Patricia Williams, from Du Bois, Pauline Hopkins, and Charles Chesnutt to Nella Larsen, Zora Neale Hurston, and Alain Locke, from Ralph Ellison and James Baldwin to Samuel Delany and Adrienne Kennedy. These writers challenge two durable assumptions: that high culture is "white culture" and that racial uplift is the sole concern of the black intellectual

  17. The Viet Nam War/the American war
    images and representations in Euro-American and Vietnamese exile narratives
    Erschienen: ©1995
    Verlag:  University of Massachusetts Press, Amherst, Mass.

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    Sprache: Englisch
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    ISBN: 0585253552; 9780585253558
    RVK Klassifikation: HU 1691
    Schlagworte: Guerre du Viêt-nam, 1961-1975 / Littérature et guerre; Littérature américaine / 20e siècle / Histoire et critique; Américains d'origine vietnamienne / Biographies / Histoire et critique; Littérature vietnamienne / 20e siècle / Histoire et critique; Littérature comparée / Américaine et vietnamienne; Littérature comparée / Vietnamienne et américaine; Écrits de militaires américains / Histoire et critique; Récits de guerre américains / Histoire et critique; Exilés / Viêt-nam / Biographies / Histoire et critique; Viêt-nam dans la littérature; LITERARY CRITICISM / American / General; Guerre du Viet-Nam (1961-1975) / Littérature et guerre; Littérature américaine / 20e siècle / Histoire et critique; Littérature vietnamienne / 20e siècle / Histoire et critique; Littérature comparée / Américaine et vietnamienne; Littérature comparée / Vietnamienne et américaine; Écrits de soldats américains / Histoire et critique; Récits de guerre américians / Histoire et critique; Vietnamkrieg; Vietnam War, 1961-1975; American literature; Vietnamese Americans; Vietnamese literature; Exiles; Comparative literature; Comparative literature; Soldiers' writings, American; War stories, American; Narration (Rhetoric); Bericht; Vietnamkrieg <Motiv>; Vietnamesischer Flüchtling; Literatur; Roman; Europäer; Vietnamkrieg; Amerikaner
    Umfang: 1 Online-Ressource (xiv, 341 pages)
    Bemerkung(en):

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    Includes bibliographical references (pages 327-337) and index

    Vietnamese exile narratives -- U.S. wars in Asia and the representation of Asians -- Euro-American representations of the Vietnamese

    This book seeks to reformulate the canon of writings on what is called "the Viet Nam War" in America and "the American War" in Viet Nam. Until recently, the accepted canon has consisted almost exclusively of American white male combat narratives, which often reflect and perpetuate Asian stereotypes. Renny Christopher introduces material that displays a bicultural perspective, including works by Vietnamese exile writers and by lesser-known Euro-Americans who attempt to bridge the cultural gap

    Christopher traces the history of American stereotyping of Asians and shows how Euro-American ethnocentricity has limited most American authors' ability to represent fairly the Vietnamese in their stories. By giving us access to Vietnamese representations of the war, she creates a context for understanding the way the war was experienced from the "other" side, and she offers perceptive, well-documented analyses of how and why Americans have so emphatically excised the Vietnamese from narratives about a war fought in their own country

  18. Sounds of defiance
    the Holocaust, multilingualism, and the problem of English
    Autor*in: Rosen, Alan
    Erschienen: c2005
    Verlag:  University of Nebraska Press, Lincoln

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0803205287; 9780803205284
    Schlagworte: LITERARY CRITICISM / American / General; Littérature américaine / 20e siècle / Histoire et critique; Anglais (Langue) / Anglais parlé; Holocauste, 1939-1945, dans la littérature; Parole dans la littérature; Anglais (Langue) / Aspect social; Anglais (Langue) / Stylistique; Englisch; Gesellschaft; American literature; English language; Holocaust, Jewish (1939-1945), in literature; Speech in literature; English language; English language; Sprache; Englisch; Literatur
    Umfang: 1 Online-Ressource (xiv, 248 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [191]-241) and index

    Evidence of trauma : English as perplexity in David Boder's topical autobiographies -- - An entirely different culture : English as translation in John Hersey's The wall -- - What does he speak?: English as mastery in Ruth Chatterton's Homeward borne -- - Please speak English : babbling in Philip Roth's "Eli, the fanatic" -- - From law to outlaw : borrowed English in Edward Wallant's The pawnbroker -- - Law's languages : Hannah Arendt's mother and other tongues -- - Say "good boy" : legitimizing English in Sidney Lumet's The pawnbroker -- - Cracking her teeth : broken English in Cynthia Ozick's fiction and essays -- - The language of dollars : English as intruder in Yaffa Eliach's Hasidic tales of the Holocaust -- - The language of survival : English as metaphor in Art Spiegelman's Maus -- - Eaten away by silence : English as elegy in Anne Michaels's Fugitive pieces

  19. Charlotte Perkins Gilman and her contemporaries
    literary and intellectual contexts
    Erschienen: ©2004
    Verlag:  University of Alabama Press, Tuscaloosa

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0817381791; 9780817381790
    RVK Klassifikation: HT 5289
    Schriftenreihe: Studies in American literary realism and naturalism
    Schlagworte: American literature; Gilman, Charlotte Perkins; Women and literature; Femmes et littérature / États-Unis / Histoire / 19e siècle; Femmes et littérature / États-Unis / Histoire / 20e siècle; Littérature américaine / 19e siècle / Histoire et critique; Littérature américaine / 20e siècle / Histoire et critique; Rôle selon le sexe dans la littérature; LITERARY CRITICISM / American / General; American literature; Contemporaries; Friendship; Intellectual life; Sex role in literature; Women and literature; Femmes et littérature / États-Unis / 19e siècle; Femmes et littérature / États-Unis / 20e siècle; Rôle selon le sexe dans la littérature; Geschichte; Women and literature; Women and literature; American literature; American literature; Sex role in literature
    Weitere Schlagworte: Gilman, Charlotte Perkins / 1860-1935 / Critique et interprétation; Gilman, Charlotte Perkins / 1860-1935 / Amis et relations; Gilman, Charlotte Perkins / 1860-1935 / Contemporains; Gilman, Charlotte Perkins / 1860-1935; Gilman, Charlotte Perkins / (1860-1935) / Critique et interprétation; Gilman, Charlotte Perkins / (1860-1935) / Amis et relations; Gilman, Charlotte Perkins / (1860-1935) / Contemporains; Gilman, Charlotte Perkins; Gilman, Charlotte Perkins (1860-1935); Gilman, Charlotte Perkins (1860-1935); Gilman, Charlotte Perkins (1860-1935); Gilman, Charlotte Perkins (1860-1935)
    Umfang: 1 Online-Ressource (xvii, 251 pages)
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    Includes bibliographical references (pages 219-239) and index

    The two Mrs. Stetsons and the "romantic summer" - Cynthia J. Davis -- - When the marriage of true minds admits impediments : Charlotte Perkins Gilman and William Dean Howells - Joanne B. Karpinski -- - Charlotte Perkins Gilman versus Ambrose Bierce : the literary politics of gender in fin-de-siècle California - Lawrence J. Oliver - Gary Scharnhorst -- - Charlotte Perkins Gilman, William Randolph Hearst, and the practice of ethical journalism - Denise D. Knight -- - "The - Overthrow" of gynaecocentric culture : Charlotte Perkins Gilman and Lester Frank Ward - Judith A. Allen -- - Mrs. Stetson and Mr. Shaw in Suffolk : animadversions and obstacles - Janice J. Kirkland -- - Sins of the mothers and Charlotte Perkins Gilman's covert alliance with Catharine Beecher - Monika Elbert -- - Gilman's The crux and Owen Wister's The Virginian : intertextuality and "woman's manifest destiny" - Jennifer S. Tuttle -- - Creating great women : Mary Austin and Charlotte Perkins Gilman - Melody Graulich -- - From near-dystopia to utopia : a source for Herland in Inez Haynes Gillmore's Angel Island - Charlotte Rich -- - Charlotte Perkins Gilman's With her in Ourland : Herland meets heterodoxy - Lisa A. Long -- - "All is not sexuality that looks it" : Charlotte Perkins Gilman and Karen Horney on Freudian psychoanalysis - Mary M. Moynihan

    Considers Gilman's place in American literary and social history by examining her relationships to other prominent intellectuals of her era. By placing Charlotte Perkins Gilman in the company of her contemporaries, this collection seeks to correct misunderstandings of the feminist writer and lecturer as an isolated radical. Gilman believed and preached that no life is ever led in isolation; indeed, the cornerstone of her philosophy was the idea that "humanity is a relation." Gilman's highly public and combative stances as a critic and social activist brought her into contact and conf

  20. Mad to be saved
    the Beats, the '50s, and film
    Autor*in: Sterritt, David
    Erschienen: ©1998
    Verlag:  Southern Illinois University Press, Carbondale

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585029733; 0809321807; 9780585029733
    RVK Klassifikation: HU 1724
    Schlagworte: Beat generation; Cinéma et littérature / États-Unis / Histoire / 20e siècle; Littérature et société / États-Unis / Histoire / 20e siècle; Littérature américaine / 20e siècle / Histoire et critique; Films expérimentaux / États-Unis / Histoire et critique; Cinéma / États-Unis / Histoire / 20e siècle; LITERARY CRITICISM / American / General; American literature; Beat generation; Experimental films; Literature and society; Motion pictures; Motion pictures and literature; Film; Geschichte; Beat generation; Motion pictures and literature; Literature and society; American literature; Experimental films; Motion pictures; Film; Gesellschaft; Beatgeneration; Kultur
    Umfang: 1 Online-Ressource (xii, 258 pages)
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    Includes bibliographical references (pages 223-249) and index

    "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining American society in the '50s, Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success." "After an introductory overview of the Beat Generation, its history, its antecedents and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs.

    He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers - who were inspired by jazz and other liberating influences - as carnivalesque rebels against what they perceived as a rigid and stifling social order." "Showing the Beats as social critics, Sterritt looks at the work of '50s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities.

    He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films." "Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis, nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries."--Jacket

  21. Framing the margins
    the social logic of postmodern culture
    Erschienen: 1994
    Verlag:  Oxford University Press, New York

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    Medientyp: Ebook
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    ISBN: 0195082389; 0195082397; 1280443383; 1423758536; 1601299214; 9780195082388; 9780195082395; 9781280443381; 9781423758532; 9781601299215
    Schlagworte: Littérature américaine / 20e siècle / Histoire et critique; Postmodernisme (Littérature) / États-Unis; Littérature et société / États-Unis; Problèmes sociaux dans la littérature; LITERARY CRITICISM / American / General; Literatur; Gesellschaft; Postmoderne; American literature; Postmodernism (Literature); Literature and society; Social problems in literature; Soziale Probleme <Motiv>; Postmoderne; Marginalität; Gesellschaft; Literatur
    Umfang: 1 Online-Ressource (233 pages)
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    Includes bibliographical references (pages 215-223) and index

    Introduction : the postmodern, the marginal, and the minor -- Signification, movement, and resistance in the novels of Nathanael West -- Anaïs Nin, Djuna Barnes, and the critical feminist unconscious -- Gwendolyn Brooks and the vicissitudes of black female subjectivity -- "To become one and yet many" : psychic fragmentation and aesthetic synthesis in Ralph Ellison's Invisible man -- Postmodern narrative/biographical imperative -- Coda : categorical collapse and the possibility of "commitment."

    In this reassessment of postmodernism, the author contends that the fragmentation considered to be characteristic of the postmodern age can in fact be traced to the status of marginalized American and Afro-American writers of the 1930s to 1950s, such as West, Nin, Barnes, Allison and Brooks

  22. Dialect and dichotomy
    literary representations of African American speech
    Erschienen: ©2004
    Verlag:  University of Alabama Press, Tuscaloosa

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0817313990; 0817354239; 0817380159; 9780817313999; 9780817354237; 9780817380151
    RVK Klassifikation: HR 1520
    Schlagworte: English language / Spoken English / United States. Black English in literature. American literature / White authors / History and criticism. English language / Dialects / United States. African Amer; Littérature américaine / Auteurs noirs américains / Histoire et critique; Littérature américaine / États-Unis (Sud) / Histoire et critique; Littérature américaine / Auteurs blancs / Histoire et critique; Littérature américaine / 20e siècle / Histoire et critique; Littérature dialectale américaine / Histoire et critique; Anglais (Langue) / Anglais parlé / États-Unis; Anglais (Langue) / Dialectes / États-Unis; Noirs américains / Vie intellectuelle; Noirs américains dans la littérature; Noirs américains / Langues; Black English (Dialecte) dans la littérature; Anglais (Langue) / États-Unis / Idiotismes, dans la littérature; Parole dans la littérature; LITERARY CRITICISM / American / General; African Americans; African Americans / Intellectual life; African Americans / Languages; American literature; American literature / African American authors; American literature / White authors; Americanisms; Black English; Dialect literature, American; English language / Dialects; English language / Spoken English; Literature; Speech; Englisch; Literatur; Schwarze. USA; Sprache; American literature; American literature; American literature; American literature; Dialect literature, American; English language; English language; African Americans; African Americans in literature; African Americans; Black English in literature; Americanisms in literature; Speech in literature; Mundart; Schwarze; Literatur
    Umfang: 1 Online-Ressource (xxi, 194 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 175-181) and index

    A Brief History of American literary dialect -- Linguists, literary critics, and literary dialect -- Methodology -- Articulating Jim: language and characterization in Huckleberry Finn -- "A high, holy purpose": dialect in Charles W. Chesnutt's conjure tales -- Representations of speech and attitudes about race in the sound and the fury -- Community in conflict: saying and doing in their eyes were watching god

  23. Screening the Beats
    media culture and the Beat sensibility
    Autor*in: Sterritt, David
    Erschienen: c2004
    Verlag:  Southern Illinois University Press, Carbondale

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    ISBN: 0809325632; 1429417803; 9780809325634; 9781429417808
    Schlagworte: LITERARY CRITICISM / American / General; Littérature américaine / 20e siècle / Histoire et critique; Beat generation; Médias et littérature / États-Unis / Histoire / 20e siècle; Médias / États-Unis / Histoire / 20e siècle; Littérature américaine / Adaptations cinématographiques et télévisées; American literature; Beat generation; Mass media; Mass media and literature; Geschichte; Massenmedien; American literature; Beat generation; Mass media and literature; Mass media; American literature; Beatgeneration; Kultur
    Weitere Schlagworte: Kerouac, Jack / 1922-1969 / Adaptations cinématographiques et télévisées; Kerouac, Jack / 1922-1969; Kerouac, Jack / 1922-1969; Kerouac, Jack (1922-1969)
    Umfang: 1 Online-Ressource (xvi, 133 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Beats, movies, and ills of postwar America -- Lisped, muxed, and completely flunk: Jack Kerouac meets the three stooges -- Desolation angels: Kerouac, Buddhism, and film -- Revision, prevision, and the aura of improvisatory art -- Constructing the grotesque body in word, image, and sound

    "Film critic David Sterritt's Screening the Beats: Media Culture and the Beat Sensibility showcases the social and aesthetic viewpoints of lynchpin Beat writers Jack Kerouac, William S. Burroughs, and Allen Ginsberg, juxtaposing their artistry with 1950s culture and achieving what Kerouac might have called a "bookmovie" riff. In clear prose, Sterritt captures the raw energy of the Beats and joins in their celebration of aesthetic freakishness. Tapping into the diversified spirit of the Beat Generation and its nuanced relationship with postwar American culture, Sterritt considers how the Beats variously foreground, challenge, and illuminate major issues in Hollywood and avant-garde film, critical and cultural theory, and music in the mass-media age."--Jacket

  24. An appointment with Somerset Maugham
    and other literary encounters
    Erschienen: ©1994
    Verlag:  Texas A & M University Press, College Station

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585173966; 9780585173962
    RVK Klassifikation: HM 1071
    Auflage/Ausgabe: 1st ed
    Schlagworte: Littérature anglaise / 20e siècle / Histoire et critique; Littérature américaine / 20e siècle / Histoire et critique; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; American literature; English literature; English literature; American literature; Englisch; Literatur
    Weitere Schlagworte: Maugham, W. Somerset / (William Somerset) / 1874-1965 / Critique et interprétation
    Umfang: 1 Online-Ressource (xiii, 227 pages)
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    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 207-219) and index

    pt. 1 - The troubling case of Somerset Maugham - Prologue: Abiding gods -- - Somerset Maugham and the Driffield position -- - Maugham's "partial self": the "unexpected view" on the way to Tolstoy's "Death of Ivan Ilych" -- - The wages of notoriety -an update -- - pt. 2 - The dismantling of favor - Prologue: In deepest regions -- - H.G. Wells and the Palimpsest of time -- - The anxiety of confluence -- - Conrad Aiken and the "Tom" catastrophe -- - Ground rule for "marginal" memoir: being heard but not seen -- - The sentence(ing) of Edmund Wilson -- - The "burrowing" of literary moles: Turgenev and Flaubert -- - The triumph of Richard Ellmann -- - Friendship, Francini, and the Triestine Joyce -- - pt. 3 - The serious business of comedy, innocence, and homage to the Hemingways - Prologue: Lucky Jim and Johnny come lately -- - Laughing with the early Kingsley Amis -- - Dorothy Parker: nothing sacred -- - The custodianship of Mary Hemingway -- - Edith Wharton's age of innocence -and mine -- - pt. 4 - The consul and other notations from underground - How I "discovered" Under the volcano -- - Pietà, Pelado, and "the ratification of death": the ten-year evolvement of Malcolm Lowry's Volcano -- - The ordeal of Margerie Lowry -- - Writing as failed therapy: Tennessee Williams and James Baldwin -- - Cheerless books that cheer -- - Notes form a dark heller: Bob Slocum and the underground man -- - Afterword - "Our last man of letters" and other legacies

  25. Blows like a horn
    beat writing, jazz, style, and markets in the transformation of U.S. culture
    Autor*in: Whaley, Preston
    Erschienen: 2004
    Verlag:  Harvard University Press, Cambridge, Mass.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0674013115; 0674045122; 9780674013117; 9780674045125
    Schlagworte: Littérature américaine / 20e siècle / Histoire et critique; Beat generation; Musique et littérature / Histoire / 20e siècle; Jazz / Histoire et critique; LITERARY CRITICISM / American / General; American literature; Beat generation; Civilization; Jazz; Markets; Music and literature; Geschichte; American literature; Beat generation; Music and literature; Markets; Jazz; Beatgeneration; Literatur; Jazz; Kulturwandel
    Umfang: 1 Online-Ressource (260 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [203]-250) and index

    Horn of fame -- On the brink -- Celluloid beatniks -- Ready for breakfast -- How of love