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  1. The Palgrave Handbook of Reproductive Justice and Literature
    Beteiligt: Capo, Beth Widmaier (HerausgeberIn); Lazzari, Laura (HerausgeberIn)
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Introduction -- 2. Recognizing Issues of Reproductive Justice in Nineteenth-Century US Literature -- 3. “Learn and Run”: Reproductive Oppression and Resistance in the Works of Octavia E. Butler -- 4. Reading Reproductive Justice through Toni... mehr

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    1. Introduction -- 2. Recognizing Issues of Reproductive Justice in Nineteenth-Century US Literature -- 3. “Learn and Run”: Reproductive Oppression and Resistance in the Works of Octavia E. Butler -- 4. Reading Reproductive Justice through Toni Morrison -- 5. Reproductive Justice in Ntozake Shange’s “For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf” -- 6. Reproductive Rights and Reproductive Justice in Recent German-Language Fiction and Film -- 7. Cultivating Access, Cultivating Ignorance: A Survey of Herbal Abortifacients in American Fiction -- 8. Female Narratives of Abortion in Italian Literature From the 1970s to the Present -- 9. Re-Presenting the Un-Presentable: Annie Ernaux’s L’évènement and Cristian Mungiu’s 4 Months, 3 Weeks, and Two Days -- 10. Re-conceiving the World: Dystopia and Reproductive Justice -- 11. Reproductive and Disability Justice: Deaf Peoples’ Right to be Born -- 12. Queer Argonauts for Reproductive Justice -- 13. On the One-Child Policy of China: Reading Ma Jian’s Novel The Dark Road -- 14. Pregnancy Self-Help Literature as Disembodiment: An Issue of Reproductive Justice -- 15. Birthing Bodies Delivering Power in Anglophone Literature of the Twentieth and Twenty-First Centuries -- 16. Writing and Birthing on Country: Examining Indigenous Australian Birth Stories from a Reproductive Justice Lens -- 17. Reproductive Experiences of Poor Mothers in India: An Analysis of YouTube Documentaries -- 18. Spain and Structural Infertility: Towards an Integrative Vision of Motherhood in the Novel Quién quiere ser madre by Silvia Nanclares -- 19. “Give me children, or else I die”: Baby-hunger, Surrogacy, and Family-Making by Any Means Necessary -- 20. Surrogacy or Sale: Reflecting upon Reproductive Justice through The House for Hidden Mothers and A House of Happy Mothers -- 21. Claiming Motherhood: Reproductive Justice and Surrogacy in Chinese American Literature of the New Millennium -- 22. Reimagining the Past, Present, and the Future of Reproductive Bodies in Contemporary Japanese Women’s Fiction: Mieko Kawakami’s Breasts and Eggs and Sayaka Murata’s Vanishing World -- 23. State Terror and the Destruction of Families for Reproductive “Management” in Three Argentine Films -- 24. Scroungers, Strivers, and Single Mothers: Reproductive Justice and the British Welfare State in Ken Loach’s Social Realism -- 25. Reproductive Justice in Undocumented Women’s Memoirs -- 26. Challenging Racialized Motherhood and the Sixties Scoop with Indigenous Theatre -- 27. “I’ll Never Be Ready!”: Applying a Reproductive Justice Lens in the Lower-Division Literature Classroom -- 28. Teaching Reproductive Justice: Reading Motherhood with Generations X, Y, and Z -- 29. Mayday: Rethinking Reproductive Justice Protests Utilizing Margaret Atwood’s The Handmaid’s Tale -- 30. Not an Easy Read for “Normal” “Colored” People: Conversations on Shange’s and Rooney’s Literatures of Sexual Citizenship. This handbook offers a collection of scholarly essays that analyze questions of reproductive justice throughout its cultural representation in global literature and film. It offers analysis of specific texts carefully situated in their evolving historical, economic, and cultural contexts. Reproductive justice is taken beyond the American setting in which the theory and movement began; chapters apply concepts to international realities and literatures from different countries and cultures by covering diverse genres of cultural production, including film, television, YouTube documentaries, drama, short story, novel, memoir, and self-help literature. Each chapter analyzes texts from within the framework of reproductive justice in an interdisciplinary way, including English, Japanese, Italian, Spanish, and German language, literature and culture, comparative literature, film, South Asian fiction, Canadian theatre, writing, gender studies, Deaf studies, disability studies, global health and medical humanities, and sociology. Academics, graduate students and advanced undergraduate students in Literature, Gender, Sexuality and Women’s Studies, Cultural Studies, Motherhood Studies, Comparative Literature, History, Sociology, the Medical Humanities, Reproductive Justice, and Human Rights are the main audience of the volume. Beth Widmaier Capo is Edward Capps Professor of Humanities and Professor of English at Illinois College, USA. She earned her M.A. and Ph.D. from Pennsylvania State University, USA. She is the author of Textual Contraception: Birth Control and Modern American Fiction (2007) and co-edited Reproductive Rights Issues in Popular Media: International Perspectives (2017). Laura Lazzari holds a Ph.D. from the University of Lausanne, Switzerland, and a Master of Studies from Oxford, UK. A scholar in Motherhood Studies, she works at the Sasso Corbaro Foundation for the Medical Humanities, Switzerland. She was the recipient of a 2015-2016 AAUW International Postdoctoral Fellowship at Georgetown University, USA, and has lectured for several universities in Switzerland and the United States.

     

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    Beteiligt: Capo, Beth Widmaier (HerausgeberIn); Lazzari, Laura (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030995300
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Springer eBook Collection
    Schlagworte: Literature—Philosophy.; Feminism and literature.; Literature, Modern—20th century.; Literature, Modern—21st century.; Medicine and the humanities.; Law—History.; Ethics.; Social medicine.
    Umfang: 1 Online-Ressource(XXII, 667 p. 16 illus., 14 illus. in color.)
  2. A. S. Byatt and Intellectual Women
    Fictions, Histories, Myths
    Autor*in: Bibby, Leanne
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1 Introduction -- 2 Cultural Histories of the Intellectual: From Patriarchal Myth to Feminist Mythopoeia -- 3 A. S. Byatt: Creating the Intellectual Woman -- 4 Minds and Bodies -- 5 Intellectuals and Sexual Specificity -- 6 Women Intellectuals,... mehr

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    1 Introduction -- 2 Cultural Histories of the Intellectual: From Patriarchal Myth to Feminist Mythopoeia -- 3 A. S. Byatt: Creating the Intellectual Woman -- 4 Minds and Bodies -- 5 Intellectuals and Sexual Specificity -- 6 Women Intellectuals, Private Intellectuals? -- 7 Future Histories of Intellectual Women -- 8 Afterword: Mythopoeia: Beyond Torment. This monograph is a study of the work of British author A. S. Byatt, exploring the cultural representation of the woman intellectual in her fiction. It argues that Byatt’s representations of this figure show narratives of intellectual women to be inherently mythopoeic, or capable of restructuring the myth of the intellectual as male by default. This mythopoeia is, furthermore, intrinsically feminist in function, thus potentially broadening the conventional, limited view of women in intellectual history. The book will be the first study of Byatt’s work to examine this figure in detail, and the first study of women intellectuals in historical and literary discourse to apply concepts of mythopoeia and sexual difference in ways that allow new readings of women’s status and work in public spheres. Leanne Bibby is Senior Lecturer in English Studies at Teesside University, UK.

     

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    ISBN: 9783031086717
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    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Palgrave Studies in Contemporary Women’s Writing
    Springer eBook Collection
    Schlagworte: Literature, Modern—20th century.; Literature, Modern—21st century.; Literature—Philosophy.; Feminism and literature.; Intellectual life—History.; Prose literature.
    Umfang: 1 Online-Ressource(XI, 241 p.)
  3. English Women’s Spiritual Utopias, 1400-1700
    New Kingdoms of Womanhood
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1: Mirrors of our Lady: Utopia in the Medieval Convent -- Chapter 2: These Most Afflicted Sisters: Old and New Futures in Exiled English Convents -- Chapter 3: Not Yet: Aspirational Women’s Communities Beyond the Convent -- Chapter 4:... mehr

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    Chapter 1: Mirrors of our Lady: Utopia in the Medieval Convent -- Chapter 2: These Most Afflicted Sisters: Old and New Futures in Exiled English Convents -- Chapter 3: Not Yet: Aspirational Women’s Communities Beyond the Convent -- Chapter 4: Convents of Pleasure: English Women’s Literary Utopias. English Women’s Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood uncovers a tradition of women’s utopianism that extends back to medieval women’s monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures. The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women’s literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women’s intellectual work and expands the concept of utopia itself.

     

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    ISBN: 9783031009174
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    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: The New Middle Ages
    Springer eBook Collection
    Schlagworte: Literature, Medieval.; Europe—History—476-1492.; Philosophy, Medieval.; Literature—Philosophy.; Feminism and literature.; Feminist theology.
    Umfang: 1 Online-Ressource(XIII, 223 p. 6 illus.)
  4. Intersectional Trauma in American Women Writers' Incest Novels from the 1990s
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1: Introduction: Contextualizing the Wound and the Political Literary Voice in the Theory of Trauma -- Chapter 2: Trauma, Temporality, and Testimony: The Enslaved Daughter’s Body in Carolivia Herron’s Thereafter Johnnie -- Chapter 3: Trauma,... mehr

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    Chapter 1: Introduction: Contextualizing the Wound and the Political Literary Voice in the Theory of Trauma -- Chapter 2: Trauma, Temporality, and Testimony: The Enslaved Daughter’s Body in Carolivia Herron’s Thereafter Johnnie -- Chapter 3: Trauma, “Trash,” and Memory in Dorothy Allison’s Bastard out of Carolina -- Chapter 4: Betty Louise Bell’s Faces in the Moon: Trauma, Settler Colonialism, and Storytelling -- Chapter 5: Transnational Trauma and Testimonio in Denise Chávez’s Face of an Angel -- Chapter 6: Trauma, Survival, and Intertextuality in Patricia Chao’s Monkey King -- Chapter 7: Conclusion: Trauma and Resistance in a Literary Third Voice at the Intersections. This book explores the intersections of sexualized, gendered, and racialized traumas in five US novels about father-daughter incest from the 1990s. It examines how incest can be connected to wider past and present structural oppression and institutional abuse, and what fiction looks like that testifies against and references a historical background of slavery, poverty, settler colonialism, annexation, and immigration. Investigating the means of resistance used against attempts at silencing and denial in these texts, the book also shows how contemporary women’s novels can propose social change. Overall, this study uniquely argues that the individual trauma of incest in these texts must be understood in relation to histories of and present collective wounding against marginalized communities. By sitting at the intersections between trauma theory and US third world feminism, it allows for theory to meet literary activism. Marinella Rodi-Risberg is an affiliated researcher at the Department of Language and Communication Studies, University of Jyväskylä, Finland. She has published on representations of trauma in journals and chapters, including in Trauma and Literature (2018), and is co-editor of Transnational Crime Fiction: Mobility, Borders, and Detection (2020).

     

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    ISBN: 9783030966195
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    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Springer eBook Collection
    Schlagworte: America—Literatures.; Literature, Modern—20th century.; Literature, Modern—21st century.; Literature—Philosophy.; Feminism and literature.; Comparative literature.; Psychic trauma.
    Umfang: 1 Online-Ressource(VII, 225 p.)
  5. Gender Roles and Political Contexts in Cold War Spy Fiction
    Autor*in: MacArthur, Sian
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1: ‘It’s a game of dog eat dog’ - Discontent and Disintegration in American Pulp Fiction -- Chapter 2: ‘The name’s Bond. James Bond’– The Rise of the Spy Novel in British Literature -- Chapter 3: ‘The man who looked both East and West.’ - The... mehr

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    Chapter 1: ‘It’s a game of dog eat dog’ - Discontent and Disintegration in American Pulp Fiction -- Chapter 2: ‘The name’s Bond. James Bond’– The Rise of the Spy Novel in British Literature -- Chapter 3: ‘The man who looked both East and West.’ - The Double Agent at Work -- Chapter 4: ‘The greatest weapon on earth’ - Games of Power and Propaganda -- Chapter 5: ‘A world of shadows and suspicions’- The Psychology of Paranoia -- Chapter 6: ‘So we’re not enemies?’– The End of the Cold War -- Chapter 7: ‘A perpetual state of war.’ – Legacies and Lasting Impressions. This book analyses the gender roles and political contexts of spy fiction narratives published during the years of the Cold War. It offers an introduction to the development of spy fiction both in England and in the United States and explores the ways in which issues such as the atomic bomb, double agents, paranoia, propaganda and megalomania manifest themselves within the genre. The book examines the ongoing marginalization of women within spy fiction texts, exploring the idea that this unique period in global history is responsible for the active promotion and celebration of masculinity and male superiority. From James Bond to Jason Bourne, the book evaluates the ongoing enforcement of patriarchal ideas and oppressions that, in the name of national security and patriotic duty, have contributed to the development of a genre in which discrimination and bias continue to dominate. Sian MacArthur is an independent academic and researcher with literary interests in Gothic and science fiction, and historical interests in the Cold War. She is the author of Crime and the Gothic: Identifying the Gothic Footprint in Modern Crime Fiction (2011) and Gothic Science Fiction: 1818 to the Present (Palgrave 2015), and Re-defining the Gothic with Mo Haydar in The Palgrave Handbook of Contemporary Gothic.

     

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    ISBN: 9783031117879
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    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Crime Files
    Springer eBook Collection
    Schlagworte: Fiction.; Literature—Philosophy.; Feminism and literature.; Literature, Modern—20th century.; World history.; International relations—History.; Crime—Sociological aspects.
    Umfang: 1 Online-Ressource(VIII, 256 p.)
  6. Agatha Christie and the Guilty Pleasure of Poison
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Agatha Christie, Poison, and Crime -- 2. Agatha Christie and Pharmacy -- 3. Dying Game: Unrepentant Outlaws in Christie and Doyle -- 4. Cheering Bystanders in Christie and Sayers -- 5. The Revenger’s Comeuppance in Christie and Jackson -- 6. The... mehr

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    1. Agatha Christie, Poison, and Crime -- 2. Agatha Christie and Pharmacy -- 3. Dying Game: Unrepentant Outlaws in Christie and Doyle -- 4. Cheering Bystanders in Christie and Sayers -- 5. The Revenger’s Comeuppance in Christie and Jackson -- 6. The Poisoner’s Afterlives -- 7. Readers and the Poison Garden. Agatha Christie and the Guilty Pleasure of Poison examines Christie’s female poisoners in the context of Christie’s own experience in pharmacy and of detective fiction. In doing so, it uncovers an overlooked dynamic in which female poisoners deliver well-deserved comeuppance for gendered and classed wrongdoing ordinarily accepted in everyday life. While critics have long recognized male outlaws, like Robin Hood, who use crime to oppose a corrupt system, this book contends that female outlaws – witches and poisoners – offer a similar heritage of empowered femininity. Far from cozy and formulaic, Agatha Christie’s outlaw poisoners offer readers the surprising pleasures of comeuppance, and they set the stage for contemporary detective fiction writers, more recent films depicting poisoning as empowering, and even poison gardens, which are tourist destinations that offer visitors the guilty pleasure of poison.

     

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    ISBN: 9783031160004
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    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Crime Files
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    Schlagworte: Literature, Modern—20th century.; Fiction.; Literature—Philosophy.; Feminism and literature.; Ethnology—Great Britain.; Culture.
    Umfang: 1 Online-Ressource(XV, 222 p.)
  7. Showing Like a Queen
    Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
    Erschienen: [2015]; ©2000.
    Verlag:  University of Pennsylvania Press, Philadelphia, Pa.

    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing... mehr

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    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing Like a Queen, Katherine Eggert argues that Spenser, Shakespeare, and Milton turned the political problem of queenship to their advantage by using it as an occasion to experiment with new literary genres. Unlike other critics who have argued that a queen provoked only anxiety and defensiveness in her male subjects, Eggert demonstrates that even after her death Elizabeth I's forty-five-year reign enabled writers to entertain the fantasy of a counterpatriarchal realm.Eggert traces a literary history of the late sixteenth and early seventeenth centuries in which the destabilizing anomaly of female rule enables Spenser to reshape the genre of epic romance and gives Shakespeare scope to create the ruptured dynastic epic of the history plays, the psychologized tragedy of Hamlet, and the feminized tragedies of "Antony and Cleopatra" and "The Winter's Tale." Turning to the second half of the seventeenth century, Eggert reveals how even after more than sixty years of male governance, Milton bases his marital epic Paradise Lost upon the formulae of queenship.

     

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    ISBN: 9780812292619
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    Schlagworte: English literature; Feminism and literature; Feminism and literature; Literature, Experimental; English literature; Feminism and literature; Feminism and literature; Literature, Experimental; English literature.; Feminism and literature.; Feminism and literature.; Literature, Experimental.
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    Frontmatter -- -- Contents -- -- Note on Texts and Editions -- -- 1. Forms of Queenship: Female Rule and Literary Structure in the English Renaissance -- -- 2. Genre and the Repeal of Queenship in Spenser's Faerie Queene -- -- 3. Leading Ladies: Feminine Authority and Theatrical Effect in Shakespeare's History Plays -- -- 4. Exclaiming Against Their Own Succession: Queenship, Genre, and What Happens in Hamlet -- -- 5. The Late Queen of Famous Memory: Nostalgic Form in Antony and Cleopatra and The Winter's Tale -- -- 6. Milton's Queenly Paradise -- -- Afterword: Queenship and New Feminine Genres -- -- Notes -- -- Bibliography -- -- Acknowledgments -- -- Index

  8. Writing in the Feminine in French and English Canada
    A Question of Ethics
    Erschienen: [2016]; ©2002
    Verlag:  University of Toronto Press, Toronto

    Considers the contemporary movement of "writing in the feminine", by examining the work of five women writers from French and English Canada and the dialogue therein with feminist and psychoanalytic theory and theories of ethics. mehr

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    Considers the contemporary movement of "writing in the feminine", by examining the work of five women writers from French and English Canada and the dialogue therein with feminist and psychoanalytic theory and theories of ethics.

     

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    ISBN: 9781442683716
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    Schlagworte: French-Canadian literature; Feminism and literature; Canadian literature; Canadian literature; Canadian literature; Feminism and literature; French-Canadian literature; Canadian literature; Canadian literature.; Canadian literature.; Feminism and literature.; French-Canadian literature.
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    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction -- -- Part 1: Poetics, Ethics, and Writing in the Feminine -- -- 1. Introduction to Writing in the Feminine -- -- 2. Writing (As) a Feminist Ethics -- -- Part 2: Mothers and Daughters -- -- 3. Resurrecting the (M)Other: Nicole Brossard -- -- 4. Questioning the Mother: Di Brandt -- -- 5. Performing Hysteria: France Théoret -- -- Part 3: Mothertongues -- -- 6. Tracing the (M)Other: Erin Mouré -- -- 7. Mothering Text: Lola Lemire Tostevin -- -- Part 4: Beyond Ethics -- -- 8. An Ethics of Selfhood: Théoret and Tostevin -- -- 9. An Ethics of Love: Brandt, Mouré, and Brossard -- -- Conclusion -- -- Notes -- -- Works Cited -- -- Credits -- -- Index

  9. The Palgrave Handbook of Reproductive Justice and Literature
    Beteiligt: Capo, Beth Widmaier (HerausgeberIn); Lazzari, Laura (HerausgeberIn)
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Introduction -- 2. Recognizing Issues of Reproductive Justice in Nineteenth-Century US Literature -- 3. “Learn and Run”: Reproductive Oppression and Resistance in the Works of Octavia E. Butler -- 4. Reading Reproductive Justice through Toni... mehr

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    1. Introduction -- 2. Recognizing Issues of Reproductive Justice in Nineteenth-Century US Literature -- 3. “Learn and Run”: Reproductive Oppression and Resistance in the Works of Octavia E. Butler -- 4. Reading Reproductive Justice through Toni Morrison -- 5. Reproductive Justice in Ntozake Shange’s “For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf” -- 6. Reproductive Rights and Reproductive Justice in Recent German-Language Fiction and Film -- 7. Cultivating Access, Cultivating Ignorance: A Survey of Herbal Abortifacients in American Fiction -- 8. Female Narratives of Abortion in Italian Literature From the 1970s to the Present -- 9. Re-Presenting the Un-Presentable: Annie Ernaux’s L’évènement and Cristian Mungiu’s 4 Months, 3 Weeks, and Two Days -- 10. Re-conceiving the World: Dystopia and Reproductive Justice -- 11. Reproductive and Disability Justice: Deaf Peoples’ Right to be Born -- 12. Queer Argonauts for Reproductive Justice -- 13. On the One-Child Policy of China: Reading Ma Jian’s Novel The Dark Road -- 14. Pregnancy Self-Help Literature as Disembodiment: An Issue of Reproductive Justice -- 15. Birthing Bodies Delivering Power in Anglophone Literature of the Twentieth and Twenty-First Centuries -- 16. Writing and Birthing on Country: Examining Indigenous Australian Birth Stories from a Reproductive Justice Lens -- 17. Reproductive Experiences of Poor Mothers in India: An Analysis of YouTube Documentaries -- 18. Spain and Structural Infertility: Towards an Integrative Vision of Motherhood in the Novel Quién quiere ser madre by Silvia Nanclares -- 19. “Give me children, or else I die”: Baby-hunger, Surrogacy, and Family-Making by Any Means Necessary -- 20. Surrogacy or Sale: Reflecting upon Reproductive Justice through The House for Hidden Mothers and A House of Happy Mothers -- 21. Claiming Motherhood: Reproductive Justice and Surrogacy in Chinese American Literature of the New Millennium -- 22. Reimagining the Past, Present, and the Future of Reproductive Bodies in Contemporary Japanese Women’s Fiction: Mieko Kawakami’s Breasts and Eggs and Sayaka Murata’s Vanishing World -- 23. State Terror and the Destruction of Families for Reproductive “Management” in Three Argentine Films -- 24. Scroungers, Strivers, and Single Mothers: Reproductive Justice and the British Welfare State in Ken Loach’s Social Realism -- 25. Reproductive Justice in Undocumented Women’s Memoirs -- 26. Challenging Racialized Motherhood and the Sixties Scoop with Indigenous Theatre -- 27. “I’ll Never Be Ready!”: Applying a Reproductive Justice Lens in the Lower-Division Literature Classroom -- 28. Teaching Reproductive Justice: Reading Motherhood with Generations X, Y, and Z -- 29. Mayday: Rethinking Reproductive Justice Protests Utilizing Margaret Atwood’s The Handmaid’s Tale -- 30. Not an Easy Read for “Normal” “Colored” People: Conversations on Shange’s and Rooney’s Literatures of Sexual Citizenship. This handbook offers a collection of scholarly essays that analyze questions of reproductive justice throughout its cultural representation in global literature and film. It offers analysis of specific texts carefully situated in their evolving historical, economic, and cultural contexts. Reproductive justice is taken beyond the American setting in which the theory and movement began; chapters apply concepts to international realities and literatures from different countries and cultures by covering diverse genres of cultural production, including film, television, YouTube documentaries, drama, short story, novel, memoir, and self-help literature. Each chapter analyzes texts from within the framework of reproductive justice in an interdisciplinary way, including English, Japanese, Italian, Spanish, and German language, literature and culture, comparative literature, film, South Asian fiction, Canadian theatre, writing, gender studies, Deaf studies, disability studies, global health and medical humanities, and sociology. Academics, graduate students and advanced undergraduate students in Literature, Gender, Sexuality and Women’s Studies, Cultural Studies, Motherhood Studies, Comparative Literature, History, Sociology, the Medical Humanities, Reproductive Justice, and Human Rights are the main audience of the volume. Beth Widmaier Capo is Edward Capps Professor of Humanities and Professor of English at Illinois College, USA. She earned her M.A. and Ph.D. from Pennsylvania State University, USA. She is the author of Textual Contraception: Birth Control and Modern American Fiction (2007) and co-edited Reproductive Rights Issues in Popular Media: International Perspectives (2017). Laura Lazzari holds a Ph.D. from the University of Lausanne, Switzerland, and a Master of Studies from Oxford, UK. A scholar in Motherhood Studies, she works at the Sasso Corbaro Foundation for the Medical Humanities, Switzerland. She was the recipient of a 2015-2016 AAUW International Postdoctoral Fellowship at Georgetown University, USA, and has lectured for several universities in Switzerland and the United States.

     

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    Beteiligt: Capo, Beth Widmaier (HerausgeberIn); Lazzari, Laura (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030995300
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2022.
    Schlagworte: Literature—Philosophy.; Feminism and literature.; Literature, Modern—20th century.; Literature, Modern—21st century.; Medicine and the humanities.; Law—History.; Ethics.; Social medicine.
    Umfang: 1 Online-Ressource(XXII, 667 p. 16 illus., 14 illus. in color.)
  10. Agatha Christie and the Guilty Pleasure of Poison
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Agatha Christie, Poison, and Crime -- 2. Agatha Christie and Pharmacy -- 3. Dying Game: Unrepentant Outlaws in Christie and Doyle -- 4. Cheering Bystanders in Christie and Sayers -- 5. The Revenger’s Comeuppance in Christie and Jackson -- 6. The... mehr

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    1. Agatha Christie, Poison, and Crime -- 2. Agatha Christie and Pharmacy -- 3. Dying Game: Unrepentant Outlaws in Christie and Doyle -- 4. Cheering Bystanders in Christie and Sayers -- 5. The Revenger’s Comeuppance in Christie and Jackson -- 6. The Poisoner’s Afterlives -- 7. Readers and the Poison Garden. Agatha Christie and the Guilty Pleasure of Poison examines Christie’s female poisoners in the context of Christie’s own experience in pharmacy and of detective fiction. In doing so, it uncovers an overlooked dynamic in which female poisoners deliver well-deserved comeuppance for gendered and classed wrongdoing ordinarily accepted in everyday life. While critics have long recognized male outlaws, like Robin Hood, who use crime to oppose a corrupt system, this book contends that female outlaws – witches and poisoners – offer a similar heritage of empowered femininity. Far from cozy and formulaic, Agatha Christie’s outlaw poisoners offer readers the surprising pleasures of comeuppance, and they set the stage for contemporary detective fiction writers, more recent films depicting poisoning as empowering, and even poison gardens, which are tourist destinations that offer visitors the guilty pleasure of poison.

     

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    Sprache: Englisch
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    ISBN: 9783031160004
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    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Crime Files
    Schlagworte: Literature, Modern—20th century.; Fiction.; Literature—Philosophy.; Feminism and literature.; Ethnology—Great Britain.; Culture.
    Umfang: 1 Online-Ressource(XV, 222 p.)
  11. Imagining Gender in Biographical Fiction
    Beteiligt: Lajta-Novak, Julia (HerausgeberIn); Ní Dhúill, Caitríona (HerausgeberIn)
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Imagining Gender in Biographical Fiction: Introduction -- Part I. Recovery, Revision, Ventriloquism: Imagining Historical Women -- 2. “Everything Is Out of Place”: Virginia Woolf, Women, and (Meta-)Historical Biofiction -- 3. Fictional Futures for... mehr

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    1. Imagining Gender in Biographical Fiction: Introduction -- Part I. Recovery, Revision, Ventriloquism: Imagining Historical Women -- 2. “Everything Is Out of Place”: Virginia Woolf, Women, and (Meta-)Historical Biofiction -- 3. Fictional Futures for a Buried Past: Representations of Lucia Joyce -- 4. Imagining Jiang Qing: The Biographer’s Truth in Anchee Min’s Becoming Madame Mao -- Part II. Re-imagining the Early Modern Subject -- 5. From Betrayed Wife to Betraying Wife: Re-writing Katherine of Aragon as Catalina in Philippa Gregory’s The Constant Princess -- 6. Jean Plaidy and Philippa Gregory Fighting for Gender Equality Through Katherine Parr’s Narrative -- 7. Australian Women Writing Tudor Lives -- Part III. Writing the Writer: History, Voyeurism, Victimisation -- 8. Biofiction, Compulsory Sexuality, and Celibate Modernism in Colm Tóibín’s The Master and David Lodge’s Author, Author -- 9. In Poe’s Shadow: Frances Sargent Osgood -- 10. Stanisława Przybyszewska as a Case of Posthumous Victimisation: On the Ethics of Biofiction -- Part IV. Creativity and Gender in the Arts and Sciences -- 11. Re-visiting the Renaissance Virtuosa in Biofiction on Sofonisba Anguissola -- 12. The “Mother of the Theory of Relativity”? Re-imagining Mileva Marić in Marie Benedict’s The Other Einstein (2016) -- Part V. Queering Biofiction -- 13. Visceral Biofiction: Herculine Barbin, Intersex Embodiment, and the Biological Imaginary in Aaron Apps’s Dear Herculine -- 14. “A Way Out of the Prison of Gender”: Interview with Novelist Patricia Duncker. “This absorbing book makes a rich intervention into historical fi ction, life-writing, and feminist and queer cultural history.” —Ann Heilmann, author of Neo-Victorian Biographilia and James Miranda Barry: A Study in Transgender and Transgenre (2018) “A fascinating exploration of the intimate interaction of gendered history and biographical fi ction [...] intelligently and incisively interrogates the deliberate use of fi ction to recentre marginalized female historical fi gures.” —Farah Mendlesohn, author of Creating Memory: Historical Fiction and the English Civil Wars (2022) Imagining Gender in Biographical Fiction addresses the current boom in biographical fictions across the globe, examining the ways in which gendered lives of the past become re-imagined as gendered narratives in fiction. It addresses questions of gender in a sustained and systematic manner that is sensitive to cultural and historical differences in both raw material and fictional reworking. It draws on theories of biofiction and historical fiction, life-writing studies, feminist criticism, queer feminist readings, postcolonial studies, feminist art history, and trans studies. Attentive to various approaches to fictionalisation that reclaim, appropriate or re-invent their ‘raw material’, the volume assesses the critical, revisionist and deconstructive potential of biographical fictions while acknowledging the effects of cliché, gender norms and established narratives in many of the texts under investigation. The introduction of this book is available open access under a CC BY 4.0 license at link.springer.com Caitríona Ní Dhúill is Professor in German at University College Cork, Ireland. She is the author of Metabiography: Reflecting on Biography (Palgrave Macmillan, 2020) and Sex in Imagined Spaces: Gender and Utopia from More to Bloch (2010). She is co-editor of the journal Austrian Studies, and guest co-editor of a double special issue of Poetics Today (2016) on negative futures. She has published numerous articles and book chapters on gender theory, utopian theory, modernist literature and life writing. Julia Novak is an Elise Richter Research Fellow (Austrian Science Fund) at the Department of English, University of Salzburg, Austria, and an editor of the European Journal of Life Writing. She has published two monographs: a book on reading groups, Gemeinsam Lesen (2007) and another titled Live Poetry: An Integrated Approach to Poetry in Performance (2011). She also co-edited the volume Experiments in Life Writing: Intersections of Auto/Biography and Fiction (Palgrave Macmillan, 2017).

     

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    Beteiligt: Lajta-Novak, Julia (HerausgeberIn); Ní Dhúill, Caitríona (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031090196
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Palgrave Studies in Life Writing
    Schlagworte: Literature—Philosophy.; Sex.; Creative nonfiction.; Collective memory.; Feminism and literature.
    Umfang: 1 Online-Ressource(XIV, 392 p.)
  12. Gender Roles and Political Contexts in Cold War Spy Fiction
    Autor*in: MacArthur, Sian
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1: ‘It’s a game of dog eat dog’ - Discontent and Disintegration in American Pulp Fiction -- Chapter 2: ‘The name’s Bond. James Bond’– The Rise of the Spy Novel in British Literature -- Chapter 3: ‘The man who looked both East and West.’ - The... mehr

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    Chapter 1: ‘It’s a game of dog eat dog’ - Discontent and Disintegration in American Pulp Fiction -- Chapter 2: ‘The name’s Bond. James Bond’– The Rise of the Spy Novel in British Literature -- Chapter 3: ‘The man who looked both East and West.’ - The Double Agent at Work -- Chapter 4: ‘The greatest weapon on earth’ - Games of Power and Propaganda -- Chapter 5: ‘A world of shadows and suspicions’- The Psychology of Paranoia -- Chapter 6: ‘So we’re not enemies?’– The End of the Cold War -- Chapter 7: ‘A perpetual state of war.’ – Legacies and Lasting Impressions. This book analyses the gender roles and political contexts of spy fiction narratives published during the years of the Cold War. It offers an introduction to the development of spy fiction both in England and in the United States and explores the ways in which issues such as the atomic bomb, double agents, paranoia, propaganda and megalomania manifest themselves within the genre. The book examines the ongoing marginalization of women within spy fiction texts, exploring the idea that this unique period in global history is responsible for the active promotion and celebration of masculinity and male superiority. From James Bond to Jason Bourne, the book evaluates the ongoing enforcement of patriarchal ideas and oppressions that, in the name of national security and patriotic duty, have contributed to the development of a genre in which discrimination and bias continue to dominate. Sian MacArthur is an independent academic and researcher with literary interests in Gothic and science fiction, and historical interests in the Cold War. She is the author of Crime and the Gothic: Identifying the Gothic Footprint in Modern Crime Fiction (2011) and Gothic Science Fiction: 1818 to the Present (Palgrave 2015), and Re-defining the Gothic with Mo Haydar in The Palgrave Handbook of Contemporary Gothic.

     

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    ISBN: 9783031117879
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Crime Files
    Schlagworte: Fiction.; Literature—Philosophy.; Feminism and literature.; Literature, Modern—20th century.; World history.; International relations—History.; Crime—Sociological aspects.
    Umfang: 1 Online-Ressource(VIII, 256 p.)
  13. Ann Leckie’s "Ancillary Justice"
    A Critical Companion
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1.Introduction -- 2.“She Was Probably Male” Gender and Embodiment -- 3. “Luxury Always Comes at Someone Else’s Expense” The Economics of Empire -- 4.“You Have to be Human to be Radchaai” Race, Citizenship, and Imperial Personhood -- 5.“Save it for... mehr

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    1.Introduction -- 2.“She Was Probably Male” Gender and Embodiment -- 3. “Luxury Always Comes at Someone Else’s Expense” The Economics of Empire -- 4.“You Have to be Human to be Radchaai” Race, Citizenship, and Imperial Personhood -- 5.“Save it for When it will Make a Difference” Cynical Reason, Agency, and the Politics of Revolution -- 6.Conclusion: Mercy, or the Sword? "From racial capitalism and neo-imperialism to gender expression and revolutionary agency, Higgins writes with nuance and generosity to all potential readers about the real-world conditions that lie just under the surface of Leckie's far-future space opera. A big-hearted masterwork of accessible criticism, this is a book that you will want to share with students and colleagues alike." —Rebekah Sheldon, Associate Professor of English, Indiana University, Bloomington, and author of The Child to Come: Life After the Human Catastrophe (2016) "David Higgins gives us a masterful analysis of Ancillary Justice, the first novel in Leckie's trilogy, deftly tracing the book's major themes, together with its unusual use of language, and showing how the novel helps us think about the most urgent concerns of our present moment." —Steven Shaviro, DeRoy Professor of English, Wayne State University. This book argues that Ann Leckie’s novel Ancillary Justice offers a devastating rebuke to the political, social, cultural, and economic injustices of American imperialism in the post 9/11 era. Following an introductory overview, the study offers four chapters that examine key themes central to the novel: gender, imperial economics, race, and revolutionary agency. Ancillary Justice’s exploration of these four themes, and the way it reveals how these issues are all fundamentally entangled with the problem of contemporary imperial power, warrants its status as a canonical work of science fiction for the twenty-first century. The book concludes with a brief interview with Leckie herself touching on each of the topics examined during the preceding chapters. David M. Higgins is a Senior Editor for the Los Angeles Review of Books, and he is the Chair of the English Department at Inver Hills College in Minnesota, where he teaches classes on science fiction, graphic novels, American literature, and composition. He is the author of Reverse Colonization: Science Fiction, Imperial Fantasy, and Alt-Victimhood, which won the 2021 Science Fiction Research Association Book Award. .

     

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    ISBN: 9783031182617
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    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Palgrave Science Fiction and Fantasy: A New Canon
    Schlagworte: Fiction.; Literature—Philosophy.; Feminism and literature.; Literature, Modern—20th century.; Literature, Modern—21st century.; Popular Culture.; Sex.; Race.
    Umfang: 1 Online-Ressource(XI, 92 p.)
  14. Relating Carol Shields’s Essays and Fiction
    Crossing Borders
    Beteiligt: Stovel, Nora Foster (HerausgeberIn)
    Erschienen: 2023.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Foreword – Anne Giardini -- Carol Shields’s Essays and Fiction: Crossing Borders -- Prologue: (Es)saying It Her Way: Carol Shields as Essayist – Christl Verduyn -- Part I: Essays on Carol Shields’s Short Stories -- The Short of It: Carol Shields’s... mehr

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    Foreword – Anne Giardini -- Carol Shields’s Essays and Fiction: Crossing Borders -- Prologue: (Es)saying It Her Way: Carol Shields as Essayist – Christl Verduyn -- Part I: Essays on Carol Shields’s Short Stories -- The Short of It: Carol Shields’s Stories – Neil Besner -- Space for Strangeness: Carol Shields’s Short Stories – Coral Ann Howells -- “Be a Little Crazy: Astonish Me”: Carol Shields’s Improvisational Flair in Dressing Up for the Carnival – Nora Foster Stovel -- “Controlled Chaos” and Carol Shields’s “A View from the Edge of the Edge” – Marta Dvořák -- Part II: Essays on Carol Shields’s Novels -- “The Alchemy of Re-Imagined Reality”: Biographical Gothicism in Carol Shields’s Swann: A Mystery – Cynthia Sugars -- Transforming Love: Critical and Religious Discourses in Carol Shields’s The Republic of Love – Brenda Beckman-Long -- Shields’s Theory of Fiction Writing: Grief and Memorial in The Stone Diaries – Christian Riegel -- Larry’s Party: Man in the Maze and “Where Curiosity Leads” – Warren Cariou -- Advice to Writers in Carol Shields’s Unless – Wendy Roy -- In/visibility, Race-Baiting, and the Author Function in Carol Shields’s Unless – Smaro Kamboureli -- Afterword: “Little Shocks of Recognition”: Carol Shields’s Book Reviews – Alex Ramon -- Epilogue: “Etching on Glass”: Carol Shields’s Re-Vision – Aritha van Herk. “This essay collection, written by a stellar group of Canadian literature specialists, is a love letter to the late Canadian writer Carol Shields, who died about twenty years ago. The essays revisit Shields’s prolific career—short story writer, novelist, book reviewer, teacher and biographer—through the lens of her posthumous collection, Startle and Illuminate: Carol Shields on Writing (2016), edited by her daughter Anne Giardini and grandson Nicholas Giardini. The chapters are eclectic, both intimate and academic in tone, as they reflect different relationships with this beloved writer within our Can Lit circle—and beyond.” —Laurie Kruk, Professor in English Studies, Nipissing University, Canada This collection of essays explores celebrated Canadian author Carol Shields's experimentation with the essay genre in relation to her novels and short stories. Shields’s essays clarify her iconoclastic approach to rules of narrative and illuminate her revisionist policies, elucidating the development of her fiction, both novels and short stories, as her writing gradually becomes more explicitly feminist, as well as more daringly postmodernist. The dozen essays by the eminent Canadianists included in this edition throw fresh light on Shields’s writing, inviting us to read it with new eyes, by revealing how her essays reflect and refract the brilliance of her fiction, both novels and stories, helping readers to comprehend her art. These essays read Shields’s fiction through the lens of her essays, including those contained in the recent Giardini edition, wherein the author explains the creative methodologies involved in her fiction and also offers specific advice to writers of fiction. Nora Foster Stovel is a Professor Emerita of the Department of English and Film Studies at the University of Alberta, Canada. She has published books and essays on Jane Austen, D.H. Lawrence, Margaret Drabble, Carol Shields, Margaret Atwood, and Margaret Laurence, including Divining Margaret Laurence: A Study of Her Complete Writings. She currently holds a SSHRC Insight Grant for her program of research on Carol Shields. .

     

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    Beteiligt: Stovel, Nora Foster (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031114809
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2023.
    Schlagworte: America—Literatures.; Literature, Modern—20th century.; Creative nonfiction.; Literature—Philosophy.; Feminism and literature.; Prose literature.
    Umfang: 1 Online-Ressource(XXIV, 269 p.)
  15. Medieval Mobilities
    Gendered Bodies, Spaces, and Movements
    Beteiligt: Price, Basil Arnould (HerausgeberIn); Bonsall, Jane Elizabeth (HerausgeberIn); Khoury, Meagan (HerausgeberIn)
    Erschienen: 2023.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Introduction -- Part I Bodies -- Introducing Bodies -- Where Do We Go from Here: Transitivity and Journey Narratives in Eleanor Rykener -- Reorienting Disorientation: Hildegard von Bingen’s Depiction of the Female Body as Erotic, Fertile, and Holy --... mehr

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    Introduction -- Part I Bodies -- Introducing Bodies -- Where Do We Go from Here: Transitivity and Journey Narratives in Eleanor Rykener -- Reorienting Disorientation: Hildegard von Bingen’s Depiction of the Female Body as Erotic, Fertile, and Holy -- Seeing Mobility in Static Images: Tools for Non-Binary Identification in Late Medieval Sources -- Part II Spaces -- Troubling Spaces: Taking up Space and Being Taken by Generative Scholarship -- “Here I Am, In This Far-Off Land Where We Are Now”: Encountering and Observing Rūs Women in Ibn Faḍlān’s Risala -- Disorienting Masculinity: Movement, Emotion and Chivalric Identity in Partonope of Blois -- Part III Transcendence -- Troubling Mobilities: Transcendence -- Inspiring Anchoritic Mobility: Orientation, Transgression and Agency in the Katherine Group’s Seinte Margarete -- Trans Animacies and Premodern Alchemies -- Greenland as a Horizon: Approaching Queer Utopianism in Flóamanna Saga -- Afterword; Afterwards. This collection explores the intersection of gender and mobility across the Global Middle Ages. Medieval Mobilities questions how medieval people, texts, images, and ideas move across physiological, geographical, literary, and spiritual boundaries. In what ways do these movements afford new configurations of gender, sexuality, and being? Enacting a dialogue between medieval studies, feminist thought, and queer theory, Medieval Mobilities proposes that attending to the undulations of premodern gender and sexuality may help destabilize unstated assumptions about ways of being and loving in the Middle Ages. This volume also brings together emergent and established scholars to challenge an increasingly static academy and instead envision a scholarly practice focused on intergenerational, international, and interdisciplinary collaboration. Drawing upon wide range of primary sources and theoretical frameworks, the resultant essays unsettle the imagined fixity of gender and propose alternative conceptualizations of embodiment, identity, and difference in the medieval world. Basil Arnould Price is Wolfson Scholar at the University of York, UK. His research focuses on later medieval Iceland and in particular, the queer politics of fourteenth- and fifteenth-century Old Norse-Icelandic sagas. He has previously published articles on colony, race, and queerness in Old Norse-Icelandic and Old English literature. Jane Bonsall is Teaching Fellow at the University of Birmingham, UK. Her research focuses on gender in late medieval English romance, with a focus on intertextuality and popular reception theories. Her recent publications concern gendered materiality, consent and coercion, and the role of the supernatural in Middle English romance. Meagan Khoury is a Ph.D. candidate at Stanford University, USA, in Art History with a minor in Feminism, Gender, and Sexuality Studies. Her dissertation centers questions of women’s communal living and cultural production in early modern Italy.

     

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    Beteiligt: Price, Basil Arnould (HerausgeberIn); Bonsall, Jane Elizabeth (HerausgeberIn); Khoury, Meagan (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031126475
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2023.
    Schriftenreihe: The New Middle Ages
    Schlagworte: Literature, Medieval.; Literature—Philosophy.; Feminism and literature.; Europe—History—476-1492.; Sex.; Space.; Culture.; Women—History.
    Umfang: 1 Online-Ressource(XIII, 256 p. 6 illus.)
  16. English women's spiritual utopias, 1400-1700
    new kingdoms of womanhood
    Erschienen: 2022
    Verlag:  Palgrave Macmillan, Cham

    Chapter 1: Mirrors of our Lady: Utopia in the Medieval Convent -- Chapter 2: These Most Afflicted Sisters: Old and New Futures in Exiled English Convents -- Chapter 3: Not Yet: Aspirational Women’s Communities Beyond the Convent -- Chapter 4:... mehr

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    Chapter 1: Mirrors of our Lady: Utopia in the Medieval Convent -- Chapter 2: These Most Afflicted Sisters: Old and New Futures in Exiled English Convents -- Chapter 3: Not Yet: Aspirational Women’s Communities Beyond the Convent -- Chapter 4: Convents of Pleasure: English Women’s Literary Utopias. English Women’s Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood uncovers a tradition of women’s utopianism that extends back to medieval women’s monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures. The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women’s literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women’s intellectual work and expands the concept of utopia itself.

     

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    ISBN: 9783031009174
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    RVK Klassifikation: HH 4209 ; HI 1292
    Schriftenreihe: The new Middle Ages
    Schlagworte: Literature, Medieval.; Europe—History—476-1492.; Philosophy, Medieval.; Literature—Philosophy.; Feminism and literature.; Feminist theology.
    Umfang: Online-Ressource (xiii, 223 Seiten), Illustrationen
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    Literaturverzeichnis: Seite 191 - 217

  17. Frank Herbert's "Dune"
    A Critical Companion
    Autor*in: Kennedy, Kara
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1.Introduction -- Chapter 2. Power, Politics, and Religion -- Chapter 3. Ecology and the Environment -- Chapter 4. Mind and Consciousness -- Chapter 5. Heroes and Masculinity -- Chapter 6. Women’s Influence and Control -- Chapter 7. A Complex... mehr

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    Chapter 1.Introduction -- Chapter 2. Power, Politics, and Religion -- Chapter 3. Ecology and the Environment -- Chapter 4. Mind and Consciousness -- Chapter 5. Heroes and Masculinity -- Chapter 6. Women’s Influence and Control -- Chapter 7. A Complex World. This book offers a critical study of Frank Herbert’s Dune (1965), the world’s bestselling science fiction novel. Kara Kennedy discusses the novel’s exploration of politics and religion, its influential ecological messages, the focus on the human mind and consciousness, the complex nature of the archetypal hero, and the depiction of women’s influence and control. In Dune, Herbert demonstrated that sophistication, complexity, and a multi-layered world with three-dimensional characters could sit comfortably within the science fiction genre. Underneath its deceptively simple storyline sits a wealth of historical and philosophical contexts and influences that make it a rich masterpiece open to multiple interpretations. Kennedy’s study shows the continuing relevance of the novel in the 21st century due to its classic themes and its concerns about the future of humanity, as well as the ongoing nature of issues such as ecological disruption and conflicts over resources and religion. Kara Kennedy is a researcher, writer, and educator in the areas of science fiction, digital literacy, and writing. She is an avid scholar of Dune who has lectured and published on various topics including world-building. She posts literary analyses of Dune for a mainstream audience on her blog DuneScholar.com. She is the author of Women’s Agency in the Dune Universe: Tracing Women’s Liberation through Science Fiction (Palgrave Macmillan 2021).

     

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    ISBN: 9783031139352
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    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Palgrave Science Fiction and Fantasy: A New Canon
    Schlagworte: Fiction.; Literature—Philosophy.; Feminism and literature.; Ecocriticism.; Popular Culture.; Medicine and the humanities.; Motion pictures.; Television broadcasting.
    Umfang: 1 Online-Ressource(XI, 113 p. 6 illus. in color.)
  18. A. S. Byatt and Intellectual Women
    Fictions, Histories, Myths
    Autor*in: Bibby, Leanne
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1 Introduction -- 2 Cultural Histories of the Intellectual: From Patriarchal Myth to Feminist Mythopoeia -- 3 A. S. Byatt: Creating the Intellectual Woman -- 4 Minds and Bodies -- 5 Intellectuals and Sexual Specificity -- 6 Women Intellectuals,... mehr

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    1 Introduction -- 2 Cultural Histories of the Intellectual: From Patriarchal Myth to Feminist Mythopoeia -- 3 A. S. Byatt: Creating the Intellectual Woman -- 4 Minds and Bodies -- 5 Intellectuals and Sexual Specificity -- 6 Women Intellectuals, Private Intellectuals? -- 7 Future Histories of Intellectual Women -- 8 Afterword: Mythopoeia: Beyond Torment. This monograph is a study of the work of British author A. S. Byatt, exploring the cultural representation of the woman intellectual in her fiction. It argues that Byatt’s representations of this figure show narratives of intellectual women to be inherently mythopoeic, or capable of restructuring the myth of the intellectual as male by default. This mythopoeia is, furthermore, intrinsically feminist in function, thus potentially broadening the conventional, limited view of women in intellectual history. The book will be the first study of Byatt’s work to examine this figure in detail, and the first study of women intellectuals in historical and literary discourse to apply concepts of mythopoeia and sexual difference in ways that allow new readings of women’s status and work in public spheres. Leanne Bibby is Senior Lecturer in English Studies at Teesside University, UK.

     

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    Sprache: Englisch
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    ISBN: 9783031086717
    Weitere Identifier:
    RVK Klassifikation: HN 2571
    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Palgrave Studies in Contemporary Women’s Writing
    Schlagworte: Literature, Modern—20th century.; Literature, Modern—21st century.; Literature—Philosophy.; Feminism and literature.; Intellectual life—History.; Prose literature.
    Umfang: 1 Online-Ressource(XI, 241 p.)
  19. Apocalyptic California
    Gender in Climate Fiction
    Erschienen: 2023.
    Verlag:  Springer Nature Switzerland, Cham ; Imprint: Palgrave Macmillan

    Chapter One: Introduction -- Chapter Two: Indigenous Influences on Early Ecofeminist Utopias -- Chapter Three: Cruel Optimism in the Slow Violence of Apocalypse -- Chapter Four: Hyperobjects and Hyperempathy in Octavia Butler’s Parable of the Sower... mehr

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    Chapter One: Introduction -- Chapter Two: Indigenous Influences on Early Ecofeminist Utopias -- Chapter Three: Cruel Optimism in the Slow Violence of Apocalypse -- Chapter Four: Hyperobjects and Hyperempathy in Octavia Butler’s Parable of the Sower -- Chapter Five: Embodying the Land in N.K. Jemisin’s The Fifth Season. This book explores concepts of environmentalism and feminism in science fiction novels written by women. By extrapolating the future of climate change, the authors of these texts model how readers can apply utopian feminist and environmental theories in their own lives. Chapter One establishes an understanding of ecofeminist environmental thinking through original research conducted at the Ursula K. Le Guin archive at the University of Oregon. Chapter Two shows an example of climate change dystopia set in California in Claire Vaye Watkins’ novel Gold Fame Citrus. The final chapters explore utopian visions of queer ecologies in books by Octavia Butler and N.K. Jemisin. Because climate change is so difficult for individuals to grapple with, a new perspective is needed to survive it. The queer ecological philosophy in these novels points to a way of life that can reduce environmental harm in an era of climate change. .

     

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    ISBN: 9783031299209
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2023.
    Schlagworte: Literature, Modern—20th century.; Literature, Modern—21st century.; America—Literatures.; Literature—Philosophy.; Human ecology—History.; Ecocriticism.; Feminism and literature.; America; Literature, Modern; Literature; Literature, Modern; Human ecology
    Umfang: 1 Online-Ressource(V, 118 p.)
  20. Framed: The New Woman Criminal in British Culture at the Fin de Siècle.
    Erschienen: 2008.
    Verlag:  University of Michigan Press,

    Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? In this... mehr

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    Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? In this elegantly argued study, Elizabeth Carolyn Miller addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres.

     

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    Hinweise zum Inhalt
    Full text available: 2009. (Available in OAPEN (Open Access Publishing in European Networks).)
    Full text available: 2008. (Available in Project Muse Open Access ebooks.)
    Full text available: 2008. (Available in Books at JSTOR: Open Access.)
    Quelle: Verbundkataloge
    Medientyp: Ebook
    Format: Online
    ISBN: 9780472024469; 0472024469; 9780472050444; 0472050443; 9780472070442; 0472070444; 9780472900473; 0472900471; 9781282445246; 1282445243
    Übergeordneter Titel: Books at JSTOR: Open Access; JSTOR
    OAPEN (Open Access Publishing in European Networks); OAPEN
    Schlagworte: Women in popular culture; Detective and mystery films; Literature and society; Feminism and literature; Consumption (Economics) in literature.; Terrorism in literature.; Female offenders in literature.; English fiction; Detective and mystery stories, English; Consumption (Economics) in literature.; Detective and mystery films.; Detective and mystery stories, English.; English fiction.; Female offenders in literature.; Feminism and literature.; Literature and society.; Terrorism in literature.; Women in popular culture.; English Literature.; English.; Languages & Literatures.
    Umfang: 1 online resource
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    Directory of Open Access Books: DOAB.

    Private and public eyes : Sherlock Holmes and the invisible woman -- Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel -- The limits of the gaze : class, gender, and authority in early British cinema -- Dynamite, interrupted : gender in James's and Conrad's novels of failed terror -- "An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative.

  21. Displacement and (Post)memory in Post-Soviet Women’s Writing
    Autor*in: Sorvari, Marja
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1 Introduction: Towards a Poetics of Displacement and Postmemory -- 2 Lived Religion, Displacement and Gender in Ludmila Ulitskaya’s Daniel Stein, Interpreter -- 3 Remembering Childhood and Reassessing the Past in Elena Chizhova’s The Time of Women... mehr

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    1 Introduction: Towards a Poetics of Displacement and Postmemory -- 2 Lived Religion, Displacement and Gender in Ludmila Ulitskaya’s Daniel Stein, Interpreter -- 3 Remembering Childhood and Reassessing the Past in Elena Chizhova’s The Time of Women -- 4 Voices of the Lost Experiences in Svetlana Alexievich’s Secondhand Time. The Last of the Soviets -- 5 In Search of Memory in Maria Stepanova’s In Memory of Memory -- 6 Conclusion: From Poetics to Politics of Displacement and Postmemory. The book examines prominent literary works from the past two decades by Russian women writers dealing with the Soviet past. It explores works such as Daniel Stein, Interpreter by Ludmilla Ulitskaya, The Time of Women by Elena Chizhova, Secondhand Time: The Last of the Soviets by Svetlana Alexievich, and In Memory of Memory by Maria Stepanova, and uncovers connecting thematic structures and features. Focusing on the concepts of displacement and postmemory, the book shows how these works have given voice to those on the margins of society and of ‘great history’ whose resistance was often silent. In doing so, these women writers portray the everyday experiences and trauma of displaced women and girls during the second half of the twentieth century. This study offers new insights into the importance of these women writers’ work in creating and preserving cultural memory in post-Soviet Russia. Marja Sorvari is Associate Professor of Russian Language and Culture at the University of Eastern Finland. She specializes in contemporary Russian literature and gender studies. She is author of About the Self and the Time: On Autobiographical Texts by Maria Arbatova, Elena Bonner, Ėmma Gerštejn, Tamara Petkevič and Maija Pliseckaja (2004) and has co-edited several volumes.

     

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    ISBN: 9783030958374
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Palgrave Studies in Contemporary Women’s Writing
    Schlagworte: Literature, Modern—20th century.; Literature, Modern—21st century.; Literature—Philosophy.; Feminism and literature.; Literature.; Russia—History.; Europe, Eastern—History.; Soviet Union—History.; Collective memory.
    Umfang: 1 Online-Ressource(IX, 167 p.)
  22. Intersectional Trauma in American Women Writers' Incest Novels from the 1990s
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1: Introduction: Contextualizing the Wound and the Political Literary Voice in the Theory of Trauma -- Chapter 2: Trauma, Temporality, and Testimony: The Enslaved Daughter’s Body in Carolivia Herron’s Thereafter Johnnie -- Chapter 3: Trauma,... mehr

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    Chapter 1: Introduction: Contextualizing the Wound and the Political Literary Voice in the Theory of Trauma -- Chapter 2: Trauma, Temporality, and Testimony: The Enslaved Daughter’s Body in Carolivia Herron’s Thereafter Johnnie -- Chapter 3: Trauma, “Trash,” and Memory in Dorothy Allison’s Bastard out of Carolina -- Chapter 4: Betty Louise Bell’s Faces in the Moon: Trauma, Settler Colonialism, and Storytelling -- Chapter 5: Transnational Trauma and Testimonio in Denise Chávez’s Face of an Angel -- Chapter 6: Trauma, Survival, and Intertextuality in Patricia Chao’s Monkey King -- Chapter 7: Conclusion: Trauma and Resistance in a Literary Third Voice at the Intersections. This book explores the intersections of sexualized, gendered, and racialized traumas in five US novels about father-daughter incest from the 1990s. It examines how incest can be connected to wider past and present structural oppression and institutional abuse, and what fiction looks like that testifies against and references a historical background of slavery, poverty, settler colonialism, annexation, and immigration. Investigating the means of resistance used against attempts at silencing and denial in these texts, the book also shows how contemporary women’s novels can propose social change. Overall, this study uniquely argues that the individual trauma of incest in these texts must be understood in relation to histories of and present collective wounding against marginalized communities. By sitting at the intersections between trauma theory and US third world feminism, it allows for theory to meet literary activism. Marinella Rodi-Risberg is an affiliated researcher at the Department of Language and Communication Studies, University of Jyväskylä, Finland. She has published on representations of trauma in journals and chapters, including in Trauma and Literature (2018), and is co-editor of Transnational Crime Fiction: Mobility, Borders, and Detection (2020).

     

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    ISBN: 9783030966195
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    Auflage/Ausgabe: 1st ed. 2022.
    Schlagworte: America—Literatures.; Literature, Modern—20th century.; Literature, Modern—21st century.; Literature—Philosophy.; Feminism and literature.; Comparative literature.; Psychic trauma.
    Umfang: 1 Online-Ressource(VII, 225 p.)
  23. Ursula K. Le Guin’s "A Wizard of Earthsea"
    A Critical Companion
    Erschienen: 2023.
    Verlag:  Springer Nature Switzerland, Cham ; Imprint: Palgrave Macmillan

    1 The Boy Wizard and the Young Grand Master -- References -- 2 Between Children’s Literature and “Adult Fantasy”: The Antecedents and Audiences of A Wizard of Earthsea -- Tolkien, C. S. Lewis, and Old King Arthur: Earthsea and Its Predecessors --... mehr

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    1 The Boy Wizard and the Young Grand Master -- References -- 2 Between Children’s Literature and “Adult Fantasy”: The Antecedents and Audiences of A Wizard of Earthsea -- Tolkien, C. S. Lewis, and Old King Arthur: Earthsea and Its Predecessors -- Earthsea Pedagogies: Learning to Live in an Enchanted World -- References -- 3 Fantasy and the Weight of Whiteness: Racial Dynamics in Earthsea -- A Wizard of Earthsea in Black and White: Uncoupling Whiteness and Goodness -- Illustration, Adaptation, and the Racial Politics of the Visual Imagination -- References -- 4 Light and Shadow, Good and Evil: Ethical, Psychological, and Other Critical Approaches to the Fantastic -- A Brief Taxonomy of Critical Approaches to Le Guin -- The “Way” to Read Le Guin?: Earthsea and Daoism -- Fantasy and the Unconscious: Jung and the Nature of the Shadow -- References -- 5 Bringing Women to Roke Knoll: Gender and the Lifelong Evolution of Earthsea -- Introduction: Reimagining Earthsea -- “You need not fear a woman”: The Witch and the Sorceress -- Ennobling Hearth and Home -- References -- 6 Conclusion: Le Guin’s Legacies in Fiction and in Scholarship -- The Schools for Wizards: Magical Pedagogy Today -- The Future(s) of Le Guin Studies -- References. Written not so long after "Tolkien mania" first gripped the United States in the 1960s, Ursula K. Le Guin's novel A Wizard of Earthsea (1968) has long been recognized as a classic of the fantasy genre, and the series of Earthsea books that followed on it over the next several decades earned its author both considerable sales and critical accolades. This new introduction to the text will closely contextualize the original novel in relation to its heady decade of composition and publication — a momentous time for genre publishing — and also survey the half century and more of scholarship on Earthsea, which has shifted in direction and emphasis many times over the decades, just as surely as Le Guin frequently adjusted her own sails when composing later works set in the fantasy world. Above all, this book positions A Wizard of Earthsea as perhaps an "old text" that nevertheless belongs in a "new canon," a key novel in the author's career and the genre in which it participates, and one that at once looks back to Tolkien and his own antecedents in masculinist early fantasy; looks forward to Le Guin's own continuing feminist and progressive education; and anticipates and indeed helped to shape young adult literature in its contemporary form. Timothy S. Miller is Assistant Professor of English at Florida Atlantic University, USA.

     

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    ISBN: 9783031246401
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    Auflage/Ausgabe: 1st ed. 2023.
    Schriftenreihe: Palgrave Science Fiction and Fantasy: A New Canon
    Schlagworte: Literature, Modern—20th century.; Literature, Modern—21st century.; Children's literature.; Literature—History and criticism.; Literature—Philosophy.; Feminism and literature.; Sex.
    Umfang: 1 Online-Ressource(XIII, 98 p.)
  24. Technologies of Feminist Speculative Fiction
    Gender, Artificial Life, and the Politics of Reproduction
    Beteiligt: Vint, Sherryl (HerausgeberIn); Buran, Sümeyra (HerausgeberIn)
    Erschienen: 2022.
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Introduction: Sociotechnical Design and the Future of Gender -- Part I Reproductive Technologies -- 2. Ectogenesis on the NHS: Reproduction and Privatization in Twenty-first-Century British Science Fiction -- 3. Being an Artificial Womb... mehr

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    1. Introduction: Sociotechnical Design and the Future of Gender -- Part I Reproductive Technologies -- 2. Ectogenesis on the NHS: Reproduction and Privatization in Twenty-first-Century British Science Fiction -- 3. Being an Artificial Womb Machine-Human -- 4. Environmental Sterilization through Reproductive Sterilization in Sarah Hall’s The Carhullan Army -- 5. Groomed for Survival – Queer Reproductive Technologies and Cross-Species Assemblages in Larissa Lai's The Tiger Flu -- Part II Reimagining the Woman -- 6. A Housewife’s Dream? Automation and the Problem of Women’s Free Time -- 7. Motherhood Beyond Woman: I Am [a Good] Mother and Predecessors Onscreen -- 8. Gender and Reproduction in the Dystopian Works of Sayaka Murata -- 9. Cyborg Separatism: Feminist Utopia in Athena’s Choice -- Part III Queering Gender -- 10. Drowning in the Cloud: Water, the Digital and the Queer Potential of Feminist Science Fiction -- 11. Making the Multiple: Gender and the Technologies of Multiplicity in Cyberpunk Science Fiction -- 12. Lesbian Cyborgs and the Blueprints for Liberation -- Part IV Posthuman Females -- 13. Becoming Woman: Healing and Posthuman Subjectivity in Garland’s Ex Machina -- 14. Female Ageing and Technological Reproduction. Feminist Transhuman Embodiments in Jasper Fforde’s The Woman Who Died A Lot -- 15. ‘Growgirls’ and Cultured Eggs: Food Futures, and Feminism in SF from the Global South -- 16. Reproductive Futurism, Indigenous Futurism, and the (Non)Human to Come in Louise Erdrich’s Future Home of the Living God. Technologies of Feminist Speculative Fiction: Gender, Artificial Life, and the Politics of Reproduction explores how much technology has reshaped feminist conversations in the decades since Donna Haraway’s influential “Cyborg Manifesto” was published. With sections exploring reproductive technologies, new ways of imagining femininity and motherhood via artificial means, queer readings of gender as a social technology, and posthuman visions of a world beyond gender, this book demonstrates how feminist speculative fiction offers an urgently needed response to the intersections of women’s bodies and technology. This collection brings together authors from Europe, Japan, the US and the UK to consider speculative films and texts, reproductive technologies and food futures, and opportunities to rethink family, aging, gender and sexuality, and community through feminist speculative fiction, a social technology for building better futures.

     

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    Beteiligt: Vint, Sherryl (HerausgeberIn); Buran, Sümeyra (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030961923
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2022.
    Schriftenreihe: Palgrave Studies in Science and Popular Culture
    Schlagworte: Fiction.; Literature—Philosophy.; Feminism and literature.; Medicine and the humanities.; Popular Culture.; Science—Social aspects.; Communication in science.
    Umfang: 1 Online-Ressource(XVIII, 353 p.)
  25. Postcolonial Representations
    Women, Literature, Identity
    Erschienen: 2018; ©1995
    Verlag:  Cornell University Press, Ithaca, NY

    Passionate allegiances to competing theoretical camps have stifled dialogue among today's literary critics, asserts Françoise Lionnet. Discussing a number of postcolonial narratives by women from a variety of ethnic and cultural backgrounds, she... mehr

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    Passionate allegiances to competing theoretical camps have stifled dialogue among today's literary critics, asserts Françoise Lionnet. Discussing a number of postcolonial narratives by women from a variety of ethnic and cultural backgrounds, she offers a comparative feminist approach that can provide common ground for debates on such issues as multiculturalism, universalism, and relativism.Lionnet uses the concept of métissage, or cultural mixing, in her readings of a rich array of Francophone and Anglophone texts-by Michelle Cliff from Jamaica, Suzanne Dracius-Pinalie from Martinique, Ananda Devi from Mauritius, Maryse Conde and Myriam Warner-Vieyra from Guadeloupe, Gayl Jones from the United States, Bessie Head from Botswana, Nawal El Saadawi from Egypt, and Leila Sebbar from Algeria and France. Focusing on themes of exile and displacement and on narrative treatments of culturally sanctioned excision, polygamy, and murder, Lionnet examines the psychological and social mechanisms that allow individuals to negotiate conflicting cultural influences. In her view, these writers reject the opposition between self and other and base their self-portrayals on a métissage of forms and influences.Lionnet's perspective has much to offer critics and theorists, whether they are interested in First or Third World contexts, American or French critical perspectives, essentialist or poststructuralist epistemologies.

     

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    ISBN: 9781501724541
    Weitere Identifier:
    Schriftenreihe: Reading Women Writing
    Schlagworte: Feminism and literature; Literature; Literature, Modern; Women and literature; Feminism and literature.; Literature.; Literature, Modern.; Women and literature.; LITERARY CRITICISM / Feminist
    Umfang: 1 Online-Ressource