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  1. Songbirds on the Literary Stage
    The Woman Singer and her Song in French and German Prose Fiction, from Goethe to Berlioz
    Autor*in: Effertz, Julia
    Erschienen: [2015]
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe’s child singer Mignon and Madame de Staël’s ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century Contents: Into the Sublime Unknown: Writing Female Song in the 1800s – Archetype or Cliché? Goethe and the Child Singer Mignon in Wilhelm Meisters Lehrjahre – The Plight of the First Woman: Madame de Staël and the Female Performer in Corinne, ou l’Italie – Beyond the Canon: Singing Strategies in the Works of Caroline Auguste Fischer – Between Entgrenzung and Realism: The Romantic Twilight of E.T.A. Hoffmann and George Sand – Realistic Divas: The Singer in the Works of Balzac and Sophie Ulliac-Trémadeure – Finding a Female Narrative: Madame de Thélusson, Madame de Taunay and Marceline Desbordes-Valmore – Hoffmannesque Dénouements: The Nightmare of the Romantic Singer in Hector Berlioz’s Euphonia, ou la ville musicale

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035307498
    Weitere Identifier:
    9783035307498
    RVK Klassifikation: GE 5012 ; LR 11045 ; GE 5206 ; IE 2836
    Schriftenreihe: European Connections ; 38
    Schlagworte: Französisch; Deutsch; Prosa; Sängerin <Motiv>; Gesang <Motiv>; Geschichte 1790-1850; ; Frau <Motiv>; Sängerin <Motiv>; Lied <Motiv>; Geschichte 1795-1844;
    Umfang: 1 Online-Ressource (x, 285 pages)
  2. Songbirds on the Literary Stage
    The Woman Singer and her Song in French and German Prose Fiction, from Goethe to Berlioz
    Autor*in: Effertz, Julia
    Erschienen: [2015]
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

     

    This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe’s child singer Mignon and Madame de Staël’s ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century Contents: Into the Sublime Unknown: Writing Female Song in the 1800s – Archetype or Cliché? Goethe and the Child Singer Mignon in Wilhelm Meisters Lehrjahre – The Plight of the First Woman: Madame de Staël and the Female Performer in Corinne, ou l’Italie – Beyond the Canon: Singing Strategies in the Works of Caroline Auguste Fischer – Between Entgrenzung and Realism: The Romantic Twilight of E.T.A. Hoffmann and George Sand – Realistic Divas: The Singer in the Works of Balzac and Sophie Ulliac-Trémadeure – Finding a Female Narrative: Madame de Thélusson, Madame de Taunay and Marceline Desbordes-Valmore – Hoffmannesque Dénouements: The Nightmare of the Romantic Singer in Hector Berlioz’s Euphonia, ou la ville musicale

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035307498
    Weitere Identifier:
    9783035307498
    RVK Klassifikation: GE 5012 ; LR 11045 ; GE 5206 ; IE 2836
    Schriftenreihe: European Connections ; 38
    Schlagworte: Französisch; Deutsch; Prosa; Sängerin <Motiv>; Gesang <Motiv>; Geschichte 1790-1850; ; Frau <Motiv>; Sängerin <Motiv>; Lied <Motiv>; Geschichte 1795-1844;
    Umfang: 1 Online-Ressource (x, 285 pages)