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  1. On the horizon of world literature
    forms of modernity in romantic England and republican China
    Autor*in: Sun, Emily
    Erschienen: 2021
    Verlag:  Fordham University Press, New York

    Frontmatter -- Contents -- Introduction. Reading Literary Modernities on the Horizon of World Literature -- 1 Literary Modernity and the Emancipation of Voice -- 2 Shakespearean Retellings and the Question of the Common Reader -- 3 Estrangements of... mehr

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    Frontmatter -- Contents -- Introduction. Reading Literary Modernities on the Horizon of World Literature -- 1 Literary Modernity and the Emancipation of Voice -- 2 Shakespearean Retellings and the Question of the Common Reader -- 3 Estrangements of the World in the Familiar Essay -- 4 Between the Theater and the Novel -- Coda -- Acknowledgments -- Notes -- Index On the Horizon of World Literature compares literary texts from asynchronous periods of incipient literary modernity in different parts of the world: Romantic England and Republican China. These moments were oriented alike by "world literature" as a discursive framework of classifications that connected and re-organized local articulations of literary histories and literary modernities. World literature thus provided-and continues to provide-a condition of possibility for conversation between cultures as well as for their mutual provincialization.The book offers readings of a selection of literary forms that serve also as textual sites for the enactment of new socio-political forms of life. The literary manifesto, the tale collection, the familiar essay, and the domestic novel function as testing grounds for questions of both literary-aesthetic and socio-political importance: What does it mean to attain a voice? What is a common reader? How does one dwell in the ordinary? What is a woman? In different languages and activating heterogeneous literary and philosophical traditions, works by Percy Bysshe Shelley, Lu Xun, Charles and Mary Lamb, Lin Shu, Zhou Zuoren, Jane Austen, and Eileen Chang explore the far-from-settled problem of what it means to be modern in different lifeworlds.Sun's book brings to light the disciplinary-historical impact world literature has had in shaping literary traditions and practices around the world. The book renews the practice of close reading by offering the model of a deprovincialized close reading loosened from confinement within monocultural hermeneutic circles. By means of its own focus on England and China, the book provides methods useful for comparatists working between other Western and non-Western languages. It establishes the critical significance of Romanticism for the discipline of literary studies and opens up new paths of research in global Romanticism and global nineteenth-century studies. And it offers a new approach to analyzing the cosmopolitan character of the literary and cultural transformations of early twentieth-century China

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823294817
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Lit Z
    Schlagworte: Civilization, Modern, in literature; Comparative literature; Comparative literature; Literature; LITERARY CRITICISM / Comparative Literature
    Umfang: 1 Online-Ressource (167 Seiten)
  2. Poetic Critique
    Encounters with Art and Literature
    Beteiligt: Ashton, Jennifer (MitwirkendeR); Chaouli, Michel (MitwirkendeR); Chaouli, Michel (HerausgeberIn); Chaudhuri, Amit (MitwirkendeR); Dolven, Jeff (MitwirkendeR); Düttmann, Alexander García (MitwirkendeR); Elmer, Jonathan (MitwirkendeR); Eusterschulte, Anne (MitwirkendeR); Kates, Joshua (MitwirkendeR); Lietz, Jan (MitwirkendeR); Lietz, Jan (HerausgeberIn); Menke, Bettine (MitwirkendeR); Michaels, Walter Benn (MitwirkendeR); Müller-Tamm, Jutta (MitwirkendeR); Müller-Tamm, Jutta (HerausgeberIn); Ong, Yi-Ping (MitwirkendeR); Schleusener, Simon (MitwirkendeR); Schleusener, Simon (HerausgeberIn)
    Erschienen: [2021]
    Verlag:  De Gruyter, Berlin

    Frontmatter -- Contents -- What Is Poetic Critique? -- Why Adding ‘Poetic’ to ‘Critique’ Adds Nothing to Critique -- Schlegel’s Words, Rightly Used -- Storytelling and Forgetfulness -- Poetry, Critique, Imitation -- “Echo Reconciles” -- On Not... mehr

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- What Is Poetic Critique? -- Why Adding ‘Poetic’ to ‘Critique’ Adds Nothing to Critique -- Schlegel’s Words, Rightly Used -- Storytelling and Forgetfulness -- Poetry, Critique, Imitation -- “Echo Reconciles” -- On Not Forcing the Question: Criticism and Playing Along -- La Chambre Poétique -- The Silence of the Concepts (in Meillassoux’s After Finitude and Gottlob Frege) -- Theater as Critical Praxis: Interruption and Citability -- Historicism’s Forms: The Aesthetics of Critique -- Poetic Criticism and the Work of Fiction: Goethe, Joyce, and Coetzee -- Surface, Distance, Depth: The Text and its Outside -- Contributors Poetic critique – is that not an oxymoron? Do these two forms of behavior, the poetic and the critical, not pull in different, even opposite, directions? For many scholars working in the humanities today, they largely do, but that has not always been the case. Friedrich Schlegel, for one, believed that critique worthy of its name must itself be poetic. Only then would it stand a chance of responding adequately to the work of art. Taking Schlegel’s idea of poetische Kritik as a starting point, this volume reflects on the possibility of drawing these alleged opposites closer together. In light of current debates about the legacy of critique, it investigates whether a concept such as poetic critique (or poetic criticism) lends itself to enriching our intellectual practice by engaging with the poetic potential of criticism and the critical value of art and literature

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Ashton, Jennifer (MitwirkendeR); Chaouli, Michel (MitwirkendeR); Chaouli, Michel (HerausgeberIn); Chaudhuri, Amit (MitwirkendeR); Dolven, Jeff (MitwirkendeR); Düttmann, Alexander García (MitwirkendeR); Elmer, Jonathan (MitwirkendeR); Eusterschulte, Anne (MitwirkendeR); Kates, Joshua (MitwirkendeR); Lietz, Jan (MitwirkendeR); Lietz, Jan (HerausgeberIn); Menke, Bettine (MitwirkendeR); Michaels, Walter Benn (MitwirkendeR); Müller-Tamm, Jutta (MitwirkendeR); Müller-Tamm, Jutta (HerausgeberIn); Ong, Yi-Ping (MitwirkendeR); Schleusener, Simon (MitwirkendeR); Schleusener, Simon (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110688719
    Weitere Identifier:
    RVK Klassifikation: EC 3000
    Schriftenreihe: Array ; 19
    Schlagworte: Criticism; LITERARY CRITICISM / Comparative Literature
    Weitere Schlagworte: Critique and Postcritique; Friedrich Schlegel; Literary Theory and Aesthetics; Poetic Critique; literary theorie
    Umfang: 1 Online-Ressource (VIII, 204 p)
  3. Nabokov and the real world
    between appreciation and defense
    Autor*in: Alter, Robert
    Erschienen: [2021]; © 2021
    Verlag:  Princeton University Press, Princeton

    Frontmatter -- Contents -- Nabokov and the real world -- 1 Between Appreciation and Defense -- 2 Not Reading the Papers -- 3 Lolita Now -- 4 Nabokov’s Game of Worlds -- 5 Autobiography as Alchemy in Pale Fire -- 6 Ada, or the Perils of Paradise -- 7... mehr

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    Frontmatter -- Contents -- Nabokov and the real world -- 1 Between Appreciation and Defense -- 2 Not Reading the Papers -- 3 Lolita Now -- 4 Nabokov’s Game of Worlds -- 5 Autobiography as Alchemy in Pale Fire -- 6 Ada, or the Perils of Paradise -- 7 Nabokov for Those Who Hate Him: The Curious Case of Pnin -- 8 Invitation to a Beheading: Nabokov and the Art of Politics -- 9 Nabokov and Memory -- 10 Lectures on Literature -- 11 Style in the Novel, Style in Nabokov, and the Question of Translation -- Notes -- Sources -- Index From award-winning literary scholar Robert Alter, a masterful exploration of how Nabokov used artifice to evoke the dilemmas, pain, and exaltation of the human conditionAdmirers and detractors of Vladimir Nabokov have viewed him as an ingenious contriver of literary games, teasing and even outsmarting his readers through his self-reflexive artifice and the many codes and puzzles he devises in his fiction. Nabokov himself spoke a number of times about reality as a term that always has to be put in scare "es. Consequently, many critics and readers have thought of him as a writer uninterested in the world outside literature. Robert Alter shows how Nabokov was passionately concerned with the real world and its complexities, from love and loss to exile, freedom, and the impact of contemporary politics on our lives.In these illuminating and exquisitely written essays, Alter spans the breadth of Nabokov's writings, from his memoir, lectures, and short stories to major novels such as Lolita. He demonstrates how the self-reflexivity of Nabokov's fiction becomes a vehicle for expressing very real concerns. What emerges is a portrait of a brilliant stylist who is at once serious and playful, who cared deeply about human relationships and the burden of loss, and who was acutely sensitive to the ways political ideologies can distort human values.Offering timeless insights into literature’s most fabulous artificer, Nabokov and the Real World makes an elegant and compelling case for Nabokov's relevance today

     

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  4. Knowing fictions
    picaresque reading in the early modern hispanic world
    Autor*in: Fuchs, Barbara
    Erschienen: [2021]
    Verlag:  University of Pennsylvania Press, Philadelphia

    Frontmatter -- Contents -- Introduction -- Chapter 1. Imperial Picaresques: La Lozana andaluza and Spanish Rome -- Chapter 2. Picaresque Captivity: The Viaje de Turquía and Its Cervantine Iterations -- Chapter 3. “O te digo verdades o mentiras”:... mehr

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    Frontmatter -- Contents -- Introduction -- Chapter 1. Imperial Picaresques: La Lozana andaluza and Spanish Rome -- Chapter 2. Picaresque Captivity: The Viaje de Turquía and Its Cervantine Iterations -- Chapter 3. “O te digo verdades o mentiras”: Crediting the Pícaro in Guzmán de Alfarache -- Chapter 4. Cervantes’s Skeptical Picaresques and the Pact of Fictionality -- Postscript. The Fact of Fiction -- Notes -- Bibliography -- Index -- Acknowledgments European exploration and conquest expanded exponentially in the late fifteenth and sixteenth centuries, and as the horizons of imperial experience grew more distant, strategies designed to convey the act of witnessing came to be a key source of textual authority. From the relación to the captivity narrative, the Hispanic imperial project relied heavily on the first-person authority of genres whose authenticity undergirded the ideological armature of national consolidation, expansion, and conquest. At the same time, increasing pressures for religious conformity in Spain, as across Europe, required subjects to bare themselves before external authorities in intimate confessions of their faith. Emerging from this charged context, the unreliable voice of the pícaro poses a rhetorical challenge to the authority of the witness, destabilizing the possibility of trustworthy representation precisely because of his or her intimate involvement in the narrative.In Knowing Fictions, Barbara Fuchs seeks at once to rethink the category of the picaresque while firmly centering it once more in the early modern Hispanic world from which it emerged. Venturing beyond the traditional picaresque canon, Fuchs traces Mediterranean itineraries of diaspora, captivity, and imperial rivalry in a corpus of texts that employ picaresque conventions to contest narrative authority. By engaging the picaresque not just as a genre with more or less strictly defined boundaries, but as a set of literary strategies that interrogate the mechanisms of truth-telling itself, Fuchs shows how self-consciously fictional picaresque texts effectively encouraged readers to adopt a critical stance toward the truth claims implicit in the forms of authoritative discourse proliferating in Imperial Spain

     

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  5. Defiguration der Schrift
    Tintenkleckserei, Makulatur und Schreibfehler bei E.T.A. Hoffmann und Nikolaj Gogol'
    Erschienen: [2021]
    Verlag:  De Gruyter, Berlin

    Die Defiguration der Schrift – der Tintenklecks, der Makulaturfetzen, der Schreibfehler – bricht mit der Schrift als vom gestaltlosen Hintergrund abgehobener, distinkter Zeichenfigur. Der drohende oder eingetretene Verlust der schriftlichen... mehr

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    Die Defiguration der Schrift – der Tintenklecks, der Makulaturfetzen, der Schreibfehler – bricht mit der Schrift als vom gestaltlosen Hintergrund abgehobener, distinkter Zeichenfigur. Der drohende oder eingetretene Verlust der schriftlichen Repräsentation lässt dabei Visualität und Stofflichkeit der Schrift hervortreten. Die Studie untersucht dieses beiden zwei Autoren der europäischen Romantik E.T.A. Hoffmann und Nikolaj Gogol’ gehäuft auftretende, doch bisher kaum wissenschaftlich beachtete literarische Motiv und materielle Phänomen in publizierten Texten, Handschriften und Zeichnungen. Dabei werden zunächst zentrale Konflikte der (früh-)romantischen Schriftreflexion in ihrem mediengeschichtlichen Kontext herausgearbeitet und anschließend die werkspezifischen Verarbeitungen dieser bei beiden Autoren beleuchtet. Die Defiguration der Schrift erweist sich als Ausdruck der gegenseitigen Bedingtheit vonSchriftutopie und Schriftkritik in der Romantik. Über die explizite Materialität der Defiguration der Schrift setzen sich die untersuchten Autoren E.T.A. Hoffmann und Nikolaj Gogol’ mit der Abhängigkeit gegensätzlicher Schriftbegriffe auseinander, die bereits in der deutschen Frühromantik angelegt ist The defiguration of writing – ink spots, paper waste, spelling mistakes – breaks with the figure of writing that stands apart from a shapeless background. This study examines this largely overlooked literary motif and material phenomenon in published texts, manuscripts, and drawings as the processing of an ambivalent, (early) Romantic concept of writing in E.T.A. Hoffmann and Nikolai Gogol

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9783110705140; 9783110705249
    Weitere Identifier:
    Schriftenreihe: WeltLiteraturen ; Band 18
    Schlagworte: LITERARY CRITICISM / Comparative Literature
    Weitere Schlagworte: Romanticism; early Romanticism; process of writing; scenes of writing
    Umfang: 1 Online-Ressource (IX, 400 Seiten), Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 371 - 394

    Dissertation

  6. Discourses on nations and identities
    Beteiligt: Syrovy, Daniel (HerausgeberIn)
    Erschienen: [2021]
    Verlag:  De Gruyter, Berlin

    Frontmatter -- Table of Contents -- Introduction: Discourses on Nations and Identities -- 1 Transforming Discourses -- Le langage des ruines réactualisé par la Grande Guerre -- World War I from the South -- ‚Historiker schreiben Geschichte‘:... mehr

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    Frontmatter -- Table of Contents -- Introduction: Discourses on Nations and Identities -- 1 Transforming Discourses -- Le langage des ruines réactualisé par la Grande Guerre -- World War I from the South -- ‚Historiker schreiben Geschichte‘: Revisionismus und Konstruktivismus im Historikerstreit über die deutsche Intervention im Spanischen Bürgerkrieg -- L’évolution des consciences grâce à la langue, vue au prisme du voyage, de la colonisation, et de l’émigration -- Socialization and Language Acquisition in “Enfants Sauvages” -- „Qui peut définir les femmes?“ -- Le « Sabir » entre deux siècles : dénigrement et réhabilitation -- 2 The Languages of Biography (Group Section: Die Sprachen der Biographie) -- Biographie, Autobiographie und Geschichte -- Infame Leben erzählen. Quelle, Narration und Diskurs in Carlo Ginzburgs Der Käse und die Würmer und Michel Foucaults Das Leben der infamen Menschen -- Die Sprachen von und das Sprechen mit den Tieren in ihren Biographien -- Ein Leben wie im Roman – Virginia Woolf als literarische Figur biographischer Romane -- Selbstoptimierung 2.0 – das Curriculum Vitae im digitalen Zeitalter -- 3 Forming Identities -- Marica Bodrožić: Hybridity, Language, and Cultural Identity -- Multikulturalität und Hybridität als identitätsstiftendes Moment in Orhan Pamuks İstanbul. Hatıralar ve Şehir und Elif Shafaks The Bastard of Istanbul -- The Regional Crime Novel as Mediator of Heimat -- “Non, je parle pas français […] I see subtitles under people when they speak”: Language Choice and Identity Construction in Contemporary Canadian Popular Culture -- Imagining Transcultural Identities in Turkish German Literature and Cinema -- Reflections of Reality in the Literary Fiction of Multilingual Authors -- Identity between Languages: The Case of Spanglish in Short Narratives -- From Silence to Voice: Representing the Ordeal of Women Warriors -- 4 Brazil-language (Group Section: Brazil-language) -- Mário de Andrade : un ethnographe des tropiques -- Literature beyond Borders -- Rétrospectives au bord de l’abîme : une lecture comparée de La mère, de Maxime Gorki, et ’Ta mère, de Bernardo Carvalho -- 5 Rhizomorphic Identity? (Group Section: Rhizomorphe Identität?) -- Transgressionen des Heiligen. Sexualität und Geschlechtlichkeit im transreligiösen Rhizom der europäischen Mystik des Mittelalters -- La recherche de soi dans la littérature postcoloniale. Entre Orient et Occident dans Nulle part dans la maison de mon père d’Assia Djebar -- 6 Across Cultures -- Deutsch als Literaturheimat -- La représentation linguistique de différentes cultures à travers une même langue -- Deutschwerden in Zafer Șenocaks Werken -- Transnational Writers and Double Literary History in Communist Romania -- Le choix linguistique et l’identité des écrivains transfrontaliers – autour de la tentative de Milan Kundera -- Language as a Symbol of Ethnicity and Multiculturality in Estonian Exile Literature -- Kritischer Forschungsabriss zum Terminus „Migrationsliteratur“ -- 7 Embracing the Other (Group section: Embracing the Other) -- The Otherness of the Similar: Uncovering the Face of the “Moroccan Knife” in The Falafel King Is Dead by Sara Shilo -- Playing Deaf and Dumb: Disability and the Contemporary Theatre -- Emplacing the Other, or How Dignity Plays -- One between Two: Godard’s Goodbye to Language (2014) -- Mainstreamed and Marginalized: Female Athletes as the “Other” in International Sport Media Coverage -- Jelinek’s Vienna: Cultural Elitism and Neo-Nazism -- 8 Languages and Power -- Beispiele sprachlicher Konstruktion des Nationalcharakters und sprachlicher Ausgrenzung in der mexikanischen Literatur des 19. Jahrhunderts: Von Teresa de Mier zu Altamirano -- The Figurative Language of Soviet Power and Georgian Literature -- Leo Spitzer censeur militaire -- Ideological Fluency and World Literature: The Cold War and the Case of Ismail Kadare -- What It Means to Be National, Linguistically: A Case Study of Partition Narratives and Linguistic Loss -- Escape Words: From Solitary Confinement to Female Solidarity in Lena Constante’s Post-Communist Prison Memoirs -- Language of Witness: Survivor Testimony and Narrative Representation of the Mauthausen Experience The third volume of the collected papers of the ICLA congress "The Many Languages of Comparative Literature" includes contributions that focus on the interplay between concepts of nation, national languages, and individual as well as collective identities. Because all literary communication happens within different kinds of power structures - linguistic, economic, political -, it often results in fascinating forms of hybridity. In the first of four thematic chapters, the papers investigate some of the ways in which discourses can establish modes of thinking, or how discourses are in turn controlled by active linguistic interventions, whether in the context of the patriarchy, war, colonialism, or political factions. The second thematic block is predominantly concerned with hybridity as an aspect of modern cultural identity, and the cultural and linguistic dimensions of domestic life and in society at large. Closely related, a third series of papers focuses on writers and texts analysed from the vantage points of exile and exophony, as well as theoretical contributions to issues of terminology and what it means to talk about transcultural phenomena. Finally, a group of papers sheds light on more overtly violent power structures, mechanisms of exclusion, Totalitarianism, torture, and censorship, but also resistance to these forms of oppression. In addition to these chapters, the volume also collects a number of thematically related group sections from the ICLA congress, preserving their original context

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Syrovy, Daniel (HerausgeberIn)
    Sprache: Englisch; Französisch; Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110642018; 9783110641875
    Weitere Identifier:
    Schriftenreihe: The many languages of comparative literature ; volume 3
    XXI. Congress of the ICLA - Proceedings ; Volume 3
    Schlagworte: Comparative literature; LITERARY CRITICISM / Comparative Literature
    Weitere Schlagworte: Hybridity; identity; language; world literature
    Umfang: 1 Online-Ressource (IX, 603 Seiten), Illustrationen
    Bemerkung(en):

    Erscheint als Open Access bei De Gruyter

  7. Prosa
    Geschichte, Poetik, Theorie
    Beteiligt: Efimova, Svetlana (HerausgeberIn); Gamper, Michael (HerausgeberIn)
    Erschienen: [2021]; © 2021
    Verlag:  De Gruyter, Berlin

    Frontmatter -- Open-Access-Transformation in der Literaturwissenschaft -- Inhalt -- Einleitung -- Kontrafaktur der Wirklichkeit um 1500 -- Rhythmus als eine Organisationsform der Prosa -- ,Maßloses Maß' in der ,formlosen Form' -- Texte die laufen --... mehr

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    Frontmatter -- Open-Access-Transformation in der Literaturwissenschaft -- Inhalt -- Einleitung -- Kontrafaktur der Wirklichkeit um 1500 -- Rhythmus als eine Organisationsform der Prosa -- ,Maßloses Maß' in der ,formlosen Form' -- Texte die laufen -- Prosa im Plural? Versuch einer Mereologie des Prosabegriffes -- Prosa als Wirklichkeitsverhältnis -- Zur Theorie der Prosa: Zwischen semiotischem Nullniveau und hypertropher Selbstreferenz -- "The musicalization of fiction" revisited: Zu einer intermedialen Annäherung an die Autoreflexivität der Prosa -- Ein leichtes Gewebe aus Vers und Prosa -- Kant und das prosaische "Geschäft der Kritik" -- "Poëtische Prosa" -- Hegel und Prosa -- Prosareflexion und das Schreiben von Prosa nach dem ,Ende der Kunstperiode' (Theodor Mundt, Heinrich Heine) -- ,Prosaisierung': Bürgerliche Verlusterfahrung in Adalbert Stifters Kazensilber -- Frühsowjetische Avantgardeprosa: Ornament statt Verbrechen -- Die Gabe der Prosa: Hofmannsthal, Deutsches Lesebuch, 1922/1926 -- "Prose engagée" oder die Last der prosaischen Wirklichkeit: Bataille vs. Sartre -- ¿Poesía contra Prosa? -- Autorinnen und Autoren -- Register "Prose" refers to a largely free mode of speaking and writing that is not tethered to any normative form, and which permits a wide range of composition styles due to the openness of its content and form. In 18 chapters, this volume makes "prose" - an important but thus far insufficiently examined category of literary studies - the subject of historical, methodological, and theoretical investigations ›Prosa‹ bezeichnet die ungebundene, von normativer Form weitestgehend freie Weise des Sprechens und Schreibens, die auf Grund ihrer formalen und inhaltlichen Offenheit ein breites Spektrum an Gestaltungsweisen zulässt. ›Prosa‹ ist so nicht allgemeinverbindlich zu definieren oder in einer geschlossenen ›Theorie der Prosa‹ zu erfassen, sie bedarf vielmehr einer offenen Theoriebildung, die von den kulturell und historisch konkretisierten Beispielen stets auch die Ergänzung und Präzisierung ihrer eigenen Ausgangsbestimmungen erwartet. ›Prosa‹ formiert so ein Arbeitsfeld, in dem das Verfahren der Textkonstitution als eine grammatische, rhetorische und poetologische Aufgabe verstanden wird, die gleichermaßen Pragmatiken der ›Sachprosa‹, realistische Romane und Prosaexperimente der Avantgarden betrifft. Etablierte Kategorien der Prosaanalyse wie ›Fiktionalität‹ und ›Narration‹ werden kritisch perspektiviert, und Fragen der Schreibweise, der Sequenzialität und der Konstruktion/Produktion treten in den Vordergrund. - Der vorliegende Band macht in 18 Beiträgen ›Prosa‹ als wichtige, bislang aber unzureichend reflektierte literaturwissenschaftliche Kategorie zum Gegenstand von historisch und methodisch-theoretisch ausgerichteten Untersuchungen

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Efimova, Svetlana (HerausgeberIn); Gamper, Michael (HerausgeberIn)
    Sprache: Deutsch
    Medientyp: Konferenzschrift
    Format: Online
    ISBN: 9783110729085; 9783110729153
    Weitere Identifier:
    RVK Klassifikation: EC 4600
    Körperschaften/Kongresse: Prosa - Zur Geschichte und Theorie einer vernachlässigten Kategorie der Literaturwissenschaften (2018, Berlin)
    Schriftenreihe: WeltLiteraturen ; Band 20
    Schlagworte: Poetics; Prose literature; LITERARY CRITICISM / Comparative Literature
    Weitere Schlagworte: Prose; comparative studies; literary theory; poetics
    Umfang: 1 Online-Ressource (VIII, 327 Seiten), Illustrationen
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    Dieser Band ist aus einer Tagung hervorgegangen, die vom 11. bis 13. Juli 2018 an der Friedrich Schlegel Graduiertenschule für literaturwissenschaftliche Studien (FSGS) stattfand. (Seite 13)

    Literaturangaben

  8. DisOrientations
    German-Turkish Cultural Contact in Translation, 1811-1946
    Erschienen: [2021]
    Verlag:  Penn State University Press, University Park, PA

    Frontmatter -- Contents -- Acknowledgments -- Introduction: Translational Orientations -- Part 1 Johann Wolfgang von Goethe “Exceptional” Translations Across the Nineteenth Century -- Chapter 1 Orientalism and Weltliteratur The Ottoman Disorient in... mehr

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Acknowledgments -- Introduction: Translational Orientations -- Part 1 Johann Wolfgang von Goethe “Exceptional” Translations Across the Nineteenth Century -- Chapter 1 Orientalism and Weltliteratur The Ottoman Disorient in Goethe’s West-East Divan -- Chapter 2 Translations with No Original Reading Werther in Ottoman Turkish -- Part 2 Friedrich Schrader Translating Toward the Future -- Chapter 3 Translating Beyond the Civilizing Mission: Ahmet Hikmet Müftüoğlu and the Ottoman Dandy -- Chapter 4 Political Orientations On (Re)translating Halide Edip Adıvar’s The New Turan -- Part 3 Sabahattin Ali Theorizing World Literature from Early Republican Turkey -- Chapter 5 A Prelude in Potsdam World Literature as Translational Multiplicity -- Chapter 6 Silencing the Ansatzpunkt World Literature as Radical Interrelationality -- Epilogue -- Notes -- Bibliography -- Index The fields of comparative and world literature tend to have a unidirectional, Eurocentric focus, with attention to concepts of “origin” and “arrival.” DisOrientations challenges this viewpoint. Kristin Dickinson employs a unique multilingual archive of German and Turkish translated texts from the early nineteenth through the mid-twentieth century. In this analysis, she reveals the omnidirectional and transtemporal movements of translations, which, she argues, harbor the disorienting potential to reconfigure the relationships of original to translation, past to present, and West to East. Through the work of three key figures—Johann Wolfgang von Goethe, Friedrich Schrader, and Sabahattin Ali—Dickinson develops a concept of translational orientation as a mode of omnidirectional encounter. She sheds light on translations that are not bound by the terms of economic imperialism, Orientalism, or Westernization, focusing on case studies that work against the basic premises of containment and originality that undergird Orientalism’s system of discursive knowledge production. By linking literary traditions across retroactively applied periodizations, the translations examined in this book act as points of connection that produce new directionalities and open new configurations of a future German-Turkish relationship.Groundbreaking and erudite, DisOrientations examines literary translation as a complex mode of cultural, political, and linguistic orientation. This book will appeal to scholars and students of translation theory, comparative literature, Orientalism, and the history of German-Turkish cultural relations

     

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    ISBN: 9780271090290
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    Schriftenreihe: Max Kade Research Institute: Germans Beyond Europe ; 15
    Schlagworte: German literature; Turkish literature; Turkish literature; LITERARY CRITICISM / Comparative Literature
    Umfang: 1 Online-Ressource (270 p)
  9. Berliner Weltliteraturen
    internationale literarische Beziehungen in Ost und West nach dem Mauerbau
    Beteiligt: Müller-Tamm, Jutta (HerausgeberIn)
    Erschienen: [2021]; © 2021
    Verlag:  De Gruyter, Berlin

    Dieser Band stellt die Intensivierung der kulturpolitischen Aktivitäten und des internationalen literarischen Austausches in und um Berlin in den Jahren unmittelbar nach dem Mauerbau anhand von Fallbeispielen vor. Die 12 Beiträge liefern eine... mehr

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    Universität Potsdam, Universitätsbibliothek
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    Dieser Band stellt die Intensivierung der kulturpolitischen Aktivitäten und des internationalen literarischen Austausches in und um Berlin in den Jahren unmittelbar nach dem Mauerbau anhand von Fallbeispielen vor. Die 12 Beiträge liefern eine verdichtete Beschreibung jener Phase in der Entwicklung Berlins, in der die geteilte Stadt mit Blick auf die Internationalisierung des Literatur- und Kulturbetriebs eine Vorreiterfunktion übernahm. This volume uses case studies to present the international literary exchange that took place in and around Berlin in the years directly following the construction of the wall and to show how cultural political activities intensified. The fourteen contributions describe in detail a phase in the development of Berlin in which the divided city took on a pioneering role in the internationalization of literary and cultural activities.

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Müller-Tamm, Jutta (HerausgeberIn)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110733495; 9783110733594
    Weitere Identifier:
    RVK Klassifikation: GN 1481
    Schlagworte: LITERARY CRITICISM / Comparative Literature
    Weitere Schlagworte: GDR literature; Literary activities in the 1960s; international cultural relations; literary history of the Federal Republic of Germany
    Umfang: 1 Online-Ressource (VI, 316 Seiten), Illustrationen
  10. Quaint, Exquisite
    Victorian Aesthetics and the Idea of Japan
    Autor*in: Lavery, Grace
    Erschienen: [2019]; © 2019
    Verlag:  Princeton University Press, Princeton, NJ

    From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization.Drawing on philosophy, psychoanalysis, queer theory, textual criticism, and a wealth of in-depth archival research, Grace Lavery provides a radical new genealogy of aesthetic experience in modernity. She argues that the global popularity of Japanese art in the late nineteenth century reflected an imagined universal standard of taste that Kant described as the "subjective universal" condition of aesthetic judgment. The book features illuminating cultural histories of Gilbert and Sullivan’s Mikado, English derivations of the haiku, and retellings of the Madame Butterfly story, and sheds critical light on lesser-known figures such as Winnifred Eaton, an Anglo-Chinese novelist who wrote under the Japanese pseudonym Onoto Watanna, and Mikimoto Ryuzo, a Japanese enthusiast of the Victorian art critic John Ruskin. Lavery also explains the importance and symbolic power of such material objects as W. B. Yeats’s prized katana sword and the "Japanese vellum" luxury editions of Oscar Wilde.Quaint, Exquisite provides essential insights into the modern understanding of beauty as a vehicle for both intimacy and violence, and the lasting influence of Japanese forms today on writers and artists such as Quentin Tarantino

     

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    ISBN: 9780691189963
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    Schlagworte: LITERARY CRITICISM / Comparative Literature; Aesthetics, Japanese; Aesthetics, Modern; Art, Japanese; Rezeption; Ästhetik
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  11. The Literate Revolution in Greece and its Cultural Consequences
    Erschienen: [2019]; © 2019
    Verlag:  Princeton University Press, Princeton, NJ

    This volume brings together studies by a distinguished classical scholar that address specific problems associated with the development of literacy in ancient Greece. The articles were written over a twenty-year period and published individually in... mehr

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    This volume brings together studies by a distinguished classical scholar that address specific problems associated with the development of literacy in ancient Greece. The articles were written over a twenty-year period and published individually in various journals and books. They deal with Greece's technological and intellectual transition from a preliterate to a literate culture, showing the effects registered by the introduction of the alphabet as the written word came to replace its oral counterpart in the literature of Greece and of Europe.Eric A. Havelock is Sterling Professor Emeritus of Classics at Yale University. His numerous publications include The Liberal Temper in Greek Politics (Yale), Preface to Plato (Harvard), and The Greek Concept of Justice (Harvard).Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     

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    ISBN: 9780691196589
    Weitere Identifier:
    Schriftenreihe: Princeton Legacy Library ; 5330
    Schlagworte: LITERARY CRITICISM / Comparative Literature; Greek language; Greek literature; Oral tradition; Oral-formulaic analysis; Schriftlichkeit; Griechisch; Auswirkung; Schrift; Buchstabenschrift; Griechische Schrift; Alphabet; Kultur; Rezeption; Kulturwandel
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  12. Reflections of the Law in Literature
    Erschienen: [1956]; © 1956
    Verlag:  University of Pennsylvania Press, Philadelphia

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    ISBN: 9781512819380
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / Comparative Literature; Law in literature
    Umfang: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)

  13. The Open Boundary of History and Fiction
    A Critical Approach to the French Enlightenment
    Erschienen: [2019]; © 2019
    Verlag:  Princeton University Press, Princeton, NJ

    Challenging the view that a critical sense of history is missing from the Enlightenment, Suzanne Gearhart links the works of Voltaire, Montesquieu, Diderot, and Rosseau with the inquiry into the boundary between literature and history in contemporary... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Challenging the view that a critical sense of history is missing from the Enlightenment, Suzanne Gearhart links the works of Voltaire, Montesquieu, Diderot, and Rosseau with the inquiry into the boundary between literature and history in contemporary critical discourse. She considers the theories of Levi-Strauss, Foucault, Althusser, Genette, White, de Man, and Derrida in order to develop a critical approach to fiction and history and to reveal that investigations into the fo undations of historical knowledge, and specifically into what distinguishes hsitory from fiction, were central to the Enlightenment.This book questions many assumptions basic to contemporary criticism by establishing a dialogue between major theorists and Enlightenment figures. It challenges certitudes of fiction and literature by examining the historicity of language, form, and literature itself, redefining history to show its crucial relevance to literary studies and opening historiography to the insights of literary theory.Suzanne Gearhart is Associate Professor of Literature at the University of California, San Diego.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     

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    ISBN: 9780691198125
    Weitere Identifier:
    Schriftenreihe: Princeton Legacy Library ; 5455
    Schlagworte: LITERARY CRITICISM / Comparative Literature; Enlightenment; Fiction; French literature; Aufklärung; Französisch; Geschichtstheorie; Literatur; Literaturtheorie; Geschichtsschreibung
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  14. The Language of Allegory
    Defining the Genre
    Erschienen: [2018]; © 1992
    Verlag:  Cornell University Press, Ithaca, NY

    This lively and innovative work treats a body of literature not previously regarded as a unified genre. Offering comparative readings of a number of texts that are traditionally called allegories and that cover a wide time span, Maureen Quilligan... mehr

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    This lively and innovative work treats a body of literature not previously regarded as a unified genre. Offering comparative readings of a number of texts that are traditionally called allegories and that cover a wide time span, Maureen Quilligan formulates a vocabulary for talking about the distinctive generic elements they share. The texts she considers range from the twelfth-century De planctu naturae to Pynchon's Gravity's Rainbow, and include such works as Le Roman de la Rose, Langland's Piers Plowman, Hawthorne's Scarlet Letter, Melville's Confidence Man, and Spenser's Faerie Queene. Whether or not readers agree with this book, they will enjoy and profit from it

     

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    ISBN: 9781501724480
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    Schlagworte: American Studies; LITERARY CRITICISM / Comparative Literature; Allegory; American literature; English literature; Sprache; Allegorie
    Umfang: 1 online resource (312 pages)
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  15. The River of Time
    Time-Space, History, and Language in Avant-Garde, Modernist, and Contemporary Russian and Anglo-American Poetry
    Autor*in: Probstein, Ian
    Erschienen: [2017]; © 2017
    Verlag:  Academic Studies Press, Boston, MA

    This book explores the changing perception of time and space in avant-garde, modernist, and contemporary poetry. The author characterizes the works of modern Russian, French, and Anglo-American poets based on their attitudes towards reality, time,... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    This book explores the changing perception of time and space in avant-garde, modernist, and contemporary poetry. The author characterizes the works of modern Russian, French, and Anglo-American poets based on their attitudes towards reality, time, space, and history revealed in their poetics. The author compares the work of major Russian innovative poets Osip Mandelstam, Velimir Khlebnikov, Vladimir Mayakovsky, and Joseph Brodsky with that of W. B. Yeats, T. S. Eliot, Ezra Pound, and, in spite of the postmodernist "estrangement" of reality, the author proves that similar traces can be found in the work of contemporary American poets John Ashbery and Charles Bernstein. Both affinities and drastic differences are revealed in the poets’ attitudes towards time-space, reality, and history

     

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    ISBN: 9781618116277
    Weitere Identifier:
    Schriftenreihe: Jews of Russia & Eastern Europe and Their Legacy
    Schlagworte: Lyrik; Russisch; Moderne; Literatur; Englisch; Raum-Zeit / Motiv; LITERARY CRITICISM / Comparative Literature; Comparative literature; Comparative literature; English poetry; History in literature; Modernism (Literature); Modernism (Literature); Modernism (Literature); Russian poetry; Space and time in literature
    Umfang: 1 online resource (300 pages)
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  16. DisOrientations
    German-Turkish Cultural Contact in Translation, 1811-1946
    Erschienen: [2021]; © 2021
    Verlag:  Penn State University Press, University Park, PA

    The fields of comparative and world literature tend to have a unidirectional, Eurocentric focus, with attention to concepts of "origin" and "arrival." DisOrientations challenges this viewpoint. Kristin Dickinson employs a unique multilingual archive... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The fields of comparative and world literature tend to have a unidirectional, Eurocentric focus, with attention to concepts of "origin" and "arrival." DisOrientations challenges this viewpoint. Kristin Dickinson employs a unique multilingual archive of German and Turkish translated texts from the early nineteenth through the mid-twentieth century. In this analysis, she reveals the omnidirectional and transtemporal movements of translations, which, she argues, harbor the disorienting potential to reconfigure the relationships of original to translation, past to present, and West to East. Through the work of three key figures-Johann Wolfgang von Goethe, Friedrich Schrader, and Sabahattin Ali-Dickinson develops a concept of translational orientation as a mode of omnidirectional encounter. She sheds light on translations that are not bound by the terms of economic imperialism, Orientalism, or Westernization, focusing on case studies that work against the basic premises of containment and originality that undergird Orientalism's system of discursive knowledge production. By linking literary traditions across retroactively applied periodizations, the translations examined in this book act as points of connection that produce new directionalities and open new configurations of a future German-Turkish relationship.Groundbreaking and erudite, DisOrientations examines literary translation as a complex mode of cultural, political, and linguistic orientation. This book will appeal to scholars and students of translation theory, comparative literature, Orientalism, and the history of German-Turkish cultural relations

     

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    ISBN: 9780271090290
    Weitere Identifier:
    Schriftenreihe: Max Kade Research Institute: Germans Beyond Europe ; 15
    Schlagworte: LITERARY CRITICISM / Comparative Literature; German literature; Turkish literature; Turkish literature
    Umfang: 1 online resource (270 pages)
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  17. How literatures begin
    a global history
    Erschienen: [2021]; © 2021
    Verlag:  Princeton University Press, Princeton ; Oxford

    A comparative history of the practices, technologies, institutions, and people that created distinct literary traditions around the world, from ancient to modern timesLiterature is such a familiar and widespread form of imaginative expression today... mehr

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    Universität Potsdam, Universitätsbibliothek
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    A comparative history of the practices, technologies, institutions, and people that created distinct literary traditions around the world, from ancient to modern timesLiterature is such a familiar and widespread form of imaginative expression today that its existence can seem inevitable. But in fact very few languages ever developed the full-fledged literary cultures we take for granted. Challenging basic assumptions about literatures by uncovering both the distinct and common factors that led to their improbable invention, How Literatures Begin is a global, comparative history of literary origins that spans the ancient and modern world and stretches from Asia and Europe to Africa and the Americas.The book brings together a group of leading literary historians to examine the practices, technologies, institutions, and individuals that created seventeen literary traditions: Chinese, Japanese, Korean, Indian, Greek, Roman, Hebrew, Syriac, Arabic, English, German, Russian, Latin American, African, African American, and World Literature. In these accessible accounts, which are framed by general and section introductions and a conclusion by the editors, literatures emerge as complex weaves of phenomena, unique and deeply rooted in particular times and places but also displaying surprising similarities. Again and again, new literatures arise out of old, come into being through interactions across national and linguistic borders, take inspiration from translation and cultural cross-fertilization, and provide new ways for groups to imagine themselves in relation to their moment in history.Renewing our sense of wonder for the unlikely and strange thing we call literature, How Literatures Begin offers fresh opportunities for comparison between the individual traditions that make up the rich mosaic of the world's literatures.The book is organized in four sections, with seventeen literatures covered by individual contributors: Part I: East and South Asia: Chinese (Martin Kern), Japanese (Wiebke Denecke), Korean (Ksenia Chizhova), and Indian (Sheldon Pollock); Part II: The Mediterranean: Greek (Deborah Steiner), Roman (Joseph Farrell), Hebrew (Jacqueline Vayntraub), Syriac (Alberto Rigolio), and Arabic (Gregor Schoeller); Part III: European Vernaculars: Romance Languages (Simon Gaunt),

     

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    ISBN: 9780691219844
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    RVK Klassifikation: EC 5050
    Schlagworte: LITERARY CRITICISM / Comparative Literature; Literature
    Umfang: 1 Online-Ressource (VI, 423 Seiten), Illustrationen, Karten
  18. Time, History, and Literature
    Selected Essays of Erich Auerbach
    Autor*in: Auerbach, Erich
    Erschienen: [2021]; © 2013
    Verlag:  Princeton University Press, Princeton, NJ

    Important essays from one of the giants of literary criticism, including a dozen published here in English for the first timeErich Auerbach (1892-1957), best known for his classic literary study Mimesis, is celebrated today as a founder of... mehr

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    Important essays from one of the giants of literary criticism, including a dozen published here in English for the first timeErich Auerbach (1892-1957), best known for his classic literary study Mimesis, is celebrated today as a founder of comparative literature, a forerunner of secular criticism, and a prophet of global literary studies. Yet the true depth of Auerbach's thinking and writing remains unplumbed. Time, History, and Literature presents a wide selection of Auerbach's essays, many of which are little known outside the German-speaking world. Of the twenty essays culled for this volume from the full length of his career, twelve have never appeared in English before, and one is being published for the first time.Foregrounded in this major new collection are Auerbach's complex relationship to the Judaeo-Christian tradition, his philosophy of time and history, and his theory of human ethics and responsible action. Auerbach effectively charts out the difficult discovery, in the wake of Christianity, of the sensuous, the earthly, and the human and social worlds. A number of the essays reflect Auerbach's responses to an increasingly hostile National Socialist environment. These writings offer a challenging model of intellectual engagement, one that remains as compelling today as it was in Auerbach's own time

     

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    ISBN: 9780691234526
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    Schlagworte: LITERARY CRITICISM / Comparative Literature; Criticism; Critics; Literary historians; Literature
    Umfang: 1 online resource (336 pages)
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  19. Cold War reckonings
    authoritarianism and the genres of decolonization
    Erschienen: 2021; © 2021
    Verlag:  Fordham University Press, New York

    How did the Cold War shape culture and political power in decolonizing countries and give rise to authoritarian regimes in the so-called free world? Cold War Reckonings tells a new story about the Cold War and the global shift from colonialism to... mehr

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    Universität Potsdam, Universitätsbibliothek
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    How did the Cold War shape culture and political power in decolonizing countries and give rise to authoritarian regimes in the so-called free world? Cold War Reckonings tells a new story about the Cold War and the global shift from colonialism to independent nation-states. Assembling a body of transpacific cultural works that speak to this historical conjuncture, Jini Kim Watson reveals autocracy to be not a deficient form of liberal democracy, but rather the result of Cold War entanglements with decolonization.Focusing on East and Southeast Asia, the book scrutinizes cultural texts ranging from dissident poetry, fiction, and writers' conference proceedings of the Cold War period, to more recent literature, graphic novels, and films that retrospectively look back to these decades with a critical eye. Paying particular attention to anti-communist repression and state infrastructures of violence, the book provides a richaccount of several U.S.-allied Cold War regimes in the Asia Pacific, including the South Korean military dictatorship, Marcos' rule in the Philippines, illiberal Singapore under Lee Kuan Yew, and Suharto's Indonesia. Watson's book argues that the cultural forms and narrative techniques that emerged from the Cold War-decolonizing matrix offer new ways of comprehending these histories and connecting them to our present. The book advances our understanding of the global reverberations of the Cold War and its enduring influence on cultural and political formations in the Asia Pacific

     

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    ISBN: 9780823294855
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    Schlagworte: LITERARY CRITICISM / Comparative Literature; Cold War in literature; Decolonization in literature
    Umfang: 1 Online-Ressource (ix, 282 Seiten), Illustrationen
  20. Allegoresis
    Reading Canonical Literature East and West
    Autor*in: Zhang, Longxi
    Erschienen: [2018]; © 2005
    Verlag:  Cornell University Press, Ithaca, NY

    Why is it that a text, particularly a canonical text, is often said to contain a meaning different from what it literally says? How did allegorical readings arise and develop? By looking at such examples as Jewish and Christian interpretations of the... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Why is it that a text, particularly a canonical text, is often said to contain a meaning different from what it literally says? How did allegorical readings arise and develop? By looking at such examples as Jewish and Christian interpretations of the Song of Songs and traditional Chinese commentaries on the Confucian classic Book of Poetry, Zhang Longxi discusses allegorical readings from a broad perspective that bridges the usual East/West cultural divide and examines their social and political implications. His approach is wide-ranging, cross-cultural, and cross-disciplinary, exploring allegoresis with regard to religion, philosophy, and literature. In his inquiry into allegory and allegorical interpretation, Zhang examines the idea of a self-explanatory text of the Bible as conceived by Augustine, Aquinas, and Luther; discusses the importance of the literal basis of textual interpretation; and takes up the question of moral responsibility and political allegiance. Zhang, who regards utopia as an allegory of social and political ideas, explores how utopian visions vary in their Chinese and Western expressions, in the process commenting on contemporary literary theory and political readings of literature past and present

     

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    Format: Online
    ISBN: 9781501711299
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    Schlagworte: Asian Studies; West European History; LITERARY CRITICISM / Comparative Literature; Kanon; Chinesisch; Allegorie; Literatur
    Umfang: 1 online resource
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  21. Reading Old Books
    Writing with Traditions
    Autor*in: Mack, Peter
    Erschienen: [2019]; © 2019
    Verlag:  Princeton University Press, Princeton, NJ

    A wide-ranging exploration of the creative power of literary tradition, from Chaucer to the presentIn literary and cultural studies, "tradition" is a word everyone uses but few address critically. In Reading Old Books, Peter Mack offers a... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A wide-ranging exploration of the creative power of literary tradition, from Chaucer to the presentIn literary and cultural studies, "tradition" is a word everyone uses but few address critically. In Reading Old Books, Peter Mack offers a wide-ranging exploration of the creative power of literary tradition, from the middle ages to the twenty-first century, revealing in new ways how it helps writers and readers make new works and meanings.Reading Old Books argues that the best way to understand tradition is by examining the moments when a writer takes up an old text and writes something new out of a dialogue with that text and the promptings of the present situation. The book examines Petrarch as a user, instigator, and victim of tradition. It shows how Chaucer became the first great English writer by translating and adapting a minor poem by Boccaccio. It investigates how Ariosto, Tasso, and Spenser made new epic meanings by playing with assumptions, episodes, and phrases translated from their predecessors. It analyzes how the Victorian novelist Elizabeth Gaskell drew on tradition to address the new problem of urban deprivation in Mary Barton. And, finally, it looks at how the Kenyan writer Ngũgĩ wa Thiong'o, in his 2004 novel Wizard of the Crow, reflects on biblical, English literary, and African traditions.Drawing on key theorists, critics, historians, and sociologists, and stressing the international character of literary tradition, Reading Old Books illuminates the not entirely free choices readers and writers make to create meaning in collaboration and competition with their models

     

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    Format: Online
    ISBN: 9780691195353
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / Comparative Literature; Authorship; Influence (Literary, artistic, etc.); Literature, Medieval; Literature, Modern; Tradition; Italienisch; Englisch; Literatur
    Umfang: 1 online resource (240 pages), 1 b/w illus
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  22. Comparing the literatures
    literary studies in a global age
  23. Berliner Weltliteraturen
    internationale literarische Beziehungen in Ost und West nach dem Mauerbau
    Beteiligt: Müller-Tamm, Jutta (Hrsg.)
    Erschienen: [2021]
    Verlag:  <<De>> Gruyter, Berlin

    Dieser Band stellt die Intensivierung der kulturpolitischen Aktivitäten und des internationalen literarischen Austausches in und um Berlin in den Jahren unmittelbar nach dem Mauerbau anhand von Fallbeispielen vor. Die 12 Beiträge liefern eine... mehr

     

    Dieser Band stellt die Intensivierung der kulturpolitischen Aktivitäten und des internationalen literarischen Austausches in und um Berlin in den Jahren unmittelbar nach dem Mauerbau anhand von Fallbeispielen vor. Die 12 Beiträge liefern eine verdichtete Beschreibung jener Phase in der Entwicklung Berlins, in der die geteilte Stadt mit Blick auf die Internationalisierung des Literatur- und Kulturbetriebs eine Vorreiterfunktion übernahm. This volume uses case studies to present the international literary exchange that took place in and around Berlin in the years directly following the construction of the wall and to show how cultural political activities intensified. The fourteen contributions describe in detail a phase in the development of Berlin in which the divided city took on a pioneering role in the internationalization of literary and cultural activities.

     

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    Quelle: Verbundkataloge
    Beteiligt: Müller-Tamm, Jutta (Hrsg.)
    Sprache: Deutsch
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    Format: Online
    ISBN: 9783110733495
    Weitere Identifier:
    Schriftenreihe: WeltLiteraturen ; 21
    Schlagworte: DDR-Literatur; Internationale Kulturbeziehungen; Literaturbetrieb der 1960er; Literaturgeschichte der Bundesrepublik; LITERARY CRITICISM / Comparative Literature
    Weitere Schlagworte: GDR literature; Literary activities in the 1960s; international cultural relations; literary history of the Federal Republic of Germany
    Umfang: 1 Online-Ressource (VII, 316 Seiten)
  24. Companion to Victor Pelevin
    Beteiligt: Fort, Christopher (MitwirkendeR); Khagi, Sofya (MitwirkendeR); Khagi, Sofya (HerausgeberIn); Mahoney, Grace (MitwirkendeR); Martin, Michael (MitwirkendeR); McConnell, Alexander (MitwirkendeR); Ogden, Dylan (MitwirkendeR); Trotman, Theodore (MitwirkendeR); Vicks, Meghan (MitwirkendeR)
    Erschienen: [2022]
    Verlag:  Academic Studies Press, Boston, MA

    Frontmatter -- Contents -- Introduction -- Part One: The Post-Soviet -- 1. The Early Years: Post-Soviet with a Capital "S" -- Part Two: Space, Time, History -- 2. Space-Time Poetics in Chapaev and the Void -- 3. Parody of Past and Present in Chapaev... mehr

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    Technische Universität Hamburg, Universitätsbibliothek
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    ebook deGruyter
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Frontmatter -- Contents -- Introduction -- Part One: The Post-Soviet -- 1. The Early Years: Post-Soviet with a Capital "S" -- Part Two: Space, Time, History -- 2. Space-Time Poetics in Chapaev and the Void -- 3. Parody of Past and Present in Chapaev and the Void -- 4. Masking the Void, Voiding the Mask: Viktor Pelevin and the Performance of History -- Part Three: Simulation and Mind Control -- 5. "The Battle for Your Mind": Transformation of Western Social Theory in Generation 'П' -- 6. Totalitarian Literature in Generation 'П' -- Part Four: Metamorphosis and Utopia -- 7. Transformative Reading for Tailless Monkeys: Metamorphoses in The Sacred Book of the Werewolf -- 8. The Mythic and the Utopian: Visions of the Future through the Lens of Victor Pelevin's S.N.U.F.F. and Love for Three Zuckerbrins -- Appendix -- Index Companion to Victor Pelevin, a collaborative undertaking by a group of emerging Russianist scholars, focuses on the work of one of the most important and hotly debated post-Soviet writers. It provides a valuable resource to scholars, teachers, and students, including how best to teach Pelevin to university-level students, and which critical debates invite further investigation. The contributors offer new readings of Pelevin texts that cover a broad time span and pay due attention to the philosophical and aesthetic complexities of Pelevin's oeuvre in its development from the early post-Soviet years to the second decade of the present millennium. Examining all of Pelevin's major works and all Peleviniana currently available in English, the Companion aims to prompt further inquiry into this author's intellectually stimulating and socially prescient work

     

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    Beteiligt: Fort, Christopher (MitwirkendeR); Khagi, Sofya (MitwirkendeR); Khagi, Sofya (HerausgeberIn); Mahoney, Grace (MitwirkendeR); Martin, Michael (MitwirkendeR); McConnell, Alexander (MitwirkendeR); Ogden, Dylan (MitwirkendeR); Trotman, Theodore (MitwirkendeR); Vicks, Meghan (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781644697771
    Weitere Identifier:
    Schriftenreihe: Companions to Russian Literature
    Schlagworte: LITERARY CRITICISM / Comparative Literature
    Umfang: 1 Online-Ressource (244 p)
  25. Gogol's crime and punishment
    an essay in the interpretation of Nikolai Gogol's dead souls
    Autor*in: Heftrich, Urs
    Erschienen: 2022
    Verlag:  Academic Studies Press, Boston

    Frontmatter -- Brief Contents -- Detailed Contents -- Acknowledgments -- Foreword -- Introduction: Of Beauty, Truth, and Evil -- Part One: Chichikov's Prehistory -- 1. Ethos and Epic -- 2. The Ground Plan of Dead Souls -- 3. The Ground Plan of Dead... mehr

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    Frontmatter -- Brief Contents -- Detailed Contents -- Acknowledgments -- Foreword -- Introduction: Of Beauty, Truth, and Evil -- Part One: Chichikov's Prehistory -- 1. Ethos and Epic -- 2. The Ground Plan of Dead Souls -- 3. The Ground Plan of Dead Souls Revisited -- Part Two: Chichikov's Crime -- 4. On Truth and Lies in a Moral Sense -- 5. The Five Faces of Lying -- 6. In the Shadow Realm of Lies -- Part Three: Chichikov's Punishment -- 7. Judgment and Rumor -- 8. The Five Acts of the Drama -- 9. Ethos and Epic: Chichikov's Crime and Punishment -- List of Sources for Illustrations -- Bibliography -- Index This monograph is nothing less than a bold attempt at solving the riddle of Gogol's novel Dead Souls that even inspired a staging of Dead Souls at Schauspiel Stuttgart. Heftrich gives a comprehensive, coherent answer to the question of the novel's meaning by meticulously laying bare its structure. The first part of the monograph is dedicated to one section of Gogol's novel that has been neglected by virtually all critics - a clue that leads to a strictly ethical reading of Gogol's epic. Gogol, as it emerges, constructed Dead Souls strictly according to a moral pattern. It is amazing to discover how flawlessly Dead Souls is built in this regard. The novel thus proves to be a true descendant of medieval romance with its inseparable interrelation between ethics and epics

     

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    Quelle: Verbundkataloge
    Beteiligt: Swann, Joseph (ÜbersetzerIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781644697634; 9781644697641
    Weitere Identifier:
    Schriftenreihe: Studies in Russian and slavic literatures, cultures, and history
    Schlagworte: LITERARY CRITICISM / Comparative Literature
    Umfang: 1 Online-Ressource (xxvii, 265 Seiten), Illustrationen