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  1. Prosody and Purpose in the English Renaissance
    Autor*in: Hardison, O. B.
    Erschienen: c1989
    Verlag:  Johns Hopkins University Press, Baltimore

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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  2. Gerard Manley Hopkins
    The Classical Background and Critical Reception of His Work
    Autor*in: Bender, Todd K.
    Erschienen: [1966]
    Verlag:  Johns Hopkins Press, Baltimore

    In his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the... mehr

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    In his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the twentieth century. This book analyzes how and to what extent the presuppositions of these critics have dictated the modern conception of Hopkins's work. Bender seeks to dispel, once and for all, the notion that Hopkins was a naïf poet. He provides an analysis of classical Greek and Latin rhetoric relative to the classical background of Hopkins's style and the structure in his poetry. He maintains that especially in Hopkins's more extreme work, such as "The Wreck of the Deutschland," there are precedents for the structure of the poem itself, the structure of the sentences within the poem, and its sensual and obscure imagery in the classical literature that Hopkins knew so well. Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.

     
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  3. Romantic aversions
    aftermaths of Classicism in Wordsworth and Coleridge
    Erschienen: 1999
    Verlag:  McGill-Queen's University Press, Montreal [Que.]

    "Often Regarded as a turning point in literary history, Romanticism is the period when writers such as Wordsworth and Coleridge renounced the common legacy of poets and sought to create a new literature. Despite their emphasis on originality, genius,... mehr

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    "Often Regarded as a turning point in literary history, Romanticism is the period when writers such as Wordsworth and Coleridge renounced the common legacy of poets and sought to create a new literature. Despite their emphasis on originality, genius, and spontaneity, the first-generation Romantics manifested a highly intertextual style that, while repressing certain classical and neoclassical literary conventions, revealed a deep dependence on those same rhetorical practices. Combining original and close readings of the texts with a larger sweep of genre studies, Douglas Kneale brings to light new and unexpected convergences in the Romantic tradition."--BOOK JACKET

     
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  4. Living classics
    Greece and Rome in contemporary poetry in English
    Erschienen: 2009
    Verlag:  Oxford University Press, Oxford

    This collection of essays explores the extensive use of Latin and Greek literary texts in a range of recent poetry written in English. It contains both contributions from poets, who include Tony Harrison, Seamus Heaney, and Michael Longley, talking... mehr

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    This collection of essays explores the extensive use of Latin and Greek literary texts in a range of recent poetry written in English. It contains both contributions from poets, who include Tony Harrison, Seamus Heaney, and Michael Longley, talking about their uses of classical literature in their own work in lyric poetry and in theatre poetry, and essays from academic experts on the same topics. Living Classics asks why contemporary poets are returning to making versionsof and allusions to Greek and Roman literature in their work, and interrogates the parallel interest of modern classical sch

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191571138; 019157113X
    Schriftenreihe: Classical presences
    Schlagworte: English poetry; American poetry; New Zealand poetry; Classical literature; English poetry; American poetry; New Zealand poetry; Classical literature; English poetry; English poetry; English poetry; Literature; Classical literature ; Influence; English poetry; English poetry ; Classical influences; POETRY ; English, Irish, Scottish, Welsh
    Umfang: Online Ressource (xiv, 346 p.), ill.
    Bemerkung(en):

    Includes bibliographical references (p. 325-344) and index. - Description based on print version record
  5. Stateliest measures
    Tennyson and the literature of Greece and Rome
    Erschienen: c2004
    Verlag:  University of Toronto Press, Toronto

    "Stateliest Measures, the first full-length study of Tennyson's thematic and metrical uses of classical material, examines the profoundly important role that his classical background played as he fashioned himself into a poet in the 1820s and 1830s,... mehr

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    "Stateliest Measures, the first full-length study of Tennyson's thematic and metrical uses of classical material, examines the profoundly important role that his classical background played as he fashioned himself into a poet in the 1820s and 1830s, and as he defined himself as poet laureate as of 1850." "A. A. Markley examines Tennyson's objectives in developing the classical dramatic monologue, which, together with In Memoriam and his experiments with classical meters, indicate the degree to which he patterned himself after the Roman poet Virgil in attempting to provide modern Britain with a literature worthy of a new and rapidly expanding world empire. Stateliest Measures demonstrates that Tennyson's engagement with the long-running and complex nineteenth-century debates concerning Hellenism, Imperialism, and modern British culture was much more profound than previously recognized."--Jacket

     
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  6. Classical and Christian ideas in English Renaissance poetry
    a student's guide
    Erschienen: 1994
    Verlag:  Routledge, London

    "Since its first publication Isabel Rivers' sourcebook has established itself as the essential student guide to English Renaissance Poetry. It provides an account of the main classical and Christian ideas, outlining their meaning, their origins and... mehr

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    "Since its first publication Isabel Rivers' sourcebook has established itself as the essential student guide to English Renaissance Poetry. It provides an account of the main classical and Christian ideas, outlining their meaning, their origins and their transmission to the Renaissance; illustrates the ways in which Renaissance poetry drew on classical and Christian ideas; contains extracts from key classical and Christian texts and relates these to the extracts of the English poems which draw on them; and includes suggestions for further reading, and an invaluable bibliographical appendix. In this new edition, the bibliographies have been updated to take account of important recent publications in philosophy, religion and Renaissance studies."--Jacket The golden age and the garden of eden -- The pagan gods -- Platonism and neoplatonism -- Stoicism -- Views of history -- Cosmology -- Reformation and counter-reformation -- Protestant theology -- Humanism -- BIblical exegesis and typology -- Theories of poetry -- Allegory -- Numerology.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 041510646X; 9780415106467; 9780415106474; 0415106478; 020335995X; 9780203359952
    Auflage/Ausgabe: 2nd ed.
    Schlagworte: Christian poetry, English; Classicism; English poetry; English poetry; Renaissance; Christianity and literature; Classicism; English poetry; English poetry; Renaissance; Christian poetry, English; Classicism; English poetry; English poetry; Renaissance; Christianity and literature; Christian poetry, English; Electronic books; Christian poetry, English; Christianity and literature; Classicism; English poetry ; Classical influences; English poetry ; Early modern; Literature; Renaissance; LITERARY CRITICISM ; Shakespeare; Criticism, interpretation, etc
    Umfang: Online Ressource (vii, 233 p.)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

    The golden age and the garden of edenThe pagan gods -- Platonism and neoplatonism -- Stoicism -- Views of history -- Cosmology -- Reformation and counter-reformation -- Protestant theology -- Humanism -- BIblical exegesis and typology -- Theories of poetry -- Allegory -- Numerology.
  7. Pastoral and the poetics of self-contradiction
    Theocritus to Marvell
    Autor*in: Haber, Judith Deborah
    Erschienen: 1994
    Verlag:  Cambridge University Press, Cambridge

    Traditionally, critics of the English Renaissance have viewed pastoral as a static, idealizing genre, aimed at the recreation of an idyllic past. More recently, these idealizing humanist approaches have been forcefully challenged by studies written... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Traditionally, critics of the English Renaissance have viewed pastoral as a static, idealizing genre, aimed at the recreation of an idyllic past. More recently, these idealizing humanist approaches have been forcefully challenged by studies written from historicist perspectives. In Pastoral and the Poetics of Self-Contradiction, first published in 1995, Judith Haber complicates the conventional opposition between humanist and historicist criticism by examining the ways in which pastoral poets themselves interrogate the contradictory relations inherent in their genre. Haber explores problems of representation, self-representation, and imitation in classical and Renaissance pastoral, focusing on texts by Theocritus, Virgil, Sidney and Marvell. Her approach revises current understanding of pastoral as a genre, and raises wider questions about the place of literature in society and the difficulties involved in constituting literary traditions Introduction: "Remedies themselves complain": pastoral poetry, pastoral criticism -- 1. Bringing it all back home : bucolic and heroic in Theocritus' Idylls -- 2. Si numquam fallit imago: Virgil's revision of Theocritus -- 3. Pastime and passion: the impasse in the Old Arcadia -- 4. Complaints themselves remedy: Marvell's lyrics as problem and solution -- Epilogue: Farewell to pastoral: The Shepherd's Week

     
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  8. Chaucer and the tradition of the Roman antique
    Autor*in: Nolan, Barbara
    Erschienen: 1992
    Verlag:  Cambridge University Press, Cambridge

    This is a detailed investigation of Chaucer's poetics in Troilus and Criseyde and the Knight's Tale in relation to an important continental narrative tradition. It is the first such wide-ranging study since Charles Muscatine's seminal Chaucer and the... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    This is a detailed investigation of Chaucer's poetics in Troilus and Criseyde and the Knight's Tale in relation to an important continental narrative tradition. It is the first such wide-ranging study since Charles Muscatine's seminal Chaucer and the French Tradition and the first book to argue in detail that Chaucer's poems, Boccaccio's Filostrato and Teseida and the twelfth-century French romans antiques participate in a distinct formal tradition within the protean field of medieval romance. By close examination of the formal and ethical designs of each poem, Barbara Nolan explores both the compositional practices shared by all of the poets she discusses, and their calculated differences from each other. Her analysis culminates in a full examination of Chaucer's richly original response to the continental verse narratives from which he borrowed. No other study offers so full and careful a delineation of the compositional features that distinguish the roman antique from other forms of romance in the Middle Ages

     
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  9. The Augustan art of poetry
    Augustan translation of the classics
    Autor*in: Sowerby, Robin
    Erschienen: 2006
    Verlag:  Oxford University Press, Oxford, England

    The first comparative study of its kind, The Augustan Art of Poetry uses translations to explore the artistic influence of the Roman poetry of the Augustan age upon English neoclassical poetry. The book foregrounds the artistry of central texts such... mehr

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    The first comparative study of its kind, The Augustan Art of Poetry uses translations to explore the artistic influence of the Roman poetry of the Augustan age upon English neoclassical poetry. The book foregrounds the artistry of central texts such as Dryden's translation of Virgil and Pope's Homer. Comparisons are also made with modern versions. - ;While previous studies have concentrated largely upon political concerns, The Augustan Art of Poetry is an exploration of the influence of the Roman Augustan aesthetic on English neo-classical poets of the seventeenth and eighteenth centuries. At

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0199286124; 9780199286126
    Schlagworte: English poetry; Classical poetry; Classical languages; Classical poetry; Translating and interpreting; Classical languages ; Translating into English; Classical poetry ; Appreciation ; Great Britain; Classical poetry ; Translations into English ; History and criticism; English poetry ; Classical influences; Translating and interpreting ; Great Britain ; History ; 18th century; Electronic books
    Umfang: Online-Ressource (viii, 368 p), ill, 23 cm
    Bemerkung(en):

    Includes bibliographical references (p. [353]-360) and index

    Electronic reproduction; Available via World Wide Web

    Contents; List of Illustrations; Abbreviations; A Note on the Texts; Introduction; 1. The Art of Poetry: Vida to Pope; 2. The Augustan Ideal: Rhyme and Refinement; 3. Augustan Translation of Silver Latin; 4. Augustan Homer; Epilogue: Augustans and Moderns; Select Bibliography; Index
  10. Chaucer and the tradition of the Roman antique
    Autor*in: Nolan, Barbara
    Erschienen: 1992
    Verlag:  Cambridge University Press, Cambridge

    This is a detailed investigation of Chaucer's poetics in Troilus and Criseyde and the Knight's Tale in relation to an important continental narrative tradition. It is the first such wide-ranging study since Charles Muscatine's seminal Chaucer and the... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    This is a detailed investigation of Chaucer's poetics in Troilus and Criseyde and the Knight's Tale in relation to an important continental narrative tradition. It is the first such wide-ranging study since Charles Muscatine's seminal Chaucer and the French Tradition and the first book to argue in detail that Chaucer's poems, Boccaccio's Filostrato and Teseida and the twelfth-century French romans antiques participate in a distinct formal tradition within the protean field of medieval romance. By close examination of the formal and ethical designs of each poem, Barbara Nolan explores both the compositional practices shared by all of the poets she discusses, and their calculated differences from each other. Her analysis culminates in a full examination of Chaucer's richly original response to the continental verse narratives from which he borrowed. No other study offers so full and careful a delineation of the compositional features that distinguish the roman antique from other forms of romance in the Middle Ages

     
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  11. Pastoral and the poetics of self-contradiction
    Theocritus to Marvell
    Autor*in: Haber, Judith Deborah
    Erschienen: 1994
    Verlag:  Cambridge University Press, Cambridge

    Traditionally, critics of the English Renaissance have viewed pastoral as a static, idealizing genre, aimed at the recreation of an idyllic past. More recently, these idealizing humanist approaches have been forcefully challenged by studies written... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Traditionally, critics of the English Renaissance have viewed pastoral as a static, idealizing genre, aimed at the recreation of an idyllic past. More recently, these idealizing humanist approaches have been forcefully challenged by studies written from historicist perspectives. In Pastoral and the Poetics of Self-Contradiction, first published in 1995, Judith Haber complicates the conventional opposition between humanist and historicist criticism by examining the ways in which pastoral poets themselves interrogate the contradictory relations inherent in their genre. Haber explores problems of representation, self-representation, and imitation in classical and Renaissance pastoral, focusing on texts by Theocritus, Virgil, Sidney and Marvell. Her approach revises current understanding of pastoral as a genre, and raises wider questions about the place of literature in society and the difficulties involved in constituting literary traditions Introduction: "Remedies themselves complain": pastoral poetry, pastoral criticism -- 1. Bringing it all back home : bucolic and heroic in Theocritus' Idylls -- 2. Si numquam fallit imago: Virgil's revision of Theocritus -- 3. Pastime and passion: the impasse in the Old Arcadia -- 4. Complaints themselves remedy: Marvell's lyrics as problem and solution -- Epilogue: Farewell to pastoral: The Shepherd's Week

     
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  12. Stateliest Measures
    Tennyson and the Literature of Greece and Rome
    Autor*in: Markley, iv Arnold A.
    Erschienen: 2014
    Verlag:  University of Toronto Press, Toronto

    Stateliest Measures demonstrates that Tennyson's engagement with the long-running and complex nineteenth-century debates concerning Hellenism, Imperialism, and modern British culture was much more profound than his critics have recognized mehr

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    Stateliest Measures demonstrates that Tennyson's engagement with the long-running and complex nineteenth-century debates concerning Hellenism, Imperialism, and modern British culture was much more profound than his critics have recognized

     
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