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  1. Graham Greene's narrative in Spain
    criticism, translations and censorship (1939-1975)
    Erschienen: 2015
    Verlag:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    This volume provides a detailed description of the literary contact between Graham Greene and Franco's Spain. Part I describes the most significant political events that affected the Spanish book industry under this regime, with the first chapter... mehr

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    This volume provides a detailed description of the literary contact between Graham Greene and Franco's Spain. Part I describes the most significant political events that affected the Spanish book industry under this regime, with the first chapter offering an account of the methods of control created to exercise authoritative influence over the cultural scene. Part II explores critical studies of Greene's artistic output in Franco's Spain, and the second chapter investigates literary critics' evaluations of the author as published in the national press, magazines and journals, as well as in the

     

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  2. Yes, I can say that
    when they come for the comedians, we are all in trouble
    Autor*in: Gold, Judy
    Erschienen: [2020]
    Verlag:  Dey Street, an imprint of William Morrow, New York

  3. Theatre censorship in contemporary Europe
    silence and protest
    Beteiligt: Etienne, Anne (Hrsg.); Megson, Christopher (Hrsg.)
    Erschienen: 2024
    Verlag:  University of Exeter Press, Exeter

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    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Etienne, Anne (Hrsg.); Megson, Christopher (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781804130513
    Schriftenreihe: Exeter Performance Studies
    Schlagworte: 21st century history: from c 2000 -; Ethical issues: censorship; Ethische Themen: Zensur; HISTORY / Social History; LITERARY CRITICISM / Drama; LITERARY CRITICISM / European / General; Literary studies: plays & playwrights; Literaturwissenschaft: Dramen und Dramatiker; PERFORMING ARTS / Theater / General; POLITICAL SCIENCE / Censorship; Social & cultural history; Sozial- und Kulturgeschichte; Theaterwissenschaft; Theatre studies
    Umfang: xi, 250 Seiten
    Bemerkung(en):

    Enthält Literaturangaben

    Acknowledgements Introduction Anne Etienne and Chris MegsonPART 1: FORMS AND SOURCES OF CENSORSHIP Intervention 1 - Vicki Ann Cremona and Marco Galea, Capturing Space: Crashing Down the Gates of the Maltese Utopia Chapter 1. Milena Dragicevic Sesic and Aleksandra Jovicevic, Voices from Semi-peripheries: Pressure, Self-censorship, and Micropolitics of Resistance in the Western Balkans Chapter 2. Alex Trustrum-Thomas, The Emperor s New Clothes: Ideology and Censorship in Contemporary Russian Theatre Chapter 3. Anne Etienne and Lisa Fitzpatrick, Risings and Cancelling: Implicit Censorship on a Free Irish Stage PART 2: GHOSTS OF THE PAST Intervention 2 - Andrea Tompa, Censorship in Hungary: Comedy, Silence, and Subversion Chapter 4. Denis Poniz, Nothing New on the Eastern Front: Censorship in Contemporary Slovenia Chapter 5. Agnieszka Jakimiak, Un-Divine Comedy. Remains and Self-Censorship as Work-In- Progress in Poland Chapter 6. Andrew Holden, Opera Censorship in Europe - Production, Circulation, and Reception in a Transnational Market Intervention 3 - Lonneke van Heugten, The Tenacity of Tradition: Performativity in the Dutch Black Pete Controversy PART 3: STAGING TABOOS Intervention 4 - Roaa Ali, Racialized Censorship in the Age of Culture Wars Chapter 7. Chris Megson, Images of Protest: Religion, Theatre, and Censorship Chapter 8. Olga Kolokytha, Yulia Belinskaya, and Matina Magkou, Religion and Politics:Silencing Greek Theatre in the Twenty-First Century Chapter 9. Duncan Wheeler, Booing and Banning:Freedom and Prohibition in Spain s National Fiesta Intervention 5 - Hannah Probst, Play on the Periphery: Irrational Queerness as Resistance to Censorship in Gestalta s Shibari Performance Art

  4. Censorship across borders
    the reception of English literature in twentieth-century Europe
    Erschienen: 2011
    Verlag:  Cambridge Scholars, Newcastle

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  5. Theatre Censorship in Contemporary Europe
    Silence and Protest
    Beteiligt: Etienne, Anne (HerausgeberIn); Megson, Chris (HerausgeberIn)
    Erschienen: 2024
    Verlag:  University of Exeter Press, Exeter

    With contributions from an international range of scholars, this ground-breaking study explores the forms, contexts, and impacts of theatre censorship in twenty-first-century Europe mehr

    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    With contributions from an international range of scholars, this ground-breaking study explores the forms, contexts, and impacts of theatre censorship in twenty-first-century Europe

     

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    Hinweise zum Inhalt
    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Etienne, Anne (HerausgeberIn); Megson, Chris (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781804130513
    Schriftenreihe: Exeter Performance Studies
    Schlagworte: 21st century history: from c 2000 -; Ethical issues: censorship; Ethische Themen: Zensur; HISTORY / Social History; LITERARY CRITICISM / Drama; LITERARY CRITICISM / European / General; Literary studies: plays & playwrights; Literaturwissenschaft: Dramen und Dramatiker; PERFORMING ARTS / Theater / General; POLITICAL SCIENCE / Censorship; Social & cultural history; Sozial- und Kulturgeschichte; Theaterwissenschaft; Theatre studies
    Umfang: 266 Seiten
    Bemerkung(en):

    Acknowledgements Introduction Anne Etienne and Chris MegsonPART 1: FORMS AND SOURCES OF CENSORSHIP Intervention 1 - Vicki Ann Cremona and Marco Galea, Capturing Space: Crashing Down the Gates of the Maltese Utopia Chapter 1. Milena Dragicevic Sesic and Aleksandra Jovicevic, Voices from Semi-peripheries: Pressure, Self-censorship, and Micropolitics of Resistance in the Western Balkans Chapter 2. Alex Trustrum-Thomas, The Emperor s New Clothes: Ideology and Censorship in Contemporary Russian Theatre Chapter 3. Anne Etienne and Lisa Fitzpatrick, Risings and Cancelling: Implicit Censorship on a Free Irish Stage PART 2: GHOSTS OF THE PAST Intervention 2 - Andrea Tompa, Censorship in Hungary: Comedy, Silence, and Subversion Chapter 4. Denis Poniz, Nothing New on the Eastern Front: Censorship in Contemporary Slovenia Chapter 5. Agnieszka Jakimiak, Un-Divine Comedy. Remains and Self-Censorship as Work-In- Progress in Poland Chapter 6. Andrew Holden, Opera Censorship in Europe - Production, Circulation, and Reception in a Transnational Market Intervention 3 - Lonneke van Heugten, The Tenacity of Tradition: Performativity in the Dutch Black Pete Controversy PART 3: STAGING TABOOS Intervention 4 - Roaa Ali, Racialized Censorship in the Age of Culture Wars Chapter 7. Chris Megson, Images of Protest: Religion, Theatre, and Censorship Chapter 8. Olga Kolokytha, Yulia Belinskaya, and Matina Magkou, Religion and Politics:Silencing Greek Theatre in the Twenty-First Century Chapter 9. Duncan Wheeler, Booing and Banning:Freedom and Prohibition in Spain s National Fiesta Intervention 5 - Hannah Probst, Play on the Periphery: Irrational Queerness as Resistance to Censorship in Gestalta s Shibari Performance Art