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To Make a Poet Black
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The other side of terror
Black women and the culture of US empire -
Being property once myself
blackness and the end of man -
Representing the Race
A New Political History of African American Literature -
Shadowing the White Man’s Burden
U.S. Imperialism and the Problem of the Color Line -
Extravagant Abjection
Blackness, Power, and Sexuality in the African American Literary Imagination -
Neither Fugitive nor Free
Atlantic Slavery, Freedom Suits, and the Legal Culture of Travel -
Shadow Archives
The Lifecycles of African American Literature -
Color and Culture
Black Writers and the Making of the Modern Intellectual -
The Indignant Generation
A Narrative History of African American Writers and Critics, 1934-1960 -
The Other Side of Terror
Black Women and the Culture of US Empire -
Becoming human
matter and meaning in an antiblack world -
Disabilities of the color line
redressing antiblackness from slavery to the present -
Before Modernism
inventing American lyric -
Toni Morrison and the writing of place
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Toni Morrison and the writing of place
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The Death-Bound-Subject
Richard Wright's Archaeology of Death -
Authentic Blackness
The Folk in the New Negro Renaissance -
Raising the Dead
Readings of Death and (Black) Subjectivity -
Crossing the Line
Racial Passing in Twentieth-Century U.S. Literature and Culture -
Within the Circle
An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present -
Black Atlas
Geography and Flow in Nineteenth-Century African American Literature -
Wrestling with the Left
The Making of Ralph Ellison's ‹i›Invisible Man‹/i› -
Bodyminds Reimagined
(Dis)ability, Race, and Gender in Black Women's Speculative Fiction -
Jump Jim Crow
Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture