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  1. The concepts of the sublime and the saturated phenomenon in Immanuel Kant and Jean-Luc Marion: a systematic comparison based on their philosophical origins
    Autor*in: Karpiński, Andrzej
    Erschienen: 2022

    This paper is a systematic comparison between two well–known and theologically relevant concepts – the sublime as developed in Kant’s third Critique, and Marion’s saturated phenomenon. Although it discusses the significant and apparent similarities... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    This paper is a systematic comparison between two well–known and theologically relevant concepts – the sublime as developed in Kant’s third Critique, and Marion’s saturated phenomenon. Although it discusses the significant and apparent similarities between them, it also criticizes Marion’s identification of the sublime as a possible example of a saturated phenomenon. This is primarily because of the different origins and philosophical presuppositions guiding the elaboration of these two ideas. Kant’s aim is to confine the reception of the phenomenon to the conditions of experience, so that both in the case of judg-ments of beauty and judg-ments of the sublime, the subject achieves pleasure through self-centred appreciation of its rational capacities. Marion’s saturated phenomenon, on the other hand, aims at dispensing with the ‘metaphysical’ horizon of either the object, or the transcendental subject, in favour of passive appropriation of givenness. Although both are meant to describe what happens when the limits of understanding are breached, in the sublime this breach only serves to reinforce the capacity of the rational subject, whereas in the saturated phenomenon it points to the possibility of apprehension of the totally Other as purely given.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
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    Übergeordneter Titel: Enthalten in: International journal of philosophy and theology; Abingdon [u.a.] : Taylor & Francis, 2013; 83(2022), 1/3, Seite 43-63; Online-Ressource

    Schlagworte: phenomenology; reason; saturated phenomenon; sublime; Jean-Luc Marion; Immanuel Kant
  2. Jean-Luc Marion
    the reinscription of heteronormativity into postmodern theology
    Autor*in: Pearl, J. Leavitt
    Erschienen: [2017]

    Since the “theological turn” in continental philosophy, theologians have regularly turned to phenomenology as an authentic opening to a new mode of theological discourse. Yet, when these theo-phenomenological discourses turn to the questions of... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    Since the “theological turn” in continental philosophy, theologians have regularly turned to phenomenology as an authentic opening to a new mode of theological discourse. Yet, when these theo-phenomenological discourses turn to the questions of sexuality, gender, and love they often fail to live up to the radical opening promised by this turn. Taken as a case study, the work of Jean-Luc Marion is emblematic of this failure. While many of his insights might offer new openings for theological thought, his phenomenological speculations nonetheless often merely serve to re-inscribe a traditional, even reactionary heteronormativity into the heart of postmodern theological thought. In fact, it is not uncommon to catch his work offering a denigration of the body, presupposing a determinately male subject, and foreclosing the very possibility of non-heterosexual love. This critical examination of Marion’s account of sexuality shows that even the most radical phenomenological theology needs the ideological interruption of queer theory.

     
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    Übergeordneter Titel: Enthalten in: Theology & sexuality; Abingdon : Taylor & Francis, 1994; 23(2017), 1/2, Seite 144-163

    Schlagworte: body; Erotic; flesh; heteronormativity; Jean-Luc Marion; phenomenology; queer
  3. Image and kenosis
    assessing Jean-Luc Marion's contribution to a postmetaphysical theological aesthetics
    Autor*in: Potter, Brett David
    Erschienen: [2018]

    An important influence on Jean-Luc Marion's phenomenology is the work of Swiss Catholic theologian Hans Urs von Balthasar. Marion is particularly interested in Balthasar's "henomenological" approach to the content of Christian revelation, centered on... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    An important influence on Jean-Luc Marion's phenomenology is the work of Swiss Catholic theologian Hans Urs von Balthasar. Marion is particularly interested in Balthasar's "henomenological" approach to the content of Christian revelation, centered on the metaphor of the work of art. Balthasar suggests in his Theo-Logic that the early Marion "concede[s] too much to the critique of Heidegger," moving too far away from the "transcendental" metaphysics of Aquinas and the classical tradition. Yet Balthasar's criticism is premature. Rather, Marion's work, particularly his emphasis on the "saturated phenomenon," paves the way for a postmetaphysical theological aesthetics that might renew Balthasar's project in a cultural situation "after" the death of God, while simultaneously opening a space for Christian revelation apart from a certain hegemonic tradition of onto-theology.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: International journal of philosophy and theology; Abingdon [u.a.] : Taylor & Francis, 2013; 79(2018), 1/2, Seite 60-79; Online-Ressource

    Schlagworte: art; Hans Urs von Balthasar; Jean-Luc Marion; phenomenology; theologicalaesthetics