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  1. Travel, Translation and Transmedia Aesthetics
    Franco-Chinese Literature and Visual Arts in a Global Age
    Autor*in: Li, Shuangyi
    Erschienen: 2021.
    Verlag:  Springer Singapore, Singapore ; Imprint: Palgrave Macmillan

    Chapter 1: Introduction -- Chapter 2: Diverse Forms of Travel and Translation in Franco-Chinese Fiction -- Chapter 3: Translingual Rewriting and Transhistorical Fabulation -- Chapter 4: Sinograph, Calligraphy, and Novelistic Aesthetics -- Chapter 5:... mehr

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    Resolving-System (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
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    Chapter 1: Introduction -- Chapter 2: Diverse Forms of Travel and Translation in Franco-Chinese Fiction -- Chapter 3: Translingual Rewriting and Transhistorical Fabulation -- Chapter 4: Sinograph, Calligraphy, and Novelistic Aesthetics -- Chapter 5: Translational (Anti-)Storytelling and Transmedia Aesthetics -- Chapter 6: Conclusion. This book examines the works of four contemporary first-generation Chinese migrant writer-artists in France: François CHENG, GAO Xingjian, DAI Sijie, and SHAN Sa. They were all born in China, moved to France in their adulthood to pursue their literary and artistic ambitions, and have enjoyed the highest French and Western institutional recognitions, from the Grand Prix de la Francophonie to the Nobel Prize in Literature. They have established themselves not only as writers, but also as translators, calligraphers, painters, playwrights, and filmmakers mainly in their host country. French has become their dominant—but not only—language of literary creation (except for Gao); yet, linguistic idioms, poetic imagery, and classical thought from Chinese cultural heritage permeate their French texts and visual artworks, reflecting a strong translingual and transmedial sensibility. The book provides not only distinctive literary and artistic examples beyond existing studies of intercultural encounter, French postcolonial, and Chinese diasporic enquiries; more importantly, it formulates a theoretical model that captures the creative dynamics between the Frenhc/francophone and China/sinophone spaces of articulation, thereby contributing to contemporary debates about literary and artistic production, interpretation, and circulation in the global development of comparative/world literature, as well as intermediality studies. Shuangyi Li is a Lecturer in Comparative Literatures and Cultures at the University of Bristol, UK. He is the author of Proust, China and Intertextual Engagement: Translation and Transcultural Dialogue (2017) (International Comparative Literature Association Anna Balakian Prize 2019). He received his PhD in French at the University of Edinburgh and was selected as pensionnaire étranger at L'École Normale Supérieure, Paris (2012-13). He worked as a Swedish Research Council/Vetenskapsrådet Research Fellow at Lund University, Sweden (2019–2021). .

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789811655623
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2021.
    Schriftenreihe: Springer eBook Collection
    Schlagworte: Literature .; China—History.; European literature.; Ethnology—Asia.
    Umfang: 1 Online-Ressource(XV, 252 p. 45 illus., 27 illus. in color.)
  2. Right to the City Novels in Turkish Literature from the 1960s to the Present
    Erschienen: 2021.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1 Introduction: Right to the City Novels in Modern Turkish Fiction -- Chapter 2 From the Barricades to the City as Art: The Idea of the Right to the City -- Chapter 3 Passionate Belongings and Intense Longings: Tracing the Right to the City... mehr

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Zentrum für Wissensmanagement, Bibliothek Hamm
    eBook Springer
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    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
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    Zentrum für Wissensmanagement, Bibliothek Lippstadt
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Universitätsbibliothek Mannheim
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    Chapter 1 Introduction: Right to the City Novels in Modern Turkish Fiction -- Chapter 2 From the Barricades to the City as Art: The Idea of the Right to the City -- Chapter 3 Passionate Belongings and Intense Longings: Tracing the Right to the City in Istanbul -- Chapter 4 Istanbul Meets Its New Members: An Overview of Istanbul’s History as Regards Migration -- Chapter 5 ‘Istanbulites’ and ‘Non-Istanbulites’ in Turkish Novel: Creation of the Corpus -- Chapter 6 The Homesick Birds: An Empathetic Look at the Urbanites of the Future -- Chapter 7 Uncle Halo and Two Oxen: A Sarcastic Look at Rural to Urban Migration and Its Discontents -- Chapter 8 The Homesick Birds and Uncle Halo and Two Oxen: A Comparative Analysis -- Chapter 9 Berji Kristin: Tales from the Garbage Hills: A Satirical Look at Uniform Urbanity -- Chapter 10 Heavy Roman(i): An Alternative Urbanity in the Dionysiac City -- Chapter11 Berji Kristin: Tales from the Garbage Hills and Heavy Roman(i): A Comparative Analysis -- Chapter 12 On the Periphery: Existence in the Grim City -- Chapter 13 It Takes All Kinds: The Istanbul Forgotten in the ‘Varoş’ -- Chapter 14 On the Periphery and It Takes All Kinds: A Comparative Analysis -- Chapter 15 A Strangeness in My Mind: A Love Story of a Man and His City -- Chapter 16 Conclusion. Right to the City Novels in Turkish Literature from the 1960s to the Present analyses the representation of rural migration to Istanbul in literature, placing Henri Lefebvre’s concept of the right to the city at the centre of the argument. Using a framework of critical urban theory, the book examines Orhan Kemal’s Gurbet Kuşları [The Homesick Birds] (1962); Muzaffer İzgü’s Halo Dayı ve İki Öküz [Uncle Halo and Two Oxen] (1973); Latife Tekin’s Berci Kristin Çöp Masalları [Berji Kristin: Tales From the Garbage Hills] (1984); Metin Kaçan’s Ağır Roman [Heavy Roman(i)] (1990); Ayhan Geçgin’s Kenarda [On the Periphery] (2003); Hatice Meryem’s İnsan Kısım Kısım, Yer Damar Damar [It Takes All Kinds] (2008); and Orhan Pamuk’s Kafamda Bir Tuhaflık [A Strangeness in My Mind] (2014) in the historical context as regards rural migration to Istanbul, urbanization of migrants, and anti-migrant nostalgia. Situating these works as a counterpoint to nostalgic novels and categorising them as right to the city novels, the book aims to offer a conceptual framework that can be implemented on internal as well as international migration in other global(ising) cities; and on cultural products other than literature, such as film.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030612214
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2021.
    Schriftenreihe: Literary Urban Studies
    Schlagworte: Literature, Modern—20th century.; Literature, Modern—21st century.; Middle Eastern literature.; Literature .; Cities and towns—History.; Sociology, Urban.
    Umfang: 1 Online-Ressource(XVII, 244 p. 2 illus., 1 illus. in color.)
  3. Travel, Translation and Transmedia Aesthetics
    Franco-Chinese Literature and Visual Arts in a Global Age
    Autor*in: Li, Shuangyi
    Erschienen: 2021.
    Verlag:  Springer Singapore, Singapore ; Imprint: Palgrave Macmillan

    Chapter 1: Introduction -- Chapter 2: Diverse Forms of Travel and Translation in Franco-Chinese Fiction -- Chapter 3: Translingual Rewriting and Transhistorical Fabulation -- Chapter 4: Sinograph, Calligraphy, and Novelistic Aesthetics -- Chapter 5:... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    ebook
    keine Fernleihe
    Zentrum für Wissensmanagement, Bibliothek Hamm
    eBook Springer
    keine Fernleihe
    Hochschulbibliothek Karlsruhe (PH)
    eBook Springer
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    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    keine Fernleihe
    Zentrum für Wissensmanagement, Bibliothek Lippstadt
    eBook Springer
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    keine Fernleihe
    Otto-von-Guericke-Universität, Universitätsbibliothek
    eBook Springer
    keine Fernleihe
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    eBook Springer
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    Universitätsbibliothek Mannheim
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    Universitätsbibliothek Mannheim
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe
    Universität Potsdam, Universitätsbibliothek
    keine Fernleihe
    Pädagogische Hochschule, Bibliothek
    keine Fernleihe
    Universitätsbibliothek Stuttgart
    keine Fernleihe

     

    Chapter 1: Introduction -- Chapter 2: Diverse Forms of Travel and Translation in Franco-Chinese Fiction -- Chapter 3: Translingual Rewriting and Transhistorical Fabulation -- Chapter 4: Sinograph, Calligraphy, and Novelistic Aesthetics -- Chapter 5: Translational (Anti-)Storytelling and Transmedia Aesthetics -- Chapter 6: Conclusion. This book examines the works of four contemporary first-generation Chinese migrant writer-artists in France: François CHENG, GAO Xingjian, DAI Sijie, and SHAN Sa. They were all born in China, moved to France in their adulthood to pursue their literary and artistic ambitions, and have enjoyed the highest French and Western institutional recognitions, from the Grand Prix de la Francophonie to the Nobel Prize in Literature. They have established themselves not only as writers, but also as translators, calligraphers, painters, playwrights, and filmmakers mainly in their host country. French has become their dominant—but not only—language of literary creation (except for Gao); yet, linguistic idioms, poetic imagery, and classical thought from Chinese cultural heritage permeate their French texts and visual artworks, reflecting a strong translingual and transmedial sensibility. The book provides not only distinctive literary and artistic examples beyond existing studies of intercultural encounter, French postcolonial, and Chinese diasporic enquiries; more importantly, it formulates a theoretical model that captures the creative dynamics between the Frenhc/francophone and China/sinophone spaces of articulation, thereby contributing to contemporary debates about literary and artistic production, interpretation, and circulation in the global development of comparative/world literature, as well as intermediality studies. Shuangyi Li is a Lecturer in Comparative Literatures and Cultures at the University of Bristol, UK. He is the author of Proust, China and Intertextual Engagement: Translation and Transcultural Dialogue (2017) (International Comparative Literature Association Anna Balakian Prize 2019). He received his PhD in French at the University of Edinburgh and was selected as pensionnaire étranger at L'École Normale Supérieure, Paris (2012-13). He worked as a Swedish Research Council/Vetenskapsrådet Research Fellow at Lund University, Sweden (2019–2021). .

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789811655623
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2021.
    Schlagworte: Literature .; China—History.; European literature.; Ethnology—Asia.
    Umfang: 1 Online-Ressource(XV, 252 p. 45 illus., 27 illus. in color.)
  4. Africa's Narrative Geographies
    Charting the Intersections of Geocriticism and Postcolonial Studies
    Autor*in: Crowley, D.
    Erschienen: 2015.
    Verlag:  Palgrave Macmillan US, New York ; Imprint: Palgrave Macmillan

    Building on the emerging field of geocriticism, this book explores Africa's complex, dynamic literary landscapes, proffering new methods for understanding the geographies of African literature. Using both cultural geography and political ecology,... mehr

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe

     

    Building on the emerging field of geocriticism, this book explores Africa's complex, dynamic literary landscapes, proffering new methods for understanding the geographies of African literature. Using both cultural geography and political ecology, Crowley offers fresh insights into key authors' imagined geographies of resistance and alterity.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781137518996
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2015.
    Schriftenreihe: Geocriticism and Spatial Literary Studies
    Schlagworte: Literature, Modern—20th century.; Literature .; African literature.; Fiction.; Literature—History and criticism.; Literature—Philosophy.
    Umfang: 1 Online-Ressource(X, 192 p.)
  5. Writing Australian Unsettlement
    Modes of Poetic Invention 1796-1945
    Erschienen: 2015.
    Verlag:  Palgrave Macmillan US, New York ; Imprint: Palgrave Macmillan

    A bold work of synthetic scholarship, Writing Australian Unsettlement argues that the history of Australian literature contains the rough beginnings of a new literacy. Michael Farrell reads songs, letters and visual poems by Indigenous farmers and... mehr

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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    A bold work of synthetic scholarship, Writing Australian Unsettlement argues that the history of Australian literature contains the rough beginnings of a new literacy. Michael Farrell reads songs, letters and visual poems by Indigenous farmers and stockmen, the unpunctuated journals of early settler women, drover tree-messages and carved clubs, and a meta-commentary on settlement from Moore River (the place escaped from in The Rabbit-Proof Fence) in order to rethink old forms. The book borrows the figure of the assemblage to suggest the active and revisable nature of Australian writing, arguing against the "settling" effects of its prior editors, anthologists, and historians. Avoiding the advancement of a new canon, Farrell offers instead an unsettled space in which to rethink Australian writing.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781137465412
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2015.
    Schriftenreihe: Modern and Contemporary Poetry and Poetics
    Schlagworte: Poetry.; Literature .; Literature—Philosophy.; Culture—Study and teaching.; Oriental literature.; Literature—History and criticism.
    Umfang: 1 Online-Ressource(XI, 223 p.)
  6. Emigration and Caribbean Literature
    Erschienen: 2015.
    Verlag:  Palgrave Macmillan US, New York ; Imprint: Palgrave Macmillan

    During and after the two World Wars, a cohort of Caribbean authors migrated to the UK and France. Dissecting writers like Lamming, Césaire, and Glissant, McIntosh reveals how these Caribbean writers were pushed to represent themselves as authentic... mehr

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    During and after the two World Wars, a cohort of Caribbean authors migrated to the UK and France. Dissecting writers like Lamming, Césaire, and Glissant, McIntosh reveals how these Caribbean writers were pushed to represent themselves as authentic spokesmen for their people, coming to represent the concerns of the emigrant intellectual community.

     

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    Format: Online
    ISBN: 9781137543219
    Weitere Identifier:
    Schriftenreihe: New Caribbean Studies
    Schlagworte: Literature, Modern-20th century.; Literature .; America-Literatures.; Literature-Philosophy.; Literature-History and criticism.
    Umfang: 1 Online-Ressource(IX, 244 p.)
  7. Monolingualism and Linguistic Exhibitionism in Fiction
    Autor*in: Pandey, Anjali
    Erschienen: 2016
    Verlag:  Palgrave Macmillan, London

    How are linguistic wars for global prominence literarily and linguistically inscribed in literature? This book focuses on the increasing presence of cosmetic multilingualism in prize-winning fiction, making a case for an emerging transparent-turn in... mehr

    Universitätsbibliothek Freiburg
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    Max-Planck-Institut für ethnologische Forschung, Bibliothek
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    eBook Springer
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    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
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    Universitätsbibliothek Mannheim
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    How are linguistic wars for global prominence literarily and linguistically inscribed in literature? This book focuses on the increasing presence of cosmetic multilingualism in prize-winning fiction, making a case for an emerging transparent-turn in which momentary multilingualism works in the service of long-term monolingualism

     

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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781137340368
    Weitere Identifier:
    Schriftenreihe: Array
    Array
    Schlagworte: Linguistics; Fiction; Oriental literature; Literature .; Language and languages—Style.
    Umfang: Online-Ressource (304 p, online resource)
  8. Right to the City Novels in Turkish Literature from the 1960s to the Present
    Erschienen: 2021.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1 Introduction: Right to the City Novels in Modern Turkish Fiction -- Chapter 2 From the Barricades to the City as Art: The Idea of the Right to the City -- Chapter 3 Passionate Belongings and Intense Longings: Tracing the Right to the City... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Chapter 1 Introduction: Right to the City Novels in Modern Turkish Fiction -- Chapter 2 From the Barricades to the City as Art: The Idea of the Right to the City -- Chapter 3 Passionate Belongings and Intense Longings: Tracing the Right to the City in Istanbul -- Chapter 4 Istanbul Meets Its New Members: An Overview of Istanbul’s History as Regards Migration -- Chapter 5 ‘Istanbulites’ and ‘Non-Istanbulites’ in Turkish Novel: Creation of the Corpus -- Chapter 6 The Homesick Birds: An Empathetic Look at the Urbanites of the Future -- Chapter 7 Uncle Halo and Two Oxen: A Sarcastic Look at Rural to Urban Migration and Its Discontents -- Chapter 8 The Homesick Birds and Uncle Halo and Two Oxen: A Comparative Analysis -- Chapter 9 Berji Kristin: Tales from the Garbage Hills: A Satirical Look at Uniform Urbanity -- Chapter 10 Heavy Roman(i): An Alternative Urbanity in the Dionysiac City -- Chapter11 Berji Kristin: Tales from the Garbage Hills and Heavy Roman(i): A Comparative Analysis -- Chapter 12 On the Periphery: Existence in the Grim City -- Chapter 13 It Takes All Kinds: The Istanbul Forgotten in the ‘Varoş’ -- Chapter 14 On the Periphery and It Takes All Kinds: A Comparative Analysis -- Chapter 15 A Strangeness in My Mind: A Love Story of a Man and His City -- Chapter 16 Conclusion. Right to the City Novels in Turkish Literature from the 1960s to the Present analyses the representation of rural migration to Istanbul in literature, placing Henri Lefebvre’s concept of the right to the city at the centre of the argument. Using a framework of critical urban theory, the book examines Orhan Kemal’s Gurbet Kuşları [The Homesick Birds] (1962); Muzaffer İzgü’s Halo Dayı ve İki Öküz [Uncle Halo and Two Oxen] (1973); Latife Tekin’s Berci Kristin Çöp Masalları [Berji Kristin: Tales From the Garbage Hills] (1984); Metin Kaçan’s Ağır Roman [Heavy Roman(i)] (1990); Ayhan Geçgin’s Kenarda [On the Periphery] (2003); Hatice Meryem’s İnsan Kısım Kısım, Yer Damar Damar [It Takes All Kinds] (2008); and Orhan Pamuk’s Kafamda Bir Tuhaflık [A Strangeness in My Mind] (2014) in the historical context as regards rural migration to Istanbul, urbanization of migrants, and anti-migrant nostalgia. Situating these works as a counterpoint to nostalgic novels and categorising them as right to the city novels, the book aims to offer a conceptual framework that can be implemented on internal as well as international migration in other global(ising) cities; and on cultural products other than literature, such as film.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030612214
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2021.
    Schriftenreihe: Literary Urban Studies
    Schlagworte: Literature, Modern—20th century.; Literature, Modern—21st century.; Middle Eastern literature.; Literature .; Cities and towns—History.; Sociology, Urban.
    Umfang: 1 Online-Ressource(XVII, 244 p. 2 illus., 1 illus. in color.)