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  1. The Sanitary Arts
    Aesthetic Culture and the Victorian Cleanliness Campaigns
    Autor*in: Cleere, Eileen
    Erschienen: 2014
    Verlag:  Ohio State University Press, Columbus

    "This is the first book-length manuscript to investigate the protracted collusion between Victorian sanitary interests and nineteenth-century aesthetic philosophy. Cleere challenges standard accounts of mid-Victorian sanitation reform by focusing on... mehr

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Osnabrück
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    "This is the first book-length manuscript to investigate the protracted collusion between Victorian sanitary interests and nineteenth-century aesthetic philosophy. Cleere challenges standard accounts of mid-Victorian sanitation reform by focusing on the aesthetic transformations brought about by the changing ideas regarding health and cleanliness. Drawing from an array of texts that inform her research agenda--including canonical and non-canonical fiction, scientific studies, art history, and home decoration manuals--Cleere links these seemingly disparate works to demonstrate how they are connected at the level of discourse and ideologies of harmony"-- "Eileen Cleere argues in this interdisciplinary study that mid-century discoveries about hygiene and cleanliness not only influenced public health, civic planning, and medical practice but also powerfully reshaped the aesthetic values of the British middle class. By focusing on paintings, domestic architecture, and interior design, The Sanitary Arts: Aesthetic Culture and the Victorian Cleanliness Campaigns shows that the "sanitary aesthetic" significantly transformed the taste of the British public over the nineteenth century by equating robust health and cleanliness with new definitions of beauty and new experiences of aisthesis. Covering everything from connoisseurs to custodians, Cleere demonstrates that Victorian art critics, engineers, and architects-and even novelists from George Eliot to Charles Dickens, Charlotte Mary Young to Sarah Grand-all participated in a vital cultural debate over hygiene, cleanliness, and aesthetic enlightenment. The Sanitary Arts covers the mid-forties controversy over cleaning the dirt from the pictures in the National Gallery, the debate over decorative "dust traps" in the overstuffed Victorian home, and the late-century proliferation of hygienic breeding principles as a program of aesthetic perfectibility, to demonstrate the unintentionally collaborative work of seemingly unrelated events and discourses. Bringing figures like Edwin Chadwick and John Ruskin into close conversation about the sanitary status of beauty in a variety of forms and environments, Cleere forcefully demonstrates that aesthetic development and scientific discovery can no longer be understood as separate or discrete forces of cultural change"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780814273159; 0814273157
    Auflage/Ausgabe: First edition.
    Schlagworte: Art; Social values; Aesthetics; Medical care; Medical personnel; History; Human information processing; Literature, Modern; Literature; Philosophy; Thought and thinking; Social psychology; Public health; Humanities; Therapeutics; Environmental health; Hygiene; Sanitation; Sanitation in art; Sanitation in literature; Social values; Art and literature; Aestheticism (Literature); English literature; Beauty; Health Workforce; Health Personnel; History, Early Modern 1451-1600; Art; Literature, Modern; Social Values; Sanitation; Hygiene; Esthetics; History, 19th Century; Psychological Phenomena and Processes; Disciplines and Occupations; Psychiatry and Psychology; Delivery of Health Care; Behavior and Behavior Mechanisms; Public Health Practice; Analytical, Diagnostic and Therapeutic Techniques and Equipment; Health Occupations; History; Mental Processes; Environment and Public Health; Literature; History, Modern 1601-; Communicable Disease Control; Philosophy; Thinking; Psychology, Social; Public Health; Humanities; Therapeutics; Environmental Health; Hygiene ; Social aspects ; Great Britain ; History ; 19th century; Sanitation ; Social aspects ; Great Britain ; History ; 19th century; Social values ; Great Britain ; History ; 19th century; English literature ; 19th century ; History and criticism; Art and literature ; Great Britain ; History ; 19th century; English ; hilcc; Gesundheitswesen ; gnd; Reinlichkeit ; gnd; Ästhetik ; gnd; Hygiene ; gnd; Englisch ; gnd; Kunst ; gnd; Nervo, Amado ; gnd; works of art ; aat; fine arts (discipline) ; aat; beauty ; aat; aesthetics ; aat; history (discipline) ; aat; philosophy ; aat; thinking ; aat; social psychology ; aat; public health ; aat; humanities ; aat; Health Workforce; Health Personnel; History, Early Modern 1451-1600; Art; Literature, Modern; Esthetics; History, 19th Century; Psychological Phenomena and Processes; Disciplines and Occupations; Psychiatry and Psychology; Delivery of Health Care; Behavior and Behavior Mechanisms; Public Health Practice; Analytical, Diagnostic and Therapeutic Techniques and Equipment; Health Occupations; Mental Processes; Environment and Public Health; Literature; History, Modern 1601-; Communicable Disease Control; Psychology, Social; Therapeutics; Environmental Health; Art; Social values; Medical care; Medical personnel; History; Human information processing; Literature, Modern; Literature; Philosophy; Thought and thinking; Public health; Humanities; Therapeutics; Environmental health; Sanitation; English Literature ; hilcc; Sanitation in literature ; Social aspects ; History ; 19th century; Social values ; Social aspects ; Great Britain ; History ; 19th century; Languages & Literatures ; hilcc; Aestheticism (Literature) ; History ; 19th century; English literature ; Great Britain ; History and criticism ; 19th century; Grossbritannien ; gnd; Sanitation in literature; Aestheticism (Literature); LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Sanitation in art; Art; Valeurs sociales; Esthetique; Medecine ; Histoire ; 19e siecle; Prestation de soins; Personnel medical; Histoire; Traitement de l'information chez l'homme; Litterature; Medecine ; Histoire ; 1500-; Philosophie; Pensee; Psychologie sociale; Sante publique; Sciences humaines; Therapeutique; Hygiene du milieu; Hygiene; Salubrite publique; Salubrite publique dans la litterature ; Aspect social ; Histoire ; 19e siecle; Valeurs sociales ; Aspect social ; Grande-Bretagne ; Histoire ; 19e siecle; Art et litterature ; Grande-Bretagne ; Histoire ; 19e siecle; Esthetisme (Litterature) ; Histoire ; 19e siecle; Litterature anglaise ; Grande-Bretagne ; Histoire et critique ; 19e siecle; Beauty; Social Values; Sanitation; Hygiene; History; Philosophy; Thinking; Public Health; Humanities; Aesthetics; Social psychology; Hygiene; English; Hygiene ; Social aspects; English literature; Art and literature; English Literature; Gesundheitswesen; Kunst; Languages & Literatures; Nervo, Amado; fine arts (discipline); Sanitation ; Social aspects; Englisch; history (discipline); Ästhetik; works of art; Grossbritannien; Great Britain; Reinlichkeit; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (pages cm.)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

  2. Perspectives
    Modes of Viewing and Knowing in Nineteenth-Century England
    Erschienen: 2009
    Verlag:  Ohio State University Press, Columbus

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    Verlag (kostenfrei)
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    keine Fernleihe
    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Osnabrück
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  3. Classical Chinese Tales of the Supernatural and the Fantastic
    Selections from the Third to the Tenth Century
    Beteiligt: Gao, Xinyong (HerausgeberIn)
    Erschienen: 1985
    Verlag:  Indiana University Press, Bloomington

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    Verlag (kostenfrei)
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    keine Fernleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    keine Fernleihe
    Universitätsbibliothek Leipzig
    keine Fernleihe
    Universitätsbibliothek Osnabrück
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    Quelle: Verbundkataloge
    Beteiligt: Gao, Xinyong (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780253051820
    Schriftenreihe: Chinese literature in translation
    Schlagworte: Arts, Baroque; Fantasy fiction, Chinese ; Translations into English; Musik ; gnd; Literatur ; gnd; Künste ; gnd; Kunst ; gnd; Englisch ; gnd; Barock ; gnd; Barok ; gtt; Esthetica ; gtt; Beeldende kunsten ; gtt; Letterkunde ; gtt; Muziek ; gtt; Englisch ; swd; Grossbritannien ; gnd; Arts baroques; Arts, Baroque; Künste; Kunst; Englisch; Barock; Barok; Esthetica; Beeldende kunsten; Letterkunde; Muziek; Literatur; Musik; Englisch; Grossbritannien
    Umfang: 1 Online-Ressource (1 Online-Ressource x, 406 pages), maps.
    Bemerkung(en):

    Description based on print version record

  4. Not of Woman Born
    Representations of Caesarean Birth in Medieval and Renaissance Culture
    Erschienen: 1990
    Verlag:  Cornell University Press, Ithaca

    Examines texts and visual images of caesarean birth and traces its history in medical writing and practice ; addresses the work of religious, ethical and cultural questions surrounding abdominal delivery in the Middle Ages and Renaissance. "Not of... mehr

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    Verlag (kostenfrei)
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    keine Fernleihe
    Evangelische Hochschule Freiburg, Hochschulbibliothek
    keine Fernleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    keine Fernleihe
    Universitätsbibliothek Leipzig
    keine Fernleihe
    Universitätsbibliothek Osnabrück
    keine Fernleihe

     

    Examines texts and visual images of caesarean birth and traces its history in medical writing and practice ; addresses the work of religious, ethical and cultural questions surrounding abdominal delivery in the Middle Ages and Renaissance. "Not of woman born, the Fortunate, the Unborn"—the terms designating those born by Caesarean section in medieval and Renaissance Europe were mysterious and ambiguous. Examining representations of Caesarean birth in legend and art and tracing its history in medical writing, Renate Blumenfeld-Kosinski addresses the web of religious, ethical, and cultural questions concerning abdominal delivery in the Middle Ages and the Renaissance. Not of Woman Born increases our understanding of the history of the medical profession, of medical iconography, and of ideas surrounding "unnatural" childbirth. Blumenfeld-Kosinski compares texts and visual images in order to trace the evolution of Caesarean birth as it was perceived by the main actors involved—pregnant women, medical practitioners, and artistic or literary interpreters. Bringing together medical treatises and texts as well as hitherto unexplored primary sources such as manuscript illuminations, she provides a fresh perspective on attitudes toward pregnancy and birth in the Middle Ages and the Renaissance; the meaning and consequences of medieval medicine for women as both patients and practitioners, and the professionalization of medicine. She discusses writings on Caesarean birth from the twelfth and thirteenth centuries, when Church Councils ordered midwives to perform the operation if a mother died during childbirth in order that the child might be baptized; to the fourteenth century, when the first medical text, Bernard of Gordon's Lilium medicinae, mentioned the operation; up to the gradual replacement of midwives by male surgeons in the fifteenth and sixteenth centuries. Not of Woman Born offers the first close analysis of Frarnois Rousset's 1581 treatise on the operation as an example of sixteenth-century medical discourse. It also considers the ambiguous nature of Caesarean birth, drawing on accounts of such miraculous examples as the birth of the Antichrist. An appendix reviews the complex etymological history of the term "Caesarean section." Richly interdisciplinary, Not of Woman Born will enliven discussions of the controversial issues surrounding Caesarean delivery today. Medical, social, and cultural historians interested in the Middle Ages and the Renaissance, historians, literary scholars, midwives, obstetricians, nurses, and others concerned with women's history will want to read it.

     

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  5. Congoville FR
    Des artistes contemporains sur les traces de la colonisation. Hedendaagse kunstenaars bewandelen koloniale sporen
    Beteiligt: Boons, Pieter (HerausgeberIn)
    Erschienen: [2021]
    Verlag:  Leuven University Press, Leuven (Belgium)

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    Verlag (kostenfrei)
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    keine Fernleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    keine Fernleihe
    Universitätsbibliothek Leipzig
    keine Fernleihe
    Universitätsbibliothek Osnabrück
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    Quelle: Verbundkataloge
    Beteiligt: Boons, Pieter (HerausgeberIn)
    Sprache: Englisch; Niederländisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789461663955
    Schlagworte: Kolonialismus ; Motiv ; gnd; Kunst ; gnd; Museum ; gnd; Antwerpen ; gnd; Belgien ; gnd; Demokratische Republik Kongo ; gnd; Kolonialismus ; Motiv; Kunst; Museum; Antwerpen; Belgien; Demokratische Republik Kongo; Ausstellungskatalog ; Middelheim Museum ; 29.05.2021-03.10.2021 ; Antwerpen
    Umfang: 1 Online-Ressource (1 Online-Ressource), Illustrationen
    Bemerkung(en):

    "This publication has been issued on the occasion of the exhibition 'Congoville', Middelheim Museum, Antwerp, Belgium (29 May 2021 - 3 October 2021). - Description based on print version record

  6. Ethnic Drag
    Performing Race, Nation, Sexuality in West Germany
    Autor*in: Sieg, Katrin
    Erschienen: 2002
    Verlag:  University of Michigan Press, Ann Arbor

    "The Holocaust is considered a singularly atrocious event in human history, and many people have studied its causes. Yet few questions have been asked about the ways in which West Germans have "forgotten," unlearned, or reconstructed the racial... mehr

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    Verlag (kostenfrei)
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    keine Fernleihe
    Evangelische Hochschule Freiburg, Hochschulbibliothek
    keine Fernleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    keine Fernleihe
    Universitätsbibliothek Leipzig
    keine Fernleihe
    Universitätsbibliothek Osnabrück
    keine Fernleihe

     

    "The Holocaust is considered a singularly atrocious event in human history, and many people have studied its causes. Yet few questions have been asked about the ways in which West Germans have "forgotten," unlearned, or reconstructed the racial beliefs at the core of the Nazi state in order to build a democratic society. This study looks at ethnic drag as one particular kind of performance that reveals how postwar Germans lived, disavowed, and contested "Germanness" in its complex racial, national, and sexual dimensions. Using engaging case studies, Ethnic Drag traces the classical and travestied traditions of Jewish impersonation from the eighteenth century onward to construct a pre-history of postwar ethnic drag. It examines how shortly after World War II mass culture and popular practices facilitated the repression and refashioning of Nazi racial precepts. During a time when American occupation authorities insisted on remembrance and redress for the Holocaust, the Wild West emerged as a displaced theater of the racial imagination, where the roles of victim, avenger, and perpetrator of genocide were reassigned"--Publisher's description

     

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