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  1. A companion to restoration drama
    Beteiligt: Owen, Susan J. (Hrsg.)
    Erschienen: 2001
    Verlag:  Blackwell, Oxford [u.a.]

    Part III. Dramatists: William Davenant and John Dryden / Richard Kroll -- 'Still on the criminal's side, against the innocent' : Etherege, Wycherley and the ironies of wit / Robert Markley -- 'Who vices dare explode' : Thomas Shadwell, Thomas Durfey... mehr

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    Universität Potsdam, Universitätsbibliothek
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    Part III. Dramatists: William Davenant and John Dryden / Richard Kroll -- 'Still on the criminal's side, against the innocent' : Etherege, Wycherley and the ironies of wit / Robert Markley -- 'Who vices dare explode' : Thomas Shadwell, Thomas Durfey and didactic drama of the Restoration / Christopher Wheatley -- Otway, Lee and the Restoration history play / Paulina Kewes -- Elkanah Settle, John Crowne and Nahum Tate / Don-John Dugas -- Two female playwrights of the Restoration : Aphra Behn and Susanna Centlivre / Cynthia Lowenthal -- William Congreve and Thomas Southerne / Miriam Handley -- Sir John Vanbrugh and George Farquhar in the post-Restoration age / John Bull. Part II. Kinds of Drama: Heroic drama and tragicomedy / Derek Hughes -- Restoration comedy / J. Douglas Canfield -- Tragedy and varieties of serious drama / Jean I. Marsden -- London theatre music, 1660-1719 / Todd S. Gilman -- Shakespeare and other adaptations / Sandra Clark -- Rakes, wives, and merchants : shifts from the satirical to the sentimental / Kirk Combe. Part I. The Drama in Context: The post-1660 theatres as performance spaces / Edward A. Langhans -- Restoration dramatic theory and criticism / Paul D. Cannan -- Theatrical regulation during the Restoration period / Matthew J. Kinservik -- Libertinism and sexuality / Maximillian E. Novak -- The Restoration actress / Deborah Payne Fisk -- Masculinity in Restoration drama / Laura J. Rosenthal -- Images of monarchy on the Restoration stage / Jessica Munns -- Restoration drama and politics : an overview / Susan J. Owen -- Restoration drama and social class / Aparna Dharwadker -- Race, performance, and the silenced Prince of Angola / Mita Choudhury -- Restoration drama after the Restoration : the critics, the repertory, and the canon / Brian Corman.

     
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    Quelle: Verbundkataloge
    Beteiligt: Owen, Susan J. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0631219234; 1118663403; 1782688277; 9780631219231; 9781118663400; 9781782688273
    Weitere Identifier:
    9780631219231
    RVK Klassifikation: HK 1210
    Schriftenreihe: Blackwell companions to literature and culture ; 12
    Schlagworte: English drama; English Literature; English; Languages & Literatures; Theatre anglais ; 1660-1700 (Restauration) ; Histoire et critique ; Guides, manuels, etc; Engels; Criticism, interpretation, etc; Handbooks and manuals; English drama ; Restoration; Toneelstukken
    Umfang: Online-Ressource
  2. Playwrights and plagiarists in early modern England
    gender, authorship, literary property
    Autor*in: Rosenthal, Laura Jean
    Erschienen: ©1996
    Verlag:  Cornell University Press, Ithaca, N.Y

    Introduction: Drama and Cultural location. -- Rewriting distinctions: Property, plagiarism, position. -- "Authoress of a Whole World": The Duchess of Newcastle and imaginary property. -- Aphra Behn and the hostility of influence. -- "Ladies and Fob... mehr

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    Introduction: Drama and Cultural location. -- Rewriting distinctions: Property, plagiarism, position. -- "Authoress of a Whole World": The Duchess of Newcastle and imaginary property. -- Aphra Behn and the hostility of influence. -- "Ladies and Fob Authors never are at Odds": Colley Cibber, female wits. -- Writing (as) the Lady's last stake: Susanna Centlivre. -- Epilogue. -- Index. Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for men, for amateurs than for professionals, and for playwrights than for other authors. Rosenthal explores distinctions between legitimate and illegitimate forms of literary appropriation in drama from 1650 to 1730. In considering the alleged plagiarists Margaret Cavendish (the duchess of Newcastle), Aphra Behn, John Dryden, Colley Cibber, and Susanna Centlivre, Rosenthal maintains that accusations had less to do with the degree of repetition in texts than with the gender of the authors and the cultural location of the plays. Questions of literary property, then, became not just legal matters but part of a discourse aimed at conferring or withholding cultural authority Gender and class, she contends, continued to influence judgments as to what stories a playwright could own or use, as to whom critics praised as heirs to Shakespeare and Jonson, and as to whom they damned as plagiarists

     
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  3. Restoration comedy
    Erschienen: 2002
    Verlag:  Blackwell, Oxford, U.K

    The country wife (1675) / William Wycherley -- The way of the world (1700) / William Congreve. mehr

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    The country wife (1675) / William Wycherley -- The way of the world (1700) / William Congreve.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0470757051; 0470756810; 0631234721; 9780470756812; 9780631234722; 9780470757055
    Weitere Identifier:
    Schriftenreihe: Blackwell essential literature
    Schlagworte: English drama; English drama (Comedy); English drama ; Restoration; DRAMA ; English, Irish, Scottish, Welsh; English drama (Comedy)
    Umfang: 1 Online-Ressource (153 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  4. The Adventures of Sir Samuel Tuke
    full authentic text of Tuke's play and suggestions for staging The adventures of five hours
    Erschienen: 2003
    Verlag:  Ituri, Woodford Halse

    A mighty good play -- The author -- On stage and in print -- The critical reception -- Staging the play -- Sources quoted -- The adventures of five hours / Samuel Tuke. mehr

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    A mighty good play -- The author -- On stage and in print -- The critical reception -- Staging the play -- Sources quoted -- The adventures of five hours / Samuel Tuke.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780956722263; 0956722261
    Schlagworte: English drama; English literature; English literature; English drama; English literature; English drama; DRAMA ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc; Drama; History; Comedies; English drama ; Restoration; English literature
    Weitere Schlagworte: Tuke, Samuel -1674; Tuke, Samuel Sir (-1674); Tuke, Samuel Sir (-1674); Tuke, Samuel d. 1674; Tuke, Samuel
    Umfang: Online Ressource (142 p.), ill.
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    Originally published as: The adventures of five hours.-London : Herringman, 1671. - Includes bibliographical references (p. [42-43]). - Description based on print version record
  5. Restoration comedy
    Erschienen: 2002
    Verlag:  Blackwell, Oxford, U.K

    The country wife (1675) / William Wycherley -- The way of the world (1700) / William Congreve. mehr

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    Universitätsbibliothek Mannheim
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    The country wife (1675) / William Wycherley -- The way of the world (1700) / William Congreve.

     
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    Medientyp: Ebook
    Format: Online
    ISBN: 0470757051; 0470756810; 0631234721; 9780470756812; 9780631234722; 9780470757055
    Weitere Identifier:
    Schriftenreihe: Blackwell essential literature
    Schlagworte: English drama; English drama (Comedy); English drama ; Restoration; DRAMA ; English, Irish, Scottish, Welsh; English drama (Comedy)
    Umfang: 1 Online-Ressource (153 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  6. London Merchant
    Autor*in: Lillo, George
    Erschienen: 2014
    Verlag:  UNP - Nebraska, s.l.

    Mrs. Millwood is beautiful, intelligent, and ambitious, but London gives her no means of support except to seduce men. Love for her leads eighteen-year-old Barnwell to deceit, theft, and murder. ""What are your laws, "" Mrs. Millwood asks, ""but the... mehr

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    Mrs. Millwood is beautiful, intelligent, and ambitious, but London gives her no means of support except to seduce men. Love for her leads eighteen-year-old Barnwell to deceit, theft, and murder. ""What are your laws, "" Mrs. Millwood asks, ""but the fool's wisdom and the coward's valor, the instrument and screen of all your villainies by which you punish in others what you act out yourselves, had you been in their circumstances? The judge who condemns the poor man for being a thief had been a thief himself, had he been poor. Thus you go on deceiving and being deceived, harassing, plaguing, an Cover Page; Title Page; Copyright Page; Regents Restoration Drama Series; Contents; List of Abbreviations in Textual Notes; Introduction; Selective Bibliography; The London Merchant; Appendix A: Advertisement; Appendix B: Scene the Last; Appendix C: The Ballad of George Barnwell; Appendix D: Chronology; Back Cover

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 9780803276987; 0803276982
    Schlagworte: English drama; English drama; English drama; English drama ; Restoration; DRAMA ; English, Irish, Scottish, Welsh
    Umfang: Online Ressource (119 pages)
    Bemerkung(en):

    Print version record
  7. Fatal desire
    women, sexuality, and the English stage, 1660-1720
    Autor*in: Marsden, Jean I.
    Erschienen: 2006
    Verlag:  Cornell University Press, Ithaca, N.Y

    "Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century - a period when for the first time female actors could perform in... mehr

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    "Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century - a period when for the first time female actors could perform in public. Jean I. Marsden maintains that the feminization of serious drama during this period is tied to the cultural function of theater. Women served as symbols of both domestic and imperial propriety, and so Marsden links the representation of women on the stage to the social context in which the plays appeared and to the moral and often political lessons they offered the audience. The witty heroines of comedies were usually absorbed into the social fabric by marrying similarly lighthearted gentlemen, but the heroines of tragedy suffered for their sins, real or perceived. That suffering served the dual purpose of titillating and educating the theater audience." "Marsden discusses such plays as William Wycherley's Plain Dealer (1676), John Vanbrugh's Provoked Wife (1697), Thomas Otway's Orphan (1680), Thomas Southerne's Fatal Marriage (1694), and William Congreve's Mourning Bride (1697). The author also addresses tragedies written by three female playwrights, Mary Pix, Catharine Trotter, and Delarivier Manley, and sketches developments in tragedy during the period."--Jacket Female spectatorship, Jeremy Collier, and the antitheatrical debate -- Women watching : the female spectator in late-seventeenth-century comedy -- Falling women : she-tragedy and sexual spectacle -- Women writing women : female authors of she-tragedy -- Nicholas Rowe and the second generation of she-tragedy -- Sex, politics, and the Hanoverian succession : refiguring Lady Jane Grey

     
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  8. Theatre and culture in early modern England, 1650-1737
    from Leviathan to Licensing Act
    Erschienen: 2010
    Verlag:  Ashgate, Farnham, Surrey, England

    Framed by the publication of Leviathan and the 1713 Licensing Act, this collection provides analysis of both canonical and non-canonical texts within the scope of an eighty-year period of theatre history, allowing for definition and assessment that... mehr

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    Framed by the publication of Leviathan and the 1713 Licensing Act, this collection provides analysis of both canonical and non-canonical texts within the scope of an eighty-year period of theatre history, allowing for definition and assessment that uncouples Restoration drama from eighteenth-century drama. Paying special attention to literary innovation and sociopolitical changes, this book is a valuable tool for scholars of Restoration and eighteenth-century performance, providing groundwork for future research and investigation

     
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  9. Coyness and Crime in Restoration Comedy
    Women's Desire, Deception, and Agency
    Autor*in: Thompson, Peggy
    Erschienen: 2011
    Verlag:  Bucknell University Press, Lanham

    .Cs95E872D0{text-align:left;text-indent:0pt;margin:0pt 0pt 0pt 0pt}.csA62DFD6A{color:#000000;background-color:transparent;font-family:Times New Roman; font-size:12pt; font-weight:normal; font-style:italic;... mehr

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    .Cs95E872D0{text-align:left;text-indent:0pt;margin:0pt 0pt 0pt 0pt}.csA62DFD6A{color:#000000;background-color:transparent;font-family:Times New Roman; font-size:12pt; font-weight:normal; font-style:italic; }.cs5EFED22F{color:#000000;background-color:transparent;font-family:Times New Roman; font-size:12pt; font-weight:normal; font-style:normal; }Coyness and Crime examines the extraordinary focus on feminine coyness in forty English comedies by ten diverse playwrights of the late seventeenth-century. In contexts ranging from reaffirmations of church and king to emerging interests in liberty and

     
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  10. Genre and generic change in English comedy, 1660-1710
    Erschienen: c1993
    Verlag:  University of Toronto Press, Toronto [Ont.]

    Corman proposes a new way of looking at genre and generic change and brings a remarkable thoroughness and sensitivity to his study of individual authors and their work Contents -- Preface -- 1 The 'Mixt Way' of Comedy -- 2 Six Representative... mehr

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    Corman proposes a new way of looking at genre and generic change and brings a remarkable thoroughness and sensitivity to his study of individual authors and their work Contents -- Preface -- 1 The 'Mixt Way' of Comedy -- 2 Six Representative Comedies, 1670�1675 -- 3 Six Representative Comedies, 1690�1695 -- 4 Six Representative Comedies, 1705�1710 -- Conclusion -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z

     
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  11. A companion to restoration drama
    Beteiligt: Owen, Susan J. (Hrsg.)
    Erschienen: 2001
    Verlag:  Blackwell, Oxford [u.a.]

    Part III. Dramatists: William Davenant and John Dryden / Richard Kroll -- 'Still on the criminal's side, against the innocent' : Etherege, Wycherley and the ironies of wit / Robert Markley -- 'Who vices dare explode' : Thomas Shadwell, Thomas Durfey... mehr

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    Part III. Dramatists: William Davenant and John Dryden / Richard Kroll -- 'Still on the criminal's side, against the innocent' : Etherege, Wycherley and the ironies of wit / Robert Markley -- 'Who vices dare explode' : Thomas Shadwell, Thomas Durfey and didactic drama of the Restoration / Christopher Wheatley -- Otway, Lee and the Restoration history play / Paulina Kewes -- Elkanah Settle, John Crowne and Nahum Tate / Don-John Dugas -- Two female playwrights of the Restoration : Aphra Behn and Susanna Centlivre / Cynthia Lowenthal -- William Congreve and Thomas Southerne / Miriam Handley -- Sir John Vanbrugh and George Farquhar in the post-Restoration age / John Bull. Part II. Kinds of Drama: Heroic drama and tragicomedy / Derek Hughes -- Restoration comedy / J. Douglas Canfield -- Tragedy and varieties of serious drama / Jean I. Marsden -- London theatre music, 1660-1719 / Todd S. Gilman -- Shakespeare and other adaptations / Sandra Clark -- Rakes, wives, and merchants : shifts from the satirical to the sentimental / Kirk Combe. Part I. The Drama in Context: The post-1660 theatres as performance spaces / Edward A. Langhans -- Restoration dramatic theory and criticism / Paul D. Cannan -- Theatrical regulation during the Restoration period / Matthew J. Kinservik -- Libertinism and sexuality / Maximillian E. Novak -- The Restoration actress / Deborah Payne Fisk -- Masculinity in Restoration drama / Laura J. Rosenthal -- Images of monarchy on the Restoration stage / Jessica Munns -- Restoration drama and politics : an overview / Susan J. Owen -- Restoration drama and social class / Aparna Dharwadker -- Race, performance, and the silenced Prince of Angola / Mita Choudhury -- Restoration drama after the Restoration : the critics, the repertory, and the canon / Brian Corman.

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Owen, Susan J. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0631219234; 1118663403; 1782688277; 9780631219231; 9781118663400; 9781782688273
    Weitere Identifier:
    9780631219231
    RVK Klassifikation: HK 1210
    Schriftenreihe: Blackwell companions to literature and culture ; 12
    Schlagworte: English drama; English Literature; English; Languages & Literatures; Theatre anglais ; 1660-1700 (Restauration) ; Histoire et critique ; Guides, manuels, etc; Engels; Criticism, interpretation, etc; Handbooks and manuals; English drama ; Restoration; Toneelstukken
    Umfang: Online-Ressource
  12. Four Restoration libertine plays
    Erschienen: 2005
    Verlag:  Oxford University Press, Oxford, England

    These four plays in the Oxford English Drama series capture the range of responses to the fashionable and daring libertine movement in the second half of the seventeenth century. A Fond Husband and Friendship in Fashion are lesser-known comic gems of... mehr

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    These four plays in the Oxford English Drama series capture the range of responses to the fashionable and daring libertine movement in the second half of the seventeenth century. A Fond Husband and Friendship in Fashion are lesser-known comic gems of the Restoration stage; The Man of Mode is Etherege's masterpiece, and The Libertine is Shadwell's experimental and dark version of the Don Juan story. - ;Thomas Shadwell, The Libertine * George Etherege, The Man of Mode * Thomas Durfey, A Fond Husband * Thomas Otway, Friendship in Fashion. These four plays in the Oxford English Drama series captur

     
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    ISBN: 9780191517822; 0191517828; 9780192832948; 0192832948
    Schriftenreihe: Oxford English drama
    Oxford world's classics
    Schlagworte: English drama; Libertinism; English drama; Libertinism; English drama ; Restoration; Libertinism; Drama
    Umfang: Online Ressource (liv, 414 p.)
    Bemerkung(en):

    Includes bibliographical references (p. li-liii). - Description based on print version record
  13. Plays ; The Wild gallant ; The Rival Ladies ; The Indian Queen
    Erschienen: c1965
    Verlag:  University of California Press, Berkeley

    WIld gallant -- Rival ladies -- Indian Queen -- Commentary -- Staging -- Actors -- Operatic Indian Queen -- Textual notes -- Index to the commentary. mehr

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    WIld gallant -- Rival ladies -- Indian Queen -- Commentary -- Staging -- Actors -- Operatic Indian Queen -- Textual notes -- Index to the commentary.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520904842; 0520904842
    Schriftenreihe: Works of John Dryden ; 8
    Schlagworte: English drama; English drama; English drama; Criticism, interpretation, etc; English drama ; Restoration; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh
    Weitere Schlagworte: Dryden, John 1631-1700; Dryden, John (1631-1700); Dryden, John (1631-1700); Dryden, John
    Umfang: Online Ressource (ix, 376 p.)
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    Includes index. - Description based on print version record

    WIld gallantRival ladies -- Indian Queen -- Commentary -- Staging -- Actors -- Operatic Indian Queen -- Textual notes -- Index to the commentary.
  14. Colonial women
    race and culture in Stuart drama
    Erschienen: 2001
    Verlag:  Oxford University Press, Oxford

    Colonial Women is the first comprehensive study to explore the interpenetrating discourses of gender and race in Stuart drama. Analyzing the plays of Shakespeare, Fletcher, Davenant, Dryden, Behn and other playwrights, Heidi Hutner argues that in... mehr

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    Colonial Women is the first comprehensive study to explore the interpenetrating discourses of gender and race in Stuart drama. Analyzing the plays of Shakespeare, Fletcher, Davenant, Dryden, Behn and other playwrights, Heidi Hutner argues that in drama, as in historical accounts, the symbol of the native woman is used to justify and promote the success of the English appropriation, commodification, and exploitation of the New World and its native inhabitants

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780195141887; 0195141881; 1280531193; 9781280531194; 1429402229; 9781429402224
    Schlagworte: English drama; Women and literature; English drama; Women and literature; Land tenure in literature; Imperialism in literature; Colonies in literature; Culture in literature; Women in literature; Race in literature; Women and literature; English drama; Women and literature; English drama; Women and literature; English drama; Women and literature; Land tenure in literature; Imperialism in literature; Colonies in literature; Culture in literature; Women in literature; Race in literature; English drama; DRAMA ; English, Irish, Scottish, Welsh; Colonies in literature; Culture in literature; English drama; English drama ; Restoration; Imperialism in literature; Land tenure in literature; Race in literature; Women and literature; Women in literature; Toneelstukken; Engels; Inheemsen; Vrouwen; Criticism, interpretation, etc; History
    Weitere Schlagworte: Shakespeare, William 1564-1616; Behn, Aphra 1640-1689; Behn, Aphra (1640-1689): Widow ranter; Shakespeare, William (1564-1616): Tempest; Shakespeare, William (1564-1616): Tempest; Behn, Aphra (1640-1689): Widow ranter; Shakespeare, William 1564-1616; Behn, Aphra 1640-1689
    Umfang: Online Ressource (ix, 141 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 111-130) and index. - Description based on print version record

    Machine generated contents note: I.Introduction: Colonial Women and Stuart Drama 3 -- The Tempest, The Sea Voyage, and the Pocahontas Myth 21 -- Restoration Revisions of The Tempest 45 -- The Indan Queen and The Indian Emperour 65 -- Aphra Behn's The Widow Ranter 89 Afterword Notes Index.
  15. The relapse
    The provoked wife ; The confederacy ; A journey to London ; The country house
    Erschienen: 2004
    Verlag:  Oxford University Press, Oxford

    This edition contains five comedies on the theme of marital disharmony by the foremost Restoration playwright John Vanbrugh (1664-1726). In addition to the The Relapse it includes The Provoked Wife, The Confederacy, A Journey to London, and The... mehr

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    This edition contains five comedies on the theme of marital disharmony by the foremost Restoration playwright John Vanbrugh (1664-1726). In addition to the The Relapse it includes The Provoked Wife, The Confederacy, A Journey to London, and The Country House. Published in the Oxford English Drama series, it has modernized texts, a critical introduction, wide-ranging annotation, and an informative bibliography. It is the only selection. of Vanbrugh's plays currently in print. - ;The Relapse * The Provoked Wife * The Confederacy * A Journey to London * The Country House. These five comedies on t The relapse -- The provoked wife -- The confederacy -- A journey to London -- The country house.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191517839; 0191517836
    Schriftenreihe: Oxford English drama
    Oxford world's classics
    Schlagworte: English drama; English drama; English drama; English drama; English drama; English drama; English drama; English drama ; Restoration; DRAMA ; English, Irish, Scottish, Welsh
    Umfang: Online Ressource (xli, 380 p.)
    Bemerkung(en):

    Includes bibliographical references. - Description based on print version record

    The relapseThe provoked wife -- The confederacy -- A journey to London -- The country house.
  16. Ravishment of Reason
    Governance and the Heroic Idioms of the Late Stuart Stage, 1660-1690
    Autor*in: Chua, Brandon
    Erschienen: [2014]
    Verlag:  Bucknell University Press, Lewisburg, PA

    <Span style=""font-style:italic;"">Ravishment of Reason presents a new contextual framework for the study of Restoration drama, demonstrating the important cultural work performed by the restored theaters in offering versions of political theory that... mehr

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    Ravishment of Reason presents a new contextual framework for the study of Restoration drama, demonstrating the important cultural work performed by the restored theaters in offering versions of political theory that mediated between older notions of thaumaturgic authority and proto-modern forms of government premised upon autonomy and contract

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781611485837; 1611485835
    Schriftenreihe: Transits: Literature, Thought & Culture, 1650-1850
    Schlagworte: English drama; Theater; English drama; Theater; Theater; DRAMA ; English, Irish, Scottish, Welsh; English drama ; Restoration; History
    Umfang: Online Ressource
    Bemerkung(en):

    Includes bibliographical references and index. - Print version record

    Heroicall pictures: government and the restoration heroic playNew rights we grant not, but the old declare: history, friendship, and consent in Roger Boyle's Henry V -- Tis all but ceremony which is past: conversion and heroic passions in John Dryden's The conquest of Granada, parts one and two (1670-1672) -- Shakespeare's history lesson: John Crowne's misery of civil war -- Cajoling the people with his known industry: the passions and spectacular politics in Nathaniel Lee's Lucius Junius Brutus -- The politics of cowardice: fear, interest, and security in Aphra Behn's The widdow ranter -- Half loath and half consenting: interpretive relativism and incest in John Dryden's Don Sebastian.
  17. Broken boundaries
    women & feminism in Restoration drama
    Beteiligt: Quinsey, Katherine M. (Hrsg.)
    Erschienen: [1996]
    Verlag:  The University Press of Kentucky, Lexington

    Blacker than hell creates : Pix rewrites Othello /Jacqueline Pearson --Unmanned with thy words : regendering tragedy in Manley and Trotter /Rebecca Merrens --In carnival world of Adam's garden : roving and rape in Behn's Rover /Dagny Boebel --Closure... mehr

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    Blacker than hell creates : Pix rewrites Othello /Jacqueline Pearson --Unmanned with thy words : regendering tragedy in Manley and Trotter /Rebecca Merrens --In carnival world of Adam's garden : roving and rape in Behn's Rover /Dagny Boebel --Closure and subversion in Behn's comedies /Peggy Thompson --Lady Fulbank and poet's dream in Behn's Lucky Chance /Robert A. Erickson --Tupping your rival's women : cit-cuckholding as class warfare in restoration comedy /J. Douglas Canfield --Almahide still lives : feminine will and identity in Dryden's Conquest of Granada /Katherine M. Quinsey --Resisting a private tyranny in two humane comedies /James E. Evans --Way of word : telling differences in Congreve's Way of the World /Pat Gill --Rape, voyeurism, and restoration stage /Jean I. Marsden --Reading masks : the actress and the spectatrix in restoration Shakespeare /Laura J. Rosenthal --Sticks and rags, bodies and brocade : essentializing discourses and the late restoration playhouse /Cynthia Lowenthal. This volume of twelve original essays is the first comprehensive study of feminist issues in Restoration drama. The late seventeenth century marks a pivotal era in the history of feminism, when Renaissance assumptions about gender and patriarchy were being directly challenged. For the first time, women appeared onstage as actresses, made their presence felt as spectators and patrons, and wrote a number of the plays produced in theaters. In an unusually direct and probing way, drama of the Restoration period raised radical questions about the place of women in the family and in society, and abo

     
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    Quelle: Verbundkataloge
    Beteiligt: Quinsey, Katherine M. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813147833; 0813147832
    Schlagworte: English drama; Feminism and literature; Literature and society; Women in the theater; Women and literature; Feminist drama, English; Theater; Women in literature; Gender identity in literature; Sex role in literature; Women in the theater; Women and literature; Feminist drama, English; Theater; Feminism and literature; Literature and society; English drama; Women and literature; Feminist drama, English; Theater; Gender identity in literature; Sex role in literature; Women in the theater; Feminism and literature; Literature and society; English drama; Women in literature; DRAMA ; English, Irish, Scottish, Welsh; LITERARY CRITICISM ; Drama; English drama ; Restoration; Feminism and literature; Feminist drama, English; Gender identity in literature; Literature and society; Sex role in literature; Theater; Women and literature; Women in literature; Women in the theater; Criticism, interpretation, etc; History
    Umfang: Online Ressource (1996.)
    Bemerkung(en):

    Includes bibliographical references and index. - Print version record

    Jacqueline Pearson: Blacker than hell creates : Pix rewrites Othello

    Rebecca Merrens: Unmanned with thy words : regendering tragedy in Manley and Trotter

    Dagny Boebel: In carnival world of Adam's garden : roving and rape in Behn's Rover

    Peggy Thompson: Closure and subversion in Behn's comedies

    Robert A. Erickson: Lady Fulbank and poet's dream in Behn's Lucky Chance

    J. Douglas Canfield: Tupping your rival's women : cit-cuckholding as class warfare in restoration comedy

    Katherine M. Quinsey: Almahide still lives : feminine will and identity in Dryden's Conquest of Granada

    James E. Evans: Resisting a private tyranny in two humane comedies

    Pat Gill: Way of word : telling differences in Congreve's Way of the World

    Jean I. Marsden: Rape, voyeurism, and restoration stage

    Laura J. Rosenthal: Reading masks : the actress and the spectatrix in restoration Shakespeare

    Cynthia Lowenthal.: Sticks and rags, bodies and brocade : essentializing discourses and the late restoration playhouse
  18. A mirror to nature
    transformations in drama and aesthetics, 1660-1732
    Erschienen: [1986]
    Verlag:  University Press of Kentucky, Lexington

    Cover; Title; Copyright; Contents; Acknowledgments; 1. The Four Stages of Dramatic Imitation, 1660-1732; 2. Imitation of Nature as Idea; 3. Imitation of Nature as ""The City Between""; 4. The Varieties of Dramatic Satire in the 1670s; 5. Nature as... mehr

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    Cover; Title; Copyright; Contents; Acknowledgments; 1. The Four Stages of Dramatic Imitation, 1660-1732; 2. Imitation of Nature as Idea; 3. Imitation of Nature as ""The City Between""; 4. The Varieties of Dramatic Satire in the 1670s; 5. Nature as the Experiential Actual, 1680-1700; 6. Imitation of the Inner Arena: Sentimental, Pornographic, or Novelistic?; 7. Emulation: The Early Eighteenth Century; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. In this provocative study Rose Zimbardo examines a crucial revolution in aesthetics that took place in the late seventeenth century and that to this day dominates our response to literature. Although artists of that time continued to follow the precept ""imitate nature, "" that nature no longer corresponds to the earlier understanding of the term. What had been in essence an allegorical mode came to be a literal one. Focusing on the drama of the period as an exemplary form, Zimbardo shows how it moved from depicting a metaphysical reality of idea to portraying an inner reality of individual expe

     
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  19. Critics, values, and Restoration comedy
    Erschienen: c1982
    Verlag:  Southern Illinois University Press, Carbondale

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