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  1. The divine face in four writers
    Shakespeare, Dostoyevsky, Hesse, and C. S. Lewis
    Autor*in: Hunt, Maurice
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in characterization, in the works of William Shakespeare, Fyodor Dostoyevsky, Herman Hesse, and C.S. Lewis. Maurice Hunt explores both the human yearning to see the divine face from post-Apostolic time to the 20th century, as reflected in religion, myth, and literature by writers such as Augustine, Shakespeare, Hardy and Dostoyevsky, as well as the significance of the hidden divine face in writings by Spenser, Milton, Hesse, and Lewis. A final coda briefly detailing Emmanuel Levinas's system of ethics, based on the human face and its encounters with other faces, allows Hunt to focus on specific moments in the writings of the four major writers discussed that have particular ethical value."-- "A comparative study that explores the influence of Christian and Classical ideas about the divine face in the writing of four major writers in Western literature"-- Machine generated contents note: -- Preface I. The Judeo-Christian Heritage -- Chapter One: The Divine Face and the Face to Face in The Bible -- Inter-Chapter: St. Augustine's Incarnate Face of Christ -- Chapter Two: Christ-Like and Compassionate Faces in Shakespeare's Richard II, King Lear, The Tempest, and Julius Caesar -- Inter-Chapter: The Modern Face in Thomas Hardy's The Return of the Native -- Chapter Three: Christ's Face and its Adversaries in Dostoyevsky's The Idiot. The Pagan Heritage -- Chapter Four: Divine Faces and the Face to Face in Apuleius's Metamorphoses: The Tale of Psyche and Cupid -- Chapter Five: Syncretic Faces in Hermann Hesse's Demian -- Chapter Six: Pagan and Christian Faces in C. S. Lewis's Till We Have Faces -- Coda: Emmanuel Levinas's Ethics of the Face -- Works Cited

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501311055; 9781501311031; 9781501311048
    Weitere Identifier:
    Schlagworte: English drama; Face of God in literature; European fiction; European fiction; English drama; Face of God in literature
    Weitere Schlagworte: Dostoyevsky, Fyodor (1821-1881); Shakespeare, William (1564-1616); Lewis, C. S (1898-1963); Hesse, Hermann (1877-1962); Lewis, C. S (1898-1963); Hesse, Hermann (1877-1962); Dostoyevsky, Fyodor (1821-1881); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xii, 180 pages), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. The divine face in four writers
    Shakespeare, Dostoyevsky, Hesse, and C.S. Lewis
    Autor*in: Hunt, Maurice
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in characterization, in the works of William Shakespeare, Fyodor Dostoyevsky, Herman Hesse, and C.S. Lewis. Maurice Hunt explores both the human yearning to see the divine face from post-Apostolic time to the 20th century, as reflected in religion, myth, and literature by writers such as Augustine, Shakespeare, Hardy and Dostoyevsky, as well as the significance of the hidden divine face in writings by Spenser, Milton, Hesse, and Lewis. A final coda briefly detailing Emmanuel Levinas's system of ethics, based on the human face and its encounters with other faces, allows Hunt to focus on specific moments in the writings of the four major writers discussed that have particular ethical value"...

     
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  3. The divine face in four writers
    Shakespeare, Dostoyevsky, Hesse, and C. S. Lewis
    Autor*in: Hunt, Maurice
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, New York

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in... mehr

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in characterization, in the works of William Shakespeare, Fyodor Dostoyevsky, Herman Hesse, and C.S. Lewis. Maurice Hunt explores both the human yearning to see the divine face from post-Apostolic time to the 20th century, as reflected in religion, myth, and literature by writers such as Augustine, Shakespeare, Hardy and Dostoyevsky, as well as the significance of the hidden divine face in writings by Spenser, Milton, Hesse, and Lewis. A final coda briefly detailing Emmanuel Levinas's system of ethics, based on the human face and its encounters with other faces, allows Hunt to focus on specific moments in the writings of the four major writers discussed that have particular ethical value."-- "A comparative study that explores the influence of Christian and Classical ideas about the divine face in the writing of four major writers in Western literature"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Schlagworte: Face of God in literature; European fiction / History and criticism; English drama / History and criticism
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation; Dostoyevsky, Fyodor / 1821-1881 / Criticism and interpretation; Hesse, Hermann / 1877-1962 / Criticism and interpretation; Lewis, C. S. / (Clive Staples) / 1898-1963 / Criticism and interpretation
    Umfang: 1 Online-Ressource (xii, 180 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: -- Preface I. The Judeo-Christian Heritage -- Chapter One: The Divine Face and the Face to Face in The Bible -- Inter-Chapter: St. Augustine's Incarnate Face of Christ -- Chapter Two: Christ-Like and Compassionate Faces in Shakespeare's Richard II, King Lear, The Tempest, and Julius Caesar -- Inter-Chapter: The Modern Face in Thomas Hardy's The Return of the Native -- Chapter Three: Christ's Face and its Adversaries in Dostoyevsky's The Idiot. The Pagan Heritage -- Chapter Four: Divine Faces and the Face to Face in Apuleius's Metamorphoses: The Tale of Psyche and Cupid -- Chapter Five: Syncretic Faces in Hermann Hesse's Demian -- Chapter Six: Pagan and Christian Faces in C. S. Lewis's Till We Have Faces -- Coda: Emmanuel Levinas's Ethics of the Face -- Works Cited
  4. The divine face in four writers
    Shakespeare, Dostoyevsky, Hesse, and C.S. Lewis
    Autor*in: Hunt, Maurice
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, New York

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    67/9237
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501333965
    Weitere Identifier:
    9781501333965
    Schlagworte: Face of God in literature; European fiction; English drama
    Weitere Schlagworte: Shakespeare, William 1564-1616; Dostoyevsky, Fyodor 1821-1881; Hesse, Hermann 1877-1962; Lewis, C. S. 1898-1963
    Umfang: xii, 175 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index
  5. The divine face in four writers
    Shakespeare, Dostoyevsky, Hesse, and C. S. Lewis
    Autor*in: Hunt, Maurice
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, New York

    Zugang:

    Standort:
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Schlagworte: English drama / History and criticism; European fiction / History and criticism; Face of God in literature
    Weitere Schlagworte: Dostoyevsky, Fyodor / 1821-1881 / Criticism and interpretation; Hesse, Hermann / 1877-1962 / Criticism and interpretation; Lewis, C. S. / (Clive Staples) / 1898-1963 / Criticism and interpretation; Shakespeare, William / 1564-1616 / Criticism and interpretation
    Umfang: 1 online resource
    Bemerkung(en):

    Includes bibliographical references and index

    Also issued in print
  6. The divine face in four writers
    Shakespeare, Dostoyevsky, Hesse, and C. S. Lewis
    Autor*in: Hunt, Maurice
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, New York

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in characterization, in the works of William Shakespeare, Fyodor Dostoyevsky, Herman Hesse, and C.S. Lewis. Maurice Hunt explores both the human yearning to see the divine face from post-Apostolic time to the 20th century, as reflected in religion, myth, and literature by writers such as Augustine, Shakespeare, Hardy and Dostoyevsky, as well as the significance of the hidden divine face in writings by Spenser, Milton, Hesse, and Lewis. A final coda briefly detailing Emmanuel Levinas's system of ethics, based on the human face and its encounters with other faces, allows Hunt to focus on specific moments in the writings of the four major writers discussed that have particular ethical value."-- "A comparative study that explores the influence of Christian and Classical ideas about the divine face in the writing of four major writers in Western literature"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Schlagworte: Face of God in literature; European fiction / History and criticism; English drama / History and criticism
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation; Dostoyevsky, Fyodor / 1821-1881 / Criticism and interpretation; Hesse, Hermann / 1877-1962 / Criticism and interpretation; Lewis, C. S. / (Clive Staples) / 1898-1963 / Criticism and interpretation
    Umfang: 1 Online-Ressource (xii, 180 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: -- Preface I. The Judeo-Christian Heritage -- Chapter One: The Divine Face and the Face to Face in The Bible -- Inter-Chapter: St. Augustine's Incarnate Face of Christ -- Chapter Two: Christ-Like and Compassionate Faces in Shakespeare's Richard II, King Lear, The Tempest, and Julius Caesar -- Inter-Chapter: The Modern Face in Thomas Hardy's The Return of the Native -- Chapter Three: Christ's Face and its Adversaries in Dostoyevsky's The Idiot. The Pagan Heritage -- Chapter Four: Divine Faces and the Face to Face in Apuleius's Metamorphoses: The Tale of Psyche and Cupid -- Chapter Five: Syncretic Faces in Hermann Hesse's Demian -- Chapter Six: Pagan and Christian Faces in C. S. Lewis's Till We Have Faces -- Coda: Emmanuel Levinas's Ethics of the Face -- Works Cited
  7. The divine face in four writers
    Shakespeare, Dostoyevsky, Hesse, and C. S. Lewis
    Autor*in: Hunt, Maurice
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in characterization, in the works of William Shakespeare, Fyodor Dostoyevsky, Herman Hesse, and C.S. Lewis. Maurice Hunt explores both the human yearning to see the divine face from post-Apostolic time to the 20th century, as reflected in religion, myth, and literature by writers such as Augustine, Shakespeare, Hardy and Dostoyevsky, as well as the significance of the hidden divine face in writings by Spenser, Milton, Hesse, and Lewis. A final coda briefly detailing Emmanuel Levinas's system of ethics, based on the human face and its encounters with other faces, allows Hunt to focus on specific moments in the writings of the four major writers discussed that have particular ethical value."-- "A comparative study that explores the influence of Christian and Classical ideas about the divine face in the writing of four major writers in Western literature"-- Machine generated contents note: -- Preface I. The Judeo-Christian Heritage -- Chapter One: The Divine Face and the Face to Face in The Bible -- Inter-Chapter: St. Augustine's Incarnate Face of Christ -- Chapter Two: Christ-Like and Compassionate Faces in Shakespeare's Richard II, King Lear, The Tempest, and Julius Caesar -- Inter-Chapter: The Modern Face in Thomas Hardy's The Return of the Native -- Chapter Three: Christ's Face and its Adversaries in Dostoyevsky's The Idiot. The Pagan Heritage -- Chapter Four: Divine Faces and the Face to Face in Apuleius's Metamorphoses: The Tale of Psyche and Cupid -- Chapter Five: Syncretic Faces in Hermann Hesse's Demian -- Chapter Six: Pagan and Christian Faces in C. S. Lewis's Till We Have Faces -- Coda: Emmanuel Levinas's Ethics of the Face -- Works Cited

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501311055; 9781501311031; 9781501311048
    Weitere Identifier:
    Schlagworte: English drama; Face of God in literature; European fiction; European fiction; English drama; Face of God in literature
    Weitere Schlagworte: Dostoyevsky, Fyodor (1821-1881); Shakespeare, William (1564-1616); Lewis, C. S (1898-1963); Hesse, Hermann (1877-1962); Lewis, C. S (1898-1963); Hesse, Hermann (1877-1962); Dostoyevsky, Fyodor (1821-1881); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xii, 180 pages), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  8. The divine face in four writers
    Shakespeare, Dostoyevsky, Hesse, and C.S. Lewis
    Autor*in: Hunt, Maurice
    Erschienen: [2016]
    Verlag:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, Bloomsbury, New York

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in... mehr

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    03.b.5902
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2015 A 13938
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "An important contribution to studies in literature and religion, The Divine Face in Four Writers traces the influence of Christian and Classical prototypes in ideas and depictions of the divine face, and the centrality of facial expressions in characterization, in the works of William Shakespeare, Fyodor Dostoyevsky, Herman Hesse, and C.S. Lewis. Maurice Hunt explores both the human yearning to see the divine face from post-Apostolic time to the 20th century, as reflected in religion, myth, and literature by writers such as Augustine, Shakespeare, Hardy and Dostoyevsky, as well as the significance of the hidden divine face in writings by Spenser, Milton, Hesse, and Lewis. A final coda briefly detailing Emmanuel Levinas's system of ethics, based on the human face and its encounters with other faces, allows Hunt to focus on specific moments in the writings of the four major writers discussed that have particular ethical value"-- "A comparative study that explores the influence of Christian and Classical ideas about the divine face in the writing of four major writers in Western literature"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501311024; 1501311026
    Schlagworte: Face of God in literature; European fiction; English drama; LITERARY CRITICISM / General; LITERARY CRITICISM / Semiotics & Theory
    Weitere Schlagworte: Shakespeare, William 1564-1616; Dostoyevsky, Fyodor 1821-1881; Hesse, Hermann 1877-1962; Lewis, C. S. 1898-1963
    Umfang: xii, 175 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references (pages 161-169) and index
  9. The Divine Face in Four Writers
    Shakespeare, Dostoyevsky, Hesse, and C. S. Lewis
    Autor*in: Hunt, Maurice
    Erschienen: 2015
    Verlag:  Bloomsbury Publishing, New York

    Cover -- Half-title -- Title -- Copyright -- Dediaction -- Contents -- List of Figures -- Acknowledgments -- Preface -- Part 1: The Judeo-Christian Strain -- 1. The Divine Face and the Face-to-Face Encounter in the Bible -- 2. Christ-Like and... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Cover -- Half-title -- Title -- Copyright -- Dediaction -- Contents -- List of Figures -- Acknowledgments -- Preface -- Part 1: The Judeo-Christian Strain -- 1. The Divine Face and the Face-to-Face Encounter in the Bible -- 2. Christ-Like and Compassionate Faces in Shakespeare's Plays -- 3. Christ's Face and its Adversaries in Dostoyevsky's The Idiot -- Part 2: The Classical Strain -- 4. Divine Faces and the Face-to-Face Encounter in Apuleius's Tale of Cupid and Psyche -- 5. Syncretistic Faces in Hermann Hesse's Demian -- 6. Ancient and Christian Faces in C. S. Lewis's Till We Have Faces -- 7. Conclusion -- Bibliography -- Index.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501311048
    Schlagworte: Face of God in literature; Electronic books
    Umfang: Online-Ressource (188 p)
    Bemerkung(en):

    Description based upon print version of record

    ""FC ""; ""Half title""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""List of Figures""; ""Acknowledgments""; ""Preface""; ""Part 1 The Judeo-Christian Strain""; ""1 The Divine Face and the Face-to-Face Encounter in the Bible""; ""2 Christ-Like and Compassionate Faces in Shakespeare’s Plays""; ""3 Christ’s Face and its Adversaries in Dostoyevsky’s The Idiot""; ""Part 2 The Classical Strain""; ""4 Divine Faces and the Face-to-Face Encounter in Apuleius’s Tale of Cupid and Psyche""; ""5 Syncretistic Faces in Hermann Hesse’s Demian""

    ""6 Ancient and Christian Faces in C. S. Lewis’s Till We Have Faces""""7 Conclusion""; ""Bibliography""; ""Index""