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  1. Investigating Italy's Past through Historical Crime Fiction, Films, and TV Series
    Murder in the Age of Chaos
    Erschienen: 2016
    Verlag:  Palgrave Macmillan US, New York ; Imprint: Palgrave Macmillan

    This book is the first monograph in English that comprehensively examines the ways in which Italian historical crime novels, TV series, and films have become a means to intervene in the social and political changes of the country. This study explores... mehr

     

    This book is the first monograph in English that comprehensively examines the ways in which Italian historical crime novels, TV series, and films have become a means to intervene in the social and political changes of the country. This study explores the ways in which fictional representations of the past mirror contemporaneous anxieties within Italian society in the work of writers such as Leonardo Sciascia, Andrea Camilleri, Carlo Lucarelli, Francesco Guccini, Loriano Macchiavelli, Marcello Fois, Maurizio De Giovanni, and Giancarlo De Cataldo; film directors such as Elio Petri, Pietro Germi, Michele Placido, and Damiano Damiani; and TV series such as the “Commissario De Luca” series, the “Commissario Nardone” series, and “Romanzo criminale–The series.” Providing the most wide-ranging examination of this sub-genre in Italy, Barbara Pezzotti places works set in the Risorgimento, WWII, and the Years of Lead in the larger social and political context of contemporary Italy. “With this book, Pezzotti further cements her reputation as the foremost expert on the intersection of place, history, and national identity in Italian crime fiction. Essential reading.” (Robert Rushing, Associate Professor of Comparative Literature, University of Illinois, Urbana-Champaign, USA) “Pezzotti’s fine book presents an authoritative overview of recent Italian crime fiction. Lucidly written and compellingly interdisciplinary, this book emphasises the capacity of crime fiction to fill in the gaps left by historians, and the power and relevance of cultural responses to a contested and difficult past.” (Philip Cooke, Professor of Italian History and Culture, University of Strathclyde, UK) "Pezzotti's fascinating study shows how crime fiction has been used to probe and question Italy's historical open wounds and unresolved legacies. The Risorgimento, Fascism and the war, and the anni di piombo are each carefully illuminated in turn through the lens and intelligent eye of the contemporary giallo." (Robert S. C Gordon, Serena Professor of Italian, University of Cambridge, UK)

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook; Datenträger
    Format: Online
    ISBN: 9781349949083
    Weitere Identifier:
    Schriftenreihe: Italian and Italian American Studies
    Schlagworte: European literature; Motion pictures-European influen; Literature, Modern-20th century; European Literature; European Cinema and TV; Twentieth-Century Literature
    Umfang: 1 Online-Ressource (VII, 270 Seiten)
    Bemerkung(en):

    Introduction -- The Foundation of the State: Giallo and the Risorgimento -- The Giallo and the Black: The Representation of Fascism and WWII between Revisionism and Criticism -- The Giallo and Terrorism: the Years of Lead and the Conspiracy Novel -- Conclusion.

  2. Posthumanism in Italian Literature and Film
    Boundaries and Identity
    Beteiligt: Ferrara, Enrica Maria (Hrsg.)
    Erschienen: 2020
    Verlag:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    ‘This volume of essays makes a powerful argument for the distinctiveness of the Italian contribution to contemporary debates on the posthuman. The contributors to Posthumanism in Italian Literature and Film: Boundaries and Identity show how the... mehr

     

    ‘This volume of essays makes a powerful argument for the distinctiveness of the Italian contribution to contemporary debates on the posthuman. The contributors to Posthumanism in Italian Literature and Film: Boundaries and Identity show how the culture that gave the world modern European humanism has also produced some of the most radical and searching critiques of what it is to be human in the modern and late modern age.’ — Michael Cronin, Professor of French, Trinity College Dublin, Ireland, and author of Eco-translation (2017) ‘Brilliantly edited by Enrica Maria Ferrara, Posthumanism in Italian Literature and Film expands the canon of posthumanist literary studies, enriching it with unexpected topics and voices. In a dazzling sequence of chapters on Leopardi, Pirandello, Elena Ferrante, Gianni Celati, Michelangelo Antonioni, and a number of contemporary storytellers and filmmakers, the authors of this fascinating book follow the human as it emerges from a tangle of organic and inorganic substances, DNA and energy sources, mobile phones and microbes, technology and politics. An engaging read, it is yet another testimony to the established presence of Italian culture on the scene of posthumanities.’ — Serenella Iovino, Professor of Italian Studies and Environmental Humanities, University of North Carolina at Chapel Hill, USA As humans re-negotiate their boundaries with the nonhuman world of animals, inanimate entities and technological artefacts, new identities are formed and a new epistemological and ethical approach to reality is needed. Through twelve thought-provoking, scholarly essays, this volume analyzes works by a range of modern and contemporary Italian authors, from Giacomo Leopardi to Elena Ferrante, who have captured the shift from anthropocentrism and postmodernism to posthumanism. Indeed, this is the first academic volume investigating narrative configurations of posthuman identity in Italian literature and film

     

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    Beteiligt: Ferrara, Enrica Maria (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook; Datenträger
    Format: Online
    ISBN: 9783030393670
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2020
    Schriftenreihe: Italian and Italian American Studies
    Schlagworte: European literature; Literature, Modern—20th century; Literature, Modern—21st century; Motion pictures—European influences; Italian language; European Literature; Twentieth-Century Literature; Contemporary Literature; European Cinema and TV; Italian
    Umfang: 1 Online-Ressource (XVIII, 303 Seiten)
    Bemerkung(en):

    Introduction -- PART I: WRITING IDENTITIES IN THE PRE-POSTHUMAN AND POSTHUMAN ERAS -- Giacomo Leopardi’s book of the future: the Zibaldone as an encyclopaedia for the Post-Human; Gianna Conrad -- Animals, trees, and stones: The posthumanist gaze in Italian modernist fiction; Alberto Godioli, Bart van den Bossche, & Carmen van den Bergh -- Svevo’s “Argo e il suo padrone”: animalized human or humanized animal?; Alessio Aletta -- Identity and Anonymity in Elena Ferrante’s Neapolitan Novels; Enrica Maria Ferrara -- Visions of the Future in Laura Pugno’s novels “Sirene” and “La caccia”; Marco Amici -- PART II: TECHNOLOGY AND IDENTITY -- Contemporary Poetry in Italy: A World model in the Age of Digital Reproduction; Giancarlo Alfano -- Cell phones and the Fragmented Subject in Italian Fiction; Kristina Varade -- Mechanized Women and Sentient Machines: Language, Gendered Technology and the Female Body in Luciano Bianciardi and Tiziano Scarpal; Eleonora Lima -- (Technologically) Fallen from Grace: Abjection and Android Motherhood in Viola Di Grado’s Novel Bambini di ferro (2016); Serena Todesco and Annalisa Somma -- PART III: BOUNDARIES OF THE HUMAN -- The Anxiety of Proximity: Cognition, Ethics and Subjectivity at the Limits of the Human in Le cose fondamentali by Tiziano Scarpa and La vita oscena by Aldo Nove; Eugenio Bolongaro -- ‘Il desiderio / di zombi proletari’: the Undead and Social Conflict in the 1980s; Fabio Camilletti -- “Able to put the reader in a new relationship with reality”: Posthuman impegno and/in Italian science fiction”; Giulia Iannuzzi -- New Materialism, Female Bodies and Ethics in Michelangelo Antonioni’s La notte and L’eclisse; Paolo Saporito -- “Lose Your Self: Gianni Celati and the Art of Being One with the World”; Enrico Vettore

  3. Posthumanism in Italian literature and film
    boundaries and identity
    Beteiligt: Ferrara, Enrica Maria (Hrsg.)
    Erschienen: [2020]
    Verlag:  Palgrave Macmillan, Cham ; ProQuest Ebook Central, [Ann Arbor]

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    Quelle: Verbundkataloge
    Beteiligt: Ferrara, Enrica Maria (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030393670
    Schriftenreihe: Italian and Italian American studies
    Schlagworte: European literature; Literature, Modern—20th century; Literature, Modern—21st century; Motion pictures—European influences; Italian language; European Literature; Twentieth-Century Literature; Contemporary Literature; European Cinema and TV; Italian
    Umfang: 1 Online-Ressource (xviii, 303 Seiten)
    Bemerkung(en):

    Enthält Literaturangaben

  4. Italian science fiction
    the other in literature and film
    Erschienen: [2019]; © 2019
    Verlag:  Palgrave Macmillan, Cham ; Springer Nature Switzerland AG

    This book explores Italian science fiction from 1861, the year of Italy’s unification, to the present day, focusing on how this genre helped shape notions of Otherness and Normalness. In particular, Italian Science Fiction draws upon critical race... mehr

     

    This book explores Italian science fiction from 1861, the year of Italy’s unification, to the present day, focusing on how this genre helped shape notions of Otherness and Normalness. In particular, Italian Science Fiction draws upon critical race studies, postcolonial theory, and feminist studies to explore how migration, colonialism, multiculturalism, and racism have been represented in genre film and literature. Topics include the role of science fiction in constructing a national identity; the representation and self-representation of “alien” immigrants in Italy; the creation of internal “Others,” such as southerners and Roma; the intersections of gender and race discrimination; and Italian science fiction’s transnational dialogue with foreign science fiction. This book reveals that though it is arguably a minor genre in Italy, science fiction offers an innovative interpretive angle for rethinking Italian history and imagining future change in Italian society

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030193263
    Weitere Identifier:
    RVK Klassifikation: AP 59739 ; AP 53900 ; IT 2656
    Schriftenreihe: Studies in global science fiction
    Schlagworte: Literature   ; European literature; Fiction; Ethnology—Europe; Motion pictures—European influences; Postcolonial/World Literature; European Literature; Fiction; European Culture; European Cinema and TV
    Umfang: 1 Online-Ressource (xvi, 289 Seiten), Illustrationen
    Bemerkung(en):

    Enthält Literaturangaben

    Enthält Filmangaben

    1. The Other in Italian Science Fiction -- 2. The Age of Exploration and the Creation of a National Identity -- 3. Futurism and Fascist Science Fiction -- 4. After the Apocalypse: Hybridity and Civil Rights -- 5. The Internal Other: Representing Roma -- 6. Aliens in a Country of Immigration -- 7. Dystopic Worlds and the Fear of Multiculturalism -- 7. The Questione Settentrionale: Reconfiguring Separatism -- 9. Future Pasts: Revisiting the Colonial Legacy in Alternate History Novels -- 10. Afterword: A Genre Across Cultures

  5. Cinematic intermedialities and contemporary Holocaust memory
    Erschienen: [2019]; © 2019
    Verlag:  Palgrave Macmillan, Cham ; Springer Nature Switzerland AG

    This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing... mehr

     

    This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory.

     

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    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9783030108779
    Weitere Identifier:
    Schlagworte: Motion pictures—European influences; World War, 1939-1945; Historiography; European Cinema and TV; History of World War II and the Holocaust; Memory Studies
    Umfang: 1 Online-Ressource (ix, 217 Seiten), llustrationen
    Bemerkung(en):

    Dissertation, Queen Mary, University of London,

    1. Introduction -- 2. Holocaust Film Beyond Representation -- 3. The Archive, Assemblage and Archaeology -- 4. Animation, Assemblage, the Affection-Form -- 5. Digital Augmentation, Assemblage, the Actual and the Virtual -- 6. Epilogue

  6. Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945
    Erschienen: 2020
    Verlag:  J.B. Metzler, Stuttgart ; Imprint: J.B. Metzler

    Mit der Erforschung der deutschsprachigen Kinder- und Jugendliteratur und ihrer Medienverbünde im Zeitraum von 1900 bis 1945 sowie der Erfassung sämtlicher Daten in einem Onlineportal zur Recherche und visuellen Analyse liegt ein innovativer Beitrag... mehr

     

    Mit der Erforschung der deutschsprachigen Kinder- und Jugendliteratur und ihrer Medienverbünde im Zeitraum von 1900 bis 1945 sowie der Erfassung sämtlicher Daten in einem Onlineportal zur Recherche und visuellen Analyse liegt ein innovativer Beitrag zur Geschichtsschreibung der Kinder- und Jugendliteratur vor. Der Band versammelt im ersten Teil drei Überblicksartikel zu den Medien Hörfunk, Film und Theater für Kinder und Jugendliche sowie einen Beitrag zur Konzeption und Entwicklung des Onlineportals. Im zweiten Teil werden 18 ausgewählte Medienverbünde vorgestellt

     

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    Quelle: Verbundkataloge
    Beteiligt: Josting, Petra (Hrsg.); Illies, Marlene Antonia (Hrsg.); Preis, Matthias (Hrsg.); Weber, Annemarie (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook; Datenträger
    Format: Online
    ISBN: 9783476056870
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2020
    Schriftenreihe: Studien zu Kinder- und Jugendliteratur und -medien ; 3
    Schlagworte: Children's literature; Literature, Modern—20th century; Technology in literature; Motion pictures—European influences; Motion pictures—History; Comic books, strips, etc; Children's Literature; Twentieth-Century Literature; Literature and Technology/Media; European Cinema and TV; Film History; Comics Studies
    Umfang: 1 Online-Ressource (XIII, 619 Seiten), 67 Illustrationen
    Bemerkung(en):

    Vorwort -- Einleitung -- I Überblicksartikel -- Der Kinder- und Jugendhörfunk von 1900 bis 1945 -- Der Kinder- und Jugendfilm von 1900 bis 1945 -- Das Kinder- und Jugendtheater von 1900 bis 1945 -- Digitale Erkundungen historischer Medienverbünde. Grundrisse der Portalentwicklung in interdisziplinärer Perspektive -- II Pioniere erobern die neuen Medien -- Vom Kindertheater zum Film. Medienkonvergenz im frühen Werk von Fritz Genschow und Renée Stobrawa -- Micky Maus. Eine (ur-)amerikanische Figur im Deutschland der 1930er-Jahre -- Funkheinzelmann. Die multimediale Karriere einer Hörfunkfigur -- III Bühnenkinder wandern zum Rundfunk und/oder Film -- Einmal zum Mond und zurück. Peterchens Mondfahrt und seine mediale Reise -- Im Nimmer Nimmer Nimmer Land. Wie Peter Pan Buch-, Theater- und Filmgeschichte schrieb -- Urians Weltreise. Motivgeschichte und Medienadaptionen -- IV Märchen im Film und Rundfunk -- „Das war ein herrliches Märchen!“ Der fliegende Koffer von H. C. Andersen im Medienverbund -- Mutabor! Kunstmärchen von Wilhelm Hauff im medialen Transfer -- V Klassiker in allen Medien -- Max und Moritz quer durch die Medien. Und insbesondere im Comic Strip -- Robinsonaden zwischen 1900 und 1945. Vom Stummfilmklassiker zum Radio-Robinson -- VI Schulgeschichten im Theater, Buch und auf der Leinwand -- Jenseits von Romy und Lilli. Christa Winsloes Pensionsgeschichte und ihre medialen Präsentationsformen -- Traumulus. Vom naturalistischen Drama zur NS-Verfilmung -- „Da stelle ma uns mal janz dumm“ Die Feuerzangenbowle – eine Medienverbundanalyse -- VII Verbrechen und skandalöses auf der Leinwand -- Emotionalisierung zwischen Sexualität, Generationenkonflikt und Machtdiskurs. Die Steglitzer Schülertragödie als Medienverbund -- Das Genresystem der frühen Leinwanddetektive. Zu den Medienverbünden um Sherlock Holmes, Nick Carter, Stuart Webbs und Joe Deebs -- „Donnerwetter, das ist famos“ Mediale Mobilmachung im NS-Mädchenfilm Was tun, Sibylle? -- VIII Politisches erobert Buch und Film -- Pazifistische Antikriegsfilme der präfaschistischen Ära. Der Medienverbund um Im Westen nichts Neues -- Jungensromantik in zeitloser Idylle? Entpolitisierende Unterhaltung am Beispiel von Alfred Weidenmanns Jakko