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  1. The hand at work
    the poetics of poiesis in the Russian avant-garde
    Erschienen: 2021
    Verlag:  Academic Studies Press, Boston

    "Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from... mehr

    Universitätsbibliothek Heidelberg
    2022 A 4942
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media we still regard the avant-garde as heyday for modernisms obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making as well as the perception of literature and the arts"--

     

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    Quelle: Verbundkataloge
    Beteiligt: Berlina, Alexandra (ÜbersetzerIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781644697078
    Schlagworte: Experimental poetry, Russian; Literature, Experimental; Literature, Experimental; Avant-garde (Aesthetics); Avant-garde (Aesthetics); Gesture in literature; Gesture in art; Hand in literature; Hand in art; Arts, Russian; Avantgardeliteratur; Avantgarde; Experimentelle Literatur; Hand <Motiv>
    Umfang: xxii, 325 Seiten, Illustrationen
    Bemerkung(en):

    Translation of: Die Hand am Werk : Poetik der Poiesis in der russischen Avantgarde

    Includes bibliographical references and index

  2. Touch, sexuality, and hands in British literature, 1740-1901
    Autor*in: Cox, Kimberly
    Erschienen: 2022
    Verlag:  Routledge, New York

    "From Robert Lovelace's uninvited hand grasps in Samuel Richardson's Clarissa to Jane Eyre's sexual awakening at Edward Rochester's embrace to Basil Hallward's first encounter with Dorian Gray, literary depictions of touching hands in British... mehr

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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Herzog August Bibliothek Wolfenbüttel
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    "From Robert Lovelace's uninvited hand grasps in Samuel Richardson's Clarissa to Jane Eyre's sexual awakening at Edward Rochester's embrace to Basil Hallward's first encounter with Dorian Gray, literary depictions of touching hands in British literature from the 1740s to the 1890s communicate emotional dimensions of sexual experience that reflect shifting cultural norms associated with gender roles, sexuality, and sexual expression. But what is the relationship between hands, tactility, and sexuality in Victorian literature? And how do we interpret what those touches communicate between characters? This volume addresses these questions by asserting a connection between the prevalence of violent, sexually charged touches in eighteenth-century novels such as those by Eliza Haywood, Samuel Richardson, and Frances Burney and growing public concern over handshake etiquette in the nineteenth century evident in works by Jane Austen, the Brontës, George Eliot, Elizabeth Gaskell, Thomas Hardy, Oscar Wilde, and Flora Annie Steel. This book takes an interdisciplinary approach that combines literary analysis with close analysis of paintings, musical compositions, and nonfictional texts, such as etiquette books and scientific treatises, to make a case for the significance of tactility to eighteenth- and nineteenth-century perceptions of selfhood and sexuality. In doing so, it draws attention to the communicative nature of skin-to-skin contact as represented in literature and traces a trajectory of meaning from the forceful grips that violate female characters in eighteenth-century novels to the consensual embraces common in Victorian and neo-Victorian literature"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003202455; 9781000431933; 9781000431995
    Weitere Identifier:
    RVK Klassifikation: HL 1101
    Schriftenreihe: Routledge studies in nineteenth century literature
    Schlagworte: Touch in literature; English literature; English literature; Sex in literature; Hand in literature; English literature; Hand in literature; Sex in literature; Touch in literature; Criticism, interpretation, etc; Literary criticism; Literary criticism; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 193 - 208

  3. Victorian hands
    the manual turn in nineteenth-century body studies
    Beteiligt: Capuano, Peter J. (HerausgeberIn); Zemka, Sue (HerausgeberIn)
    Erschienen: [2020]
    Verlag:  The Ohio State University Press, Columbus

    The anatomy of Anglican industry: mechanical philosophy and early factory fiction / Peter J. Capuano -- Lost hands and prosthetic narratives: William Dodd, writing at the industrial join / Tamara Ketabgian -- "A fiery hand gripped my vitals": Admiral... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 127922
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Leipzig
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    Universitätsbibliothek der Eberhard Karls Universität
    Bestellt 05/2024
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    The anatomy of Anglican industry: mechanical philosophy and early factory fiction / Peter J. Capuano -- Lost hands and prosthetic narratives: William Dodd, writing at the industrial join / Tamara Ketabgian -- "A fiery hand gripped my vitals": Admiral Nelson, amputation, and heroic masculinity in Jane Eyre / Karen Bourrier -- Hands and the will in The woman in white / Pamela K. Gilbert -- Hands at a séance: manual evidence in Victorian spiritualism and the ghost story / Aviva Briefel -- Hands and minds in The Moonstone / Sue Zemka -- The dead hand: George Eliot and the burdens of inheritance / James Eli Adams -- Computation and the gendering of gestures / Jonathan Cheng -- The photographer's hand / Kate Flint -- Staged hands in Bleak House / Julianne Smith -- Handling private dramas of class and gender in Anthony Trollope's The Duke's children / Deborah Denenholz Morse -- Reading by hand: Oscar Wilde and the body in the archive / Daniel A. Novak -- Hands in Hardy and James / J. Hillis Miller. "Focuses on the materiality of hands to show the role that the hand plays in Victorian literature and culture. Contributors to this volume discuss the hand in the works of Charlotte Brontë, Christina Rossetti, George Eliot, Wilkie Collins, William Morris, Thomas Hardy, Henry James, and Oscar Wilde"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Capuano, Peter J. (HerausgeberIn); Zemka, Sue (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780814214398; 0814214398
    RVK Klassifikation: HL 1071
    Schlagworte: Hand in literature; English literature; English fiction
    Umfang: viii, 295 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

  4. Touch, sexuality, and hands in British literature, 1740-1901
    Autor*in: Cox, Kimberly
    Erschienen: 2022
    Verlag:  Routledge, New York

    "From Robert Lovelace's uninvited hand grasps in Samuel Richardson's Clarissa to Jane Eyre's sexual awakening at Edward Rochester's embrace to Basil Hallward's first encounter with Dorian Gray, literary depictions of touching hands in British... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 139400
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2021 A 12897
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    EL/480/1390
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    Anglistisches Seminar der Universität, Bibliothek
    F NF 2051
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Leipzig
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "From Robert Lovelace's uninvited hand grasps in Samuel Richardson's Clarissa to Jane Eyre's sexual awakening at Edward Rochester's embrace to Basil Hallward's first encounter with Dorian Gray, literary depictions of touching hands in British literature from the 1740s to the 1890s communicate emotional dimensions of sexual experience that reflect shifting cultural norms associated with gender roles, sexuality, and sexual expression. But what is the relationship between hands, tactility, and sexuality in Victorian literature? And how do we interpret what those touches communicate between characters? This volume addresses these questions by asserting a connection between the prevalence of violent, sexually charged touches in eighteenth-century novels such as those by Eliza Haywood, Samuel Richardson, and Frances Burney and growing public concern over handshake etiquette in the nineteenth century evident in works by Jane Austen, the Brontës, George Eliot, Elizabeth Gaskell, Thomas Hardy, Oscar Wilde, and Flora Annie Steel. This book takes an interdisciplinary approach that combines literary analysis with close analysis of paintings, musical compositions, and nonfictional texts, such as etiquette books and scientific treatises, to make a case for the significance of tactility to eighteenth- and nineteenth-century perceptions of selfhood and sexuality. In doing so, it draws attention to the communicative nature of skin-to-skin contact as represented in literature and traces a trajectory of meaning from the forceful grips that violate female characters in eighteenth-century novels to the consensual embraces common in Victorian and neo-Victorian literature"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032064734; 9781032064758
    Weitere Identifier:
    RVK Klassifikation: HL 1101
    Schriftenreihe: Routledge studies in nineteenth century literature
    Schlagworte: Touch in literature; English literature; English literature; Sex in literature; Hand in literature; Literary criticism
    Umfang: xiv, 223 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  5. The Hand at Work
    The Poetics of Poiesis in the Russian Avant-Garde
    Erschienen: [2021]; ©2021
    Verlag:  Academic Studies Press, Boston, MA

    Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from... mehr

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    Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media we still regard the avant-garde as heyday for modernisms obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making as well as the perception of literature and the arts

     

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  6. Touch, sexuality, and hands in British literature, 1740-1901
    Autor*in: Cox, Kimberly
    Erschienen: 2022
    Verlag:  Routledge, Abingdon ; Taylor & Francis Group, London

    "From Robert Lovelace's uninvited hand grasps in Samuel Richardson's Clarissa to Jane Eyre's sexual awakening at Edward Rochester's embrace to Basil Hallward's first encounter with Dorian Gray, literary depictions of touching hands in British... mehr

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    keine Fernleihe

     

    "From Robert Lovelace's uninvited hand grasps in Samuel Richardson's Clarissa to Jane Eyre's sexual awakening at Edward Rochester's embrace to Basil Hallward's first encounter with Dorian Gray, literary depictions of touching hands in British literature from the 1740s to the 1890s communicate emotional dimensions of sexual experience that reflect shifting cultural norms associated with gender roles, sexuality, and sexual expression. But what is the relationship between hands, tactility, and sexuality in Victorian literature? And how do we interpret what those touches communicate between characters? This volume addresses these questions by asserting a connection between the prevalence of violent, sexually charged touches in eighteenth-century novels such as those by Eliza Haywood, Samuel Richardson, and Frances Burney and growing public concern over handshake etiquette in the nineteenth century evident in works by Jane Austen, the Brontës, George Eliot, Elizabeth Gaskell, Thomas Hardy, Oscar Wilde, and Flora Annie Steel. This book takes an interdisciplinary approach that combines literary analysis with close analysis of paintings, musical compositions, and nonfictional texts, such as etiquette books and scientific treatises, to make a case for the significance of tactility to eighteenth- and nineteenth-century perceptions of selfhood and sexuality. In doing so, it draws attention to the communicative nature of skin-to-skin contact as represented in literature and traces a trajectory of meaning from the forceful grips that violate female characters in eighteenth-century novels to the consensual embraces common in Victorian and neo-Victorian literature"--...

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003202455; 1003202454; 9781000431933; 1000431932; 9781000431995; 1000431991
    Schriftenreihe: Routledge studies in nineteenth century literature
    Schlagworte: Touch in literature; English literature; English literature; Sex in literature; Hand in literature; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource
  7. Le goût de la main dans l'Œuvre-Valéry
    (études et essais)
    Erschienen: [2017]
    Verlag:  l'Harmattan, Paris

    Universitäts- und Landesbibliothek Bonn
    W 2018/1221
    Ausleihe von Bänden möglich, keine Kopien
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    Quelle: Verbundkataloge
    Beteiligt: Marx, William (Verfasser eines Vorworts)
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    ISBN: 9782343126586
    Schlagworte: Hand in literature; Literatur; Philosophie
    Weitere Schlagworte: Valéry, Paul (1871-1945); Valéry, Paul (1871-1945)
    Umfang: 216 Seiten
  8. Dead hands
    fictions of agency, renaissance to modern
    Autor*in: Rowe, Katherine
    Erschienen: 1999
    Verlag:  Stanford University Press, Stanford, Calif.

    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
    HG 439 R878
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    Universitäts- und Landesbibliothek Düsseldorf
    angg870.r878
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    Englisches Seminar I, Bibliothek
    411/L382/998
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0804733856
    Schlagworte: English literature -- History and criticism; Hand in literature; Body, Human, in literature; Death in literature; Englisch; Literatur; Hand; Tod
    Umfang: XV, 267 S., Ill.
  9. Le goût de la main dans l'œuvre-Valéry
    (études et essais)
    Erschienen: [2017]
    Verlag:  L'Harmattan, Paris

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Marx, William (VerfasserIn eines Vorworts); Unfer, Olivier (IllustratorIn)
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9782343126586
    Schlagworte: Hand in literature
    Weitere Schlagworte: Valéry, Paul (1871-1945)
    Umfang: 216 pages, illustrations, 22 cm
    Bemerkung(en):

    Paul Valery (1871-1945)

  10. Victorian hands
    the manual turn in nineteenth-century body studies
    Beteiligt: Capuano, Peter J. (HerausgeberIn); Zemka, Sue (HerausgeberIn)
    Erschienen: [2020]
    Verlag:  The Ohio State University Press, Columbus

    The anatomy of Anglican industry: mechanical philosophy and early factory fiction / Peter J. Capuano -- Lost hands and prosthetic narratives: William Dodd, writing at the industrial join / Tamara Ketabgian -- "A fiery hand gripped my vitals": Admiral... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The anatomy of Anglican industry: mechanical philosophy and early factory fiction / Peter J. Capuano -- Lost hands and prosthetic narratives: William Dodd, writing at the industrial join / Tamara Ketabgian -- "A fiery hand gripped my vitals": Admiral Nelson, amputation, and heroic masculinity in Jane Eyre / Karen Bourrier -- Hands and the will in The woman in white / Pamela K. Gilbert -- Hands at a séance: manual evidence in Victorian spiritualism and the ghost story / Aviva Briefel -- Hands and minds in The Moonstone / Sue Zemka -- The dead hand: George Eliot and the burdens of inheritance / James Eli Adams -- Computation and the gendering of gestures / Jonathan Cheng -- The photographer's hand / Kate Flint -- Staged hands in Bleak House / Julianne Smith -- Handling private dramas of class and gender in Anthony Trollope's The Duke's children / Deborah Denenholz Morse -- Reading by hand: Oscar Wilde and the body in the archive / Daniel A. Novak -- Hands in Hardy and James / J. Hillis Miller. "Focuses on the materiality of hands to show the role that the hand plays in Victorian literature and culture. Contributors to this volume discuss the hand in the works of Charlotte Brontë, Christina Rossetti, George Eliot, Wilkie Collins, William Morris, Thomas Hardy, Henry James, and Oscar Wilde"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Capuano, Peter J. (HerausgeberIn); Zemka, Sue (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780814214398; 0814214398
    RVK Klassifikation: HL 1071
    Schlagworte: Hand in literature; English literature; English fiction
    Umfang: viii, 295 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

  11. Touch, sexuality, and hands in British literature, 1740-1901
    Autor*in: Cox, Kimberly
    Erschienen: 2022
    Verlag:  Routledge, New York

    "From Robert Lovelace's uninvited hand grasps in Samuel Richardson's Clarissa to Jane Eyre's sexual awakening at Edward Rochester's embrace to Basil Hallward's first encounter with Dorian Gray, literary depictions of touching hands in British... mehr

    Zugang:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "From Robert Lovelace's uninvited hand grasps in Samuel Richardson's Clarissa to Jane Eyre's sexual awakening at Edward Rochester's embrace to Basil Hallward's first encounter with Dorian Gray, literary depictions of touching hands in British literature from the 1740s to the 1890s communicate emotional dimensions of sexual experience that reflect shifting cultural norms associated with gender roles, sexuality, and sexual expression. But what is the relationship between hands, tactility, and sexuality in Victorian literature? And how do we interpret what those touches communicate between characters? This volume addresses these questions by asserting a connection between the prevalence of violent, sexually charged touches in eighteenth-century novels such as those by Eliza Haywood, Samuel Richardson, and Frances Burney and growing public concern over handshake etiquette in the nineteenth century evident in works by Jane Austen, the Brontës, George Eliot, Elizabeth Gaskell, Thomas Hardy, Oscar Wilde, and Flora Annie Steel. This book takes an interdisciplinary approach that combines literary analysis with close analysis of paintings, musical compositions, and nonfictional texts, such as etiquette books and scientific treatises, to make a case for the significance of tactility to eighteenth- and nineteenth-century perceptions of selfhood and sexuality. In doing so, it draws attention to the communicative nature of skin-to-skin contact as represented in literature and traces a trajectory of meaning from the forceful grips that violate female characters in eighteenth-century novels to the consensual embraces common in Victorian and neo-Victorian literature"--

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003202455; 9781000431933; 9781000431995
    Weitere Identifier:
    RVK Klassifikation: HL 1101
    Schriftenreihe: Routledge studies in nineteenth century literature
    Schlagworte: Touch in literature; English literature; English literature; Sex in literature; Hand in literature; English literature; Hand in literature; Sex in literature; Touch in literature; Criticism, interpretation, etc; Literary criticism; Literary criticism; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 193 - 208

  12. The Hand at Work
    The Poetics of Poiesis in the Russian Avant-Garde
    Erschienen: [2021]; ©2021
    Verlag:  Academic Studies Press, Boston, MA

    Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
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    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media we still regard the avant-garde as heyday for modernisms obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making as well as the perception of literature and the arts

     

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  13. Dead hands
    fictions of agency, Renaissance to modern
    Autor*in: Rowe, Katherine
    Erschienen: 1999
    Verlag:  Stanford Univ. Press, Stanford, Calif.

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0804733856
    Weitere Identifier:
    978ß804733854
    99-39447
    RVK Klassifikation: HG 439 ; HR 1712
    Auflage/Ausgabe: Orig. printing
    Schlagworte: Agent (Philosophy) in literature; Human body in literature; Death in literature; English literature; Hand in literature; Ghost stories, English; Agent Philosophy in literature; Body, Human, in literature; Death in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616): Titus Andronicus; Webster, John (1580?-1625?): Duchess of Malfi; Twain, Mark (1835-1910): Pudd'nhead Wilson; Shakespeare, William; Webster, John; Twain, Mark
    Umfang: XV, 267 S, Ill, 22cm
    Bemerkung(en):

    Includes bibliographical references and index

  14. The hand on the Shakespearean stage
    gesture, touch and the spectacle of dismemberment
    Erschienen: 2016
    Verlag:  Bloomsbury Arden Shakespeare, an imprint of Bloomsbury Publishing Plc, London

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781474234269; 9781474234276
    RVK Klassifikation: HI 3385 ; HI 3560
    Schriftenreihe: The Arden Shakespeare
    Schlagworte: Hand in literature; Dismemberment in literature; Gesture in literature; Dismemberment in literature; Gesture in literature; Hand in literature
    Weitere Schlagworte: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616
    Umfang: xiii, 309 Seiten, Illustrationen, 20 cm
    Bemerkung(en):

    Includes bibliographical references (pages 247-295) and index

  15. The racial hand in the Victorian imagination
    Autor*in: Briefel, Aviva
    Erschienen: [2015]
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    Machine generated contents note: Introduction; 1. The case of the blank hand: race and manual legibility; 2. Potters and prosthetics: putting Indian hands to work; 3. The mummy's hand: art and evolution; 4. A hand for a hand: punishment,... mehr

    Universitätsbibliothek Mannheim
    2016 A 2564
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Machine generated contents note: Introduction; 1. The case of the blank hand: race and manual legibility; 2. Potters and prosthetics: putting Indian hands to work; 3. The mummy's hand: art and evolution; 4. A hand for a hand: punishment, responsibility, and imperial desire; 5. Crimes of the hand: manual violence and the Congo "The hands of colonized subjects - South Asian craftsmen, Egyptian mummies, harem women, and Congolese children - were at the crux of Victorian discussions of the body that tried to come to terms with the limits of racial identification. While religious, scientific, and literary discourses privileged hands as sites of physiognomic information, none of these found plausible explanations for what these body parts could convey about ethnicity. As compensation for this absence, which might betray the fact that race was not actually inscribed on the body, fin-de-siecle narratives sought to generate models for how non-white hands might offer crucial means of identifying and theorizing racial identity. They removed hands from a holistic corporeal context and allowed them to circulate independently from the body to which they originally belonged. Severed hands consequently served as 'human tools' that could be put to use in a number of political, aesthetic, and ideological contexts"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107116580
    Weitere Identifier:
    9781107116580
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 102
    Schlagworte: English fiction; Race in literature; Hand in literature
    Umfang: x, 218 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Formerly CIP. - Includes bibliographical references (pages 193-213) and index

  16. The racial hand in the Victorian imagination
    Autor*in: Briefel, Aviva
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    The hands of colonized subjects - South Asian craftsmen, Egyptian mummies, harem women, and Congolese children - were at the crux of Victorian discussions of the body that tried to come to terms with the limits of racial identification. While... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The hands of colonized subjects - South Asian craftsmen, Egyptian mummies, harem women, and Congolese children - were at the crux of Victorian discussions of the body that tried to come to terms with the limits of racial identification. While religious, scientific, and literary discourses privileged hands as sites of physiognomic information, none of these found plausible explanations for what these body parts could convey about ethnicity. As compensation for this absence, which might betray the fact that race was not actually inscribed on the body, fin-de-siècle narratives sought to generate models for how non-white hands might offer crucial means of identifying and theorizing racial identity. They removed hands from a holistic corporeal context and allowed them to circulate independently from the body to which they originally belonged. Severed hands consequently served as 'human tools' that could be put to use in a number of political, aesthetic, and ideological contexts

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316337509
    Weitere Identifier:
    RVK Klassifikation: HL 1091
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 102
    Schlagworte: English fiction / 19th century / History and criticism; Race in literature; Hand in literature; Imperialism in literature; Rassismus; Orient <Motiv>; Literatur; Englisch; Kolonialismus
    Umfang: 1 online resource (x, 218 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction -- The case of the blank hand : race and manual legibility -- Potters and prosthetics : putting Indian hands to work -- The mummy's hand : art and evolution -- A hand for a hand : punishment, responsibility, and imperial desire -- Crimes of the hand : manual violence and the Congo

  17. Hands
    Autor*in: Leader, Darian
    Erschienen: 2016; © 2016
    Verlag:  Hamish Hamilton, an imprint of Penguin Books, [London]

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0241216478; 9780241216477; 9780241256541; 0241256542
    Schlagworte: Hand; Hand in art; Hand in literature; Hand / Mythology; Hand / Psychological aspects; Psychologie; Hand; Hand in art; Hand in literature; Hand; Hand; Hand; Hand <Motiv>; Literatur; Kunst; Psychologische Anthropologie
    Umfang: vii, 120 Seiten, 23 cm
    Bemerkung(en):

    Includes bibliographical references

    Cover Title: Hands

  18. The racial hand in the Victorian imagination
    Autor*in: Briefel, Aviva
    Erschienen: 2015
    Verlag:  Cambridge Univ. Press, Cambridge

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107116580
    RVK Klassifikation: HL 1091
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 102
    Schlagworte: English fiction; Race in literature; Hand in literature; Orient <Motiv>; Englisch; Kolonialismus; Literatur; Rassismus
    Umfang: X, 218 S., Ill.
  19. The hand at work
    the poetics of poiesis in the Russian avant-garde
    Erschienen: [2021]; ©2021
    Verlag:  Academic Studies Press, Boston

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Berlina, Alexandra
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781644697085
    RVK Klassifikation: KK 1160
    Schlagworte: Gesture in literature; Hand in literature; Experimental poetry, Russian
    Umfang: 1 Online-Ressource (xxii, 325 pages), illustrations, map
    Bemerkung(en):

    Description based on print version record

  20. The hand at work
    the poetics of poiesis in the Russian avant-garde
    Erschienen: 2021
    Verlag:  Academic Studies Press, Boston

    Speaking. From hand to mouth -- Writing. Letters at play -- Pointing. Theatre between performance and perception -- Working. The word as a tool -- Acting. Poetics of operativity (Sergei Tretyakov) -- Giving. Poetics of life -- Touching. Tactile text... mehr

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    keine Fernleihe
    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    Speaking. From hand to mouth -- Writing. Letters at play -- Pointing. Theatre between performance and perception -- Working. The word as a tool -- Acting. Poetics of operativity (Sergei Tretyakov) -- Giving. Poetics of life -- Touching. Tactile text experiments -- Toward a philology of the hand. "Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media we still regard the avant-garde as heyday for modernisms obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making as well as the perception of literature and the arts"--

     

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    Quelle: Verbundkataloge
    Beteiligt: Berlina, Alexandra (ÜbersetzerIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schlagworte: Experimental poetry, Russian; Literature, Experimental; Literature, Experimental; Avant-garde (Aesthetics); Avant-garde (Aesthetics); Gesture in literature; Gesture in art; Hand in literature; Hand in art; Arts, Russian; Arts, Russian; Avant-garde (Aesthetics); Experimental poetry, Russian; Gesture in art; Gesture in literature; Hand in art; Hand in literature; Literature, Experimental; LITERARY CRITICISM / Russian & Former Soviet Union; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource (1 online resource)
    Bemerkung(en):

    Translation of: Die Hand am Werk : Poetik der Poiesis in der russischen Avantgarde

    Includes bibliographical references and index

  21. The racial hand in the Victorian imagination
    Autor*in: Briefel, Aviva
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    Saarländische Universitäts- und Landesbibliothek
    2017-3893
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107538917
    Weitere Identifier:
    9781107538917
    Auflage/Ausgabe: First paperback edition
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 102
    Schlagworte: English fiction; Race in literature; Hand in literature
    Umfang: x, 218 Seiten, Illustrationen, 23 cm
  22. Dead hands
    fictions of agency, renaissance to modern
    Autor*in: Rowe, Katherine
    Erschienen: 2000
    Verlag:  Stanford University Press, Stanford, Calif.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0804733856
    RVK Klassifikation: HG 439 ; HR 1712
    Schlagworte: English literature; Hand in literature; Body, Human, in literature; Death in literature
    Umfang: XV, 267 S., Ill., 22cm
    Bemerkung(en):

    Literaturverz. S. 235 - 252

  23. La main coupée
    métonymie et mémoire mythique
    Autor*in: Ueltschi, Karin
    Erschienen: 2010
    Verlag:  Champion, Paris

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    ISBN: 9782745319272
    RVK Klassifikation: EC 5410
    Schriftenreihe: Essais sur le Moyen Âge ; 43
    Schlagworte: Hand in literature; Hand; Literature, Medieval; Literature, Medieval; Mutilation in literature; Hand <Motiv>; Metonymie; Literatur
    Umfang: 238 S.
    Bemerkung(en):

    Literaturverz. S. [213] - 227

  24. Dead hands
    fictions of agency, Renaissance to modern
    Autor*in: Rowe, Katherine
    Erschienen: 1999
    Verlag:  Stanford Univ. Press, Stanford, Calif.

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0804733856
    RVK Klassifikation: HG 439 ; HR 1712
    Schlagworte: Body, Human, in literature; Death in literature; English literature - History and criticism; Hand in literature; Händer i litteraturen; Människokroppen i litteraturen; Englisch; Hand; Tod; Literatur
    Umfang: XV, 267 S., Ill., graph. Darst.
  25. The racial hand in the Victorian imagination
    Autor*in: Briefel, Aviva
    Erschienen: 2015
    Verlag:  Cambridge Univ. Press, Cambridge

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107116580
    RVK Klassifikation: HL 1091
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 102
    Schlagworte: English fiction; Race in literature; Hand in literature; Orient <Motiv>; Englisch; Kolonialismus; Literatur; Rassismus
    Umfang: X, 218 S., Ill.