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  1. Pure Filth
    Ethics, Politics, and Religion in Early French Farce
    Autor*in: Guynn, Noah D
    Erschienen: 2019; ©2019
    Verlag:  University of Pennsylvania Press, Philadelphia

    In Pure Filth, Noah D. Guynn argues that the superficial crudeness and predictability of late medieval French farce conceal finely drawn, and sometimes quite radical, perspectives on ethics, politics, and religion. Cover -- Pure Filth -- Title --... mehr

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    Aggregator (lizenzpflichtig)

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    In Pure Filth, Noah D. Guynn argues that the superficial crudeness and predictability of late medieval French farce conceal finely drawn, and sometimes quite radical, perspectives on ethics, politics, and religion. Cover -- Pure Filth -- Title -- Copyright -- CONTENTS -- A Note on Sources -- Introduction. The Many Faces of Farce -- Chapter 1. The Wisdom of Farts: Ethics and Politics, Farce and Festive Comedy -- Chapter 2. A Justice to Come: Messianism and Eschatology in Maistre Pierre Pathelin -- Chapter 3. Sacraments and Scatology, Faith and Doubt: Andrieu de La Vigne's Mystère de Saint Martin and Its Farces -- Chapter 4. Making History: Misbehaved Women, Well-Behaved Women, and the Sexual Politics of Farce -- Afterword. Against Protoforms -- Notes -- Works Cited -- Index -- Acknowledgments.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780812296495
    Schriftenreihe: The Middle Ages Ser.
    Middle Ages series
    Schlagworte: Electronic books; French drama ; To 1500 ; History and criticism; French drama ; 16th century ; History and criticism; French farces ; History and criticism
    Umfang: 1 online resource (273 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  2. French Renaissance tragedy
    the dramatic word
    Autor*in: Jondorf, Gillian
    Erschienen: 1990
    Verlag:  Cambridge University Press, Cambridge

    The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterization, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme or idée maîtresse of a play has been identified and its organizing principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective

     
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511470370
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in French ; 32
    Schlagworte: Renaissance; French drama (Tragedy); French drama; French drama ; 16th century ; History and criticism; French drama (Tragedy) ; History and criticism; Renaissance ; France
    Umfang: 1 Online-Ressource (xii, 174 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. French Renaissance tragedy
    the dramatic word
    Autor*in: Jondorf, Gillian
    Erschienen: 1990
    Verlag:  Cambridge University Press, Cambridge

    The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons... mehr

    Standort:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Signatur:
    E-Book CUP HSFK
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Peace Research Institute Frankfurt, Bibliothek
    Signatur:
    E-Book CUP HSFK
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signatur:
    eBook Cambridge
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe

    Standort:
    Württembergische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterization, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme or idée maîtresse of a play has been identified and its organizing principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511470370
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in French ; 32
    Schlagworte: Renaissance; French drama (Tragedy); French drama; French drama ; 16th century ; History and criticism; French drama (Tragedy) ; History and criticism; Renaissance ; France
    Umfang: 1 Online-Ressource (xii, 174 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)