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  1. British Enlightenment theatre
    dramatizing difference
    Autor*in: Orr, Bridget
    Erschienen: 2020
    Verlag:  Cambridge University Press, Cambridge

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays... mehr

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    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108584494
    Weitere Identifier:
    Schlagworte: Theater; English drama; Enlightenment; Theater ; Great Britain ; History ; 18th century; English drama ; 18th century ; History and criticism; Enlightenment ; Great Britain; Great Britain ; Intellectual life ; 18th century
    Umfang: 1 Online-Ressource (x, 285 Seiten), Illustrationen
  2. British Enlightenment theatre
    dramatizing difference
    Autor*in: Orr, Bridget
    Erschienen: 2020
    Verlag:  Cambridge University Press, Cambridge

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays... mehr

     

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism

     

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    Sprache: Englisch
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    ISBN: 9781108584494
    Weitere Identifier:
    Schlagworte: Theater ; Great Britain ; History ; 18th century; English drama ; 18th century ; History and criticism; Enlightenment ; Great Britain; Great Britain ; Intellectual life ; 18th century
    Umfang: 1 Online-Ressource (x, 285 Seiten), Illustrationen
  3. British Enlightenment theatre
    dramatizing difference
    Autor*in: Orr, Bridget
    Erschienen: 2020
    Verlag:  Cambridge University Press, Cambridge

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays... mehr

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    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108584494
    Weitere Identifier:
    Schlagworte: Theater; English drama; Enlightenment; Theater ; Great Britain ; History ; 18th century; English drama ; 18th century ; History and criticism; Enlightenment ; Great Britain; Great Britain ; Intellectual life ; 18th century
    Umfang: 1 Online-Ressource (x, 285 Seiten), Illustrationen
  4. Jane Austen and the Enlightenment
    Erschienen: 2004
    Verlag:  Cambridge University Press, Cambridge

    Jane Austen was received by her contemporaries as a new voice, but her late twentieth-century reputation as a nostalgic reactionary still lingers on. In this radical revision of her engagement with the culture and politics of her age, Peter Knox-Shaw... mehr

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    Jane Austen was received by her contemporaries as a new voice, but her late twentieth-century reputation as a nostalgic reactionary still lingers on. In this radical revision of her engagement with the culture and politics of her age, Peter Knox-Shaw argues that Austen was a writer steeped in the Enlightenment, and that her allegiance to a sceptical tradition within it, shaped by figures such as Adam Smith and David Hume, lasted throughout her career. Knox-Shaw draws on archival and other neglected sources to reconstruct the intellectual atmosphere of the Steventon Rectory where Austen wrote her juvenilia, and follows the course of her work through the 1790s and onwards, showing how minutely responsive it was to the many shifting movements of those turbulent years. Jane Austen and the Enlightenment is an important contribution to the study both of Jane Austen and of intellectual history at the turn of the nineteenth century Auspices -- Pride and prejudice : a politics of the picturesque -- Northanger Abbey and the liberal historians -- Sense and sensibility and the philosophers -- Diffraction -- Mansfield Park : charting the religious revival -- Emma, and the flaws of sovereignty -- Persuasion : light on an old genre -- Sanditon and speculation

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484353
    Weitere Identifier:
    RVK Klassifikation: HL 1685
    Schlagworte: Literature and society; Enlightenment; Skepticism in literature; Austen, Jane ; 1775-1817 ; Philosophy; Austen, Jane ; 1775-1817 ; Political and social views; Literature and society ; Great Britain ; History ; 19th century; Enlightenment ; Great Britain; Skepticism in literature; Great Britain ; Intellectual life ; 18th century
    Weitere Schlagworte: Austen, Jane (1775-1817); Austen, Jane (1775-1817)
    Umfang: 1 Online-Ressource (xi, 275 Seiten), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  5. Women and Enlightenment in eighteenth-century Britain
    Erschienen: 2009
    Verlag:  Cambridge University Press, Cambridge

    During the long eighteenth century, ideas of society and of social progress were first fully investigated. These investigations took place in the contexts of economic, theological, historical and literary writings which paid unprecedented attention... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    During the long eighteenth century, ideas of society and of social progress were first fully investigated. These investigations took place in the contexts of economic, theological, historical and literary writings which paid unprecedented attention to the place of women. Combining intellectual history with literary criticism, Karen O'Brien examines the central importance to the British Enlightenment both of women writers and of women as a subject of enquiry. She examines the work of a range of writers, including John Locke, Mary Astell, David Hume, Adam Smith, Edward Gibbon, T. R. Malthus, the Bluestockings, Catharine Macaulay, Mary Wollstonecraft and the first female historians of the early nineteenth century. She explores the way in which Enlightenment ideas created a language and a framework for understanding the moral agency and changing social roles of women, without which the development of nineteenth-century feminism would not have been possible Anglican Whig feminism in England, 1690-1760 : self-love, reason and social benevolence -- From savage to Scotswoman : the history of femininity -- Roman, Gothic and medieval women : the historicisation of womanhood, 1750-c.1804 -- Catharine Macaulay's histories of England : liberty, civilisation and the female historian -- Good manners and partial civilisation in the writings of Mary Wollstonecraft -- The history women and the population men, 1760-1830

     

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  6. Liberating Medicine, 1720–1835
    Liberating Medicine, 1720–1835
    Autor*in: Clark, Steve
    Erschienen: 2009
    Verlag:  Taylor and Francis, London

    During the eighteenth century medicine became an autonomous discipline and practice. Surgeons justified themselves as skilled practitioners and set themselves apart from the unspecialized, hack 'barber-surgeons' of early modernity. Medical artists... mehr

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    During the eighteenth century medicine became an autonomous discipline and practice. Surgeons justified themselves as skilled practitioners and set themselves apart from the unspecialized, hack 'barber-surgeons' of early modernity. Medical artists proved themselves not merely mechanical reproducers but skilled masters of an identifiable and valuable genre. Occurring alongside these medical developments was the professionalization of the role of the writer, and the accompanying explosion in print culture and popular readership. The essays in this collection focus on a range of medical narratives: Daniel Defoe and Richard Mead on plague; John Brown's medicine as social paradigm; public perceptions of the King's mental illness. Private narratives cross over into the public sphere, blurring the line between doctor and patient as they share language and experience, as in Frances Burney's account of the mastectomy she underwent without anaesthetic, while Ignatius Sancho's letters suggest how the borders between enslavement and liberation, illness and health, can be contested Acknowledgements -- Contributors -- List of Figures -- Introduction -- 1. Liberation and Consumption -- 2. Freedom, Health, and Hypochondria in Ignatius Sancho's Letters -- 3. 'Uncle-Tommery' -- 4. 'Due Preparations' -- 5. An Organic Body Politic -- 6. Blake, Liberation and Medicine -- 7. Untying the Web of Urizen -- 8. 'In Sickness, Despair, and in Agony' -- 9. Disembodied Souls and Exemplary Narratives -- 10. Idiotic Associations -- 11. Authority and Imposture -- 12. George Stubb's Dissection of the Horse and the Expressiveness of 'Facsimiles' -- 13. In Submission -- 14. The Surprising Success of Dr Armstrong -- 15. Anna Barbauld's 'To a Little Invisible Being...' -- 16. 'Some Heart Once Pregnant with Celestial Fire' -- Notes -- Works Cited -- Index

     

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  7. Distraction
    problems of attention in eighteenth-century literature
    Erschienen: [2016]; © 2016
    Verlag:  Johns Hopkins University Press, Baltimore

    Cover -- Half-title -- Title -- Copyright -- Contents -- Preface -- Introduction: The Literary History of Distraction -- The Unifocal and the Multifocal -- The Rise of the Distracted Character -- Attention, Distraction, and Enlightenment Philosophy... mehr

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    Cover -- Half-title -- Title -- Copyright -- Contents -- Preface -- Introduction: The Literary History of Distraction -- The Unifocal and the Multifocal -- The Rise of the Distracted Character -- Attention, Distraction, and Enlightenment Philosophy of Mind -- A Swiftly Tilting Madness -- Categorizing Distraction -- 1 Mind Wandering: Forms of Distraction in the Eighteenth-Century Essay -- Distraction and the Eighteenth-Century Essay -- The Rhetoric of Attention: Appealing to Pathos and Brevitas -- The Essay as a Tool of Focus -- Training Attention to Attention Strengthening Focus: Repetition and Dramatic Irony -- Economies of Attention -- The History of Attention Span -- 2 Lapses of Concentration: Distracted Vigilance and the Female Mind -- Environment and Mind: Urban Diversion and the Distracted Brain -- The Problem of a Soft Female Mind -- Sex, Environment, and the Multifocal Coquette -- The Challenges of Situational Awareness -- Philosophizing Multiplicity: Cognitive Bottlenecks and Sorting Gloves -- Strained Omniscience and the Distracted Heroine -- The Crowded Syntax of Sexual Inattention "Might as Well Be Passed Over as Read": Indulging the Diverted Reader -- 3 Scattered Attention: Distraction and the Rhythm of Cognitive Overload -- Rhythms of Narrative, Rhythms of Mind -- Tristram's Style and the Scattered Rhythms of Cognitive Overload -- Susannah and the Vexed Situation of Madam Reader -- The Anatomy of Parallel Processing -- The Sermon and Rhythms of Distraction -- Hobbyhorses and the Individual Beat of Interest -- Irregular Distraction: The Tempo of Cognitive Overload -- Rhythms of the Brain: Creativity and the Timing of Distraction 4 Fixated Attention: The Gothic Pathology of Single-Minded Focus -- Microscope and Mind -- Scientific Metaphors and the Madness of Attention -- The Politics and Poetics of Fixation -- Involuntary Attention: A Multifocal Selective Blindness -- Sympathy and the Bene.ts of Distraction -- Rewriting Suspense: Interruption and the Gothic Sublime -- Fixation and the Science of Obsession -- 5 Divided Attention: Characterization and Cognitive Richness in Jane Austen -- The Power of Multitasking in Pride and Prejudice -- The Singular Importance of Inattentive Characters Mr. Hurst: The Limited Capacity of the Undivided Mind -- Mrs. Jenkinson: Narrow Bandwidth and the Creation of Depth -- Lydia and Miss Bingley: Caricaturing Cognitive Vacancy -- The Dangers of Too Much Attention -- Distraction as Liveliness of Mind -- Mary Bennet: Hyperfocus and Cognitive Immobility -- Lady Catherine de Bourgh: The Problem of Excessive Vigilance -- Elizabeth Bennet: The Bene.ts of Diversion -- Characterizing Reading: Maps of Distraction and Interest -- Coda: History of Mind and Literary Neuroscience -- Interdisciplinarity: From Theory to Practice Literary Attention: An fMRI Study of Reading Jane Austen

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781421420134
    RVK Klassifikation: EC 2010 ; HK 1081 ; HK 1023
    Schlagworte: Enlightenment ; Great Britain; Psychology and literature ; History ; 18th century; Distraction (Psychology); Interest (Psychology); Cognition in literature; English literature ; 18th century ; History and criticism; Electronic books
    Umfang: 1 Online-Ressource (x, 288 Seiten), Illustrationen, Diagramme
  8. Jane Austen and the Enlightenment
    Erschienen: 2004
    Verlag:  Cambridge University Press, Cambridge

    Jane Austen was received by her contemporaries as a new voice, but her late twentieth-century reputation as a nostalgic reactionary still lingers on. In this radical revision of her engagement with the culture and politics of her age, Peter Knox-Shaw... mehr

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    Jane Austen was received by her contemporaries as a new voice, but her late twentieth-century reputation as a nostalgic reactionary still lingers on. In this radical revision of her engagement with the culture and politics of her age, Peter Knox-Shaw argues that Austen was a writer steeped in the Enlightenment, and that her allegiance to a sceptical tradition within it, shaped by figures such as Adam Smith and David Hume, lasted throughout her career. Knox-Shaw draws on archival and other neglected sources to reconstruct the intellectual atmosphere of the Steventon Rectory where Austen wrote her juvenilia, and follows the course of her work through the 1790s and onwards, showing how minutely responsive it was to the many shifting movements of those turbulent years. Jane Austen and the Enlightenment is an important contribution to the study both of Jane Austen and of intellectual history at the turn of the nineteenth century Auspices -- Pride and prejudice : a politics of the picturesque -- Northanger Abbey and the liberal historians -- Sense and sensibility and the philosophers -- Diffraction -- Mansfield Park : charting the religious revival -- Emma, and the flaws of sovereignty -- Persuasion : light on an old genre -- Sanditon and speculation

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484353
    Weitere Identifier:
    RVK Klassifikation: HL 1685
    Schlagworte: Literature and society; Enlightenment; Skepticism in literature; Austen, Jane ; 1775-1817 ; Philosophy; Austen, Jane ; 1775-1817 ; Political and social views; Literature and society ; Great Britain ; History ; 19th century; Enlightenment ; Great Britain; Skepticism in literature; Great Britain ; Intellectual life ; 18th century
    Weitere Schlagworte: Austen, Jane (1775-1817); Austen, Jane (1775-1817)
    Umfang: 1 Online-Ressource (xi, 275 Seiten), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  9. Women and Enlightenment in eighteenth-century Britain
    Erschienen: 2009
    Verlag:  Cambridge University Press, Cambridge

    During the long eighteenth century, ideas of society and of social progress were first fully investigated. These investigations took place in the contexts of economic, theological, historical and literary writings which paid unprecedented attention... mehr

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    During the long eighteenth century, ideas of society and of social progress were first fully investigated. These investigations took place in the contexts of economic, theological, historical and literary writings which paid unprecedented attention to the place of women. Combining intellectual history with literary criticism, Karen O'Brien examines the central importance to the British Enlightenment both of women writers and of women as a subject of enquiry. She examines the work of a range of writers, including John Locke, Mary Astell, David Hume, Adam Smith, Edward Gibbon, T. R. Malthus, the Bluestockings, Catharine Macaulay, Mary Wollstonecraft and the first female historians of the early nineteenth century. She explores the way in which Enlightenment ideas created a language and a framework for understanding the moral agency and changing social roles of women, without which the development of nineteenth-century feminism would not have been possible Anglican Whig feminism in England, 1690-1760 : self-love, reason and social benevolence -- From savage to Scotswoman : the history of femininity -- Roman, Gothic and medieval women : the historicisation of womanhood, 1750-c.1804 -- Catharine Macaulay's histories of England : liberty, civilisation and the female historian -- Good manners and partial civilisation in the writings of Mary Wollstonecraft -- The history women and the population men, 1760-1830

     

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