Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 6 von 6.

  1. The fragile scholar
    power and masculinity in Chinese culture
    Autor*in: Song, Geng
    Erschienen: 2010
    Verlag:  Hong Kong University Press, Hong Kong

    Preface and Acknowledgements; Introduction; CHAPTER 1. The Fragile Scholar as a Cultural Discourse; CHAPTER 2. From Qu Yuan to Student Zhang: A Genealogy of the Effeminate Shi; CHAPTER 3. Textuality, Rituals and the "Docile Bodies"; CHAPTER 4. Caizi... mehr

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe

     

    Preface and Acknowledgements; Introduction; CHAPTER 1. The Fragile Scholar as a Cultural Discourse; CHAPTER 2. From Qu Yuan to Student Zhang: A Genealogy of the Effeminate Shi; CHAPTER 3. Textuality, Rituals and the "Docile Bodies"; CHAPTER 4. Caizi versus Junzi: Irony, Subversion and Containment; CHAPTER 5. Jasper-like Face and Rosy Lips: Same-sex Desire and the Male Body; CHAPTER 6. Homosocial Desire: Heroism, Misogyny, and the Male Bond; Notes; Selected Bibliography; Index

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
  2. Brushing history against the grain
    reading the Chinese new historical fiction (1986-1999)
    Autor*in: Lin, Qingxin
    Erschienen: 2010
    Verlag:  Hong Kong University Press, Hong Kong

    "This is the first book-length study of the Chinese new historical fiction (NHF), whose rise marks the birth of a new historical discourse that interrogates the telos and the timetable of the current discourse of 'Chinese modernity' as well as the... mehr

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe

     

    "This is the first book-length study of the Chinese new historical fiction (NHF), whose rise marks the birth of a new historical discourse that interrogates the telos and the timetable of the current discourse of 'Chinese modernity' as well as the earlier 'revolutionary history'. In an attempt to foreground the significance and the generic renovations of this new discourse, the author contends that the NHF has emerged as an independent rival discourse which competes with the official historiography for the right to writing the Chinese history." "Covering a wide range of contemporary Chinese writers including Zhang Chengzhi, Han Shaogong, Wang Xiaobo, Mo Yan, Su Tong, Wang Anyi, Chen Zhongshi, Ge Fei, Li Rui, and Yu Hua, this volume is for all those who are interested in late twentieth-century Chinese literature, intellectual and cultural history, comparative literature and cultural studies."--Jacket Introduction. The subordination of yanyi ; Canonizing revolution ; The new historical fiction -- Towards a delineation. Alternative histories ; Historiographic metafictions -- The tyranny of time. The birth of a temporal logic ; The Enlightenment legacy in retrospection ; Modernity and its discontents -- The proliferation of hetertopias. Mapping the geographies of the NHF ; The spatialization of time -- Writing decadence as allegory. Chinese decadence revisited ; Allegorizing historical decadence ; A rhetoric of sickness -- Constructing a "clean spirit". Writing in the Musilm way ; Aestheicizing pessimism and heterodoxy ; Journey to conversion -- Writing the peripheral into dictionary. The spatial form ; Fragments ; Rewriting history ; The power of words ; Dilemma -- History, fiction, and metafiction. Sexing Chinese history ; Living in totalitarian terror ; Intertextuality, memory and amnesia -- Conclusion : straddling traditionality and postmodernity

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch; Chinesisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9882200451; 9622096972; 9789882200456; 9789622096974
    Übergeordneter Titel: In: HKU Press digital editions
    Schlagworte: Historical fiction, Chinese; Roman historique chinois - 20e siècle - Histoire et critique; LITERARY CRITICISM - Asian - General; LANGUAGE ARTS & DISCIPLINES - Literacy; Historical fiction, Chinese; Historischer Roman - Chinesisch - Geschichte - 1986-1999; Literatur - Chinesisch - Motiv (Literatur) - Geschichte (Begriff) - Geschichte - 1986-1999; Geschichte (Begriff) - Motiv (Literatur) - Chinesisch - Geschichte - 1986-1999; Geschichtsliteratur; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (vi, 255 pages)
    Bemerkung(en):

    Includes bibliographical references ([213]-249) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

  3. Chinese dreams: Pound, Brecht, Tel quel
    Autor*in: Hayot, Eric
    Erschienen: 2010
    Verlag:  University of Michigan Press, Ann Arbor

    "Popular images of China in Western culture date back as far as the publication of Marco Polo's memoirs in the early fourteenth century. But China exercised a particularly profound influence on the avant-garde in the twentieth century. The American... mehr

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe

     

    "Popular images of China in Western culture date back as far as the publication of Marco Polo's memoirs in the early fourteenth century. But China exercised a particularly profound influence on the avant-garde in the twentieth century. The American poet Ezra Pound, the German playwright Bertolt Brecht, and the writers associated with the Parisian avant-garde literary journal Tel quel developed especially strong passions for China. Eric Hayot examines these writers' infatuation with China, demonstrating that Pound, Brecht and the writers of Tel quel looked to the East and found a new vision for both themselves and the West."--Jacket Pound -- Brecht -- Tel Quel

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
  4. Ecoambiguity
    environmental crises and East Asian literatures
    Erschienen: 2012
    Verlag:  The University of Michigan Press, Ann Arbor

    East Asian literatures are famous for celebrating the beauties of nature and depicting people as intimately connected with the natural world. But in fact, because the region has a long history of transforming and exploiting nature, much of the... mehr

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe

     

    East Asian literatures are famous for celebrating the beauties of nature and depicting people as intimately connected with the natural world. But in fact, because the region has a long history of transforming and exploiting nature, much of the fiction and poetry in the Chinese, Japanese, and Korean languages portrays people as damaging everything from small woodlands to the entire planet. These texts seldom talk about environmental crises straightforwardly. Instead, like much creative writing on degraded ecosystems, they highlight what Karen Laura Thornber calls ecoambiguity-the complex, contradictory interactions between people and the nonhuman environment. Ecoambiguity is the first book in any language to analyze Chinese, Japanese, Korean, and Taiwanese literary treatments of damaged ecosystems. Thornber closely examines East Asian creative portrayals of inconsistent human attitudes, behaviors, and information concerning the environment and takes up texts by East Asians who have been translated and celebrated around the world, including Gao Xingjian, Ishimure Michiko, Jiang Rong, and Ko Un, as well as fiction and poetry by authors little known even in their homelands. Ecoambiguity addresses such environmental crises as deforesting, damming, pollution, overpopulation, species eradication, climate change, and nuclear apocalypse. This book opens new portals of inquiry in both East Asian literatures and ecocriticism (literature and environment studies), as well as in comparative and world literature Environments, environmental ambiguities, and literatures -- Environmental degradation and literature in East Asia -- Accentuating ambivalence -- Underlining uncertainty -- Captializing on contradiction -- Acquiescing -- Illusions and delusions -- Green paradoxes

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
  5. Uneven modernity
    literature, film, and intellectual discourse in postsocialist China
    Autor*in: Gong, Haomin
    Erschienen: 2012
    Verlag:  University of Hawaiʻi Press, Honolulu

    "Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong's dynamic study of these paradoxes, or "unevenness," provides a unique and seminal approach to contemporary China. Reading unevenness... mehr

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe

     

    "Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong's dynamic study of these paradoxes, or "unevenness," provides a unique and seminal approach to contemporary China. Reading unevenness as a problem and an opportunity simultaneously, Gong investigates how this dialectical social situation shapes cultural production. He begins his investigation of "uneven modernity" in China by constructing a critical framework of unevenness among different theoretical schools and expounding on how dialectical thinking points to a metaphysical paradox in capitalism and modernity: the inevitable tension between a constant pursuit of infinite fullness and a break of fullness (unevenness) as the means of this pursuit. In the Chinese context, this paradox is created in the "uneven developmentalism" that most manifestly characterizes the postsocialist period. Gong goes on to investigate manifestations of the dialectics of unevenness in specific cultural events. Four case studies address respectively but not exclusively literature (the prose of Yu Qiuyu), popular fiction (Chi Li's neorealist fiction), commercial cinema (the movies of Feng Xiaogang), and art-house cinema (Wang Xiaoshuai's filmmaking). Representing different aspects of cultural production in postsocialist China, these writers and directors deal with the same social condition of uneven development, and their works clearly exhibit the problematics of this age. Uneven Modernity makes a significant contribution to the burgeoning field of China studies as well as the study of uneven development in general. It addresses some of the most popular, yet understudied, cultural phenomena in contemporary China. Specialists and students will find its insights admirable and its style accessible."--Project Muse Uneven modernity in postsocialist China -- Popularization of traditional culture in postsocialist China -- Constructing a neorealist reality -- Commerce and the critical edge -- Geopolitics in postsocialist art film and beyond

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
  6. The literature of leisure and Chinese modernity
    Erschienen: 2008
    Verlag:  University of Hawai'i Press, Honolulu

    "The Chinese essay is arguably China's most distinctive contribution to modern world literature, and the period of its greatest influence and popularity - the mid-1930s - is the central concern of this book. What Charles Laughlin terms "the... mehr

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe

     

    "The Chinese essay is arguably China's most distinctive contribution to modern world literature, and the period of its greatest influence and popularity - the mid-1930s - is the central concern of this book. What Charles Laughlin terms "the literature of leisure" is a modern literary response to the cultural past that manifests itself most conspicuously in the form of short, informal essay writing (xiaopin wen). Laughlin examines the essay both as a widely practiced and influential genre of literary expression and as an important counter- discourse to the revolutionary tradition of New Literature (especially realistic fiction), often viewed as the dominant mode of literature at the time." "After articulating the relationship between the premodern traditions of leisure literature and the modern essay, Laughlin treats the various essay styles representing different groups of writers. Each is characterized according to a single defining activity: "wandering" in the case of the Yu si (Threads of conversation) group surrounding Lu Xun and Zhou Zuoren; "learning" with the White Horse Lake group of Zhejiang schoolteachers like Feng Zikai and Xia Mianzun; "enjoying" in the case of Lin Yutang's Analects group; "dreaming" with the Beijing school. The concluding chapter outlines the impact of leisure literature on Chinese culture up to the present day."--Jacket Writing as a way of life -- The legacy of leisure and modern Chinese literature -- Wandering : the threads of conversation group -- Learning : the White Horse Lake group -- Enjoying : the Essays of the Analects group -- Dreaming : from the Crescent Moon group to the Beijing School -- The legacy of leisure and contemporary Chinese culture

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0824864824; 082483125X; 1435666550; 9780824864828; 9780824831257; 9781435666559
    RVK Klassifikation: EG 9560
    Schlagworte: Chinese literature; Littérature chinoise - 20e siècle - Histoire et critique; LITERARY CRITICISM - Asian - General; Chinese literature; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (x, 242 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 219-234) and index