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  1. A discourse for the Holy Grail in old French romance
    Autor*in: Ramm, Ben
    Erschienen: 2007
    Verlag:  Boydell & Brewer, Suffolk

    Why should a supposedly Biblical relic lay down its literary roots in medieval French literature? This study of the Holy Grail, drawing on the psychoanalytic works of Jacques Lacan and the cultural theory of Slavoj Zizek, argues that the Grail should... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Why should a supposedly Biblical relic lay down its literary roots in medieval French literature? This study of the Holy Grail, drawing on the psychoanalytic works of Jacques Lacan and the cultural theory of Slavoj Zizek, argues that the Grail should be read as a symptom of disruption and obscurity rather than fulfilment and revelation. The Holy Grail made its first literary appearance in the work of the twelfth-century French poet, Chrétien de Troyes, and continues to fascinate authors and audiences alike. This study, supported by a theoretical framework based on the psychoanalytic works of Jacques Lacan and the cultural theory of Slavoj Zizek, aims to strip the legend of much of the mythological and folkloric association that it has acquired over the centuries, arguing that the Grail should be read as a symptom of disruption and obscurity rather than fulfilment and revelation. Focusing on two thirteenth-century Arthurian prose romances, 'La Queste del Saint Graal' and 'Perlesvaus', and drawing extensively on the wider field of Old French Grail literature including the works of Chrétien and Robert de Boron, the book examines the personal, social and textual effects produced by encounters with the Grail in order to suggest that the Grail itself is instrumental not only in creating but also in disturbing, the discursive, psychic and cultural bonds that are represented in this complex and captivating literary tradition. BEN RAMM is Research Fellow in French, St. Catharine's College, Cambridge

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846155345; 9781843841098
    Schlagworte: Grail / Legends / History and criticism; Arthurian romances / History and criticism; French poetry / To 1500 / History and criticism; Roman; Artusepik; Gral; Altfranzösisch
    Umfang: 1 online resource (x, 182 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    :
  2. Singing the crusades
    French and Occitan lyric responses to the crusading movements, 1137-1336
    Autor*in: Paterson, Linda
    Erschienen: 2018
    Verlag:  Boydell & Brewer, Suffolk

    A full-scale survey of crusading lyrics in Old French and Occitan mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A full-scale survey of crusading lyrics in Old French and Occitan

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787442092
    Weitere Identifier:
    RVK Klassifikation: IK 4605 ; LQ 82202 ; LR 53972 ; NM 9150
    Schlagworte: Crusades in literature; French poetry / To 1500 / History and criticism; Occitan poetry / History and criticism; Okzitanisch; Lyrik; Troubadourlyrik; Französisch; Kreuzzüge
    Umfang: 1 Online-Ressource (xviii, 332 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 31 Jul 2019)
  3. Blindness and therapy in late medieval French and Italian poetry
    Autor*in: Singer, Julie
    Erschienen: 2011
    Verlag:  Boydell & Brewer, Suffolk

    An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoral theory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy. Julie Singer is Assistant Professor of French at Washington University, St Louis

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846157813
    RVK Klassifikation: IE 4438 ; IT 4258
    Schlagworte: French poetry / To 1500 / History and criticism; Italian poetry / To 1400 / History and criticism; Blindness in literature; Therapeutics in literature; Italienisch; Heilung <Motiv>; Krankheit <Motiv>; Französisch; Lyrik; Blindheit <Motiv>
    Umfang: 1 online resource (x, 238 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction: On rhetoric and remedy -- The love-imprint -- Medical blindness, rhetorical insight -- Irony, or, The therapeutics of contraries -- Metaphor as experimental medicine -- Metonymyand prothesis -- Blindfold synecdoche -- Epilogue: Just words
  4. Logic and humour in the fabliaux
    an essay in applied narratology
    Autor*in: Pearcy, Roy
    Erschienen: 2007
    Verlag:  Boydell & Brewer, Suffolk

    A theoretically defensible inventory of the fabliaux based on a new structural definition. In response to Bédier's description of the fabliaux as 'funny stories in verse', Roy Pearcy suggests a new structural definition, permitting the creation of a... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A theoretically defensible inventory of the fabliaux based on a new structural definition. In response to Bédier's description of the fabliaux as 'funny stories in verse', Roy Pearcy suggests a new structural definition, permitting the creation of a theoretically defensible inventory, which includes and augments the texts admitted by Per Nykrog and discards numerous stories already challenged for authenticity. Joseph Bédier's 1893 definition of the fabliaux as 'funny stories in verse' is still widely accepted as the best brief and general description for a heterogeneous collection of texts. But the heterogeneity creates difficulties and at the periphery of the canon all three of the criteria included in Bédier's definition are open to question. The inventory proposed in the current study is based on a new structural definition, a 'conjointure', akin to that of romance, combining a logical 'episteme' with a rhetorical 'narreme'. The 'episteme' features a contradictory taken from Boolean algebra, and assumes four different forms, depending on whether ambiguity resulting from the contradictory is understood by neither, by both, or by either the sender or the receiver of a message, In the first two instances, a character foreign to the episteme intervenes to resolve confusion in the narreme, or appears as the victim of the sophistical assumption of a contrary-to-fact reality; in the latter instances the sender or the receiver of the message in the episteme triumphs in the narreme. The resulting inventory, including and augmenting the texts admitted by Per Nykrog and discarding numerous stories already challenged for authenticity, is theoretically defensible to a degree not previously achieved. ROY PEARCY is an Honorary Research Fellow of the University of London

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846155642
    RVK Klassifikation: IE 7300
    Schlagworte: Fabliaux / History and criticism; French poetry / To 1500 / History and criticism; Humorous poetry, French / History and criticism; Fablel; Humor; Altfranzösisch; Erzähltechnik
    Umfang: 1 online resource (251 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  5. A discourse for the Holy Grail in old French romance
    Autor*in: Ramm, Ben
    Erschienen: September 2012
    Verlag:  Brewer, Cambridge

    Why should a supposedly Biblical relic lay down its literary roots in medieval French literature? This study of the Holy Grail, drawing on the psychoanalytic works of Jacques Lacan and the cultural theory of Slavoj Zizek, argues that the Grail should... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Why should a supposedly Biblical relic lay down its literary roots in medieval French literature? This study of the Holy Grail, drawing on the psychoanalytic works of Jacques Lacan and the cultural theory of Slavoj Zizek, argues that the Grail should be read as a symptom of disruption and obscurity rather than fulfilment and revelation. The Holy Grail made its first literary appearance in the work of the twelfth-century French poet, Chrétien de Troyes, and continues to fascinate authors and audiences alike. This study, supported by a theoretical framework based on the psychoanalytic works of Jacques Lacan and the cultural theory of Slavoj Zizek, aims to strip the legend of much of the mythological and folkloric association that it has acquired over the centuries, arguing that the Grail should be read as a symptom of disruption and obscurity rather than fulfilment and revelation. Focusing on two thirteenth-century Arthurian prose romances, 'La Queste del Saint Graal' and 'Perlesvaus', and drawing extensively on the wider field of Old French Grail literature including the works of Chrétien and Robert de Boron, the book examines the personal, social and textual effects produced by encounters with the Grail in order to suggest that the Grail itself is instrumental not only in creating but also in disturbing, the discursive, psychic and cultural bonds that are represented in this complex and captivating literary tradition. BEN RAMM is Research Fellow in French, St. Catharine's College, Cambridge

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846155345
    RVK Klassifikation: IE 4654 ; IE 4672
    Schlagworte: Grail / Legends / History and criticism; Arthurian romances / History and criticism; French poetry / To 1500 / History and criticism; Roman; Artusepik; Altfranzösisch; Gral
    Umfang: 1 Online-Ressource (x, 182 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Tant sainte chose : for a new discourse of the grail -- This is not the one : identity, abjection, and méconnaissance in the Perlesvaus -- Falling out with God : the discursive inconsistency of La queste del saint graal -- Remissio peccatorum : relocating the sins of the grail hero -- Dead to the world : dreaming of life and death on the quest of the Holy Grail -- "Si avoit son tens trespassé" : the final sacrifice of the grail hero?
  6. Être poète au temps de Charles d'Orléans (XVe siècle)
    Erschienen: 2012
    Verlag:  Éd. Univ. d'Avignon, Avignon

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    ISBN: 9782357680388
    RVK Klassifikation: IE 4996 ; IE 5165
    Schriftenreihe: Collection En-jeux
    Schlagworte: French poetry / To 1500 / History and criticism; French poetry / To 1500 / Social aspects; Poets, French / To 1500 / Biography; Gesellschaft; Höfische Literatur; Mittelfranzösisch
    Weitere Schlagworte: Charles Orléans, Duc (1394-1465)
    Umfang: 293 S., 21 cm
    Bemerkung(en):

    Notes bibliogr.
  7. The evolution of Arthurian romance
    the verse tradition from Chrétien to Froissart
    Autor*in: Schmolke-Hasselmann, Beate
    Erschienen: 1998
    Verlag:  Cambridge University Press, Cambridge

    This 1998 study serves as a contribution to both reception history, examining the medieval response to Chrétien's poetry, and genre history, suveying the evolution of Arthurian verse romance in French. It describes the evolutionary changes taking... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This 1998 study serves as a contribution to both reception history, examining the medieval response to Chrétien's poetry, and genre history, suveying the evolution of Arthurian verse romance in French. It describes the evolutionary changes taking place between Chrétien's Eric et Enide and Froissart's Meliador, the first and last examples of the genre, and is unique in placing Chrétien's work, not as the unequalled masterpieces of the whole of Arthurian literature, but as the starting point for the history of the genre, which can subsequently be traced over a period of two centuries in the French-speaking world. Beate Schmolke-Hasselmann's study was first published in German in 1985, but her radical argument that we need urgently to redraw the lines on the literary and linguistic map of medieval Britain and France is only now being made available in English

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Middleton, Margaret; Middleton, Roger
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139166492
    Weitere Identifier:
    RVK Klassifikation: IE 6400 ; IE 6418
    Schriftenreihe: Cambridge studies in medieval literature ; 35
    Schlagworte: Arthurian romances / History and criticism; French poetry / To 1500 / History and criticism; Altfranzösisch; Artusepik; Rezeption
    Weitere Schlagworte: Chrétien / de Troyes / active 12th century / Criticism and interpretation; Froissart, Jean / 1338?-1410? / Poetic works; Chrétien de Troyes (1150-1190)
    Umfang: 1 online resource (xlix, 321 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Keith Busby: Array
  8. Blindness and therapy in late medieval French and Italian poetry
    Autor*in: Singer, Julie
    Erschienen: 2011
    Verlag:  Boydell & Brewer, Suffolk

    An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoral theory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy. Julie Singer is Assistant Professor of French at Washington University, St Louis

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846157813
    RVK Klassifikation: IE 4438 ; IT 4258
    Schlagworte: French poetry / To 1500 / History and criticism; Italian poetry / To 1400 / History and criticism; Blindness in literature; Therapeutics in literature; Italienisch; Französisch; Lyrik; Heilung <Motiv>; Krankheit <Motiv>; Blindheit <Motiv>
    Umfang: 1 online resource (x, 238 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction: On rhetoric and remedy -- The love-imprint -- Medical blindness, rhetorical insight -- Irony, or, The therapeutics of contraries -- Metaphor as experimental medicine -- Metonymyand prothesis -- Blindfold synecdoche -- Epilogue: Just words
  9. Logic and humour in the fabliaux
    an essay in applied narratology
    Autor*in: Pearcy, Roy
    Erschienen: 2007
    Verlag:  Boydell & Brewer, Suffolk

    A theoretically defensible inventory of the fabliaux based on a new structural definition. In response to Bédier's description of the fabliaux as 'funny stories in verse', Roy Pearcy suggests a new structural definition, permitting the creation of a... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A theoretically defensible inventory of the fabliaux based on a new structural definition. In response to Bédier's description of the fabliaux as 'funny stories in verse', Roy Pearcy suggests a new structural definition, permitting the creation of a theoretically defensible inventory, which includes and augments the texts admitted by Per Nykrog and discards numerous stories already challenged for authenticity. Joseph Bédier's 1893 definition of the fabliaux as 'funny stories in verse' is still widely accepted as the best brief and general description for a heterogeneous collection of texts. But the heterogeneity creates difficulties and at the periphery of the canon all three of the criteria included in Bédier's definition are open to question. The inventory proposed in the current study is based on a new structural definition, a 'conjointure', akin to that of romance, combining a logical 'episteme' with a rhetorical 'narreme'. The 'episteme' features a contradictory taken from Boolean algebra, and assumes four different forms, depending on whether ambiguity resulting from the contradictory is understood by neither, by both, or by either the sender or the receiver of a message, In the first two instances, a character foreign to the episteme intervenes to resolve confusion in the narreme, or appears as the victim of the sophistical assumption of a contrary-to-fact reality; in the latter instances the sender or the receiver of the message in the episteme triumphs in the narreme. The resulting inventory, including and augmenting the texts admitted by Per Nykrog and discarding numerous stories already challenged for authenticity, is theoretically defensible to a degree not previously achieved. ROY PEARCY is an Honorary Research Fellow of the University of London

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846155642
    RVK Klassifikation: IE 7300
    Schlagworte: Fabliaux / History and criticism; French poetry / To 1500 / History and criticism; Humorous poetry, French / History and criticism; Humor; Fablel; Erzähltechnik; Altfranzösisch
    Umfang: 1 online resource (251 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  10. A Medieval songbook
    Trouvere MS C
    Beteiligt: Leach, Elizabeth Eva (Hrsg.); Mason, Joseph (Hrsg.); Thomson, Matthew P. (Hrsg.)
    Erschienen: 2022
    Verlag:  The Boydell Press, Woodbridge, UK

    The medieval songbook known variously as trouvère manuscript C or the "Bern Chansonnier" (Bern, Burgerbibliothek, Cod. 389) is one of the most important witnesses to musical life in thirteenth-century France. Almost certainly copied in Metz, it... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The medieval songbook known variously as trouvère manuscript C or the "Bern Chansonnier" (Bern, Burgerbibliothek, Cod. 389) is one of the most important witnesses to musical life in thirteenth-century France. Almost certainly copied in Metz, it provides the texts to over five hundred Old French songs, and is a unique insight into cultures of song-making and copying on the linguistic and political borders between French and German-speaking lands in the Middle Ages. Notably, the names of trouvères, including several female poet-musicians, are found in its margins, names which would be unknown today without this evidence. However, the manuscript has received relatively little scholarly attention, partly because the songs' musical staves remained empty for reasons now unknown, and partly because of where it was copied. This collection of essays is the first to consider C on its own terms and from a range of disciplinary perspectives, including philology, art history, literary studies, and musicology. The contributors explore the process of creating the complex object that is a music manuscript, examining the work of scribes and artists who worked on C, and questioning how scribes acquired and organised exemplars for copying. The peculiarly Messine flavour of the repertoire and authors is also discussed, with contributors showing that C frames the tradition of Old French song from a unique perspective. As a whole, the volume demonstrates how in this eastern hub of music and poetry, poet-composers, readers, and scribes interacted with the courtly song tradition in fascinating and unusual ways

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Leach, Elizabeth Eva (Hrsg.); Mason, Joseph (Hrsg.); Thomson, Matthew P. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781800103764
    Weitere Identifier:
    Schriftenreihe: Studies in medieval and Renaissance music
    24
    Schlagworte: French poetry / To 1500 / History and criticism; Songs, French / 500-1400 / History and criticism
    Umfang: 1 Online-Ressource (xviii, 264 Seiten)
  11. A discourse for the Holy Grail in old French romance
    Autor*in: Ramm, Ben
    Erschienen: September 2012
    Verlag:  Brewer, Cambridge

    Why should a supposedly Biblical relic lay down its literary roots in medieval French literature? This study of the Holy Grail, drawing on the psychoanalytic works of Jacques Lacan and the cultural theory of Slavoj Zizek, argues that the Grail should... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Why should a supposedly Biblical relic lay down its literary roots in medieval French literature? This study of the Holy Grail, drawing on the psychoanalytic works of Jacques Lacan and the cultural theory of Slavoj Zizek, argues that the Grail should be read as a symptom of disruption and obscurity rather than fulfilment and revelation. The Holy Grail made its first literary appearance in the work of the twelfth-century French poet, Chrétien de Troyes, and continues to fascinate authors and audiences alike. This study, supported by a theoretical framework based on the psychoanalytic works of Jacques Lacan and the cultural theory of Slavoj Zizek, aims to strip the legend of much of the mythological and folkloric association that it has acquired over the centuries, arguing that the Grail should be read as a symptom of disruption and obscurity rather than fulfilment and revelation. Focusing on two thirteenth-century Arthurian prose romances, 'La Queste del Saint Graal' and 'Perlesvaus', and drawing extensively on the wider field of Old French Grail literature including the works of Chrétien and Robert de Boron, the book examines the personal, social and textual effects produced by encounters with the Grail in order to suggest that the Grail itself is instrumental not only in creating but also in disturbing, the discursive, psychic and cultural bonds that are represented in this complex and captivating literary tradition. BEN RAMM is Research Fellow in French, St. Catharine's College, Cambridge

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846155345
    RVK Klassifikation: IE 4654 ; IE 4672
    Schlagworte: Grail / Legends / History and criticism; Arthurian romances / History and criticism; French poetry / To 1500 / History and criticism; Roman; Artusepik; Altfranzösisch; Gral
    Umfang: 1 Online-Ressource (x, 182 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Tant sainte chose : for a new discourse of the grail -- This is not the one : identity, abjection, and méconnaissance in the Perlesvaus -- Falling out with God : the discursive inconsistency of La queste del saint graal -- Remissio peccatorum : relocating the sins of the grail hero -- Dead to the world : dreaming of life and death on the quest of the Holy Grail -- "Si avoit son tens trespassé" : the final sacrifice of the grail hero?
  12. Être poète au temps de Charles d'Orléans (XVe siècle)
    Erschienen: 2012
    Verlag:  Éd. Univ. d'Avignon, Avignon

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    ISBN: 9782357680388
    RVK Klassifikation: IE 4996 ; IE 5165
    Schriftenreihe: Collection En-jeux
    Schlagworte: French poetry / To 1500 / History and criticism; French poetry / To 1500 / Social aspects; Poets, French / To 1500 / Biography; Gesellschaft; Höfische Literatur; Mittelfranzösisch
    Weitere Schlagworte: Charles Orléans, Duc (1394-1465)
    Umfang: 293 S., 21 cm
    Bemerkung(en):

    Notes bibliogr.
  13. Lorsque la poésie fait le souverain
    étude sur la "Chanson de la Croisade albigeoise"
    Autor*in: Raguin-Barthelmebs, Marjolaine
    Erschienen: 2015
    Verlag:  Honoré Champion éditeur, Paris

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Französisch
    Medientyp: Dissertation
    ISBN: 9782745328557
    RVK Klassifikation: BO 4850 ; IK 7770
    Schriftenreihe: Nouvelle bibliothèque du Moyen âge ; 115
    Schlagworte: French poetry / To 1500 / History and criticism
    Weitere Schlagworte: Guillaume / de Tudèle / active 1199-1214 / Chanson de la croisade albigeoise
    Umfang: 680 Seiten, 18 cm
    Bemerkung(en):

    Bibliographie pages 619-657

    Notes bibliographiques

    Index

    Dissertation, Université Paul Valéry Montpellier 3, 2011