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  1. Narrative and identity in the ancient Greek novel
    returning romance
    Autor*in: Whitmarsh, Tim
    Erschienen: ©2011
    Verlag:  Cambridge University Press, Cambridge, UK

    "The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a fresh reading of... mehr

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    "The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a fresh reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory"-- Introduction -- pt. 1. Returning romance -- 1. First romances: Chariton and Xenophon -- 2. Transforming romance: Achilles Tatius and Longus -- 3. Hellenism at the edge: Heliodorus -- pt. 2. Narrative and identity -- 4. Pothos -- 5. Telos -- 6. Limen -- Conclusion -- Appendix: the extant romances and the larger fragments.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 113904267X; 9781139042673
    Schriftenreihe: Greek culture in the Roman world
    Schlagworte: Narration (Rhetoric); Greek fiction; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; LITERARY CRITICISM ; Ancient & Classical; Greek fiction; Narration (Rhetoric); Griechisch; Roman; Identität; Roman; Griechisch; Motiv (Literatur); Identität; Grekisk litteratur ; historia; Berättande ; historia ; före 1500; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource (xii, 299 pages)
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    Includes bibliographical references (pages 265-294) and index
  2. Homer's Odyssey and the Near East
    Autor*in: Louden, Bruce
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    "The Odyssey's larger plot is composed of a number of distinct genres of myth, all of which are extant in various Near Eastern cultures (Mesopotamian, West Semitic, Egyptian). Unexpectedly, the Near Eastern culture with which the Odyssey has the most... mehr

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    "The Odyssey's larger plot is composed of a number of distinct genres of myth, all of which are extant in various Near Eastern cultures (Mesopotamian, West Semitic, Egyptian). Unexpectedly, the Near Eastern culture with which the Odyssey has the most parallels is the Old Testament. Consideration of how much of the Odyssey focuses on non-heroic episodes - hosts receiving guests, a king disguised as a beggar, recognition scenes between long-separated family members - reaffirms the Odyssey's parallels with the Bible. In particular the book argues that the Odyssey is in a dialogic relationship with Genesis, which features the same three types of myth that comprise the majority of the Odyssey: theoxeny, romance (Joseph in Egypt), and Argonautic myth (Jacob winning Rachel from Laban). The Odyssey also offers intriguing parallels to the Book of Jonah, and Odysseus' treatment by the suitors offers close parallels to the Gospels' depiction of Christ in Jerusalem"-- Introduction; 1. Divine councils and apocalyptic myth; 2. Theoxeny: Odyssey 1, 3, 13-22, and Genesis 18-19; 3. Romance: the Odyssey and the myth of Joseph (Genesis 37, 39-47); 4. Helen and Rahab (Joshua 2), Menelaus and Jacob (Genesis 32:22-32); 5. Ogygia and creation myth, Kalypso and Ishtar; 6. Argonautic myth: Odysseus and Nausikaa/Circe, Jason and Medea, Jacob and Rachel (Odyssey 6-8, 10-12, 13.1-187, Genesis 28-33); 7. Odysseus and Jonah: sea-monsters and the fantastic voyage; 8. The combat myth: Polyphemos and Humbaba; 9. Catabasis, consultation, and the vision: Odyssey 11, 1 Samuel 28, Gilgamesh 12, Aeneid 6, and the Book of Revelation; 10. Odyssey 12 and Exodus 32: Odysseus and Moses, the people defy their leader and rebel against God; 11. The suitors and the depiction of impious men in wisdom literature; 12. Odysseus and Jesus: the King returns, unrecognized and abused in his own Kingdom; 13. Contained apocalypse: Odyssey 12, 13, 22 and 24, Exodus 32 (and Genesis 18-19); Conclusion.

     
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  3. Lucan and the Sublime
    Power, Representation and Aesthetic Experience
    Autor*in: Day, Henry J. M.
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Argues that Lucan's Bellum Civile is a central text in the history of the sublime Acknowledgements; Introduction; Retrospective: modern experiences of the sublime; Aims and objectives; The Lucanian sublime; Longinus and his successors; Politics,... mehr

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    Argues that Lucan's Bellum Civile is a central text in the history of the sublime Acknowledgements; Introduction; Retrospective: modern experiences of the sublime; Aims and objectives; The Lucanian sublime; Longinus and his successors; Politics, ethics and the sublime; A turn towards the aesthetic; The structure of the book; Chapter 1 The experience of the sublime; Sources and theories; Longinus; Lucretius; Burke; Kant; Freud and the sublime turn: the logic of the sublime; Liberation and tyranny: the politics of the sublime; Chapter 2 Presentation, the sublime and the Bellum civile; Introduction; discors machina: Lucan's sublime subject. Presenting the unpresentable: the Bellum civile as sublime objectattonitique omnes: readerly sublimity; Matrona, Pythia and witch: narratorial sublimity; Chapter 3 The Caesarian sublime; Like lightning; The Rubicon (1.183-265) and beyond; The Massilian grove (3.399-452); The Adriatic storm (5.504-677); The ocean, Aetna and the Nile; 'This world is not enough'; Chapter 4 The Pompeian sublime; The historical sublime; Longinus and Ankersmit; Trauma and the historical sublime; Sites of the historical sublime; Boundary violation, suicide and the sundered self; Pharsalus; Pompey. The oak tree (1.135-43)After Pharsalus (7.647-727); The end (8.692-711, 793-872); Epilogue; Bibliography; Index locorum; Index rerum et nominum.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1107314283; 1107306531; 1139105752; 9781107314283; 9781107306530; 9781139105750
    Schriftenreihe: Cambridge Classical Studies
    Schlagworte: Sublime, The, in literature; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; Sublime, The, in literature; Das Erhabene; Criticism, interpretation, etc
    Weitere Schlagworte: Lucan (39-65); Lucan; Lucanus, Marcus Annaeus
    Umfang: 1 Online-Ressource (274 pages)
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    Includes bibliographical references and indexes
  4. Plato and the traditions of ancient literature
    the silent stream
    Autor*in: Hunter, Richard L.
    Erschienen: ©2012
    Verlag:  Cambridge University Press, Cambridge

    "Exploring both how Plato engaged with existing literary forms and how later literature then created 'classics' out of some of Plato's richest works, this book includes chapters on such subjects as rewritings of the Apology and re-imaginings of... mehr

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    "Exploring both how Plato engaged with existing literary forms and how later literature then created 'classics' out of some of Plato's richest works, this book includes chapters on such subjects as rewritings of the Apology and re-imaginings of Socrates' defence, Plato's rich style and the criticisms it attracted and how Petronius and Apuleius threaded Plato into their richly comic texts. The scene for these case studies is set through a thorough examination of how the tradition constructed the relationship between Plato and Homer, of how Plato adapted poetic forms of imagery to his philosophical project in the Republic, to shared techniques of representation between poet and philosopher and to foreshadowings of later modes of criticism in Plato's Ion. This is a major contribution to Platonic studies, to the history of Platonic reception from the fourth century BC to the third century AD and to the literature of the Second Sophistic"-- 1. Introduction : tracing Plato -- 2. Homer and Plato -- 3. Metamorphoses of the Apology -- 4. Dionysius of Halicarnassus and the style of the Phaedrus -- 5. Plato as classic : Plutarch's Amatorius -- 6. Playing with Plato.

     
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    Sprache: Englisch; Griechisch, alt (bis 1453); Latein
    Medientyp: Ebook
    Format: Online
    ISBN: 1139224506; 1139003372; 1139217992; 9781139003377; 9781139224505; 9781139217996
    RVK Klassifikation: CD 3067 ; CD 3065 ; FH 28715
    Schlagworte: Greek literature; Greek literature; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; PHILOSOPHY ; History & Surveys ; Ancient & Classical; Greek literature; Greek literature ; Appreciation; Influence (Literary, artistic, etc.); Literatur; Rezeption; Criticism, interpretation, etc
    Weitere Schlagworte: Plato; Plato; Plato; Plato; Plato
    Umfang: 1 Online-Ressource (1 online resource)
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    Includes bibliographical references and index
  5. Reception and the classics
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    "This volume collects the majority of papers given at a conference held at Yale University in 2007. That conference, also entitled Reception and the Classics, sought to define and articulate the particular role of Classics and classicists in the... mehr

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    "This volume collects the majority of papers given at a conference held at Yale University in 2007. That conference, also entitled Reception and the Classics, sought to define and articulate the particular role of Classics and classicists in the project of Reception Studies.1 The field of Reception Studies ranges over a vast stretch of time and material, from classical antiquity to the present day, from literature to art, music, and film; it is thus an inherently interdisciplinary field in its encompassing of a great variety of departments and disciplines, each with its own canons, practices, and shared working assumptions. This interdisciplinary practice has formed the intellectual foundation for the present collection: although Reception Studies as a field has grown in scope and energy between conference and publication, we feel that the question of where Classics stands in relation to its peer disciplines remains alive and crucial"-- Introduction -- Part I, Reception between transmission and philology: "Arouse the dead": Mai, Leopardi, and Cicero's commonwealth in Restoration Italy / James Zetzel -- Honor culture, praise, and Servius' Aeneid / Robert Kaster -- 4. Joyce and modernist Latinity / Joseph Farrell -- 5. Lyricus vates : musical settings of Horace's Odes / Richard Tarrant -- Part II, Reception as self-fashioning: Petrarch's epistolary epic : Letters on familiar matters (Rerum familiarium libri) / Giuseppe Mazzotta -- 7. The first British Aeneid : a case study in reception / Emily Wilson -- 8. Ovid's witchcraft / Gordon Braden -- 9. The streets of Rome : the classical Dylan / Richard F. Thomas -- Part III, Envoi: Reception and the classics / Christopher S. Wood.

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 1139206141; 1139042823; 9781139206143; 9781139042826
    Schriftenreihe: Yale classical studies ; v. 36
    Schlagworte: Classicism; Classical literature; Classical philology; Reader-response criticism; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; LITERARY CRITICISM ; Ancient & Classical; Classical literature; Classical philology; Classicism; Reader-response criticism; Latein; Literatur; Rezeption; Criticism, interpretation, etc; Conference papers and proceedings
    Umfang: 1 Online-Ressource (x, 188 pages)
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    Includes bibliographical references (pages 174-185) and index
  6. Tragic pathos
    pity and fear in Greek philosophy and tragedy
    Autor*in: Munteanu, Dana LaCourse
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    "Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all... mehr

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    "Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes a different purpose for the two emotions and mode of presentation and, to a degree, understanding of them. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions"-- 2.6 CONTEXT (F): FEAR AND IMAGINATION (HEL. 16 17); 2.7 IF THE SPECTATOR ACCEPTS THE "DECEPTION" OF TRAGEDY, ARE HIS EMOTIONS AUTHENTIC?; CHAPTER 3 Plato: from reality to tragedy and back; 3.1 THE PROBLEM WITH ORDINARY "FEAR" AND AESTHETIC FEAR; 3.2 AESTHETIC EMOTIONS: IMPURE PLEASURES, "FALSE" KNOWLEDGE; 3.3 PHILOSOPHICAL DRAMA AND THE TRANSFORMEDTRAGIC EMOTIONS; CHAPTER 4 Aristotle: the first "theorist" of the aesthetic emotions; 4.1 PITY AND FEAR AS RESPONSES OF THE AUDIENCEIN THE POETICS: AN IMPASSE; 4.2 PITY AND FEAR AS RESPONSES OF THE AUDIENCE:RHETORIC AND DRAMA. 4.3 AESTHETIC PITY: CREATING A VISION OFSUFFERING THROUGH SPEECH4.3.1 Seeing emotion: visual versus vision; 4.3.2 Conclusions on Pity. Fear. Transfer of emotion through Phantasia; 4.4 PROPER PLEASURE (OIKEIA HEDONE) FROM EMOTIONS; 4.4.1 Proper pleasure as a species of mimesis; 4.4.2 Proper pleasure supervening the "activity" of tragedy; 4.4.3 Painful emotions in pleasure: Oikeia hedone and the pleasures of memory and mourning; 4.5 PREDECESSORS AND SUCCESSORS. TIMOCLES. HOW ORIGINAL IS ARISTOTLE?; 4.6 GENERAL CONCLUSIONS; PART II Pity and fear within tragedies; CHAPTER 5 An introduction. 5.1 PURPOSE OF SURVEY5.2 PITY AND FEAR AS EXPRESSIONS OF INTERNAL AUDIENCES ANDTHE PHILOSOPHICAL VIEWS (GORGIAS, PLATO, ARISTOTLE):A DIFFERENT EMPHASIS; 5.3 RELATIONSHIP BETWEEN PITY AND FEAR AS EXPRESSIONSOF INTERNAL AUDIENCES AND EXTERNAL (CONTEMPORARYATHENIAN) AUDIENCES; 5.3.1 Internal audiences as models for external audiences; 5.3.2 Linking internal audiences and external audiences: problems surrounding pity and fear; CHAPTER 6 Aeschylus: Persians; 6.1 A REVIEW OF INTERPRETATIONS; 6.2 PATRIOTIC PRIDE AND ITS COMPATIBILITY WITH TRAGIC PITY. Cover; TRAGIC PATHOS; Title; Copyright; Dedication; Contents; Preface and acknowledgments; List of abbreviations; Introduction; PREMISE AND PURPOSE; EMOTION: EMOTION AS RESPONSE TO TRAGEDY, TO ART(S); SOME SPECIFICATIONS: AESTHETIC EMOTIONS -- POLITICAL ANDETHICAL IMPLICATIONS; EMOTION AND THE LANGUAGE-GAME:CULTURAL UNITY AND VARIETY; A BRIEF REVIEW OF SCHOLARSHIP: PROBLEMS; Pity; FEAR. THE "ONTOLOGICAL" PROBLEM OF DRAMATIC FEAR; MORAL PROBLEMS OF ORDINARY FEAR: THEIR CONSEQUENCESFOR AESTHETIC FEAR; THE TWO AS PAIR; NOTES ON TERMINOLOGY: AESTHETIC OR MIMETIC? THE TERMSFOR PITY AND FEAR(S). Methodology and structureA synopsis; PART I Theoretical views about pity and fear as aesthetic emotions; CHAPTER 1 Drama and the emotions: an Indo-European connection?; CHAPTER 2 Gorgias: a strange trio, the poetic emotions; 2.1 CONTEXT (A): PITY AND HATRED, GUIDED REACTIONSFOR GORGIAS' AUDIENCE (HEL. 7); 2.2 CONTEXT (B): SPEECH CAN STOP FEAR ANDINCREASE PITY (HEL. 8); 2.3 CONTEXT (C): POETRY AROUSES PITY, FEARFUL SHIVER, AND LONGING (HEL. 9); 2.4 CONTEXT (D): INCANTATIONS MAY BRING PLEASUREAND BANISH PAIN (HEL. 10); 2.5 CONTEXT (E): WORDS, LIKE MEDICINE, CAN INSPIRE FEAROR COURAGE (HEL. 14).

     
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  7. Myth, ritual, and the warrior in Roman and Indo-European antiquity
    Autor*in: Woodard, Roger D.
    Erschienen: 2013
    Verlag:  Cambridge University Press, New York

    "This book examines the figure of the returning warrior as depicted in the myths of several ancient and medieval Indo-European cultures. In these cultures, the returning warrior was often portrayed as a figure rendered dysfunctionally destructive or... mehr

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    "This book examines the figure of the returning warrior as depicted in the myths of several ancient and medieval Indo-European cultures. In these cultures, the returning warrior was often portrayed as a figure rendered dysfunctionally destructive or isolationist by the horrors of combat. This mythic portrayal of the returned warrior is consistent with modern studies of similar behavior among soldiers returning from war. Roger Woodard, Ŵs research identifies a common origin of these myths in the ancestral proto-Indo-European culture, in which rites were enacted to enable warriors to reintegrate themselves as functional members of society. He also compares the Italic, Indo-Iranian, and Celtic mythic traditions surrounding the warrior, paying particular attention to Roman myth and ritual, notably to the etiologies and rites of the July festivals of the Poplifugia and Nonae Caprotinae, and to the October rites of the Sororium Tigillum"-- "This book examines the figure of the returning warrior as depicted in the myths of several ancient and medieval Indo-European cultures"-- 1. People flee -- 2. And Romulus disappears -- 3. At the shrines of Vulcan -- 4. Where space varies -- 5. Warriors in crisis -- 6. Structures: matrix and continuum -- 7. Remote spaces -- 8. Erotic women and the (un)averted gaze -- 9. Clairvoyant women -- 10. Watery spaces -- 11. Return to order -- 12. Further conclusions and interpretations.

     
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  8. Aristarch, Aristophanes Byzantios, Demetrios Ixion, Zenodot
    Fragmente zur Ilias gesammelt, neu herausgegeben und kommentiert
    Erschienen: c2014
    Verlag:  De Gruyter, Berlin

    For the first time, the Alexandrine fragments on the Iliad have been systematically compiled and newly edited with a commentary, and unlike all earlier editions, special attention has been given to their transmitted form. Van Thiel's innovative view... mehr

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    For the first time, the Alexandrine fragments on the Iliad have been systematically compiled and newly edited with a commentary, and unlike all earlier editions, special attention has been given to their transmitted form. Van Thiel's innovative view of the ancient Ekdoseis as working copies and his systematic consideration of the D-scholia make this edition an indispensable tool for further studies on the transmission of the Iliad

     
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    Quelle: Verbundkataloge
    Sprache: Griechisch, alt (bis 1453); Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110347166; 3110347164
    Schlagworte: Literature; Literature; Literature; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; LITERARY CRITICISM ; European ; German; Criticism, interpretation, etc
    Weitere Schlagworte: Homer; Homer; Aristarchus approximately 217 B.C.-145 B.C; Aristophanes 257 B.C.-180 B.C; Demetrius Ixion active 2nd century B.C; Zenodotus approximately 325 B.C.-260 B.C; Homer; Homer; Homer: Iliad; Homer
    Umfang: Online Ressource (2500 pages)
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    Includes bibliographical references and indexes. - Greek and German. - Description based on online resource; title from PDF title page (De Gruyter, viewed November 10, 2014)
  9. Character, narrator, and simile in the Iliad
    Autor*in: Ready, Jonathan L.
    Erschienen: ©2011
    Verlag:  Cambridge University Press, Cambridge, U.K

    "Jonathan L. Ready offers the first comprehensive examination of Homer's similes in the Iliad as arenas of heroic competition. This study concentrates primarily on similes spoken by Homeric characters. The first to offer a sustained exploration of... mehr

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    "Jonathan L. Ready offers the first comprehensive examination of Homer's similes in the Iliad as arenas of heroic competition. This study concentrates primarily on similes spoken by Homeric characters. The first to offer a sustained exploration of such similes, Ready shows how characters are made to contest through and over simile not only with one another but also with the narrator. Ready investigates the narrator's similes as well. He demonstrates that Homer amplifies the feat of a successful warrior by providing a competitive orientation to sequences of similes used to describe battle. He also offers a new interpretation of Homer's extended similes as a means for the poet to imagine his characters as competitors for his attention. Throughout this study, Ready makes innovative use of approaches from both Homeric studies and narratology that have not yet been applied to the analysis of Homer's similes"-- The simile and the Homeric comparative spectrum -- Similes and likenesses in the character-text -- A preparation for reading sequences of similes -- Sequences of similes in the character-text -- Narrator, character, and simile -- Similes in the narrator-text -- Conclusion: The Odyssey compared.

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 113904222X; 1139044850; 9781139042222; 9781139044851
    Schlagworte: Simile; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; LITERARY CRITICISM ; Ancient & Classical; Simile
    Weitere Schlagworte: Homer: Iliad
    Umfang: 1 Online-Ressource (ix, 323 pages)
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    Includes bibliographical references (pages 275-296) and indexes
  10. Reading sin in the world
    the Hamartigenia of Prudentius and the vocation of the responsible reader
    Autor*in: Dykes, Anthony
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    "Prudentius is one of the major Latin poets of antiquity. A Christian living and writing in Spain in the late fourth and early fifth centuries, he was thoroughly imbued with the whole tradition of Latin poetry. The Hamartigenia is a didactic poem... mehr

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    "Prudentius is one of the major Latin poets of antiquity. A Christian living and writing in Spain in the late fourth and early fifth centuries, he was thoroughly imbued with the whole tradition of Latin poetry. The Hamartigenia is a didactic poem exploring the origins of evil and how it operates in the world. It is full of echoes and reworkings of earlier poems by Lucretius, Virgil and others, but is also a serious contribution to this important theological issue which was much discussed in Church circles of the day. This is a major new study of the Hamartigenia in the context of Prudentius' work as a whole and is striking for being as seriously interested in its theological as in its literary contribution"-- Introduction: 'Prudentius counts' -- The world projects human responsibility -- The vocation of a responsible reader: the Biblical strategy -- The vocation of the responsible reader: the genre strategy -- Conclusion -- Appendix A.A note on the title of the Hamartigenia -- Appendix B.A brief note on the date and circulation of the Vulgate Genesis.

     
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    ISBN: 1139042599; 9781139042598
    Schlagworte: Sin in literature; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; POETRY ; Ancient, Classical & Medieval; Sin in literature; Criticism, interpretation, etc
    Weitere Schlagworte: Prudentius (348-): Hamartigenia; Prudentius (348-); Prudentius
    Umfang: 1 Online-Ressource (xx, 273 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: Introduction: 'Prudentius counts'; 1. The world projects human responsibility; 2. The vocation of a responsible reader: the Biblical strategy; 3. The vocation of the responsible reader: the genre strategy; Conclusion; Appendix A.A note on the title of the Hamartigenia; Appendix B.A brief note on the date and circulation of the Vulgate; Genesis
  11. Homer's Trojan Theater
    Space, Vision, and Memory in the Iiiad
    Autor*in: Clay, Jenny Strauss
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    Innovative and accessible study offering a new way of understanding how the Iliad poet envisions and renders visible his narrative Introduction -- 1. The sighted Muse -- 2. Envisioning Troy -- 3. Homer's Trojan theater. mehr

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    Innovative and accessible study offering a new way of understanding how the Iliad poet envisions and renders visible his narrative Introduction -- 1. The sighted Muse -- 2. Envisioning Troy -- 3. Homer's Trojan theater.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 051193064X; 0511933347; 0511667027; 9780511933349; 9780511667022; 9780511930645
    Schlagworte: Epic poetry, Greek; Poetics; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; LITERARY CRITICISM ; Ancient & Classical; Poetics; Technique; Ilias (Homerus); Criticism, interpretation, etc; History
    Weitere Schlagworte: Homer; Homer
    Umfang: 1 Online-Ressource (x, 136 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 120-131) and index
  12. The pregnant male as myth and metaphor in classical Greek literature
    Autor*in: Leitao, David D.
    Erschienen: [2012]
    Verlag:  Cambridge University Press, New York

    "This book traces the image of the pregnant male in Greek literature as it evolves over the course of the classical period. The image as deployed in myth and in metaphor originates as a representation of paternity and, by extension, authorship of... mehr

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    "This book traces the image of the pregnant male in Greek literature as it evolves over the course of the classical period. The image as deployed in myth and in metaphor originates as a representation of paternity and, by extension, authorship of ideas, works of art, legislation, and the like. Only later, with its reception in philosophy in the early fourth century, does it also become a way to figure and negotiate the boundary between the sexes. The book considers a number of important moments in the evolution of the image: the masculinist embryological theory of Anaxagoras of Clazomenae and other fifth century pre-Socratics; literary representations of the birth of Dionysus; the origin and functions of pregnancy as a metaphor in tragedy, comedy, and works of some Sophists; and finally the redeployment of some of these myths and metaphors in Aristophanes, W?? Assemblywomen and in Plato's Symposium and Theaetetus"-- The new father of Anaxagoras: the one-seed theory of reproduction and its reception in Athenian tragedy -- The thigh birth of Dionysus: exploring legitimacy in the classical city-state -- From myth to metaphor: intellectual and poetic generation in the age of the sophists -- Blepyrus's turd-child and the birth of Athena -- The pregnant philosopher: masculine and feminine procreative styles in Plato's Symposium -- Reading Plato's midwife: Socrates and intellectual paternity in the Theaetetus.

     
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  13. Greek Tragic Style
    Form, Language and Interpretation
    Autor*in: Rutherford, R. B.
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    An exploration of the poetic qualities of the Greek tragic dramatists Aeschylus, Sophocles and Euripides highlighting their similarities and differences Cover; GREEK TRAGIC STYLE: Form, Language and Interpretation; Title; Copyright; Dedication;... mehr

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    An exploration of the poetic qualities of the Greek tragic dramatists Aeschylus, Sophocles and Euripides highlighting their similarities and differences Cover; GREEK TRAGIC STYLE: Form, Language and Interpretation; Title; Copyright; Dedication; Contents; Preface; Abbreviations; Note on texts; CHAPTER 1 Introduction; I STARTING POINTS: THREE PASSAGES; II PROBLEMS OF DEFINITION (STYLE' AND OTHER TERMS); III ANCIENT AND MODERN STUDY OF THE SUBJECT; CHAPTER 2 Genre: form, structure and mode; I FORMAL DESCRIPTION; II HISTORICAL OUTLINE; III GENERIC APPROPRIATION AND DISTORTION; IV COMEDY AND TRAGEDY (PARATRAGIC AND SUB-TRAGIC PASSAGES); V PERCEPTIONS OF THE GENRE; CHAPTER 3 Words, themes and names. CHAPTER 8 The irony of Greek tragedyI IRONY AND RELATED TERMS; THE ROLE OF THE GODS; EPIC BACKGROUND; II MALIGN IRONY: SCENES OF ENTRAPMENT; III IGNORANCE AND RECOGNITION; IV DIVINE MANIPULATION AND HUMAN DOWNFALL; V DIONYSUS IN THE BACCHAE; APPENDIX: METATEXTUAL IRONY; CHAPTER 9 The wisdom of Greek tragedy; I THE GENERAL AND THE GNOMIC; II NOVELTY OF THOUGHT AND IDEAS; III QUESTIONS ABOUT DEITY; IV GRANDEUR OF EXPRESSION: AESCHYLUS, AGAMEMNON, SOPHOCLES, OEDIPUS COLONEUS; V GENERAL STATEMENTS IN SOPHOCLES, AJAX; CHAPTER 10 Epilogue; Bibliography; Select index of Greek words. IV PERSONIFICATION, ESPECIALLY OF DIVINISED ENTITIESCHAPTER 5 The dramatists at work: spoken verse; I PRELIMINARIES; II LONG VERSUS SHORT; STICHOMYTHIA; III PROLOGUE; IV AGON; V MESSENGER SPEECH; CHAPTER 6 The dramatists at work: lyrics; I PRELIMINARIES: THE TRAGIC CHORUS; Form and structure; Language; Characterisation; Function; (a) Hymn/prayer; (b) Self-characterisation; (c) Response to events.; (d) Narrative; (e) Reflection; II THREE TRAGIC CHORAL SONGS (AESCHYLUS, AGAMEMNON, SOPHOCLES, ELECTRA, EURIPIDES, HIPPOLYTUS). III TWO SONGS ON ATHENS (EURIPIDES, MEDEA, SOPHOCLES, OEDIPUS COLONEUS)IV SONG-SPEECH COMBINATIONS: A SURVEY; V MONODY. CREUSA'S MONODY IN EURIPIDES' ION; VI NEW MUSIC, NEW STYLES; VII LATE SOPHOCLEAN SONG: OEDIPUS COLONEUS; CHAPTER 7 The characters of Greek tragedy; I PROBLEMS AND APPROACHES; II CHARACTER TYPES, ESPECIALLY FEMALE; III THE WATCHMAN IN AESCHYLUS, AGAMEMNON; IV DECEPTIVE WOMEN: AESCHYLUS' CLYTEMNESTRA; SOPHOCLES' DEIANIRA; V NEOPTOLEMUS IN SOPHOCLES, PHILOCTETES; VI CHANGING PERSPECTIVES: EURIPIDES' HIPPOLYTUS; VII THE DRAMA OF INDECISION: MEDEA. I TRAGIC DICTION, SYNTAX AND STYLE IN THE PROLOGUE TO ANTIGONEII SETTING THE SCENE AND ESTABLISHING MOOD. KEY WORDS AND DOMINANT THEMES; III NAMES: USING, WITHHOLDING AND REVEALING THEM; IV FORMS OF ADDRESS; SOPHOCLES, PHILOCTETES; APPENDIX 1: VOCABULARY; APPENDIX 2: A NOTE ON ALLITERATION AND RELATED PHENOMENA; CHAPTER 4 The imagery of Greek tragedy; I INTRODUCTORY: THE IMPORTANCE OF THE SUBJECT; II RECURRING OR THEMATIC' IMAGERY IN THE ORESTEIA AND ELSEWHERE; III CENTRAL FIELDS OF TRAGIC IMAGERY; BORDER REGIONS BETWEEN GOD AND MAN, BRIDGED BY IMAGERY.

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 1139423622; 9781139423625
    Schlagworte: Poetics; Greek drama; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; DRAMA ; Ancient, Classical & Medieval; Greek drama; Poetics; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource (494 pages)
    Bemerkung(en):

    Index of topics

    Includes bibliographical references (pages 412-445) and indexes
  14. Reading the Letters of Pliny the Younger
    an introduction
    Autor*in: Gibson, Roy K.
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Reading a life: Letters, Book 1 -- Reading a book: Letters, Book 6 -- Epistolary models: Cicero and Seneca -- Pliny's elders and betters: the Elder Pliny, Vestricius Spurinna, Corellius Rufus, Verginius Rufus (and Silius Italicus) -- Pliny's peers:... mehr

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    Reading a life: Letters, Book 1 -- Reading a book: Letters, Book 6 -- Epistolary models: Cicero and Seneca -- Pliny's elders and betters: the Elder Pliny, Vestricius Spurinna, Corellius Rufus, Verginius Rufus (and Silius Italicus) -- Pliny's peers: reading for the addressee -- Otium: how to manage leisure -- Reading the villa letters: 9.7, 2.17, 5.6 -- The grand design: how to read the collection -- Appendix 1. A Pliny timeline, and the great Comum inscription -- Appendix 2. Letters 1-9: catalogue of contents and addressees -- Appendix 3. Popular topics in the Letters: bibliographical help -- Appendix 4. Index of main characters in the Letters. This is the first general introduction to Pliny's Letters published in any language, combining close readings with broader context

     
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    ISBN: 1139338285; 1139336541; 1139024744; 9781139336543; 9781139338288; 9781139024747
    RVK Klassifikation: FX 226105
    Schlagworte: Letter writing, Latin; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; FOREIGN LANGUAGE STUDY ; Latin; Letter writing, Latin; Brevskrivning ; historia; Criticism, interpretation, etc; History; Personal correspondence; Electronic books
    Weitere Schlagworte: Pliny the Younger; Pliny the Younger; Pliny; Plinius Caecilius Secundus, Gaius
    Umfang: 1 Online-Ressource (xi, 350 pages), map
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    Includes bibliographical references and index
  15. Cosmology and the polis
    the social construction of space and time in the tragedies of Aeschylus
    Autor*in: Seaford, Richard
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    "This book further develops Professor Seaford's innovative work on the study of ritual and money in the developing Greek polis. It employs the concept of the chronotope, which refers to the phenomenon whereby the spatial and temporal frameworks... mehr

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    "This book further develops Professor Seaford's innovative work on the study of ritual and money in the developing Greek polis. It employs the concept of the chronotope, which refers to the phenomenon whereby the spatial and temporal frameworks explicit or implicit in a text have the same structure and uncovers various such chronotopes in the Homeric Hymn to Demeter and in particular the tragedies of Aeschylus. Mikhail Bakhtin's pioneering use of the chronotope was in literary analysis. This study by contrast derives the variety of chronotopes manifest in Greek texts from the variety of socially integrative practices in the developing polis - notably reciprocity, collective ritual, and monetised exchange. In particular, the tragedies of Aeschylus embody the reassuring absorption of the new and threatening monetised chronotope into the traditional chronotope that arises from collective ritual with its aetiological myth"-- Cover; COSMOLOGY AND THE POLIS; Title; Copyright; Dedication; Contents; Map; Preface; Abbreviations; Introduction; A CHRONOTOPES AND COSMOLOGY; B CHRONOTOPES AND HISTORY; C PREVIOUS TREATMENTS; D SUMMARY; PART I: The social construction of space, time and cosmology; CHAPTER 1: Homer: The reciprocal chronotope; 1A HOMERIC SPACE; 1B HOMERIC TIME; 1C SOCIAL INTEGRATION; CHAPTER 2: Demeter Hymn: The aetiological chronotope; 2A THE SPACE OF RITUAL; 2B THE EMERGENCE OF THE POLIS; 2C SHARED SPACE; 2D THE OUTSIDER CREATES THE COMMUNITY; 2E THE AETIOLOGICAL CHRONOTOPE; 2F THE IAKCHOS PROCESSION.

     
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  16. Callimachus in context
    from Plato to the Augustan poets
    Autor*in: Acosta-Hughes, Benjamin; Stephens, Susan A.
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge, UK

    "Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small... mehr

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    "Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasizes a learned scholar who includes literary criticism within his poetry, an encomiast of the Ptolemies, a poet of the book whose narratives are often understood as metapoetic. This study does not dismiss these Callimachuses, but situates them within a series of interlocking historical and intellectual contexts in order better to understand how they arose. In this narrative of his poetics and poetic reception four main sources of creative opportunism are identified: Callimachus' reactions to philosophers and literary critics as arbiters of poetic authority, the potential of the text as a venue for performance, awareness of Alexandria as a new place, and finally, his attraction for Roman poets"-- CYRENETHE CYRENAICA; ALEXANDRIA; THE ARGIVE ANCESTORS; THE "CAUSES" OF ALEXANDRIA; Narrative strategies; The mythological frame: Minos; The mythological frame: the Argonauts; The mythological frame: Heracles; The mythological frame: the Danaids; EGYPT; THE HEROES OF TROY AND THEIR NOSTOI; THE PTOLEMIES; ATTICA VIEWED FROM ALEXANDRIA; THE NEW CENTER; CHAPTER 4: In my end is my beginning; EARLY "TRANSLATION"; THE DOCTUS POETA; Batti veteris sacrum sepulcrum; Carmina uti possem mittere battiadae; Arida modo pumice expolitum; Haec expressa tibi carmina Battiadae; Translating Callimachus' Lock. Cover; CALLIMACHUS IN CONTEXT; Title; Copyright; Contents; Maps; Acknowledgments; Abbreviations; Introduction; CHAPTER 1: Literary quarrels; SUICIDE BY THE BOOK; PLATO IN THE AETIA PROLOGUE; "MIXING IONS"; HIPPONAX AND MIMETIC PLAY; THE POWER OF THE POET; "COMMON THINGS"; THE CROWD; CHAPTER 2: Performing the text; THE SOUNDS OF READING; DRAMATIC PERFORMANCE; LYRIC; THE PAEAN; "LYRICS" FOR ALEXANDRIA; CHORUSES AND CHORAL DANCING; STICHIC METERS; TEXTUAL AND INTERTEXTUAL SYMPOSIA; IN THE PUBLIC SPHERE; IN THE PRIVATE SPHERE; TEXTUAL PERFORMANCE; CHAPTER 3: Changing places; DE-CENTERING GREECE. New, provocative treatment of the Alexandrian poet Callimachus and his reception, approaching his work from four varied yet complementary angles WRITING FOR ROYALSCALLIMACHUS IN PROPERTIUS; Amor docuit; Acontius and Cydippe; "Callimachus" as a poetics; Propertius and the Callimachean past; THE ROMAN CALLIMACHUS; OVID AND CALLIMACHUS; Callimachus in the canon; Acontius the poet; The panel and the frame; Roman Causes; Conclusions; APPENDIX: The Aetia; Bibliography; Index locorum; Subject index.

     
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    Sprache: Englisch
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    ISBN: 1139161482; 9781139161480
    RVK Klassifikation: FH 40203
    Schlagworte: Aesthetics, Ancient; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; Aesthetics, Ancient; Art appreciation; Intellectual life; Rezeption; Criticism, interpretation, etc
    Weitere Schlagworte: Callimachus; Callimachus; Callimachus; Callimachus; Callimachus
    Umfang: 1 Online-Ressource (xviii, 346 pages), maps
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    Includes bibliographical references and index
  17. Performing oaths in classical Greek drama
    Autor*in: Fletcher, Judith
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    "Oaths were ubiquitous rituals in ancient Athenian legal, commercial, civic and international spheres. Their importance is reflected by the fact that much of surviving Greek drama features a formal oath sworn before the audience. This is the first... mehr

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    "Oaths were ubiquitous rituals in ancient Athenian legal, commercial, civic and international spheres. Their importance is reflected by the fact that much of surviving Greek drama features a formal oath sworn before the audience. This is the first comprehensive study of that phenomenon. The book explores how the oath can mark or structure a dramatic plot, at times compelling characters like Euripides' Hippolytus to act contrary to their best interests. It demonstrates how dramatic oaths resonate with oath rituals familiar to the Athenian audiences. Aristophanes' Lysistrata and her accomplices, for example, swear an oath that blends protocols of international treaties with priestesses' vows of sexual abstinence. By employing the principles of Speech Act theory, this book examines how the performative power of the dramatic oath can mirror the status quo, but also disturb categories of gender, social status and civic identity in ways that redistribute and confound social authority"-- Cover; PERFORMING OATHS IN CLASSICAL GREEK DRAMA; Title; Copyright; Dedication; Contents; Acknowledgments; A note on abbreviations; Introduction; WHAT IS AN OATH?; 1) The preface (an invitation or offer to swear an oath); 2) The invocation; 3) A verb or expression of swearing; 4) The body of the oath; 5) The curse; 6) Gestures, sacrifices and sanctifying features; OATHS AND DRAMATIC PLOTS; HOMER; HOMERIC HYMNS AND ARCHAIC POETRY; HERODOTUS; CHAPTER 1 From curses to blessings: horkos in the Oresteia; OATHS OF REVENGE; HORKOS AND GENDER; QUESTIONING HORKOS; THE OATH IN ATHENS. CHAPTER 8 Swearing off sex: the women's oath in Aristophanes' LysistrataMATTER AND FORM; THE OATH SACRIFICE; THE WOMEN'S HORKOS; FIRE AND WATER; LYSISTRATA TAKES CONTROL; RECONCILIATION; Conclusion; Bibliography; Index locorum; General Index. SUBVERTING THE PARADIGM: THE PHRYGIAN'S OATH IN ORESTESPERJURY AND THE IMPERFECT BODY: CYCLOPS; CHAPTER 5 Twisted justice in Aristophanes' Clouds; CHAPTER 6 Women and oaths in Euripides; OATHS, FAMILY CURSES AND TRAGIC PLOTS; SWEARING TO MEDEA; OATHS OF SILENCE IN HIPPOLYTUS; IPHIGENIA IN TAURIS: BODY, OATH AND TEXT; CHAPTER 7 How to do things with Euripides: Aristophanes' Thesmophoriazusae; BECOMING A WOMAN; EURIPIDES' OATH; OATHS AND INTERTEXTS; INTERSEXED INTERTEXTS; TRAGIC INTERTEXTS; A DEMETRIAN/DIONYSIAN HYBRID; A PARODIC TRILOGY?; EURIPIDES' CONTRACT WITH THE WOMEN. THE ERINYES: FROM CURSES TO BLESSINGSTHE ARGIVE OATH OF ALLIANCE; CHAPTER 2 Speaking like a man: oaths in Sophocles' Trachiniae and Philoctetes; OATHS AND RITUAL FRIENDSHIP: A DIVINE PARADIGM; TELEMACHUS; TRACHINIAE; PHILOCTETES; A CIVIC PARADIGM?; CHAPTER 3 Horkos in the polis: Athens, Thebes and Sophocles; ANTIGONE: NOMOS AND HORKOS; OEDIPUS, A MAN OF HIS WORD; OEDIPUS AT COLONUS: WORDS OF POWER; CHAPTER 4 Perjury and other perversions: Euripides' Phoenissae, Orestes and Cyclops; NOBILITY AND EUORKIA; THE GENEALOGY OF LANGUAGE IN PHOENISSAE; OENOMAUS AND THE PERJURY OF PELOPS.

     
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  18. The meaning of meat and the structure of the Odyssey
    Autor*in: Bakker, Egbert J.
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    "This comprehensive study of the Odyssey sees in meat and meat consumption a centre of gravitation for the interpretation of the poem. It aims to place the cultural practices represented in the poem against the background of the (agricultural) lived... mehr

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    "This comprehensive study of the Odyssey sees in meat and meat consumption a centre of gravitation for the interpretation of the poem. It aims to place the cultural practices represented in the poem against the background of the (agricultural) lived reality of the poem's audiences in the archaic age, and to align the themes of the adventures in Odysseus' wanderings with the events that transpire at Ithaca in the hero's absence. The criminal meat consumption of the suitors of Penelope in the civilised space of Ithaca is shown to resonate with the adventures of Odysseus and his companions in the pre-cultural worlds they are forced to visit. The book draws on folklore studies, the anthropology of hunting cultures, the comparative study of oral traditions, and the agricultural history of archaic and classical Greece. It will also be of interest to narratologists and students of folklore and Homeric poetics"-- Preface; Prologue: food for song; Chapter 1 Epos and aoide; Epos and aoide; Just like an aoidos; Chapter 2 Nostos as quest; Nostos and quest; Variations on a theme; From quest to return; Chapter 3 Meat in myth and life; Heroic feasting; The dangers of the dais; Dining to destroy; Meat in the real world; Chapter 4 Of hunters and herders; The Suitors and the Cyclops; The Master of Animals; Unlimited meats, innumerable goats; The limits of wealth; Unlimited meats, numbered sheep; The master's return; Chapter 5 Feasting in the land of the dawn; Hunting to survive. The inclusive societyThe yearlong feast; Rethinking the Necyia; The feast of the ghosts; Chapter 6 The revenge of the Sun; The festival of the New Moon; Eating in the land of the Sun; Archery in the light of the Sun; Chapter 7 The justice of Poseidon; The prayer and the sacrifice; Zeus and Poseidon; Justice for Odysseus; Chapter 8 Remembering the gaster; Bellies and beggars; Bastards and burning ones; Gaster and thumos; Gaster and menos; Remembering the gaster; Odysseus and Achilles; Epilogue: on interformularity -- Bibliography; Index locorum; Index.

     
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    ISBN: 110734106X; 1139047728; 9781107341067; 9781139047722
    Schlagworte: Meat in literature; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; Meat in literature; Fleisch; Grieks; Odyssea (Homerus); Literaire thema's
    Weitere Schlagworte: Homer: Odyssey; Homerus; Homère
    Umfang: 1 Online-Ressource (1 online resource)
  19. Relative chronology in early Greek epic poetry
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    "This book sets out to disentangle the complex chronology of early Greek epic poetry, which includes Homer, Hesiod, hymns and catalogues. The preserved corpus of these texts is characterised by a rather uniform language and many recurring themes,... mehr

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    "This book sets out to disentangle the complex chronology of early Greek epic poetry, which includes Homer, Hesiod, hymns and catalogues. The preserved corpus of these texts is characterised by a rather uniform language and many recurring themes, thus making the establishment of chronological priorities a difficult task. The editors have brought together scholars working on these texts from both a linguistic and a literary perspective to address the problem. Some contributions offer statistical analysis of the linguistic material or linguistic analysis of subgenres within epic, others use a neoanalytical approach to the history of epic themes or otherwise seek to track the development and interrelationship of epic contents. All the contributors focus on the implications of their study for the dating of early epic poems relative to each other. Thus the book offers an overview of the current state of discussion"-- 1.Relative chronology and the literary history of the early Greek epos /Richard Janko --2.Relative chronology and an 'Aeolic phase' of epic /Brandrly Jones --3.The other view: focus on linguistic innovations in the Homeric epics /Rudolf Wachter --4.Late features in the speeches of the Iliad /Margalit Finkelberg --5.Tmesis in the epic tradition /Dag T.T. Haug --6.The Doloneia revisited /Georg Danek --7.Odyssean stratigraphy /Stephanie West --8.Older heroes and earlier poems: the case of Heracles in the Odyssey /Øivind Andersen --9.The Catalogue of Women within the Greek epic tradition: allusion, intertextuality and traditional referentiality /Ian C. Rutherford --10. Intertextuality without text in early Greek epic /Jonathan S. Burgess --11.Perspectives on neoanalysis from the archaic hymns to Demeter /Bruno Currie --12.The relative chronology of the Homeric Catalogue of Ships and of the lists of heroes and cities within the Catalogue /Wolfgang Kullman --13.Towards a chronology of early Greek epic /Martin West.

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 0511921721; 1139127810; 9780511921728; 9781139127813
    Schlagworte: Epic poetry, Greek; Epic poetry, Greek; LITERARY CRITICISM ; Ancient & Classical; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; Epic poetry, Greek; Chronologies; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (xiii, 277 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references and index
  20. The rhetoric of the Roman fake
    Latin pseudepigrapha in context
    Autor*in: Peirano, Irene
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    "Previous scholarship on classical pseudepigrapha has generally aimed at proving issues of attribution and dating of individual works, with little or no attention paid to the texts as literary artefacts. Instead, this book looks at Latin fakes as... mehr

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    "Previous scholarship on classical pseudepigrapha has generally aimed at proving issues of attribution and dating of individual works, with little or no attention paid to the texts as literary artefacts. Instead, this book looks at Latin fakes as sophisticated products of a literary culture in which collaborative practices of supplementation, recasting and role-play were the absolute cornerstones of rhetorical education and literary practice. Texts such as the Catalepton, the Consolatio ad Liviam and the Panegyricus Messallae thus illuminate the strategies whereby Imperial audiences received and interrogated canonical texts and are here explored as key moments in the Imperial reception of Augustan authors such as Virgil, Ovid and Tibullus. The study of the rhetoric of these creative supplements irreverently mingling truth and fiction reveals much not only about the neighbouring concepts of fiction, authenticity and reality, but also about the tacit assumptions by which the latter are employed in literary criticism"-- Introduction -- 1. Literary fakes and their ancient reception -- 2. Constructing the young Virgil: the Catalepton as pseudepigraphic literature -- 3. Poets and patrons: Catalepton 9, the Panegyricus Messallae, the Laus Pisonis and the pseudo-panegyric -- 4. Prefiguring Virgil: the Ciris -- 5. Recreating the past: the Consolatio ad Liviam and Elegiae in Maecenatem -- Epilogue. Towards a rhetoric of the Roman fake: the Helen episode in Aeneid 2. In-depth analysis of Roman literary fakes offering new insights into the creative dynamics of spurious literature

     
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  21. Pliny's praise
    the Panegyricus in the Roman world
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    "Pliny's Panegyricus (AD 100) survives as a unique example of senatorial rhetoric from the early Roman Empire. It offers an eyewitness account of the last years of Domitian's principate, the reign of Nerva and Trajan's early years, and it... mehr

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    "Pliny's Panegyricus (AD 100) survives as a unique example of senatorial rhetoric from the early Roman Empire. It offers an eyewitness account of the last years of Domitian's principate, the reign of Nerva and Trajan's early years, and it communicates a detailed senatorial view on the behaviour expected of an emperor. It is an important document in the development of the ideals of imperial leadership, but it also contributes greatly to our understanding of imperial political culture more generally. This volume, the first ever devoted to the Panegyricus, contains expert studies of its key historical and rhetorical contexts, as well as important critical approaches to the published version of the speech and its influence in antiquity. It offers scholars of Roman history, literature and rhetoric an up-to-date overview of key approaches to the speech, and students and interested readers an authoritative introduction to this vital and under-appreciated speech"-- 1. Pliny's thanksgiving: an introduction to the Panegyricus / Paul Roche -- 2. Self-fashioning in the Panegyricus / Carlos F. Noreña -- 3. The Panegyricus and the monuments of Rome / Paul Roche -- 4. The Panegyricus and rhetorical theory / D.C. Innes -- 5. Ciceronian praise as a step towards Pliny's Panegyricus / Gesine Manuwald -- 6. Contemporary contexts / Bruce Gibson -- 7. Politics and the sublime in the Panegyricus / G.O. Hutchinson -- 8. Down the Pan: historical exemplarity in the Panegyricus / John Henderson -- 9. Afterwords of praise / Roger Rees.

     
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  22. Roman republican theatre
    Autor*in: Manuwald, Gesine
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    "Theatre flourished in the Roman Republic, from the tragedies of Ennius and Pacuvius to the comedies of Plautus and Terence and the mimes of Laberius. Yet apart from the surviving plays of Plautus and Terence the sources are fragmentary and difficult... mehr

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    "Theatre flourished in the Roman Republic, from the tragedies of Ennius and Pacuvius to the comedies of Plautus and Terence and the mimes of Laberius. Yet apart from the surviving plays of Plautus and Terence the sources are fragmentary and difficult to interpret and contextualise. This book provides an up-to-date and comprehensive history of all aspects of the topic, incorporating recent findings and modern approaches. It discusses the origins of Roman drama and the historical, social and institutional backgrounds of all the dramatic genres to be found during the Republic (tragedy, praetexta, comedy, togata, Atellana, mime and pantomime). Possible general characteristics are identified, and attention is paid to the nature of and developments in the various genres. The clear structure and full bibliography also ensure that the book has value as a source of reference for all upper-level students and scholars of Latin literature and ancient drama"-- Introduction: previous scholarship and the present approach -- Part I. The Cultural and Institutional Background; 1. The evolution of Roman drama; 2. Production and reception -- Part II. Dramatic Poetry: 3. Dramatic genres; 4. Dramatic poets; 5. Dramatic themes and techniques; Overview and conclusions: Republican drama.

     
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  23. Aristophanes and the poetics of competition
    Autor*in: Biles, Zachary P.
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge, UK

    "Athenian comic drama was written for performance at festivals honouring the god Dionysos. Through dramatic action and open discourse, poets sought to engage their rivals and impress the audience, all in an effort to obtain victory in the... mehr

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    "Athenian comic drama was written for performance at festivals honouring the god Dionysos. Through dramatic action and open discourse, poets sought to engage their rivals and impress the audience, all in an effort to obtain victory in the competitions. This book uses that competitive performance context as an interpretive framework within which to understand the thematic interests shaping the plots and poetic quality of Aristophanes' plays in particular, and of Old Comedy in general. Studying five individual plays from the Aristophanic corpus as well as fragments of other comic poets, it reveals the competitive poetics distinctive to each. It also traces thematic connections with other poetic traditions, especially epic, lyric, and tragedy, and thereby seeks to place competitive poetics within broader trends in Greek literature"-- Introduction: proagon -- 1. From Thamyris to Aristophanes: the competitive poetics of the comic parabasis -- 2. The competitive partnership of Aristophanes and Dikaiopolis in Acharnians -- 3. Aristophanes' poetic tropaion: competitive didaskalia and contest records in Knights -- 4. Intertextual biography in the rivalry of Cratinus and Aristophanes -- 5. Aristophanes' Clouds-palinode -- 6. Dionysos and dionysia in Frogs.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1139077783; 9781139077781
    Schlagworte: Greek drama (Comedy); LITERARY COLLECTIONS ; Ancient, Classical & Medieval; DRAMA ; Ancient, Classical & Medieval; Greek drama (Comedy); Komödie; Aufführung; Wettbewerb; Aufführung; Wettbewerb; Criticism, interpretation, etc
    Weitere Schlagworte: Aristophanes; Aristophanes; Aristophanes; Aristophanes
    Umfang: 1 Online-Ressource (xi, 290 pages)
    Bemerkung(en):

    Includes bibliographical references (page 25279) and indexes
  24. Collected studies on the Roman novel = ensayos sobre la novela romana
    Beteiligt: Carmignani, Marcos (Hrsg.); Graverini, Luca (Hrsg.); Lee, Benjamin Todd (Hrsg.)
    Erschienen: [2013]
    Verlag:  Editorial Brujas, Córdoba

    ""Ensayos sobre la novela romana""; ""pã?gina legal""; ""contents""; ""introducciã?n""; ""1. petronius""; ""marcos carmignani:""; ""marco fucecchi:""; ""gareth schmeling:""; ""niall w. slater:""; ""giulio vannini:""; ""aldo setaioli:""; ""2.... mehr

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    ""Ensayos sobre la novela romana""; ""pã?gina legal""; ""contents""; ""introducciã?n""; ""1. petronius""; ""marcos carmignani:""; ""marco fucecchi:""; ""gareth schmeling:""; ""niall w. slater:""; ""giulio vannini:""; ""aldo setaioli:""; ""2. apuleius""; ""luca graverini:""; ""stephen harrison:""; ""lara nicolini:""; ""wytse keulen:""; ""benjamin todd lee:""; ""3. historia apollonii regis tyri""; ""silvia montiglio:""; ""david konstan:""; ""abstracts""; ""contributors""; ""general bibliography""; ""index locorum""; ""general index""

     
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    Beteiligt: Carmignani, Marcos (Hrsg.); Graverini, Luca (Hrsg.); Lee, Benjamin Todd (Hrsg.)
    Sprache: Spanisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789875914117; 9875914118
    Schriftenreihe: Ordia prima. Studia ; 7
    Schlagworte: Latin literature; Latin literature; LITERARY COLLECTIONS ; Essays; Criticism, interpretation, etc; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; Latin literature
    Umfang: Online Ressource
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on PDF title page (viewed March 14, 2014)
  25. Die Briefe des Eustathios von Thessalonike
    Einleitung, Regesten, Text, Indizes
    Autor*in: Eustathius
    Erschienen: 2006
    Verlag:  Saur, München

    Das VerhÃ?ltnis der Handschriften zueinanderZur vorliegenden Ausgabe -- Constitutio textus -- Interpunktion -- Enklitika -- Wortverbindung und -trennung -- Orthographisches -- Die Negation οá??Ï?á?¿ -- Apparatus criticus -- Apparatus fontium et... mehr

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    Das VerhÃ?ltnis der Handschriften zueinanderZur vorliegenden Ausgabe -- Constitutio textus -- Interpunktion -- Enklitika -- Wortverbindung und -trennung -- Orthographisches -- Die Negation οá??Ï?á?¿ -- Apparatus criticus -- Apparatus fontium et testimoniorum -- Regesten -- Indices -- Regesten der Briefe -- Verzeichnis der zitierten Literatur -- Î?ÎÆΣÎ?Î?Î?Î?ΟÎÆ Î?Î Î?ΣÎ?ΟÎ?Î?Î? -- Tabula notarum in apparatu critico adhibitarum -- Text -- INDIZES -- Index nominum propriorum -- Index eorum ad quos Eustathii epistulae scriptae sunt Index verborum ad res Byzantinas spectantiumIndex verborum memorabilium -- Index graecitatis -- Index locorum -- Initia epistularum -- Numerorum epistularum tabula Vorwort -- EINLEITUNG -- Leben und Werk des Eustathios -- Leben -- Werk -- Zu den Briefen des Eustathios -- Struktur und Charakter des Briefcorpus -- Die Thematik der Briefe -- Ironie und Humor -- Geschenke und Gaben -- Brief-Gattung und literarische Methode -- Die Zitierweise des Eustathios -- Allgemeines zum Zitat -- Die Technik des Zitierens und Hermogenes -- Markierung -- Absorption -- Kontamination -- Amphoteroglossia -- Paraxeein -- Mixis -- Opsopoiia -- Epilog -- Die handschriftliche Ãœberlieferung -- Verzeichnis der Handschriften

     
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    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Online
    ISBN: 3110928183; 9783110928181
    Weitere Identifier:
    9783110928181
    Schriftenreihe: Beiträge zur Altertumskunde ; Bd. 239
    Schlagworte: LITERARY COLLECTIONS ; Letters; LITERARY COLLECTIONS ; Ancient, Classical & Medieval; LITERARY CRITICISM ; Ancient & Classical; Personal correspondence; Academic theses; Academic theses
    Weitere Schlagworte: Eustathius Archbishop of Thessalonica (-approximately 1194); Eustathius Archbishop of Thessalonica (-approximately 1194); Eustathius
    Umfang: Online-Ressource (185, 175 pages)
    Bemerkung(en):

    Critical edition

    Includes bibliographical references (pages 175-185) and indexes

    Habilitation - Freie Universität, Berlin, 2005